He is a writer, observes the "Chicago Tribune," who can "convincingly squeeze whole lives into a mere twenty pages or so." Now Chaon marshals his notable talents in his much-anticipated debut novel. "You Remind Me of Me" begins with a series of separate incidents: In 1977, a little boy is savagely attacked by his mother's pet Doberman; in 1997 another little boy disappears from his grandmother's backyard on a sunny summer morning; in 1966, a pregnant teenager admits herself to a maternity home, with the intention of giving her child up for adoption; in 1991, a young man drifts toward a career as a drug dealer, even as he hopes for something better. With penetrating insight and a deep devotion to his characters, Dan Chaon" "explores the secret connections that irrevocably link them. In the process he examines questions of identity, fate, and circumstance: Why do we become the people that we become? How do we end up stuck in lives that we never wanted? And can we change the course of what seems inevitable? In language that is both unflinching and exquisite, Chaon moves deftly between the past and the present in the small-town prairie Midwest and shows us the extraordinary lives of "ordinary" people.

    But instead of taking off with his fishing buddy, James put down his rod and surrendered. It was a move that would change his life forever. Expecting a small fine and a lecture, James instead received enough knowledge about fishing and the great outdoors to last a lifetime.The story of an unlikely friendship, Joe and Me is a book for those who remember the mentor in their life, the one who changed the way they look at the world.

    A god-like ocean deposits many a thing, yet it also takes away. The 1960s blaze off shore and draw the island’s inhabitants into politics, the Vietnam War, and the peace movement. Sound impossible? Not on Whalebone Island, AKA the Republic of Nothing. Where else can a dead circus elephant, a long-dead Viking, the discovery of uranium, a raven-haired castaway who may be psychic, an anarchist turned politician, and refugees fleeing from the United States all be part of everyday life? Where else is eccentricity embraced with such open arms? In this new readers’ guide edition, complete with an afterword by Neil Peart, Lesley Choyce’s novel about resilience, independence, and anarchy comes alive, leading readers to discover once again that everything is nothing and nothing is everything.

    He didn't expect Darlene Johnson to walk into his office with her chocolate box. And certainly didn't expect what followed. . Book One of the Detectives That Don't Fit Series.

    From kidnapping to bank robbing, pursuing rainbow trout to unspeakable monsters, from the deserts of Texas to the desolate forests of Oregon, Our Love Will Go the Way of the Salmon is about the extreme measures people take to recapture the ones that got away.

    From the author of "Edwin Mullhouse" and the Pulitzer Prize-winning "Martin Dressier" come three dazzling novellas about the many shapes of love.

    On list of “10 Best Indie Books of 2019” at Shelf Unbound Magazine. Finalist for Best Novel at the Next Generation Book Awards 2020, (often referred to as the "Sundance of Books" in the media). Winner of a Bronze Medal at the Readers' Favorite Awards 2020."Emotionally rich, psychologically exciting, and inspiring" - Readers' Favorite”The Weight of a Moment is the best book I have read in a long time.” – Linda Carson, Host, Suncoast View, ABC 7, Sarasota FL"Profound...replete with startling twists and turns" - Seattle Book Review “One of the most compelling and thought-provoking pieces of literature I’ve read in quite some time.” - Blogger, booksinmylibraryblog .wordpress .comAnd, Goodreads reviewers praised it also, calling it “profound,” “beautifully written,” "relevant," "powerful," and “one of the best books I’ve read this year.” Critically acclaimed, this second novel from the author of Skyscraper of a Man is a brilliant sophomore effort.The Weight of a Moment is a beautiful story about the fragility of life and the redemptive power of friendship. Nick Sterling, a Fenwick Prize winning journalist, can't move beyond a tragedy caused by one of his articles. Tom Corbett, a successful antiques dealer, is humiliated and shamed by an internet video that damages his business, marriage, and family. After their blunders, one shameful and one fatal, the two men run from their pasts, meet in a small Pennsylvania town, and, despite—or because of—the most unusual circumstances, help each other find redemption. Together, they make an unusual discovery that changes everything, one that unwittingly puts them back onto the national stage. Joined by fate, each man's journey is remarkable in its own right and only exceeded by their shared journey. In a profound final scene, Nick confronts his tragic mistake, asks for forgiveness, and the novel's title, The Weight of a Moment, is fully realized. Contrasting elements: big cities and small towns, modern and historic, priceless and valuable, compassion and condemnation, add to the richness of the tale. Critically acclaimed, this second novel from the author of Skyscraper of a Man is a brilliant sophomore effort.

