They were great tall things, the ironwork all twisted leaves and queer-looking flowers. And they were very definitely shut.'Tilly's heart sinks. Will's at the door of their cottage, daring her to come ice-skating up at Frost Hollow Hall. No one goes near the place these days. Rumour has it that the house is haunted . . . Ten years ago the young heir, Kit Barrington, drowned there in the lake. But Tilly never turns down a dare.Then it goes horribly wrong. The ice breaks, Tilly falls through and almost drowns. At the point of death, a beautiful angel appears in the water and saves her. Kit Barrington's ghost.Kit needs Tilly to solve the mystery of his death, so that his spirit can rest in peace. In order to discover all she can, Tilly gets work as a maid at Frost Hollow Hall. But the place makes her flesh crawl. It's all about the dead here, she's told, and in the heart of the house she soon discovers all manner of dark secrets . . .'Frost Hollow Hall' is a thrilling historical fiction debut. Told in Tilly's unique voice, it is a tale of love and loss, and how forgiveness is the key to recovery.

    By which we mean: orderly, neat, contained and, moreover, beardless.Or at least it is until one famous day, when Dave, bald but for a single hair, finds himself assailed by a terrifying, unstoppable... monster*!Where did it come from? How should the islanders deal with it? And what, most importantly, are they going to do with Dave?The first book from a new leading light of UK comics, The Gigantic Beard That Was Evil is an off-beat fable worthy of Roald Dahl. It is about life, death and the meaning of beards.(*We mean a gigantic beard, basically.)

    “I have a gift that allows me to see truth where others see the illusion--and there are many illusions. All the world’s a stage, as they say, and I seem to have the only seat in the house with a view behind the curtain.”Newly arrived in New Fiddleham, New England, 1892, and in need of a job, Abigail Rook meets R. F. Jackaby, an investigator of the unexplained with a keen eye for the extraordinary--including the ability to see supernatural beings. Abigail has a gift for noticing ordinary but important details, which makes her perfect for the position of Jackaby’s assistant. On her first day, Abigail finds herself in the midst of a thrilling case: A serial killer is on the loose. The police are convinced it’s an ordinary villain, but Jackaby is certain it’s a nonhuman creature, whose existence the police--with the exception of a handsome young detective named Charlie Cane--deny.Doctor Who meets Sherlock in William Ritter’s debut novel, which features a detective of the paranormal as seen through the eyes of his adventurous and intelligent assistant in a tale brimming with cheeky humor and a dose of the macabre.

    is a series of women's monologues tackling many different aspects of the complex female psyche.

    He's in charge of making Halloweenland the coolest creepy place around. But when Jack suddenly grows bored with tricks and treats, he goes searching for new ways to celebrate...and he finds them in Christmas Town! Christmas, Jack decides, is just what Halloweenland -- and the world -- needs! He sets out to take over the role of Santa. But can anything good come of a tall and lanky skeleton dressed up as everyone's favorite jolly old elf? Tim Burton's The Nightmare Before Christmas is one of the Walt Disney Company's most successful franchises, with a huge cult following and a loyal and growing fan base. This beautiful reissue of the book first released in 1993 is a surefire Halloween, Christmas, and year-round hit! The Nightmare Before Christmas is the first book that Tim Burton has written and illustrated.

    Césaire’s rich and insightful adaptation of The Tempest draws on contemporary Caribbean society, the African-American experience and African mythology to raise questions about colonialism, racism and their lasting effects.

    The Carney farmhouse is a hive of activity with preparations for the annual harvest. A day of hard work on the land and a traditional night of feasting and celebrations lie ahead. But this year they will be interrupted by a visitor.Developed by Sonia Friedman Productions, The Ferryman premiered at the Royal Court Theatre, London, in April 2017, before transferring to the West End. The production was directed by Sam Mendes.

    Secrets are being kept closely guarded. Destruction to homes and threatening messages are becoming common.For Simon and his friends, being visited by strange creatures calling themselves the imaginary friends is not quite as childish as they thought it might be. The creatures like to keep their lives a mystery, but want to know an awful lot about the people of Hedgely.The Secret Circle of Imaginary Friends is an exciting journey into the unknown, where you never know just who may be watching you.

    Frances Calhoun wrote in the conversational southern language of the early 20th century. Episodes include: "The Rabbit's Left Hind Foot", "A Green Eyed Billy" and, "Education and Its Perils." After the author's death, later books in this series were written by Emma Sampson.

    Boom tells the story of an elderly woman and her property agent son in Singapore, who are struggling over the potential en bloc sale of their home. Their destinies become interwoven with that of an idealistic civil servant, Jeremiah, who is facing the greatest challenge of his career—persuading a reluctant corpse to yield its memories. Boom is a quirky yet poignant tale about the relocation of both dead and living, and how personal stories get left behind in the inexorable march of progress.Written by economist-turned-playwright Jean Tay, Boom was conceptualised at the Royal Court Theatre in London in 2007, and developed and staged by the Singapore Repertory Theatre in September 2008. It was nominated for Best Original Script for The Straits Times’ Life! Theatre Awards in 2009 and is now an O- and N-Level Literature text in Singapore schools.“Jean Tay is one of the most gifted playwrights I have come across in years.” —Gaurav Kripalani, Artistic Director, Singapore Repertory Theatre

    . .Sometimes, when a person dies, their spirit goes looking for somewhere to hide. Some people have space within them, perfect for hiding. Twelve-year-old Makepeace has learned to defend herself from the ghosts which try to possess her in the night, desperate for refuge, but one day a dreadful event causes her to drop her guard. And now there's a spirit inside her. The spirit is wild, brutish and strong, and it may be her only defence when she is sent to live with her father's rich and powerful ancestors. There is talk of civil war, and they need people like her to protect their dark and terrible family secret. But as she plans her escape and heads out into a country torn apart by war, Makepeace must decide which is worse: possession – or death.

    To find the bird, Mytyl and Tyltyl quest through the Land of Memory to the Palace of Night. The children get help from the good fairy Bérylune.

    His best friend is too burnt out to provide any coherent speculation; his sister has gone goth; his ex-girlfriend has recently been institutionalized; and his other friends are too inebriated to give him any sort of solace. But a chance meeting with an artistic kid, the target of this group's bullying, offers CB a peace of mind and sets in motion a friendship that will push teen angst to the very limits. Drug use, suicide, eating disorders, teen violence, rebellion and sexual identity collide and careen toward an ending that's both haunting and hopeful.

    Our story is set thousands of years after the Terran Exodus, where two powerful, planet-dominating families—the elegant House Jakabitus and the less refined Hahn Empire—have reached a critical point in their generations-long war. Master Hennik, the Hahn ruler’s only son, has been captured, and the disposition of his internment may represent a last and welcome chance for peace.Enter Wollard, the impeccably distinguished and impossibly correct Master of Formalities for House Jakabitus. When he suggests that Master Hennik be taken in as a ward of the House, certain complications arise. Wollard believes utterly and devotedly in adhering to rules and good etiquette. But how does one inform the ruler of a planet that you are claiming his son as your own—and still create enough goodwill to deescalate an intergalactic war?

    Stine, Holly Black, Brett Helquist, and many more. You’ll never look at your closest door, your cat, your sock drawer, or even yourself in the mirror the same way again.