The formidable Alice Paul led the women's suffrage movement, and saw President Wilson's election as an opportunity to win the vote to women. She battered her opponent with endless strategic arguments and carefully coordinated protests, calling for a new amendment granting women the right to vote. With a spirit and determination that never quit--even when peaceful protests were met with violence and even when many women were thrown in jail--Paul eventually convinced President Wilson to support her cause, changing the country forever.

    Long ago on an island filled with music, no one questioned that rule—until the drum dream girl. In her city of drumbeats, she dreamed of pounding tall congas and tapping small bongós. She had to keep quiet. She had to practice in secret. But when at last her dream-bright music was heard, everyone sang and danced and decided that both girls and boys should be free to drum and dream.         Inspired by the childhood of Millo Castro Zaldarriaga, a Chinese-African-Cuban girl who broke Cuba's traditional taboo against female drummers, Drum Dream Girl tells an inspiring true story for dreamers everywhere.

    She took the name Frank Thompson and joined a Michigan army regiment to battle the Confederacy. Sarah excelled as a soldier and nurse on the battlefield. Because of her heroism, she was asked to become a spy. Her story comes to life through the signature illustrations and design of John Hendrix and the exciting storytelling of Marissa Moss.

    and the 1963 March on Washington. But there's little on his legendary speech and how he came to write it. Find out more in this gripping book with illustrations by Caldecott Medalist Jerry Pinkney.Martin Luther King, Jr. was once asked if the hardest part of preaching was knowing where to begin. No, he said. The hardest part is knowing where to end. "It's terrible to be circling up there without a place to land."Finding this place to land was what Martin Luther King, Jr. struggled with, alongside advisors and fellow speech writers, in the Willard Hotel the night before the March on Washington, where he gave his historic "I Have a Dream" speech. But those famous words were never intended to be heard on that day, not even written down for that day, not even once.Barry Wittenstein teams up with legendary illustrator Jerry Pinkney to tell the story of how, against all odds, Martin found his place to land.

    A former slave, Fields became the first African American woman stagecoach driver in 1895, when, in her 60s, she beat out all the cowboys applying for the job by being the fastest to hitch a team of six horses. She won the dangerous and challenging job, and for many years traveled the badlands with her pet eagle, protecting the mail from outlaws and wild animals, never losing a single horse or package. Fields helped pave the way for other women and people of color to become stagecoach drivers and postal workers.

    He was a leader of the abolitionist movement, a celebrated writer, an esteemed speaker, and a social reformer, proving that, as he said, “Once you learn to read, you will be forever free.”The story of one of America’s most revered figures is brought to life by the text of award-winning author Walter Dean Myers and the sweeping, lush illustrations of artist Floyd Cooper.

    They run barefoot through unlit woods, sleep beneath bushes, take shelter in a kind stranger's home. Where are they heading? They are heading for Freedom by way of the Underground Railroad."A stellar introduction to the Underground Railroad, narrated by a group of slaves. Readers experience the fugitives' escape, their long nighttime journey punctuated by meetings with friends and enemies, and their final glorious arrival in a place of freedom....Though subdued in palette until the eruption of color as the figures reach the threshold of freedom, the author's collaged nocturnal paintings shimmer with an arresting luminescence." For preschool to grade 3 readers. --Jayne Damron, School Library Journal (starred review)

    He tells her that his words were stolen from him when he was taken to live at a residential school as a boy. The little girl then sets out to help her grandpa find his language again.

    While other girls played with dolls, Joan preferred the company of reptiles. She carried her favorite lizard with her everywhere--she even brought a crocodile to school!When Joan grew older, she became the Curator of Reptiles at the British Museum. She went on to design the Reptile House at the London Zoo, including a home for the rumored-to-be-vicious komodo dragons. There, just like when she was a little girl, Joan hosted children's tea parties--with her komodo dragon as the guest of honor.With a lively text and vibrant illustrations, scientist and writer Patricia Valdez and illustrator Felicita Sala bring to life Joan Procter's inspiring story of passion and determination.

    Born in 1876 on the Yankton Sioux reservation in South Dakota, Zitkala-Sa willingly left her home at age eight to go to a boarding school in Indiana. But she soon found herself caught between two worlds--white and Native American. At school she missed her mother and her traditional life, but Zitkala-Sa found joy in music classes. "My wounded spirit soared like a bird as I practiced the piano and violin," she wrote. Her talent grew, and when she graduated, she became a music teacher, composer, and performer. Zitkala-Sa found she could also "sing" to help her people by writing stories and giving speeches. As an adult, she worked as an activist for Native American rights, seeking to build a bridge between cultures. The coauthors tell Zitkala-Sa's life by weaving together pieces from her own stories. The artist's acrylic illustrations and collages of photos and primary source documents round out the vivid portrait of Zitkala-Sa, a frightened child whose spirit "would rise again, stronger and wiser for the wounds it had suffered."

    Elizabeth Cotten was only a little girl when she picked up a guitar for the first time. It wasn't hers (it was her big brother's), and it wasn't strung right for her (she was left-handed). But she flipped that guitar upside down and backwards and taught herself how to play it anyway. By age eleven, she'd written "Freight Train," one of the most famous folk songs of the twentieth century. And by the end of her life, people everywhere—from the sunny beaches of California to the rolling hills of England—knew her music.

    If you were a boy named Henri Matisse who lived in a dreary town in northern France, what would your life be like? Would it be full of color and art? Full of lines and dancing figures?Find out in this beautiful, unusual picture book about one of the world's most famous and influential artists by acclaimed author and Newbery Medal-winning Patricia MacLachlan and innovative illustrator Hadley Hooper.A Neal Porter Book

    Both boys escaped into the worlds of science fiction and pulp magazine adventure tales. Jerry wrote stories, and Joe illustrated them. In 1934, they created a superhero who was everything they were not. It was four more years before they convinced a publisher to take a chance on their Man of Steel in a new format—the comic book. The author includes a provocative afterword about Jerry and Joe’s long struggle with DC Comics when they realized they had made a mistake in selling all rights to Superman for a mere $130!Marc Tyler Nobleman’s text captures the excitement of Jerry and Joe’s triumph, and the energetic illustrations by Ross MacDonald, the author-artist of Another Perfect Day, are a perfect complement to the time, the place, and the two young visionaries.

    “Count Victor Lustig,” moved to Paris hoping to be an artist. A con artist, that is. He used his ingenious scams on unsuspecting marks all over the world, from the Czech Republic, to Atlantic ocean liners, and across America. Tricky Vic pulled off his most daring con in 1925, when he managed to "sell" the Eiffel Tower to one of the city’s most successful scrap metal dealers! Six weeks later, he tried to sell the Eiffel Tower all over again. Vic was never caught. For that particular scam, anyway. . . . Kids will love to read about Vic's thrilling life, and teachers will love the informational sidebars and back matter. Award-winner Greg Pizzoli’s humorous and vibrant graphic style of illustration mark a bold approach to picture book biography.

    My brothers had doubts. School was seven miles away—a long way from Mama. Virgie was scarcely big as a field mouse. How could she make the trip? And girls didn’t really need school. But I got to thinking: Virgie was free like we were. Free to learn. And didn’t girls need to know how to write and add, too? Mama and Papa thought so. And one summer, they decided to do something about it. That was the year Virgie came to school with us boys. And she sure showed us!