On Halloween night, a young witch meets a group of children and has such a good time with them that she almost misses the witches' annual meeting.

    Long ago, its famous chocolate-makers were clever sorcerers. Now evil villains are hunting the secret of their greatest recipe. The terrifying power of this magic chocolate could destroy the world.The children are swept into a thrilling battle, helped by an invisible cat, a talking rat and the ghost of an elephant.

    Trolls, werewolves, and butter-churn riding witches lurk amid the clawing branches, eager to swoop up the unwary. Jinx has always feared leaving the path—then he meets the wizard Simon Magus. Jinx knows that wizards are evil. But Simon’s kitchen is cozy, and he seems cranky rather than wicked. Staying with him appears to be Jinx’s safest, and perhaps only, option. As Jinx’s curiosity about magic grows, he learns to listen to the trees as closely as he does to Simon’s unusual visitors. The more Jinx discovers, the more determined he becomes to explore beyond the security of well-trod paths. But in the Urwald, a little healthy fear is never out of place, for magic—and magicians—can be as dangerous as the forest, and soon Jinx must decide which is the greater threat. Sage Blackwood introduces a daring new hero for an innovative new world as Jinx is joined by friends, battles enemies, and discovers life beyond—and even within—the forest is more complex than he can imagine, and that the Urwald itself needs him more than he could ever guess.

    We’re the guards, we are. We hear that the house has gone all to sixes and sevens since we left it, but that’s going to be remedied now’Young Kay Harker lives in an old house in the country, filled with portraits of his ancestors. His only companions are his unpleasant guardian Sir Theopompus and his governess Sylvia Daisy Pouncer (who, Kay suspects, has stolen all his toys). Life is lonely and dull, until one night Kay’s great-grandpapa Harker, a sea captain, steps out of his portrait to tell him about a stolen treasure that belongs to Kay’s family. The evil Abner Brown is searching for it too, but Kay is helped by the midnight folk: creatures like Nibbins the cat and Rollicum Bitem Lightfoot the fox, and even his lost toys, who will join him on his dangerous quest.The Midnight Folk is a feast of imaginative story-telling, a glorious cornucopia of pirates and witches, lost treasure and talking animals. Although it was published in 1927, it evokes an older world: houses are lit by oil lamps, and travel is by horse, carriage – or broomstick. Masefield perfectly captures a child’s perspective, from the terrors of tigers under the bed to the horrors of declining a Latin adjective. Yet there is also plenty of humour that adults will appreciate, from Miss Piney Trigger, who swigs champagne in bed and prides herself on having backed a host of Derby winners, to Kay’s lessons: ‘Divinity was easy, as it was about Noah’s Ark. French was fairly easy, as it was about the cats of the daughter of the gardener.’ This mingling of past and present, reality and fantasy, has made this one of the most rewarding and influential children’s books ever written.

    Seven mysterious dragons. A race against time.Aided by the mysterious magic of Deltora's last dragons, Lief, Barda and Jasmine have found and destroyed two of the Four Sisters, evil Shadow Lord creations that have been poisoning Deltora. Now, aware that time is running out for the kingdom's starving people, the adventurers are racing to their goal, on the wild west coast.

    Or is it a haunting? Minty believes she is a witch - not the type you would notice ordinarily - - she appears to be like anyone else but is quite used to seeing phantoms floating about the place, and thinks it is perfectly normal. Minty is very determined as well, which is just as important because when she goes to stay with her aunt in the village of Belton she soon realizes that she has a task to do. . .

    Stories about three little girl witches in a world of magic

    The aim of these editions is to be as close as possible to Beatrix Potter's intentions while benefiting from modern printing and design techniques. The colours and details of the watercolours in the volumes are reproduced more accurately than ever before, and it has now been possible to disguise damage that has affected the artwork over the years. Most notably, The Tale of Peter Rabbit restores six of Potter's original illustrations. Four were sacrificed in 1903 to make space for illustrated endpapers, and two have never been used before. Of course, Beatrix Potter created many memorable children's characters, including Benjamin Bunny, Tom Kitten, Jemima Puddle-duck and Jeremy Fisher. But whatever the tale, both children and adults alike can be delighted by the artistry in Potter's illustrations, while they also enjoy a very good read. Because they have always been completely true to a child's experience, Potter's 23 books continue to endure.

    The Dreamsnatcher is waiting. He has already taken her dreams and now he wants her life. Because Moll is more important than she knows… The Oracle Bones foretold that she and Gryff, a wildcat that has always been by her side, are the only ones who can fight back against the Dreamsnatcher's dark magic. Suddenly everything is at stake, and Moll is drawn into a world full of secrets, magic and adventure.

    It’s not enough that his mother has sent him away from home to learn magic. It’s not enough that everyone at his new school calls him Thornmallow because he’s “prickly on the outside, squishy within.” It’s not enough that the only talent he shows at Wizard’s Hall is an ability to make messes of even the simplest spells. Now, when Wizard’s Hall is threatened by a cruel sorcerer’s fearsome beast, it is up to Henry--er, Thornmallow--to figure out how to save not only his new friends but also the entire school for wizards.

    After all, who's really going to miss a few tarnished coins?The well witch does.And she demands payback: Now Ryan, Josh, and Chelle must serve her . . . and the wishes that lie rotting at the bottom of her well. Each takes on powers they didn't ask for and don't want. Ryan grows strange bumps--are they eyes?--between his knuckles; Chelle starts speaking the secrets of strangers, no matter how awful and bloody; and Josh can suddenly--inexplicably--grant even the darkest of wishes, the kind of wishes that should never come true.Darkly witty, wholly unexpected, and exquisitely sinister, Frances Hardinge's Well Witched is one well-cast tale that readers didn't know they were wishing for.

    What’s even better is that Aristotle has found the kind witch Bella Donna to be his owner. Somehow she is always there when he gets into trouble, whether tumbling down the chimney, tipping over a giant milk jug, or tearing away from a snarling watchdog - just as a truck comes areening by. Is it luck? Or maybe a little bit of magic?

    Which is the villainous whited sepulcher?Elodie journeys to the town of Two Castles to become a mansioner—an actress—but luck is against her. She is saved from starvation by the dragon Meenore, who sends her on a dangerous mission inside the ogre's castle. There, disguised as a kitchen maid at an ogre's feast, she finds herself cast in the role of a lifetime and pitted against a foe intent on murder.Newbery Honor author Gail Carson Levine weaves an entrancing tale of a fearsome ogre, a dragon detective, and a remarkable heroine, who finds friendship where she least expects it, learns that there are many ways to mansion, and discovers that goodness and evil come in all shapes and sizes.

    For the house is positively overflowing with sparkling magic—she can feel it. And it’s not long before Rose realises that maybe, just maybe, she has a little bit of magic in her, too. . . .The first book in an exciting, get-lost-in-the-world series about orphans, alchemy, magical powers and sinister child-catchers.

    Every day 'It' will grant each of them a wish that lasts until sunset, often with disastrous consequences.Never out of print since 1902. The Introduction to this edition examines Nesbit's life and her reading, showing the change in childrens' literature from Victorian times.