His wife of ten years, Esther, is a war correspondent who has disappeared along with a friend, Mikhail, who may or may not be her lover.Was Esther kidnapped, murdered, or did she simply escape a marriage that left her unfulfilled? The narrator doesn’t have any answers, but he has plenty of questions of his own. Then one day Mikhail finds the narrator and promises to reunite him with his wife. In his attempt to recapture a lost love, the narrator discovers something unexpected about himself.

    The author writes of an encounter they had with a being called 'Tal' who looked human but claimed to be an alien. The author believes that this person was in fact an alien due to the content of their conversation and the events that lead to and followed it. The author requested we divulge no information about the book that could influence the first reading of it. We will reveal, however, that in the conversation, Tal attempts to show the author how a far more advanced life form would observe and function in the universe. Tal does not describe a technological superiority, but an actual perceptual and physical difference that leads to a fundamentally greater understanding of the world. The conversation covers many topics; including time, the perception of extra dimensions, quantum theory, infinity, and consciousness. Tal uses examples from modern scientific theory, ancient religions, alien worlds and even chess. The author wished to publish this book because they felt that this encounter dramatically changed their life.

    Schuon asserts that to transcend religious differences, we must explore the esoteric nature of the spiritual path back to the Divine Oneness at the heart of all religions.

    He sent his journals, a novel-in-progess, and copies of all his poems to his mentor, Columbia professor Mark Van Doren, for safe keeping, fully expecting to write little, if anything, ever again.? It was a relatively short-lived resolution, for Merton almost immediately found himself being assigned writing tasks by his Abbot?one of which was the autobiographical essay that blossomed into his international best-seller The Seven Storey Mountain. That book made him famous overnight, and for a time he struggled with the notion that the vocation of the monk and the vocation of the writer were incompatible. Monasticism called for complete surrender to the absolute, whereas writing demanded a tactical withdrawal from experience in order to record it.? He eventually came to accept his dual vocation as two sides of the same spiritual coin and used it as a source of creative tension the rest of his life.? Merton's thoughts on writing have never been compiled into a single volume until now. Robert Inchausti has mined the vast Merton literature to discover what he had to say on a whole spectrum of literary topics, including writing as a spiritual calling, the role of the Christian writer in a secular society, the joys and mysteries of poetry, and evaluations of his own literary work. Also included are fascinating glimpses of his take on a range of other writers, including Henry David Thoreau, Flannery O'Connor, Dylan Thomas, Albert Camus, James Joyce, and even Henry Miller, along with many others.