Real people live their lives here. They wrestle with familiar instincts, with sex and desire, with everyday routine. But the wild is always close at hand, ready to erupt. This is a place where animals and people commingle and fuse, where curious metamorphoses take place, where myth and dark magic still linger. So here a teenager may starve herself into the shape of an eel. A house might fall in love with a girl. A woman might give birth to a – well what?

    Though her own circumstances remain indistinct, she becomes the audience to a chain of narratives, as the people she meets tell her one after another the stories of their lives.Beginning with the neighbouring passenger on the flight out and his tales of fast boats and failed marriages, the storytellers talk of their loves and ambitions and pains, their anxieties, their perceptions and daily lives. In the stifling heat and noise of the city the sequence of voice begins to weave a complex human tapestry. The more they talk the more elliptical their listener becomes, as she shapes and directs their accounts until certain themes begin to emerge: the experience of loss, the nature of family life, the difficulty of intimacy and the mystery of creativity itself.Outline is a novel about writing and talking, about self-effacement and self-expression, about the desire to create and the human art of self-portraiture in which that desire finds its universal form.

    There have been several detours―career snafus, bad romantic choices, a loved but unplanned child―not to mention her ill-advised lifelong obsession with boxer Mike Tyson. Evie is not plucky, but when life’s changes smash over her like the rough surf of the local shoreline, she muddles through―until that moment of loss and longing when muddling will no longer suffice. This is the story of what the baddest girl on the planet must find in herself when a bag of pastries, a new lover, or quick trip to Vegas won’t fix anything, and when something more than casual haplessness is required. The Baddest Girl on the Planet is inventive, sharp, witty, and poignant. Readers will want to jump in and advise this baddest girl on the planet―or at least just give her a shake or a hug―at every fascinating turn.

    In a few months' time the British flag will be lowered all over India, and with Independence thousands of those who made their lives there - as planters, civil servants, or in the Indian army - will be returning to England.Among those coming home, as everyone speaks of it, are Will and Flo Sutherland, who fell in love at the end of the war. India has been the defining experience of their lives: how will they make a new life now?Sue Gee's new novel is filled with pathos and humour, beautifully evoking an all-but vanished world.

    When the people you live among can’t pronounce your name, it’s hard to know exactly who you are. And when your body no longer feels like your own, it’s hard to understand your place in the world. In Stubborn Archivist, a young British Brazilian woman from South London navigates growing up between two cultures and into a fuller understanding of her body, relying on signposts such as history, family conversation, and the eyes of the women who have shaped her—her mother, grandmother, and aunt. Our stubborn archivist takes us through first love and loss, losing and finding home, trauma and healing, and various awakenings of sexuality and identity. Shot through the novel are the narrator's trips to Brazil, sometimes alone, often with family, where she accesses a different side of herself—one, she begins to realize, that is as much of who she is as anything else. A hypnotic and bold debut, Stubborn Archivist is as singular as its narrator; a novel you won't soon forget.

    But The Hiding Place need not "hide" behind any ready-made comparisons; Azzopardi's astonishing, tension-filled debut stands assuredly on its own as a work of tremendous power and originality. The Hiding Place is narrated by Dolores, the youngest of six daughters born to a Maltese immigrant father and a Welsh mother. With one hand permanently disfigured by a fire when she was only one month old -- the hand is beautifully described by the author as "a closed white tulip standing in the rain; a cutoff creamy marble in the shape of a Saint; a church candle with its tears flowing down the bulb of wrist" -- Dolores has always been treated as an outcast. Her father, Frankie Gauci, is an incorrigible gambler who bets "more than he can afford to lose." On the day Dolores is born, he loses his half-share of a caf&eacute, as well as the apartment above it where his family lives. Everything in Frankie's life is potential currency, including his family; he even sells his second-oldest daughter Marina to gangster Joe Medora in exchange for a house and money to pay off his debts. Dolores's mother, Mary, is driven to the edge of insanity as she watches the world around her collapse, helpless to save even her children from her husband's vices. At times, The Hiding Place paints a phantasmagoric portrait of cruelty, but Trezza Azzopardi's gracefully exacting prose saves her tale from becoming a shock-fest of the sort you would expect on daytime television talk shows. Azzopardi forges profundity through delicately interwoven double-sided images: rabbits that are the children's playthings, until they are brutally slaughtered by their father; trunks, rooms, and cages that can either protect or ensnare; and most abundantly and most significantly, fire, which can warm as well as ravage. Even Dolores's older sister Fran is sent away to a home for being a pyromaniac, craving risk like her father, "gambling on how hot, how high, on how long she can bear it." While some readers may wonder how Dolores is able to relate events that happened when she was so young, it is easy to associate these stories with the phantom pains she feels in her missing fingers, her ability to "miss something [she] never knew." The story comes to us in a dreamlike tapestry, weaving together different times and perspectives. Consequently, the narrative is fragmented, leaving the reader with half-tellings, missing details, stories that unfold only in the retelling, and a sense that the only fact we can be certain of is the profound meaning she imparts through them. The Hiding Place is as much a portrait of a family's destruction as it is an exploration of how memory bends and buckles under the weight of ruin, and how "blame can be twisted like a flame in draught; it will burn and burn."

