The suspenseful story of Rodolphe, a magnetic hero of noble heart and shadowy origins, played out over ninety issues, garnering wild popularity and leading many to call it the most widely read novel of the 19th century. Sue's novel created the city mystery genre and inspired a raft of successors, including Les Miserables and The Count of Monte Cristo.Sensational, steamy, tightly-plotted, pulpy, proto-socialist, heartbreaking, and riveting, The Mysteries of Paris is doubtless one of the most entertaining and influential works to emerge from the 19th century.

    The Art of War is far from an anachronism—its pages outline fundamental questions that theorists of war continue to examine today, making it essential reading for any student of military history, strategy, or theory. Machiavelli believed The Art of War to be his most important work.

    "It is a story of the voluptuousness of doom," Mann wrote. "But the problem I had especially in mind was that of the artist's dignity."

    Infused with the rhythmic drive of a jazz improvisation, the immediacy of a newspaper headline and the epic scope of a historical novel, Fo and his wife/collaborator Franca Rame have performed Mistero Buffo throughout the world to over 10,000,000 people. One of the major theatrical artists of the 20th century, Italy's Dario Fo was awarded the 1997 Nobel Prize for Literature. Ron Jenkins' translations of Dario Fo have been performed across the country. He is the theatre department chair at Wesleyan University.

    From THE WHORE OF MENSA, to GOD (A Play), to NO KADDISH FOR WEINSTEIN, old and new Woody Allen fans will laugh themselves hysterical over these sparkling gems.

    Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

    Philosophy of the Boudoir follows three aristocrats as they indoctrinate the fifteen-year-old Eugénie de Mistival in “the principles of the most outrageous libertinism.” 200 years after de Sade’s death, readers will continue to find shock and delight in this most joyous of his erotic works, now with a new introduction by Francine du Plessix-Gray.

    Inspector Bordelli is one of the few policemen left in the deserted city. He spends his days on routine work, and his nights tormented by the heat and mosquitoes. Suddenly one night, a telephone call gives him a new sense of purpose: the suspected death of a wealthy Signora. Bordelli rushes to her hilltop villa, and picks the locks. The old woman is lying on her bed - apparently killed by an asthma attack, though her medicine has been left untouched.With the help of his young protégé, the victim's eccentric brother, and a semi-retired petty thief, the inspector begins a murder investigation. Each suspect has a solid alibi, but there is something that doesn't quite add up . . .

    "The subterraneans" come alive at night, travel along dark alleyways, and live in a world filled with paint, poetry, music, smoke, and sex. Simmering in the center of it all is the brief affair between Leo Percepied, a writer, and Mardou Fox, a black woman ten years younger. Just at the moment when she is coolly leaving him, Leo realizes his passion for passion, his inability to function without it, and the puzzling futility of seeking redemption and fulfillment through writing.

    Out of the last hours of Virgil's life and the final stirrings of his consciousness, the Austrian writer Hermann Broch fashioned one of the great works of twentieth-century modernism, a book that embraces an entire world and renders it with an immediacy that is at once sensual and profound.Begun while Broch was imprisoned in a German concentration camp, The Death of Virgil is part historical novel and part prose poem - and always an intensely musical and immensely evocative meditation on the relation between life and death, the ancient and the modern.

    Now, 30 years later, Puzo enriches us all with his ultimate vision of the subject: the story of the greatest crime family in Italian history, the Borgias.In The Family, this singular novelist transports his readers back to 15th century Rome, and reveals to us the extravagance and intrigue of the Vatican as surely as he once revealed the secrets of the Mafia. At the story's center is Rodrigo Borgia, Pope Alexander VI, a man whose lustful appetites were matched only by his consuming love of family. Surrounding him are his extraordinary children: simple, unloved Jofre; irascible, heartless Juan; beautiful, strong-willed Lucrezia; and passionate warrior Cesare, Machiavelli's friend and inspiration. Their stories constitute a symphony of human emotion and behavior, from pride to romance to jealousy to betrayal and murderous rage.A labor of love two decades in the making, The Family marks the final triumph of one of the greatest storytellers of our time.

    The final days of the Fascist Republic. World War II is nearing it's frantic conclusion. The regime's days are numbered, it's disgraced leaders know it, and their quibbling over pieces of the post-war pie is getting more desperate by the minute. Commissario De Luca has been handed a murder investigation that will draw him into the private lives of the rich, priviledged, and powerful. With Mussolini's house of cards ready to collapse, he faces a world mired in sadistic sex, dirty money, drugs, and murder.Carte Blanche, the first installment in Carlo Lucarelli's De Luca Trilogy, is more than a first-rate crime story. It is also an investigation into the workings of justice in a state that is crumbling under the weight of profound historic change. The De Luca Trilogy is set during one of modern history's seminal moments and describes a nation's ardent search to rediscover its moral bearings after being torn in two by civil strife and political corruption. Threatened by the machinations of a decaying political class, De Luca, himself reminiscent of the disenchanted Dashiell Hammett PI, is a simple man doing a tough job as best he can. Even when he has wrapped up his investigation, Commissario De Luca will still have to face one final, fateful decision.

    Spurred on by the desire to please his aunt, and in order to get away from his unfaithful mistress, Teodorico embarks on a journey to the Holy Land in search of a holy relic. The resulting fiasco is a masterpiece of comic irony as religious bigotry and personal greed are mercilessly ridiculed.

    Fascinating, with some stories weighted entirely differently, the original texts reveal Carver to be a more humane writer than he is usually credited with being.

    First published in 1759, it was an instant bestseller and has come to be regarded as one of the key texts of the Enlightenment. What Candide does for chivalric romance, the other tales in this selection--Micromegas, Zadig, The Ingenu, and The White Bull--do for science fiction, the Oriental tale, the sentimental novel, and the Old Testament. The most extensive one-volume selection currently available, this new edition includes a new verse translation of the story Voltaire based on Chaucer's The Wife of Bath's Tale: What Pleases the Ladies and opens with a revised introduction that reflects recent critical debates, including a new section on Candide.