As the journey progresses, secrets are unveiled, a friendship is tested, and there is a run-in with the Hurley family, a family both men have feared since childhood. In The Architects Are Here, Winter’s fifth and most emotionally resonant novel to date, he explores the nature of grief and friendship in unwaveringly powerful prose, and sheds light on who we are and how we go on when the future seems uncertain.

    As her path intersects with others--often only briefly, but always intensely--she will encounter people who, by turns, want to rescue, control, become, change, and escape her, revealing difficult yet shining truths about who they are and what they yearn for. There is the childhood playmate who comes to fear Astra's unpredictable ways; the stranger who rescues her from homelessness and then has to wrestle with his own demons; the mother who hires Astra as a nanny even as her own marriage goes off the rails; the man who takes a leap of faith and marries her. Even as Astra herself remains the elusive yet compelling axis around which these narratives turn, her story reminds us of the profound impact that an individual can have on those around her, and the power struggles at play in all our relationships, no matter how intimate. A beautifully constructed and revelatory novel, Astra explores what we're willing to give and receive from others, and how well we ever really know the people we love the most.

    Set in Montreal, a typical metropolis where strangers meet under varying circumstances and either fall in love or break apart, Julie Maroh’s gentle hues and fanciful vignettes unearth the pleasures, surprises, and complexities of love.

    The rich and powerful are engaged in a web of depravity, a new and horrifying disease called sturnusemia has swept the city, and severly traumatized children are turning up at the local psychiatric institutes. Kurtz seems to be at the centre of it all.Lilah, witness to events tearing the very fabric of her society, seeks solace as always in the great works of literature and prays for Marlow to find an capture Kurtz - before it's too late.

    Ancrum's The Legend of the Golden Raven novella, part fairy tale and part gritty reality, follows a boy as he descends into madness. August and Jack weren’t meant to be friends. One is a misfit with a pyro streak and the other a golden boy on the rugby team. But as their relationship intensifies, Jack slowly begins to lose his mind—taking readers on an intimate journey into the fantasy kingdom creeping into the edges of his world.As the novella moves back and forth between a medieval legend and our own, contemporary world, nothing is as it seems. The boys alienate everyone around them as they struggle with their sanity and as Jack’s quest to fulfill a dark prophecy begins to consume them both . . . Devour this companion novella to The Wicker King. An ImprintBook

    The limitless scope of human emotion and experience are depicted in stories that give aching and eloquent voice to the terrible wounds we inflict on those closest to us. These are tales of loss and redemption; of shame and forgiveness; of love and abuse and the healing power of storytelling. A book that resonates with uncompromising candor and incandescence, Trash is sure to captivate Allison's legion of readers and win her a devoted new following.

    As Sawai deftly turns over the stones of these people's lives and reveals the squalor, the fear and the unhappiness that lie beneath, she also uncovers that most precious of human qualities - hope.

    At the beginning of this novel, she drives back to her family ranch in the foothills of the Sierras to attend the wedding of her identical twin, Judith, to a nice young doctor from Connecticut. Cassandra, however, is hell-bent on sabotaging the wedding. Dorothy Baker's entrancing tragicomic novella follows an unpredictable course of events in which her heroine appears variously as conniving, self-aware, pitiful, frenzied, absurd, and heartbroken—at once utterly impossible and tremendously sympathetic. Cassandra reckons with her complicated feelings about the sister who she feels owes it to her to be her alter ego; with her father, a brandy-soaked retired professor of philosophy; and with the ghost of her dead mother, as she struggles to come to terms with the only life she has. First published in 1962, Cassandra at the Wedding is a book of enduring freshness, insight, and verve. Like the fiction of Jeffrey Eugenides and Jhumpa Lahiri, it is the work of a master stylist with a profound understanding of the complexities of the heart and mind.

    Follow the flailing escapades of maverick music manager Campbell Ouiniette at the Calgary Folk Festival, as he leaves a trail of empty liquor bottles, cigarette butts, bruised egos, and obliterated relationships behind him. His top headlining act has abandoned him for the Big Time. In a fit of self-delusion or pure genius (or perhaps a bit of both), Ouiniette devises an intricate scam, a last hurrah in an attempt to redeem himself in the eyes of his girlfriend, the music industry, and the rest of the world. He reveals his path of destruction in his own transparently self-justifying, explosive, profane words, with digressions into the Edmonton hardcore punk rock scene, the Yugoslavian Civil War, and other epicentres of chaos.

