Mae West, a far cry from the Hollywood actress, has been thrown for a loop. Her plush lifestyle in the big city of New York comes to a screeching halt after the FBI raids her mansion and arrests her husband, Paul West, for a Ponzi scheme that rips people out of millions of dollars. Mae finds herself homeless, friendless, and penniless. All hope isn't lost. . .the only thing Mae got to keep that the government didn't seize is a tourist camp ground, Happy Trails, in Normal, Kentucky and an RV to live in. One problem, Mae's idea of camping has room service. By the look of the brochure, Happy Trails has plush Kentucky Bluegrass, a crystal clear lake, a beach chair with her name on it and thoughts of how much money it could bring her after she sells it. Mae figures she'll take a couple weeks vacation with her toes dipped in the lake. Things aren't always as they appear. The Kentucky Bluegrass is nothing but dirt and the crystal clue lake is murky with green slime on top. Mae quickly find out that Happy Trails and the citizens of Normal were also victims of Paul's schemes, making her lower than tha lake scum in the residents' eyes. Mae doesn't think things could get much worse, but as luck would have it, Paul West has escaped from prison and is found dead, murdered, floating in the Happy Trails mucky green lake. Mae is the number one suspect on Detective Hank Sharp's short list. After all, Mae has the perfect motive as a kept wife who has been scorned to ashes, embarrassed to death, and seeking revenge. Time is running out for Mae to prove that she's innocent and nothing like her husband. If only she could get someone to believe her and talk Detective Sharp into looking at other residents who've lost all their savings to Paul's Ponzie scheme before the curtain is closed on this Hollywood namesake.

    He sought to raise his young daughter away from the violence of the big city . . . so he’s unprepared for the horrific killer he discovers, whose bloody trail may lead to Portland’s social elite.Early on a September evening, the mutilated body of a pretty teenaged girl, a high school soccer star, is found dumped in a scrap-metal yard. She had been viciously assaulted, but her heart had been cut out of her chest with surgical precision. The very same day a young businesswoman, also a blonde and an athlete, was abducted as she jogged through the streets of the city’s west end. McCabe suspects both crimes are the work of the same man---a killer who’s targeting the young---who is clearly well-versed in complex surgical procedures, and who may have struck before. Just as the investigation is beginning, McCabe’s ex-wife reemerges, suddenly determined to reclaim the daughter she heedlessly abandoned years earlier.With the help of his straight-talking (and, at times, alluring) partner, Maggie Savage, McCabe begins a race against time to rescue the missing woman and unmask a sadistic killer---before more lives are lost.

    

    A rich, attractive femme fatale. A missing husband. A rollicking ride to a dark and daring ending. Reed Ferguson’s first case is a daring adventure, complete with a dose of film noir, and a lot of humor. With a great supporting cast of the Goofball Brothers, Reed’s not too bright neighbors, and Cal, Reed’s computer geek friend, This Doesn’t Happen In The Movies is detective noir at its best. Follow Reed as he solves crime akin to his cinematic hero, Humphrey Bogart. Great for fans who love a fast-paced, humorous read, without a lot of swearing or sex.

    She’s locked in a bitter struggle with her ex-husband and teenage daughter, and her reckless new partner is anything but trustworthy.Still, she has a job to do: there’s a killer at large, and a pregnant woman has gone missing. Once Devlin and her partner get to work, they quickly unearth secrets involving Birmingham’s most esteemed citizens. Each new layer of the investigation brings Devlin closer to the killer and the missing woman, who starts looking more like a suspect than a victim.But just as answers come into view, the case twists, expands, and slithers into Devlin’s personal life. There’s a much more sinister game at work, one she doesn’t even know she’s playing—and she must unravel the truth once and for all to stop the killer before she loses everything.

    P. Beaumont may be an old homicide hand now, but back when he was a rookie working with his first partner, Milton Gurkey—a.k.a. Pickles—things took a turn for the worse . . . One day, at the end of Beaumont and Pickles's shift, a stop at the Doghouse restaurant quickly turns deadly. Not feeling well, Pickles steps out into the parking lot for a breath of fresh air and stumbles into a crime in progress. Suffering from a heart attack, he is found unconscious, with a dead woman on the ground nearby and the murder weapon in his hand. With Pickles under investigation from Internal Affairs, it's up to the new kid on the block, J. P. Beaumont, and his friends on the force to find out the truth.

