This roll call extends the ridiculous to melancholic extremes, introducing us to such exemplary fools as the father and husband unable to recognize his own family, the Marxist convinced that Christ was an extraterrestrial, the would-be saint who finds a private martyrdom through the torturous confinement of a pair of ill-fitting leather oxfords, and the man who failed to realize that he had spent two years in a concentration camp. This is a display of a myriad idiocy, blissful and baneful, discovered and achieved by hook or by crook, be it through paranoia, misapplied methodology, religious hallucination, or relentless diarrhea. But Cavazzoni engages in neither finger pointing nor celebration. If Saints can be counted, idiots cannot: idiocy is ultimately the human condition.

    Seven-year-old Amerigo lives with his mother Antonietta in Naples, surviving on odd jobs and his wits like the rest of the poor in his neighborhood. But one day, Amerigo learns that a train will take him away from the rubble-strewn streets of the city to spend the winter with a family in the north, where he will be safe and have warm clothes and food to eat. Together with thousands of other southern children, Amerigo will cross the entire peninsula to a new life. Through his curious, innocent eyes, we see a nation rising from the ashes of war, reborn. As he comes to enjoy his new surroundings and the possibilities for a better future, Amerigo will make the heartbreaking choice to leave his mother and become a member of his adoptive family.Amerigo’s journey is a moving story of memory, indelible bonds, artistry, and self-exploration, and a soaring examination of what family can truly mean. Ultimately Amerigo comes to understand that sometimes we must give up everything, even a mother's love, to find our destiny.

    "The stories are rich and startling in their matter and confident in their manner....They are--the word cannot be avoided--magical."--John Updike, The New YorkerThis collection of fiction, representing some of García Márquez's earlier work, includes eleven short stories and a novella, Innocent Eréndira, in which a young girl who dreams of freedom cannot escape the reach of her vicious and avaricious grandmother."Garcí­a Márquez's fictional universe has the same staggeringly gratifying density and texture as Proust's Faubourg Saint-Germain and Joyce's Dublin....Arguably the best of the Latin Americans."--Martin Kaplan, The New Republic"It is the genius of the mature Garcí­a Márquez that fatalism and possibility somehow coexist, that dreams redeem, that there is laughter even in death.'--John Leonard, New York Times

    He attributed his prolific writings to a wide range of alternate selves, each of which had a distinct biography, ideology, and horoscope. When he died in 1935, Pessoa left behind a trunk filled with unfinished and unpublished writings, among which were the remarkable pages that make up his posthumous masterpiece, The Book of Disquiet, an astonishing work that, in George Steiner's words, "gives to Lisbon the haunting spell of Joyce's Dublin or Kafka's Prague." Published for the first time some fifty years after his death, this unique collection of short, aphoristic paragraphs comprises the "autobiography" of Bernardo Soares, one of Pessoa's alternate selves. Part intimate diary, part prose poetry, part descriptive narrative, captivatingly translated by Richard Zenith, The Book of Disquiet is one of the greatest works of the twentieth century.

    As the city of Turin suffers a twenty-day "phenomenon of collective psychosis" culminating in nightly massacres that hundreds of witnesses cannot explain, the Library is shut down and erased from history. That is, until a lonely salaryman decides to investigate these mysterious events, which the citizenry of Turin fear to mention. Inevitably drawn into the city’s occult netherworld, he unearths the stuff of modern nightmares: what’s shared can never be unshared.An allegory inspired by the grisly neo-fascist campaigns of its day, The Twenty Days of Turin has enjoyed a fervent cult following in Italy for forty years. Now, in a fretful new age of "lone-wolf" terrorism fueled by social media, we can find uncanny resonances in Giorgio De Maria’s vision of mass fear: a mute, palpitating dread that seeps into every moment of daily existence. With its stunning anticipation of the Internet—and the apocalyptic repercussions of oversharing—this bleak, prescient story is more disturbingly pertinent than ever.Brilliantly translated into English for the first time by Ramon Glazov, The Twenty Days of Turin establishes De Maria’s place among the literary ranks of Italo Calvino and beside classic horror masters such as Edgar Allan Poe and H. P. Lovecraft. Hauntingly imaginative, with visceral prose that chills to the marrow, the novel is an eerily clairvoyant magnum opus, long overdue but ever timely.

    and his friends George and Harris decide that a jaunt up the Thames would suit them to a 'T'. But when they set off, they can hardly predict the troubles that lie ahead with tow-ropes, unreliable weather-forecasts and tins of pineapple chunks - not to mention the devastation left in the wake of J.'s small fox-terrier Montmorency. Three Men in a Boat was an instant success when it appeared in 1889, and proved so popular that Jerome reunited his now older - but not necessarily wiser - heroes in Three Men on the Bummel, for a picaresque bicycle tour of Germany. With their benign escapism, authorial discursions and wonderful evocation of the late-Victorian 'clerking classes', both novels hilariously capture the spirit of their age.

