Book picks similar to
What Is Scenography? by Pamela Howard
theatre
from-bruce
germany
theatre-art-film
Liveness: Performance in a Mediatized Culture
Philip Auslander - 1999
This provocative book tackles some of the enduring 'sacred truths' surrounding the high cultural status of the live event.
Tiger Battalion 507: Eyewitness Accounts from Hitler's Regiment
Helmut Schneider - 2020
The resulting account is a treasure trove of first-hand material, from personal memories, diary entries and letters to leave passes, wartime newspaper cuttings, Wehrmacht bulletins and more than 160 photographs.The account follows the unit from its formation in 1943 and the catastrophic events on the Eastern Front, through battles on the Western Front and engagements against the American 3rd Armoured Division to the confusion of retreat, panic-stricken flight and Soviet captivity in the closing stages of the war. Honest and unflinching, this remarkable collection of autobiographies offers a glimpse into life in Hitler's panzer division and is a stark testimony of a generation that sacrificed its best years to the war.This is the first English-language translation of the work.
The Storm Beyond The Tides
Jonathan Cullen - 2019
War is on the horizon but on Monk Island, Maine life goes on as usual. As the daughter of a lobsterman, Ellie Ames’ future seems limited until a mysterious German couple comes off the ferry with their nineteen-year-old son. From the moment she meets Karl Brink, the two become inseparable and not everyone approves because locals are suspicious of outsiders. Ellie ignores their scorn, however, and the secret she learns about Karl’s family makes her even more determined to be with him. The magical summer ends when the Brinks suddenly have to go home. And although Karl promises to return in the fall, by then Europe is at war. Two years pass and Ellie has all but given up hope when she gets a letter in the mail that will change her life forever.The Storm Beyond The Tides is the story of the unlikely romance between a small-town girl and a German on the eve of the Second World War and explores a frightening time in America’s past—when U-Boats prowled the East Coast and put small, coastal communities on the frontline of a global conflict.
Hook, Line, and Sinker
Len Deighton - 1992
But not even that discovery will help if the Department itself wants his blood....SPY LINEBritish agent Bernard Samson finds himself inexplicably hunted as a traitor, forced to abandon his life, his job, his position, and plunge into hiding in the most dangerous and darkest corner of Berlin. What is happening? What has he done? Nothing makes sense until Samson discovers that the Secret Service has known all along where he is. In fact, they have never taken him off the payroll. And now they are prepared to return his freedom and good name � but there are strings attached, strings that begin to tighten around his neck even before his plane lands in Vienna . . . SPY SINKERBritish agent Bernard Samson's family and career are about to be betrayed and crushed by his wife - lovely, brilliant Fiona Samson.
The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade
Peter Weiss - 1963
But this play-within-a-play is not historical drama. Its thought is as modern as today's police states and The Bomb; its theatrical impact has everywhere been called a major innovation. It is total theatre: philosophically problematic, visually terrifying. It engages the eye, the ear, and the mind with every imaginable dramatic device, technique, and stage picture, even including song and dance. All the forces and elements possible to the stage are fused in one overwhelming experience. This is theatre such as has rarely been seen before. The play is basically concerned with the problem of revolution. Are the same things true for the masses and for their leaders? And where, in modern times, lie the borderlines of sanity?
Devil's Own Luck: Pegasus Bridge to the Baltic 1944-45
Denis Edwards - 1999
He brilliantly conveys what it was like to be facing death, day after day, night after night, with never a bed to sleep in nor a hot meal to go home to. This is warfare in the raw ' brutal, yet humorous, immensely tragic, but sadly, all true.
I Am a Camera
John Van Druten - 1952
For the most part, it concerns itself with the mercurial and irresponsible moods of a girl called Sally Bowles. When we first meet her, she is a creature of extravagant attitudes, given to parading her vices, enormously confident that she is going to take life in her stride. She is fond of describing herself as an 'extraordinary interesting person,' and she is vaguely disturbing. As we get to know her, as we watch her make frightened arrangements for an illegal operation, seize at the tinseled escape offered by a rich and worthless American playboy, attempt to rehabilitate herself and fail ludicrously, we are more and more moved, more and more caught up in the complete and almost unbearable reality of this girl. [The author has] placed a character named Mr. Isherwood on the stage He serves both as narrator and as principal confidant to Sally Bowles. He is the camera eye of the title, attracted to Sally, yet dispassionate about her." Though Sally is the chief point of interest, the plight of the Jew in Germany in the early '30s is brought within focus in a few touching scenes.
How Plays Work
David Edgar - 1998
Through historical and modern examples, the book analyzes the basic elements of dramatic structure, action, plot, character, dialogue, and genre.