    She is thirteen years old the first time she dies.Lauren Pailing is a teenager in the eighties, becomes a Londoner in the nineties. And each time she dies, new lives begin for the people who loved her – while Lauren enters a brand new life, too.But in each of Lauren’s lives, a man called Peter Stanning disappears. And, in each of her lives, Lauren sets out to find him.And so it is that every ending is also a beginning. And so it is that, with each new beginning, Peter Stanning inches closer to finally being found…

    This incredible portrait of Erik--the Phantom--recreates his entire life, from his survival as a child in a carnival freak show to his creative genius behind the Paris Opera House--and its labyrinthine world below--to his discovery of love.

    . . and even mystical others—sure to touch your heartSean Magee is a firefighter—a hero who risks his own life to save others, running into dangerous situations few have the courage to dare. While fighting a horrific blaze, Sean becomes trapped by flames and is nearly overcome by smoke. Just when it seems that all is lost, he’s led to a window—by what he swears is divine intervention. And then he jumps . . . . . . into a new life. For years, Sean has shut down his feelings, existing in a state of emotional numbness. Coming through that fire, he knows that he can no longer be that man whose his heart is closed to the world. But before he can face his future, he must confront his past and everyone in it: the family, the friends, the woman—and the love—he carelessly left behind.

    There have been several detours―career snafus, bad romantic choices, a loved but unplanned child―not to mention her ill-advised lifelong obsession with boxer Mike Tyson. Evie is not plucky, but when life’s changes smash over her like the rough surf of the local shoreline, she muddles through―until that moment of loss and longing when muddling will no longer suffice. This is the story of what the baddest girl on the planet must find in herself when a bag of pastries, a new lover, or quick trip to Vegas won’t fix anything, and when something more than casual haplessness is required. The Baddest Girl on the Planet is inventive, sharp, witty, and poignant. Readers will want to jump in and advise this baddest girl on the planet―or at least just give her a shake or a hug―at every fascinating turn.

    It had come time to leave Los Angeles. Thus begins the pre-apocalyptic, cross-country race with death to bury the murdered past in Joseph Mattson's EMPTY THE SUN, an urgent, beautifully reckless novel of transgressive loss and hunted redemption culminating in a shotgun fight with God. Includes an open-road, open-whiskey soundtrack by enigmatic and stunning Drag City recording artist Six Organs of Admittance.

    He doesn't quite fit in. Berenice, Aurore, and Leonard are on track to have doctorates by age twenty-four. Jeremie performs with a symphony, and Simone, older than Isidore by eighteen months, expects a great career as a novelist. She's already put Isidore to work on her biography. The only time they leave their rooms is to gather on the old, stained couch and dissect prime-time television dramas in light of Aristotle's Poetics.Isidore has never skipped a grade or written a dissertation, but he notices things the others don't and asks questions they fear to ask. So when tragedy strikes the Mazal family, Isidore is the only one to recognize how everyone is struggling with their grief and perhaps the only one who can help them--if he doesn't run away from home first.Isidore's unstinting empathy, combined with his simmering anger, makes for a complex character study, in which the elegiac and comedic build toward a heartbreaking conclusion. With How to Behave in a Crowd, Camille Bordas immerses readers in the interior life of a boy puzzled by adulthood and beginning to realize that the adults around him are just as lost.

    Two girls quite accidentally crossed paths: one, pretty and popular; the other smart and . . . green. The story of how these two unlikely friends became Glinda the Good and the Wicked Witch of the West has made for the most spellbinding musical in years: WickedWicked: The Grimmerie is the behind-the-scenes story of the hit that has captivated Broadway—and now the world. Designed to resemble the ancient book of spells that changes Ozian history, Wicked: The Grimmerie includes profiles of the cast and creative team, the complete, illustrated lyrics to all the songs, and more than 200 full-color photographs. Packed with thrillifying details, Wicked: The Grimmerie is also full of bonus features that will delight fans of the show, from an Ozian Glossararium and an Oz travelogue to a step-by-step look at how Elphaba gets green. No need for innuendo or outuendo: This is a must-have for Wicked fans of all ages.

    Told in four volumes over seven years, with emails, g-chats, and an ‘interview’ with Lydia Davis (and a nod to Ms. Davis’s The End of the Story), the style of Person/a is often experimental, pushing the boundaries between fiction and nonfiction, obsession and mental instability, female independence and a loyalty to current and former lovers, but with the ultimate loyalty being to oneself or one's writing, and is there a difference? and should we be ashamed?