    She could neither read nor write, and she was the reviled victim in a public rape trial, rejected by her father, and later abandoned by her husband. Nevertheless, she was one of the first women in modern times to uphold through her work and deeds the right of women to pursue careers compatible with their talents and on an equal footing with men. This edition features a new introduction by the celebrated critic and writer Susan Sontag. Anna Banti, the pen name of Lucia Lopresti, was born in Florence in 1895. Trained as an art historian, she turned to novels, stories, and autobiographical prose in the 1930s. Artemisia, her second novel, published in 1947, is the most acclaimed of the sixteen works of fiction she published during her long life, and is considered a classic of twentieth century Italian literature. Her last, harrowingly confessional novel, A Piercing Cry (Un grido lacerante), appeared in 1981. Banti also wrote art criticism and monographs on painters (Lorenzo Lotto, Fra Angelico, Velázquez, Monet), literary criticism and film reviews, and translated novels by Thackery, Colette, Alain Fournier, and Virginia Woolf. She died in Ronchi di Massa (Tuscanny) in 1985.

    St. Francis of Assisi's ecstatic embrace of a life of poverty revolutionized Christianity even as it transformed the ethics of the West. In this luminous and lively book, St. Francis's followers preserved his legend and those of his first disciples, combining stories of miracles with convincing portraits of men who were no less human for having been touched by God."God is our home but many of us have strayed from our native land.  The venerable authors of these Spiritual Classics are expert guides--may we follow their directions home."--Archbishop Desmond Tutu

    Family Happiness (Russian: Семейное счастье [Semeynoye Schast'ye]) is an 1859 novella written by Leo Tolstoy, first published in The Russian Messenger.

    As Timoteo’s tale begins, he’s driving to the beach house where his beautiful, accomplished wife, Elsa, is waiting. Car trouble forces him to make a detour into a dingy suburb, where he meets Italia–unattractive, unpolished, working-class–who awakens a part of him he scarcely recognizes. Disenchanted with his stable life, he seizes the chance to act without consequences, and their savage first encounter spirals into an inexplicable obsession. Returning again and again to Italia’s dim hovel, he finds himself faced with a choice: a life of passion with Italia, or a life of comfort and predictability with Elsa. As Angela's life hangs in the balance, Timoteo's own life flashes before his eyes, this time seen through the lens of the one time he truly lived.

    This is the bilingual edition with German verso, English recto.

    With his customary wit and intellectual sophistication, Huxley pursues his characters in their quest for the eternal, finishing on a note of horror. "This is Mr. Huxley's Hollywood novel, and you might expect it to be fantastic, extravagant, crazy and preposterous. It is all that, and heaven and hell too....It is the kind of novel that he is particularly the master of, where the most extraordinary and fortuitous events are followed by contemplative little essays on the meaning of life....The story is outrageously good."-New York Times. "A highly sensational plot that will keep astonishing you to practically the final sentence."-The New Yorker. "Mr. Huxley's elegant mockery, his cruel aptness of phrase, the revelations and the ingenious surprises he springs on the reader are those of a master craftsman; Mr. Huxley is at the top of his form." -London Times Literary Supplement.

    Trying not to miss his girlfriend (away studying in Mexico), the nameless writer steadily crafts his literary effort--until strange things begin happening around him.Starting with a series of peculiar phone calls, the writer then finds clumps of seaweed on his doorstep. But as the incidents escalate, his friends fall victim to a series of mysterious "accidents"--some of them fatal. Aided by Elmo Crumley, a savvy, street-smart detective, and a reclusive actress of yesteryear with an intense hunger for life, the wordsmith sets out to find the connection between the bizarre events, and in doing so, uncovers the truth about his own creative abilities.

    This new translation—published in two elegant volumes—is the first to present Musil's complete text, including material that remained unpublished during his lifetime.

    In Fontamara, Bread and Wine, and The Seed Beneath the Snow - presented together for the first time in English to mark the centenary of the author's birth - Silone narrates the struggles of the cafoni, the farmers and peasants of his native Abruzzo, against poverty, natural disasters, and totalitarianism. The first novel in the series, Fontamara, is a political fable that portrays the bitter trials of the villagers of Pescina as they battle with landowners who have appropriated their only source of water. First published from his exile in Zurich in 1933, and banned in his own country, the novel was translated into twenty languages and won Silone instant international literary fame. Silone's masterpiece, Bread and Wine, introduces the semi-autobiographical character Pietro Spina, an anti-Fascist revolutionary who returns to his homeland after fifteen years in exile. He seeks refuge among the Abruzzo peasants by posing as the priest Don Paolo Spada. Pietro's story continues in The Seed Beneath the Snow, Silone's personal favorite in the trilogy. Pietro Spina flees again and, with the police in close pursuit, is taken in by his grandmother Donna Maria Vincenza. Though comfortably settled in Italian bourgeois society, she jeopardizes her own life in order to protect him.