While the plot of the book was wildly imaginative, it was also based on the author's own experience as a sex worker in the 1990s and early 2000s, and on her coming out as lesbian.How Poetry Saved My Life, Amber Dawn's sophomore book, reveals an even more poignant and personal landscape—the terrain of sex work, queer identity, and survivor pride. This memoir, told in prose and poetry, offers a frank, multifaceted portrait of the author's experiences hustling the streets of Vancouver, and the how those years took away her self-esteem and nearly destroyed her; at the crux of this autobiographical narrative is the tender celebration of poetry and literature, that—as the title suggests—acted as a lifeline during her most pivotal moments.

    Using journals, unpublished manuscripts, songs, news accounts, novels, medical literature, and numerous interviews, she relates an often surprising narrative of lesbian life. "A key work...the point of reference from which all subsequent studies of 20th-century lesbian life in the United States will begin."—San Francisco Examiner.

    

    In this poetic work inspired by Hortense Spillers, Gumbs offers an alternative approach to Black feminist literary criticism, historiography, and the interactive practice of relating to the words of Black feminist thinkers. Gumbs not only speaks to the spiritual, bodily, and otherworldly experience of Black women but also allows readers to imagine new possibilities for poetry as a portal for understanding and deepening feminist theory.

    And while she's always been a good listener, she's never been good at sharing. At the suggestion of her therapist, she finds a safe place for her secrets between the pages of a daily journal. Just when Kayden thinks things are finally back on track, her life takes an unexpected turn - a mysterious letter from someone named Alex.Courtney Peppernell, the best-selling author of Pillow Thoughts, brings a world of intrigue, exploration, and the struggle for identity to life in Keeping Long Island. Kayden must make a choice - is she brave enough to share her secrets with Alex, or will the weight of her fears destroy everything she has been fighting for?

    Explicit, detailed, enormously entertaining and written for both novices and pros, Box Lunch demystifies the female anatomy with an eye toward making oral sex as satisfying for the giver as it is for the receiver. Make no mistake, this is the most direct route to orgasm for many women, and Diana Cage shows you how to not only excel at it but revel in it!Diana Cage is the managing editor of On Our Backs Magazine and the editor of The On Our Backs Guide to Lesbian Sex and Bottoms Up: A Collection of Punk Ass Porn. She lives in San Francisco.

    Her forceful, uncompromising writing has more than stood the test of time, and the life of the woman behind the words is equally impressive. Motivated by personal revelations, Rich transformed herself from a traditional, Radcliffe-educated lyric poet and married mother of three sons into a path-breaking lesbian-feminist author of prose as well as poetry. In doing so, she emerged as both architect and exemplar of the modern feminist movement, breaking ranks to denounce the male-dominated literary establishment and paving the way for the many queer women of letters to take their places in the cultural mainstream. Drawing on a wealth of unpublished materials, including Rich's correspondence and in-depth interviews with numerous people who knew her, Hilary Holladay digs deep into never-before-accessed sources to portray Rich in full dimension and vivid, human detail.

    The novel charts the turbulent adventures of one girl in America as she moves from Boston's teenage goth world to whoring in New Age Tucson before finally arriving in San Francisco's dyke underground.Honest, sarcastic, lyrical and direct, Tea's writing is possibly the most literate and sophisticated treatment of underground dyke culture ever written and circulated. She is a reincarnation of when Jill Johnston used to be cool.

    Dickson, director of Faith Based Initiatives, Biden Campaign)—perfect for fans of Redefining Realness and There Is Room for You.As a father of three, married to a wonderful woman, and holding several prominent jobs within the Christian community, Dr. Paula Stone Williams made the life-changing decision to physically transition from male to female at the age of sixty. Almost instantly, her power and influence in the evangelical world disappeared and her family had to grapple with intense feelings of loss and confusion. Feeling utterly alone after being expelled from the evangelical churches she had once spearheaded, Paula struggled to create a new safe space for herself where she could reconcile her faith, her identity, and her desire to be a leader. Much to her surprise, the key to her new career as a woman came with a deeper awareness of the inequities she had overlooked before her transition. Where her opinions were once celebrated and amplified, now she found herself sidelined and ignored. New questions emerged. Why are women’s opinions devalued in favor of men’s? Why does love and intimacy feel so different? And, was it possible to find a new spirituality in her own image? In As a Woman, Paula’s “critical questions about gender, personhood, and place are relevant to anyone. Her writing insightfully reveals aspects of our gender socialization and culture that often go unexamined, but that need to be talked about, challenged, and changed” (Soraya Chemaly, author of Rage Becomes Her) in order to fully understand what it means to be male, female, and simply, human.