    But none affected him more than the enchanting Cesca, a girl blessed with incandescent beauty and a wild, irrepressible spirit.Growing up, Wylie’s friendship with her brother, Aurelio, a budding painter of singular talent, brings him near Cesca’s circle. A young woman confident in her charms, Cesca is amused by Wylie’s youthful sensuality and trusting innocence. Toying with his devotion, she draws him closer to her fire—ultimately ruining him for any other woman.Spanning several decades, moving through the worlds of high society, finance, and art, and peopled with poignant characters, Girl in the Moonlight takes us on a whirlwind tour, from the wooded cottages of old East Hampton to the dining rooms of Upper East Side Manhattan to the bohemian art studios of Paris and Barcelona. As he vividly brings to life Wylie and Cesca’s tempestuous, heart wrenching affair, Charles Dubow probes the devastating depths of human passion and the nature of true love.

    Desperate and afraid of her feelings for an Irish priest with whom she has been working, she spends eight days on the run, encountering a variety of characters along the way: a cynical Englishman who helps her out; a suspicious Peruvian police officer who takes her in for questioning; and two American Peace Corps workers who befriend her. As Kate traverses this dangerous physical journey through Peru, she also embarks upon an interior journey of self-discovery―one that leads her somewhere she never could have expected.

    After Justine's father abandoned the family, Lula became a devout member of the Holiness Church - a community that Justine at times finds stifling and terrifying. But Justine does her best as a devoted daughter, until an act of violence sends her on a different path forever. Crooked Hallelujah tells the stories of Justine--a mixed-blood Cherokee woman-- and her daughter, Reney, as they move from Eastern Oklahoma's Indian Country in the hopes of starting a new, more stable life in Texas amid the oil bust of the 1980s. However, life in Texas isn't easy, and Reney feels unmoored from her family in Indian Country. Against the vivid backdrop of the Red River, we see their struggle to survive in a world--of unreliable men and near-Biblical natural forces, like wildfires and tornados--intent on stripping away their connections to one another and their very ideas of home.In lush and empathic prose, Kelli Jo Ford depicts what this family of proud, stubborn, Cherokee women sacrifice for those they love, amid larger forces of history, religion, class, and culture. This is a big-hearted and ambitious novel of the powerful bonds between mothers and daughters by an exquisite and rare new talent.

    Elisabeth, born in 1984, has her eye on the future. The United Kingdom is in pieces, divided by a historic once-in-a-generation summer.Love is won, love is lost. Hope is hand in hand with hopelessness. The seasons roll round, as ever...

    She used to imagine she was the good kind, now she’s not sure. She’d like to ask Dad about it, but growing up in the saddest chapter of someone else’s story is difficult. She tries not to skate on the thin ice of his memories.Darren has done his best. He's studied his daughter like a seismologist on the lookout for waves and surrounded her with everything she might want - everything he can think of, at least - to be happy.What Clover wants is answers. This summer, she thinks she can find them in the second bedroom, which is full of her mother's belongings. Volume isn't important, what she is looking for is essence; the undiluted bits: a collection of things that will tell the full story of her mother, her father and who she is going to be.But what you find depends on what you're searching for.

    Being the opara of the family, Kingsley Ibe is entitled to certain privileges--a piece of meat in his egusi soup, a party to celebrate his graduation from university. As first son, he has responsibilities, too. But times are bad in Nigeria, and life is hard. Unable to find work, Kingsley cannot take on the duty of training his younger siblings, nor can he provide his parents with financial peace in their retirement. And then there is Ola. Dear, sweet Ola, the sugar in Kingsley's tea. It does not seem to matter that he loves her deeply; he cannot afford her bride price. It hasn't always been like this. For much of his young life, Kingsley believed that education was everything, that through wisdom, all things were possible. Now he worries that without a "long-leg"--someone who knows someone who can help him--his degrees will do nothing but adorn the walls of his parents' low-rent house. And when a tragedy befalls his family, Kingsley learns the hardest lesson of all: education may be the language of success in Nigeria, but it's money that does the talking. Unconditional family support may be the way in Nigeria, but when Kingsley turns to his Uncle Boniface for help, he learns that charity may come with strings attached. Boniface--aka Cash Daddy--is an exuberant character who suffers from elephantiasis of the pocket. He's also rumored to run a successful empire of email scams. But he can help. With Cash Daddy's intervention, Kingsley and his family can be as safe as a tortoise in its shell. It's up to Kingsley now to reconcile his passion for knowledge with his hunger for money, and to fully assume his role of first son. But can he do it without being drawn into this outlandish mileu?

    Her life-affirming attitude fascinates Thomas, a shy young man who begins to see the rich colors of life in a whole new light. As she reveals a world he never could have imagined for himself, Thomas falls head over heels for the strong young woman and becomes part of her quirky circle of friends and her loving family.Their generosity of spirit draws Thomas out of his shell. He finds strength in their visits to the children’s hospital where Janica volunteers, captivating the kids’ attention with her imaginative stories. But all too soon fate deals them a harsh blow. Can their love survive life’s obstacles?You, Me, and the Colors of Life is a moving, hopeful story about the power of love and the power of living a life filled with joy.

    Born on the night of an ill-auguring comet just before Charles II's Restoration, Ursula Flight has a difficult future written in the stars.Against the custom of the age she begins an education with her father, who fosters in her a love of reading, writing and astrology.Following a surprise meeting with an actress, Ursula yearns for the theatre and thus begins her quest to become a playwright despite scoundrels, bounders, bad luck and heartbreak.

    With school behind him and a summer job at a brick works, Tom had his whole life before him. Years later, alone in a rented flat in Edinburgh and lost in memories, Tom recalls the intellectual and sexual awakening of his youth. In looking back, Tom discovers that only by understanding where he comes from can he make sense of his life as it is now.