They meet years later at a university in California, Marina a grad student and Jacob a successful practitioner and teacher who has a young son, Ben, from a disastrous marriage. The family moves to a brownstone in Harlem, formerly a shelter run by elderly nuns. Outside the house one day Marina encounters Constance, a young refugee from Rwanda, and her toddler, Gabriel. Unmoored and devastated, Constance and Gabriel quickly come to depend on Marina; and her bond with Gabriel intensifies.When out of the blue Marina learns some disturbing news about her mother, Gizela, she leaves New York in search of the loose ends of her life. As Christmas nears, her tight-knit, loving family, with Constance and Gabrielle, join Marina in her mother's former home, with a startling, life-changing consequence.Alice Nelson skilfully weaves together these shared stories of displacement and trauma into a beautifully told, hope-filled, outstanding novel.

    The verandah's dozens of tables and chairs were occupied and standing room was at a minimum with barely enough space to throw a punch. But before long there'd be punches thrown nonetheless - the Mermaid Hotel was a tough place on a Saturday night.Despite the crowd the heat was not unpleasant. Beneath the corrugated iron roof, large ceiling fans whirred, and a pleasing breeze drifted in from the sea. It was late July, the middle of the dry season.Mike and Dan had found a spot in the far corner by the wooden-latticed railings where they'd been drinking steadily for the past hour with a bunch of miners from Hamersley Iron. Mike hadn't met the men before, but then, apart from Dan, Mike didn't really know anyone in Dampier.Amongst the hard drinking men were several equally hard drinking women, which sometimes spelled trouble - the shortage of available women in Dampier could lead to fierce competition. But tonight the crowd's raucousness was good natured with little evidence of frayed tempers. Everyone seemed bent on having a good time.Then the Swede arrived.

    She plans only to check on her ailing mother and leave. But Tilly decides to stay, and though she is still an outcast, her lush, exquisite dresses prove irresistible to the prim women of Dungatar. Through her fashion business, her friendship with Sergeant Farrat—the town’s only policeman, who harbors an unusual passion for fabrics—and a budding romance with Teddy, the local football star whose family is almost as reviled as hers, she finds a measure of grudging acceptance. But as her dresses begin to arouse competition and envy in town, causing old resentments to surface, it becomes clear that Tilly’s mind is set on a darker design: exacting revenge on those who wronged her, in the most spectacular fashion.

    Yapas.They are also best friends. It doesn’t matter that Rosie is white and Nona is Aboriginal: their family connections tie them together for life.Born just five days apart in a remote corner of the Northern Territory, the girls are inseperable, until Nona moves away at the age of nine. By the time she returns, they’re in Year 10 and things have changed. Rosie has lost interest in the community, preferring to hang out in the nearby mining town, where she goes to school with the glamorous Selena, and Selena’s gorgeous older brother Nick.When a political announcement highlights divisions between the Aboriginal community and the mining town, Rosie is put in a difficult position: will she be forced to choose between her first love and her oldest friend?

    Australia is at war and Perth is buzzing.US troops have permanently docked in the city in what local men refer to bitterly as the American occupation, and Perth women are having the time of their lives. The Americans have money, accents like movie stars, smart tailored uniforms and good manners. What's more, they love to dance and show a girl a good time, and young women are throwing caution to the wind and pushing social boundaries with their behaviour.Not Meg Eaton, however. The war has brought her nothing but heartbreak, stealing her young love eighteen months ago. Until, in the middle of a Perth heat-wave, she meets her lost lover's brother, Tom – standing over a dead body in her neighbour's backyard.Suddenly, Meg finds herself embroiled in the murder mystery, and increasingly involved with Tom Lagrange. But is he all that he seems? And what exactly was his relationship with the dead woman?Debut author Deborah Burrows has brought her skills as a historian to the fore with this meticulously researched and thoroughly entertaining novel of love and intrigue.