     But when Joanna finds a key in a 1930s Lanvin coat cast off by an ex-showgirl, everything changes. The elderly woman turns up dead, and Joanna is pulled into a long-ago drama of back room deals, blackmail, and lost love. She must find a very real—and present day—killer before she becomes his next victim. “As you dive into this intriguing mystery novel featuring vintage clothing dealer/sleuth Joanna Hayworth and a quirky cast of characters, prepare for an entertaining ride through long-buried crimes and Portland lore to solve the mystery of 'the woman in the Lanvin coat.' A truly enjoyable read!" --Christine Finlayson, author of Tip of a Bone, a Pacific Northwest mystery "Slip on a pair of pink mules and a silk robe, mix up a shaker of martinis, and relax with this delightful mystery set in a Portland vintage clothing store. Populated by a charming heroine and a flock of odd characters, this engaging tale will satisfy the sleuth in you as well as the fashionista." --Ann Littlewood, author of Endangered, a zoo-dunnit

    Driven off the force by her treacherous partner and lover, she’s flat broke and struggling with a gambling addiction. All Nicole has left is the dream of a warm bed at a homeless shelter and the haunting memories of three-year-old Kelsey Chase—whose murder case ended her career.As Nicole obsesses over the old facts, she realizes everything about that case felt off: a disinterested mom, a suicidal pedophile, and too many questions left unanswered. When the little girl’s grieving father begs Nicole for help, she’s drawn back into the investigation…and given one shot at redemption.But the deeper Nicole digs, the more evil she uncovers, including betrayals that hit painfully close to home. Will a shocking discovery be the key to finally getting justice for Kelsey and resurrecting her own life?

    It will also change Catherine’s. Doug and Catherine come from two different worlds. Catherine’s world is one of privilege and wealth. Doug grew up dirt poor and full of envy of others who had the things that he wanted but could not have. His goal was to one day have all the things he coveted. Their worlds collide when Catherine, VP of a large New York City marketing firm, hires Doug. As soon as Doug learns of Catherine’s wealth, he sees Catherine as his ticket to all the things he covets. After a whirlwind courtship, they are married. Poor boy meets rich girl should have resulted in “happily ever after” — not exactly. Doug quickly learns he also covets independence. Events begin to unfold in each of their lives. For Doug, it is his mysterious discovery in the secret compartment of the Corvette. For Catherine, it is a business meeting with Alex Droxell at the Osprey Cove Lodge. When Catherine enters the beautiful and serene lodge, it’s as though she is entering another place and time. The lodge is an escape from the nightmare she is living back home. Follow the twists and turns of Book 1 of the Osprey Cove Lodge Series. Follow Doug and Catherine’s story to see if there is a “happily ever after” and with whom. EXCERPT: It appeared to Catherine as though she had just approached Mr. Darcy’s Pemberly in all its magnificence. Now she knew how Elizabeth felt at her first sighting of Pemberly. But unlike Elizabeth, Catherine thought, there would be no happy ending. This would not become her home one day, as Pemberly had become Elizabeth’s, and live happily ever after. Catherine did not covet the house that lay before her. In fact, Catherine was wealthy enough to buy a home like it, if she so desired. What Catherine did long for was what Pemberly represented to all Jane Austen lovers — the culmination of a beautiful love affair. Catherine was not naive enough to expect her life to be storybook in nature. But she did not expect her life with Doug to disintegrate into shambles just two years after marrying him. She did not understand why it was happening. She did not know how to fix it.

    Magical. Deadly.Emory Chastain, owner of Healing Herbs, sells everything from love potions to herbal tea blends. She is also the most powerful witch of the modern era. When a stranger drops dead in her shop, Emory is left with no choice but to investigate.Enlisting the help of her friends and the very handsome Noah, she soon discovers that someone is using magic to poison people, turning them stark raving mad. The clock is ticking, can Emory stop the killer? Or will time run out for the residents of Deepwood?Potions, Poisons, and Peril is the first book in the paranormal cozy mystery series, Deepwood Witches Mysteries.