    Luring the reader down labyrinthine tunnels of myth, history, and magic, The Deptford Trilogy provides an exhilarating antidote to a world from where "the fear and dread and splendour of wonder have been banished."

    At the heart of the park is Faggotland, a playland for gay men, and Castle Faggot, the darkest dark ride in the world. Home to a cartoon Dracula called Count Choc-o-log, the castle is decorated with the corpses of gays—some were killed, some killed themselves, all ended up as décor.The book includes a map of Faggotland, a photobook of the castle, the instructions for a castle-shaped dollhouse, and the novelization of a TV puppet show about Count Choc-o-log and his friends—reminiscent of the classic stop-motion special Rudolph the Red-Nosed Reindeer, but even gayer and more grotesque. As scatological as Sade but with a Hanna-Barbera vibe, Castle Faggot transmutes McCormack's love of the lurid and the childlike, of funhouses and sickhouses, into something furiously funny: as Edmund White says, “the mystery of objects, the lyricism of neglected lives, the menace and nostalgia of the past—these are all ingredients in this weird and beautiful parallel universe.”

    Paps and Ma are from Brooklyn — he’s Puerto Rican, she’s white — and their love is a serious, dangerous thing that makes and unmakes a family many times.Life in this family is fierce and absorbing, full of chaos and heartbreak and the euphoria of belonging completely to one another. From the intense familial unity felt by a child to the profound alienation he endures as he begins to see the world, this beautiful novel reinvents the coming-of-age story in a way that is sly and punch-in-the-stomach powerful.Written in magical language with unforgettable images, this is a stunning exploration of the viscerally charged landscape of growing up, how deeply we are formed by our earliest bonds, and how we are ultimately propelled at escape velocity toward our futures.

    Ex-servicemen are disillusioned; the out-of-work and the hungry are demanding change. And in South London, in a genteel Camberwell villa—a large, silent house now bereft of brothers, husband, and even servants—life is about to be transformed, as impoverished widow Mrs. Wray and her spinster daughter, Frances, are obliged to take in lodgers.With the arrival of Lilian and Leonard Barber, a modern young couple of the “clerk class,” the routines of the house will be shaken up in unexpected ways. Little do the Wrays know just how profoundly their new tenants will alter the course of Frances’s life—or, as passions mount and frustration gathers, how far-reaching, and how devastating, the disturbances will be.

    Church, marriage to a steady young man, children - her fortunes are already laid out for her, as are the shiny modern appliances in her new home. All she has to do is stay with Roy, who loves her. But as the decades unfold, what seems to be a safe, predictable existence overwhelms Hope. Where - among the demands of her children, the expectations of her husband and the challenges of her best friend, Emily, who has just read The Feminine Mystique - is there room for her? And just who is she anyway? A wife, a mother, a woman whose life is somehow unrealized?This beautifully crafted and perceptive work of fiction spans some fifty years of Hope Koop's life in the second half of the 20th century, from traditionalism to feminism and beyond. David Bergen has created an indelible portrait of a seemingly ordinary woman who struggles to accept herself as she is, and in so doing becomes unique.

    He likes rugby, Formula 1, dogs, the Marvel universe, the sound felt-tips make on paper, rain and drawing on shoes. He also likes me.”NICK: “Things me and Charlie Spring do together include: Watch films. Sit in the same room on different laptops. Text each other from different rooms. Make out. Make food. Make drinks. Get drunk. Talk. Argue. Laugh. Maybe we're kind of boring. But that’s fine with us.”Everyone knows that Nick and Charlie are the perfect couple – that they’re inseparable. But now Nick is leaving for university, and Charlie will be left behind at Sixth Form. Everyone’s asking if they’re staying together, which is a stupid question – they’re ‘Nick and Charlie’, for God’s sake!But as the time to say goodbye gets inevitably closer, both Nick and Charlie question whether their love is strong enough to survive being apart. Or are they delaying the inevitable? Because everyone knows that first loves rarely last forever…"