    In order to help create that community, YA authors David Levithan and Billy Merrell have collected original poems, essays, and stories by young adults in their teens and early 20s. The Full Spectrum includes a variety of writers—gay, lesbian, bisexual, straight, transitioning, and questioning—on a variety of subjects: coming out, family, friendship, religion/faith, first kisses, break-ups, and many others. This one of a kind collection will, perhaps, help all readers see themselves and the world around them in ways they might never have imagined. We have partnered with the Gay, Lesbian and Straight Education Network (GLSEN) and a portion of the proceeds from this book will be donated to them.

    . .”In the midst of the broken consciousness of mid-twentieth century suffering anguish of separation from my own body and its natural infinity of feeling its own self one with all self, I instinctively seeking to reconstitute that blissful union which I experience so rarely. I took it to be supernatural an gave it holy Name thus made hymn laments of longing and litanies of triumphancy of Self over mind-illusion mechano-universe of un-feeling Time in which I saw my self my own mother and my very nation trapped desolate our worlds of consciousness homeless and at war except for the original trembling of bliss in breast and belly of every body that nakedness rejected in suits of fear that familiar defenseless living hurt self which is myself same as all others abandoned scared to own unchanging desire for each other. These poems almost unconscious to confess the beatific human fact, the language intuitively chosen as in trance & dream, the rhythms rising on breath from belly thru breast, the hymn completed in tears, the movement of the physical poetry demanding and receiving decades of life while chanting Kaddish the names of Death in many worlds the self seeking the Key to life found at last in our self.

    With poems in the leading journals of the day -- American Poetry Review, Grand Street, Conjunctions, The Boston Review, to name just a few -- Gander plumbs the erotic depths of human interaction with the land. The poems in Science Steepleflower test this relationship with what Publisher's Weekly has called "an inbred (and often haunting) spirituality", bringing us to new vistas of linguistic and perceptive grace.

    After Mike Veeck signed Borders in May 1997 to pitch for his St. Paul Saints of the independent Northern League, she accomplished what no woman had done since the Negro Leagues era: play men’s professional baseball. Borders played four professional seasons and in 1998 became the first woman in the modern era to win a professional ball game.Borders had to find ways to fit in with her teammates, reassure their wives and girlfriends, work with the media, and fend off groupies. But these weren’t the toughest challenges. She had a troubled family life, a difficult adolescence as she struggled with her sexual orientation, and an emotionally fraught college experience as a closeted gay athlete at a Christian university. Making My Pitch shows what it’s like to be the only woman on the team bus, in the clubhouse, and on the field. Raw, open, and funny at times, her story encompasses the loneliness of a groundbreaking pioneer who experienced grave personal loss. Borders ultimately relates how she achieved self-acceptance and created a life as a firefighter and paramedic and as a coach and goodwill ambassador for the game of baseball.

     Even the best job can slowly drain your battery. When Gillian Lindsay realizes it’s time for a recharge, she impetuously decides to visit Scotland. Knowing nothing about the country, she schedules a tour of Edinburgh Castle for the day she arrives, just to get the lay of the land. After spending the afternoon with Torie Gunn, her very able tour guide, Gillian proposes hiring her for a week-long trip across the country. Torie’s astonished. Gillian has done no research, and has no plans, placidly asking Torie to come up with an itinerary. That seems like the ideal way to create an unsatisfied customer. But Gillian certainly seems like a very easygoing person, and earning a week’s pay merely talking sounds like a dream. Torie jumps in, hoping she can satisfy Gillian’s desires. Over the course of their trip, other, more romantic desires spring to life. Will they be satisfied too?

    His poetry, whether dealing with art, war, memories of childhood, or the loneliness of everyday life, is powerful and moving. A poet of colloquial language, ample generosity, and intimacy, Jarrell wrote beautifully "of the American landscape," as James Atlas noted in American Poetry Review, "[with] a broad humanism that enabled him to give voice to those had been given none of their own."The Complete Poems is the definitive volume of Randall Jarrell's verse, including Selected Poems (1955), with notes by the author; The Woman at the Washington Zoo (1960), which won the National Book Award for Poetry; and The Lost World (1965), "his last and best book," according to Robert Lowell. This volume also brings together several of Jarrell's uncollected or posthumously published poems as well as his Rilke translations.