    If she can just avoid questions from that cute guy at the newspaper, no one ever needs to find out about her past.Will Hamlin, editor of the local paper, has some serious questions about the mayor’s new secretary. She’s clearly hiding something—something that could be the big story the newspaper desperately needs to stay afloat. But after Will’s initial queries find nothing, he grows less interested in Cara’s past and more interested in winning her heart with slices of pie and stolen kisses.When a crime is uncovered at city hall just as Will unearths Cara’s secret, the repercussions shatter their romance. Can Cara ever escape her past? Can Will finally find a way to save the paper? And can they learn to place their trust in God and open their hearts to the love of a lifetime?

    Fifteen years later she's got a degree in hospitality management and a great job supervising every aspect of the day-to-day operations of a high-end boutique hotel on the Baltimore waterfront. Then her high school best friend asks her to come talk with the town leaders of Asheford, but she won't say why. Kate can't cut her last link to her past, so she agrees to make the short trip across the state to Asheford.Once Kate arrives, the town council members reveal that their town is on the verge of going bankrupt, and they've decided that Kate's skills and knowledge make her the perfect person to cure all their ills. The town has used its last available funds to buy the huge Victorian mansion just outside of town, hoping to use it to attract some of the tourists who travel to visit the nearby Civil War battle sites. Kate has less-than-fond memories of the mansion, for personal reasons, but to make matters worse, the only person who has presented a possible alternate plan is Cordelia Walker--Kate's high school nemesis, who had a hand in driving Kate away from Asheford so many years.But a few days later Kate receives a call from the police--Cordelia has been found dead on the mansion property, and Kate is all-but certain that her name is high on the suspect list. She finds herself juggling the murder investigation and her growing fascination with the magnificent old house that turns out to be full of long-hidden mysteries itself. Kate knows she must clear her name and save her town--before she ends up behind bars.

    Instead, she reinvents herself and the new Bobbie Jones—new haircut, new name, new attitude—follows her soon-to-be ex to the small Northern California town of Cottonmouth. What better way to show him—and his sweetheart—what he’s missing in the brand new Bobbie Jones than taking up with the town’s local bad boy—who’s also reputed to be a serial killer. Nick Angel is devilishly handsome and sexy as all get-out. In a word, perfect.It’s all going exactly according to plan...until a real murder rocks the little town of Cottonmouth. Of course, Nick didn’t do it...did he?“She’s Gotta Be Mine”, previously published as “Sex and the Serial Killer”,

    Too bad his body didn't!Advertising copywriter Leigh Koslow doesn't pack heat--just a few extra pounds. And she doesn't go looking for trouble. When she moved into her cousin Cara's refurbished Victorian house, she wasn't planning on discovering a corpse--certainly not one that had been embalmed ten years before. But as anyone in the small Pittsburgh borough of Avalon could tell her, her cousin's house has a history attached. A history dating back to two mysterious deaths in the summer of 1949.Someone wants Leigh and Cara out of the house--someone who has something to hide. But that someone doesn't know Leigh's impetuous cousin, and when Cara digs her heels in, Leigh looks to her old college chum, local policewoman Maura Polanski, for help. But the answers the trio find only point to more questions. Were the scandalous deaths of fifty years ago really an accident and a suicide? Or were they murder?The nearer the women get to the truth, the more desperate someone becomes. Because some secrets are better off kept. Especially when they hit close to home!

    If a single award existed for sinking himself into his work, he’d have two.But the latest crime scene he’s called to, an old abandoned factory, leaves him with more bodies than leads. Three drug dealers are found shot to death—not an uncommon sight in the least. The problem lies with the pair of middle-aged women—bound, gagged, and executed—found at the same location.Before he can sink his teeth into the initial investigation, Kane is called out to another multiple homicide. He comes up with only more questions when the second group of murders appears connected to the first. As the lieutenant tracks down the few leads, he begins to get a clearer picture of those he seeks. That picture quickly turns crystal clear when Kane finds himself face-to-face with someone that “armed and dangerous” doesn’t even begin to describe.