Until her perfect world is shattered. When a warring jungle tribe ransacks the village and kidnaps her, separating her from her parents, she is forced to live as a slave. And she begins a journey that will culminate in the meeting of a handsome and kind steward named Joseph. Like her, Joseph was taken away from his home, and it is in him that Asenath comes to find solace...and love. But just as they are beginning to form a bond, Joseph is betrayed by his master's wife and thrown into prison. Is Asenath doomed to a lifetime of losing everything and everyone she loves?

    At the age of ninety-two, the head of Donovan Corporation deserved a household staff. What shocked Reid was the fact that his grandfather's majordomo was a sexy blond bombshell with big blue eyes and curves in all the right places. Considering the recent kidnapping threats his grandfather had received, Reid didn't think the lady butler was a good idea.A graduate of Ivor Spencer's London School for Butler Administrators, Margaret Guarneri wasn't ruffled by Reid Donovan's critical assessment. In the past year, she'd developed a rapport with the elderly Mr. Donovan, who was amused and delighted by the antics of her daughter Amy And apart from their personal attachment, Margaret was the perfect butler, from her firm demeanor to her black silk tuxedo.The situation had been ideal until Reid Donovan came along. One glimpse of his sherry brown eyes sent waves of heat shimmering through Margaret's cool facade. His tender touch reminded her how it felt to be a woman in love, a woman with needs and passions. But falling in love with the boss's grandson was strictly forbid-den, and Margaret was well schooled in protocol. She had to put duty before the lure of desire.

    Caesar and Cleopatra satirizes Shakespeare's use of history and comments wryly on the politics of Shaw's own time, but the undertone of melancholy makes it one of his most affecting plays.

    Shaped by a profound sense of tragic irony, it is a work that gives full play to Victor Hugo's brilliant historical imagination and his remarkable powers of description.

    One night in winter, Peter Lake, orphan and master-mechanic, attempts to rob a fortress-like mansion on the Upper West Side.Though he thinks the house is empty, the daughter of the house is home. Thus begins the love between Peter Lake, a middle-aged Irish burglar, and Beverly Penn, a young girl, who is dying.Peter Lake, a simple, uneducated man, because of a love that, at first he does not fully understand, is driven to stop time and bring back the dead. His great struggle, in a city ever alight with its own energy and besieged by unprecedented winters, is one of the most beautiful and extraordinary stories of American literature.

    At least five passengers are sick. Both pilots are unconscious and in serious condition. My name is George Spenser. I am a passenger on this airplane. Correction: I was a passenger. I am now the pilot. What happened? Who was the new pilot? Would anyone reach the ground alive?

    And when two eminent archaeologists have died mysteriously, Judith Osmond was certain that it was the curse at work. Then, overnight, her life changed. There was an unexpected inheritance. Then Tybalt, a young archaeologist and the man she adored, asked her to marry him. But Tybalt planned a honeymoon amid the tombs of the Pharaohs, and suddenly it looked as if the curse of the kings had come to haunt Judith . . .

    Consisting of a series of episodes in the story of the English outlaw Robin Hood and his band of Merry Men, the novel compiles traditional material into a coherent narrative in a colorful, invented "old English" idiom that preserves some flavor of the ballads, and adapts it for children. The novel is notable for taking the subject of Robin Hood, which had been increasingly popular through the 19th century, in a new direction that influenced later writers, artists, and filmmakers through the next century.[1]Pyle had been submitting illustrated poems and fairy tales to New York publications since 1876, and had met with success. The Merry Adventures of Robin Hood was the first novel he attempted. He took his material from Middle Age ballads and wove them into a cohesive story, altering them for coherence and the tastes of his child audience. For example, he included "Robin Hood and the Curtal Friar" in the narrative order to reintroduce Friar Tuck. He needed a cooperative priest for the wedding of outlaw Allan a Dale (Pyle's spelling of the original Alan-a-Dale) to his sweetheart Ellen. In the original "A Gest of Robyn Hode", the life is saved of an anonymous wrestler who had won a bout but was likely to be murdered because he was a stranger. Pyle adapted it and gave the wrestler the identity of David of Doncaster, one of Robin's band in the story "Robin Hood and the Golden Arrow." In his novelistic treatment of the tales, Pyle thus developed several characters who had been mentioned in only one ballad, such as David of Doncaster or Arthur a Bland. Pyle's book continued the 19th-century trend of portraying Robin Hood as a heroic outlaw who robs the rich to feed the poor; this portrayal contrasts with the Robin Hood of the ballads, where the protagonist is an out-and-out crook, whose crimes are motivated by personal gain rather than politics or a desire to help others.[1] For instance, he modified the ballad "Robin Hood's Progress to Nottingham", changing it from Robin killing fourteen foresters for not honoring a bet to Robin defending himself against a band of armed robbers. Pyle has Robin kill only one man, who shoots at him first. Tales are changed in which Robin steals all that an ambushed traveler carried, such as "Robin Hood and the Bishop of Hereford", so that the victim keeps a third and another third is dedicated to the poor. Pyle did not have much concern for historical accuracy, but he renamed the queen-consort in the story "Robin Hood and Queen Katherine" as Eleanor (of Aquitaine). This made her compatible historically with King Richard the Lion-Hearted, with whom Robin eventually makes peace. The novel was first published by Scribner's in 1883, and met with immediate success,[1] ushering in a new era of Robin Hood stories. It helped solidify the image of a heroic Robin Hood, which had begun in earlier works such as Walter Scott's 1819 novel Ivanhoe. In Pyle's wake, Robin Hood has become a staunch philanthropist protecting innocents against increasingly aggressive villains.[1] Along with the publication of the Child Ballads by Francis James Child, which included most of the surviving Robin Hood ballads, Pyle's novel helped increase the popularity of the Robin Hood legend in the United States. The Merry Adventures also had an effect on subsequent children's literature. It helped move the Robin Hood legend out of the realm of penny dreadfuls and into the realm of respected children's books.[2] After Pyle, Robin Hood became an increasingly popular subject for children's books: Louis Rhead's Bold Robin Hood and His Outlaw Band (1912) and Paul Creswick's Robin Hood (1917), illustrated by Pyle's pupil N. C.

    N. Roquelaure, with this beautifully repackaged boxed set of the three erotic novels in her acclaimed Sleeping Beauty trilogy.