Blue Surge
Rebecca Gilman - 2002
What Rebecca Gilman makes of this familiar scenario is something startlingly real and compelling, delving deeply into the small space that can divide a feeling of hope from one of hopelessness, as Curt and Sandy both try to get a foothold in the American dream of a house, a job, a life, a relationship with another human being.Gilman's previous play, Boy Gets Girl, was acclaimed by Time magazine as the best play of 2000, saying that "with Spinning into Butter, her play about race relations on campus, Rebecca Gilman gave notice that she was a playwright to watch. And with this intense drama of a woman's encounter with a stalker, she became one to hail . . . It's not just a gripping play but also an important one." Marked by Gilman's characteristically sharp delineation of character, pitch-perfect dialogue, and effortless use of humor that is both biting and silly, Blue Surge is a worthy successor to these plays--an intimate look at the class struggle in America today as well as a brilliant example of the dramatic craft from one of today's most accomplished practitioners. It will have its world premiere at the Goodman Theatre in Chicago in the spring of 2001.
Danton's Death, Leonce and Lena, Woyzeck
Georg Büchner - 1985
The German writer Georg Buchner, who died in 1837 aged 23, left only three works for the theatre. Danton's Death, his great fresco of the French Revolution, was written in five weeks when Buchner was under threat of arrest for his own revolutionary activities. His sad comedy, Leonce and Lena, was composed in haste for a publisher's competition for which it was entered too late. The extraordinary proletarian tragedy Woyzeck was left unfinished at Buchner's death. Virtually unknown until the end of the nineteenth century, the plays have found an important place in the modern international repertory.
I Am My Own Wife
Doug Wright - 2004
A transvestite and celebrated antiques dealer who successfully navigated the two most oppressive regimes of the past century-the Nazis and the Communists--while openly gay and defiantly in drag, von Mahlsdorf was both hailed as a cultural hero and accused of colluding with the Stasi. In an attempt to discern the truth about Charlotte, Doug Wright has written "at once a vivid portrait of Germany in the second half of the twentieth century, a morally complex tale about what it can take to be a survivor, and an intriguing meditation on everything from the obsession with collecting to the passage of time" (Hedy Weiss, Chicago Sun-Times).
The Viewpoints Book: A Practical Guide to Viewpoints and Composition
Anne Bogart - 2004
It was first articulated by choreographer Mary Overlie, who broke down the two dominant issues performers deal with—space and time—into six categories. Since that time, directors Anne Bogart and Tina Landau have expanded her notions and adapted them for actors to function together spontaneously and intuitively and to generate bold, theatrical work.The Viewpoints are a set of names given to certain principles of movement through time and space—they constitute a language for talking about what happens on stage. Coupling this with Composition, which is the practice of selecting and arranging the separate components of theatrical language into a cohesive work of art, provides theatre artists with an important new tool for creating and understanding their art form.Primarily intended for the many theatre artists who, in the last several years, have become intrigued with Viewpoints yet have had no single source to refer to in their investigations. It can also be used by anyone with a general interest in collaboration and the creative process, whether in art, business or daily life.Anne Bogart is Artistic Director of the SITI Company, which she founded with Japanese director Tadashi Suzuki in 1992. She is the recipient of two OBIE Awards and a Bessie Award, and is an associate professor at Columbia University. Her recent works include Alice’s Adventures; Bobrauschenbergamerica; Small Lives, Big Dreams; Marathon Dancing; and The Baltimore Waltz.Tina Landau, noted director and playwright, whose original work includes Space (Time magazine 10 Best), Dream True (with composer Ricky Ian Gordon) and Floyd Collins (with composer Adam Guettel), which received the Lucille Lortel Award for Best Musical, an OBIE Award and seven Drama Desk nominations. She has been an ensemble member of the Steppenwolf Theatre Company since 1997.
The Secret of the Grand Hôtel du Lac
Kathryn Gauci - 2020
He was sure he heard a noise outside. It sounded like a twig snapping. Under normal circumstances it would have meant nothing, but in the silence of the forest every sound was magnified. There it was again. This time it was closer and his instinct told him it wasn’t the wolves. He reached for his gun and quietly looked out through the window. The moon was on the wane, wrapped in the soft gauze of snowfall and it wasn’t easy to see. Maybe it was a fox, or even a deer. Then he heard it again, right outside the door. He cocked his gun, pressed his body flat against the wall next to the door, and waited. The room was in total darkness and his senses were heightened. After a few minutes, he heard the soft click of the door latch.” February 1944. Preparations for the D-Day invasion are well advanced. When contact with Belvedere, one of the Resistance networks in the Jura region of Eastern France, is lost, Elizabeth Maxwell, is sent back to the region to find the head of the network, her husband Guy Maxwell.It soon becomes clear that the network has been betrayed. An RAF airdrop of supplies was ambushed by the Gestapo, and many members of the Resistance have been killed.Surrounded on all sides by the brutal Gestapo and the French Milice, and under constant danger of betrayal, Elizabeth must unmask the traitor in their midst, find her husband, and help him to rebuild Belvedere in time for SOE operations in support of D-Day.
Dr. Faustus
Christopher Marlowe
Two different versions of the play were published in the Jacobean era, several years later. The powerful effect of early productions of the play is indicated by the legends that quickly accrued around them—that actual devils once appeared on the stage during a performance, "to the great amazement of both the actors and spectators", a sight that was said to have driven some spectators mad.