Ave Maria Mulligan is the town's self-proclaimed spinster, a thirty-five year old pharmacist with a "mountain girl's body and a flat behind." She lives an amiable life with good friends and lots of hobbies until the fateful day in 1978 when she suddenly discovers that she's not who she always thought she was. Before she can blink, Ave's fielding marriage proposals, fighting off greedy family members, organizing a celebration for visiting celebrities, and planning the trip of a lifetime-a trip that could change her view of the world and her own place in it forever. Brimming with humor and wise notions of small-town life, Big Stone Gap is a gem of a book with a giant heart. . . .

    For eighteen-year-old Adair Colley, it is a nightmare that tears apart her family and forces her and her sisters to flee.The treachery of a fellow traveler, however, brings about her arrest, and she is caged with the criminal and deranged in a filthy women's prison. But young Adair finds that love can live even in a place of horror and despair. Her interrogator, a Union major, falls in love with her and vows to return for her when the fighting is over. Before he leaves for battle, he bestows upon her a precious gift: freedom.Now an escaped "enemy woman," Adair must make her harrowing way south buoyed by a promise...seeking a home and a family that may be nothing more than a memory.

    The sketches, poems, and stories of black rural and urban life that make up Cane are rich in imagery. Visions of smoke, sugarcane, dusk, and flame permeate the Southern landscape: the Northern world is pictured as a harsher reality of asphalt streets. Impressionistic, sometimes surrealistic, the pieces are redolent of nature and Africa, with sensuous appeals to eye and ear.

    A woman who can handle any situation, she has her hands full with two headstrong daughters who happen to be complete opposites -- dour Dorothy and sweet Clancy Jane. Hoping money will heal childhood wounds, Dorothy marries the owner of a five-and-dime, while Clancy Jane gets into a mess of trouble, running off with a randy tomcat who pumps gas at the Esso stand. And then there are Gussie's granddaughters, the smart but plain Violet and fancy-talking Bitsy -- a new generation whose lives will reflect a nation's tumultuous times. From Tennessee to New Orleans, from psychedelic San Francisco to a remote Southwestern desert ranch, this funny, poignant novel spans more than four decades as it vividly recounts the universal loves, sorrows, and joys of women's lives.

    "Bailey White's sketches evoke a sort of real-life Lake Wobegon."--The New York Times.

    At the heart of this story is Ruth Anne Boatwright, known simply as Bone, a bastard child who observes the world around her with a mercilessly keen perspective. When her stepfather Daddy Glen, "cold as death, mean as a snake," becomes increasingly more vicious toward her, Bone finds herself caught in a family triangle that tests the loyalty of her mother, Anney—and leads to a final, harrowing encounter from which there can be no turning back.

    Most of them—sons and daughters of corrections officers and staff—left the place as soon as they could. Yet Ginny Polk chose to come back to work as a prison cook. She knows the harsh reality of life within those walls—the cries of men being beaten, the lines of shuffling inmates chained together. Yet she has never seen them as monsters, not even the ones sentenced to execution. That’s why, among her duties, Ginny has taken on a special responsibility: preparing their last meals.Pot roast or red beans and rice, coconut cake with seven-minute frosting or pork neck stew . . . whatever the men ask for Ginny prepares, even meeting with their heartbroken relatives to get each recipe just right. It’s her way of honoring their humanity, showing some compassion in their final hours. The prison board frowns upon the ritual, as does Roscoe Simms, Greenmount’s Warden. Her daddy’s best friend before he was murdered, Roscoe has always watched out for Ginny, and their friendship has evolved into something deep and unexpected. But when Ginny stumbles upon information about the man executed for killing her father, it leads to a series of dark and painful revelations.Truth, justice, mercy—none of these are as simple as Ginny once believed. And the most shocking crimes may not be the ones committed out of anger or greed, but the sacrifices we make for love.

    Teenage Sid Tussie sees big changes in his poor Kentucky family when they receive $10,000 insurance money for the death of his uncle in World War II and other greedy relatives scramble to share the wealth.

    For years she’s been the caretaker of her psychotic mother, Camille— the crown-wearing, lipstick-smeared laughingstock of an entire town. Though it’s 1967 and they live in Ohio, Camille believes it’s 1951 and she’s just been crowned the Vidalia Onion Queen of Georgia.The day CeeCee discovers Camille in the front yard wearing a tattered prom dress and tiara as she blows kisses to passing motorists, she knows her mother has completely flipped. When tragedy strikes, Tootie Caldwell, a previously unknown great-aunt comes to CeeCee’s rescue and whisks her away to Savannah. Within hours of her arrival, CeeCee is catapulted into a perfumed world of prosperity and Southern eccentricities—a world that appears to be run entirely by women.While Tootie is busy saving Savannah’s endangered historic homes from the wrecking ball, CeeCee encounters a cast of unforgettable, eccentric characters. From the mysterious Thelma Rae Goodpepper, who bathes in an outdoor tub under the watchful eyes of a voyeuristic peacock, to Oletta Jones, the all-knowing household cook, to Violene Hobbs, the loud-mouthed widow who entertains a local police officer in her yellow see-through peignoir, the women of Gaston Street keep CeeCee entertained and enthralled for an entire summer.But CeeCee’s view of the world is challenged in ways she could have never imagined: there are secrets to keep, injustices to face, and loyalties to uphold. Just as she begins to find her ballast and experiences a sense of belonging, her newfound joy collides with the long-held fear that her mother’s legacy has left her destined for destruction.Laugh-out-loud funny, at times heartbreaking, and written in a pitch-perfect voice, Saving CeeCee Honeycutt is a spirited Southern tale that explores the intricate frailties and strengths of female relationships while illuminating the journey of a young girl who loses her mother but finds many others.