    To erase her past, Katherine has moved to a new city, enrolled in a new school, and even changed her name. She’s done the next best thing to disappearing altogether. Now, wary and alone, she seeks nothing more than anonymity. What she finds instead is the last thing she expected: a friend.Even more unlikely, Katherine’s new friend is the most popular and magnetic girl in school. Extroverted, gorgeous, flirtatious, and unpredictable, she is everything that Katherine is not and doesn’t want to be: the center of attention. Yet Alice’s enthusiasm is infectious, her candor sometimes unsettling, and Katherine, in spite of her guarded caution, finds herself drawn into Alice’s private circle. But Alice has secrets, too—darker than anyone can begin to imagine. And when she lets her guard down at last, Katherine discovers the darkest of them all. For there will be no escaping the past for Katherine Patterson—only a descent into a trap far more sinister . . . and infinitely more seductive.

    Hal and his little brother, newly arrived in Moorabool with their parents, are exploring the creek near their new home when they find the body of a dog.Not just dead, but recently killed.Not just killed, but mutilated.Constable Mick Goodenough, recently demoted from his city job as a detective, is also new in town—and one of his dogs has gone missing. He’s experienced enough to know what it means when someone tortures an animal to death: it means they’re practising. So when Hal’s mother starts getting anonymous calls—a man whistling, then hanging up—Goodenough, alone among the Moorabool cops, takes her seriously.The question is: will that be enough to keep her safe?Nostalgic yet clear-eyed, simmering with small-town menace, Greg Woodland’s wildly impressive debut populates the rural Australia of the 1960s with memorable characters and almost unbearable tension.

    From convict, bushranger and accused pirate, Cat transforms herself into an entrepreneur and pillar of colonial Tasmanian society. But how is she connected to a missing ship? And could she be involved in the disappearance of a priceless treasure that, one hundred and three years after her death, will be claimed not only by a foreign government but by unscrupulous men determined to use it for their own ends?Joanne, dean of history at the university and Cat’s descendant, is assigned the task of locating the missing artefact. Joanne believes the key may lie in a coded notebook she has inherited along with Cat’s other mysteries. But will she be able to decipher the message and put a century-old secret to rest? And will she survive to join her true love in the Governor’s House – a house that has come to mean as much to her as it did to her long-dead ancestor?

    So Karuna returns the favour. Eventually, Karuna can’t ignore the reality: she is pregnant. Incensed, her mother, already over-protective, confines her to their fourteenth-storey housing-commission flat for one hundred days, to protect her from the outside world – and make sure she can’t get into any more trouble. Stuck inside for endless hours, Karuna battles her mother and herself for a sense of power in her own life, as a new life forms and grows within her. One Hundred Days is a fractured fairytale exploring the fault lines between love and control. At times tense and claustrophobic, it also brims with humour, warmth and character. It is a magnificent new work from one of Australia’s most celebrated writers.

    His visitor is Jasper Jones, an outcast in the regional mining town of Corrigan.Rebellious, mixed-race and solitary, Jasper is a distant figure of danger and intrigue for Charlie. So when Jasper begs for his help, Charlie eagerly steals into the night by his side, terribly afraid but desperate to impress. Jasper takes him to his secret glade in the bush, and it's here that Charlie bears witness to Jasper's horrible discovery.With his secret like a brick in his belly, Charlie is pushed and pulled by a town closing in on itself in fear and suspicion as he locks horns with his tempestuous mother; falls nervously in love and battles to keep a lid on his zealous best friend, Jeffrey Lu.And in vainly attempting to restore the parts that have been shaken loose, Charlie learns to discern the truth from the myth, and why white lies creep like a curse.In the simmering summer where everything changes, Charlie learns why the truth of things is so hard to know, and even harder to hold in his heart.

    Bojan's wife abandons him to care for their three-year-old daughter Sonja alone. Sonja returns to Tasmania 35 years later, and to a father haunted by memories of the war and other recent horrors.