    Not since Huck Finn rafted down the Mississippi has there been a coming-of-age story like this, told in such an utterly authentic unlettered American voice. From a charming encounter with first love in the Canciennes' corn patch to an adventurous paddle through wild and timeless places little explored, Ken Wells has cooked up a zesty gumbo of a book--rich, poignant, and often hilarious.* An American Library Association/YALSA best book of the year

    In the slum known as the Ape Yard, hope's last refuge is a boardinghouse where a handful of residents dream of a better life. Earl Whitaker, who is white, and Tio Grant, who is black, are both teenagers, both orphans, and best friends. In the same house live two of the most important adults in the boys' lives: Em Jojohn, the gigantic Lumbee Indian handyman, is notorious for his binges, his rat-catching prowess, and his mysterious departures from town. Jayell Crooms, a gifted but rebellious architect, is stuck in a loveless marriage to a conventional woman intent on climbing the social ladder.Crooms's vision of a new Ape Yard, rebuilt by its own residents, unites the four-and puts them on a collision course with Doc Bobo, a smalltown Machiavelli who rules the community like a feudal lord. Jeff Fields's exuberantly defined characters and his firmly rooted sense of place have earned A Cry of Angels an intensely loyal following. Its republication, more than three decades since it first appeared, is cause for celebration.

    Dispossessed farmer Pearl Jewett ekes out a hardscrabble existence with his three young sons: Cane (the eldest; handsome; intelligent); Cob (short; heavy set; a bit slow); and Chimney (the youngest; thin; ill-tempered). Several hundred miles away in southern Ohio, a farmer by the name of Ellsworth Fiddler lives with his son, Eddie, and his wife, Eula. After Ellsworth is swindled out of his family’s entire fortune, his life is put on a surprising, unforgettable, and violent trajectory that will directly lead him to cross paths with the Jewetts. No good can come of it. Or can it?In the gothic tradition of Flannery O’Connor and Cormac McCarthy with a healthy dose of cinematic violence reminiscent of Sam Peckinpah, Quentin Tarantino and the Coen Brothers, the Jewetts and the Fiddlers will find their lives colliding in increasingly dark and horrific ways, placing Donald Ray Pollock firmly in the company of the genre’s literary masters.

    The matter: a deadly betrayal, unspoken and unspeakable, born of political enmity. As the boy listens through the silence that surrounds him, the truth spreads like a stain until it engulfs him and his family. And as he listens, and watches, the world of legend--the stone fort of Grianan, home of the warrior Fianna; the Field of the Disappeared, over which no gulls fly--reveals its transfixing reality. Meanwhile the real world of adulthood unfolds its secrets like a collection of folktales: the dead sister walking again; the lost uncle, Eddie, present on every page; the family house "as cunning and articulate as a labyrinth, closely designed, with someone sobbing at the heart of it."Seamus Deane has created a luminous tale about how childhood fear turns into fantasy and fantasy turns into fact. Breathtakingly sad but vibrant and unforgettable, Reading in the Dark is one of the finest books about growing up--in Ireland or anywhere--that has ever been written.

    For generations, the Burroughs clan has made its home on Bull Mountain in North Georgia, running shine, pot, and meth over six state lines, virtually untouched by the rule of law. To distance himself from his family’s criminal empire, Clayton took the job of sheriff in a neighboring community to keep what peace he can. But when a federal agent with the Bureau of Alcohol, Tobacco, and Firearms shows up at Clayton’s office with a plan to shut down the mountain, his hidden agenda will pit brother against brother, test loyalties, and could lead Clayton down a path to self-destruction.

    With her signature style and grace, Mayes explores the power of landscape, the idea of home, and the lasting force of a chaotic and loving family. From her years as a spirited, secretive child, through her university studies—a period of exquisite freedom that imbued her with a profound appreciation of friendship and a love of travel—to her escape to a new life in California, Mayes exuberantly recreates the intense relationships of her past, recounting the bitter and sweet stories of her complicated family: her beautiful yet fragile mother, Frankye; her unpredictable father, Garbert; Daddy Jack, whose life Garbert saved; grandmother Mother Mayes; and the family maid, Frances’s confidant Willie Bell.Under Magnolia is a searingly honest, humorous, and moving ode to family and place, and a thoughtful meditation on the ways they define us, or cause us to define ourselves. With acute sensory language, Mayes relishes the sweetness of the South, the smells and tastes at her family table, the fragrance of her hometown trees, and writes an unforgettable story of a girl whose perspicacity and dawning self-knowledge lead her out of the South and into the rest of the world, and then to a profound return home.