A heart warming, slow burn, late in life, friends to lovers story.Georgina owns an independent coffeehouse. Her co-owner, ex lover and sometime friend with benefits, has recently died in a car accident. Grieving, and trying to keep the business going, she finds out the half share has been willed to a complete stranger.Catherine has flitted from job to job, always searching for an important missing piece in her life. Dumped by her boyfriend, jobless, single, penniless and soon to be homeless, Catherine receives a letter which could solve all her problems.Georgina has said she would never again date a straight woman. So why is Catherine continually invading her thoughts? Catherine knows she isn’t gay. So why is she feeling something more than friendship towards Georgina? Will Georgina let her past control her future? Will Catherine acknowledge a future different to her past?Set in a coffeehouse on a busy, bustling main thoroughfare into Bristol. The Perfect Blend introduces us to the owners and characters who frequent the establishment.

    Gretchen is an avid hiker, a lover of the outdoors, and sets her sights on Maine’s 100 Mile Wilderness, an arduous and remote hike far away from civilization. And she can think of no better company than her best friend Naomi Benson. This hike is known to change people, and Naomi is in need of a change. She’s never left home, never applied herself, and never admitted her true feelings for Gretchen. In fact, Naomi has spent her life running away from her feelings. While Gretchen is eager to get into the woods and climb mountains, Naomi has her own inner mountains to climb. Out in the wild, it’s easy to open up and be your real self. Can these two friends bring the love they feel in the wilderness with them when they return home?

    Gretel, a lexicographer by trade, knows this better than most. She grew up on a houseboat with her mother, wandering the canals of Oxford and speaking a private language of their own invention. Her mother disappeared when Gretel was a teen, abandoning her to foster care, and Gretel has tried to move on, spending her days updating dictionary entries.One phone call from her mother is all it takes for the past to come rushing back. To find her, Gretel will have to recover buried memories of her final, fateful winter on the canals. A runaway boy had found community and shelter with them, and all three were haunted by their past and stalked by an ominous creature lurking in the canal: the bonak. Everything and nothing at once, the bonak was Gretel’s name for the thing she feared most. And now that she’s searching for her mother, she’ll have to face it.

    It never occurs to Logan that maybe Natalia has been thinking about her too.

    Younger by two years than her classmates at Peter Reed, the school on campus named for her uncle, she flourishes in her classes but struggles to make friends and find true intellectual peers. Six years later, she has gained a coveted post as an engineer on a space station—and a hard-won sense of belonging—but is haunted by the mystery of Inquiry, a revolutionary spacecraft powered by her beloved late uncle’s fuel cells. The spacecraft went missing when June was twelve years old, and while the rest of the world seems to have forgotten the crew, June alone has evidence that makes her believe they are still alive.She seeks out James, her uncle’s former protégé, also brilliant, also difficult, who has been trying to discover why Inquiry’s fuel cells failed. James and June forge an intense intellectual bond that becomes an electric attraction. But the relationship that develops between them as they work to solve the fuel cell’s fatal flaw threatens to destroy everything they’ve worked so hard to create—and any chance of bringing the Inquiry crew home alive.A propulsive narrative of one woman’s persistence and journey to self-discovery, In the Quick is an exploration of the strengths and limits of human ability in the face of hardship, and the costs of human ingenuity.

    Making hip hop beats becomes his life. His love for music lands him at the estate of Larry “Pop” Singleton, a retired and respected Hip Hop music mogul who sees something special in Big A.T., and he also knows the truth about his sexuality. With Pop’s blessings and nurturing, Big A.T. is on the path to becoming the next great Hip Hop producer in New York.  With the help of Pop and “the family,” a network of secretly gay men in the Hip Hop world, Big A.T. finds success and starts his own music label. He’s signed and worked with some of the biggest Hip Hop artists in the country. One of them is Brooklyn native lyricist, “Tickman.” Together they are making sweet music together. Tickman and Big A.T.’s relationship goes beyond producer and rapper – they become secret lovers.  Nothing can stop Big A.T. All of the radio stations play his music. He has money, fame, and Jasmine, his girlfriend who doesn’t know about his secret love for men. However, at the pinnacle of his career, compromising photos of Big A.T. land on the desk of a national news program—and in the hands of his girlfriend. Big A.T., for the first time is at a crossroad in his career: come out publicly with his secret or watch his music empire crumble.

    The couple spend many happy evenings together planning for the future.One night Rachel wakes up screaming and tells Eliza that an ant has crawled into her eye and is stuck there. She knows it sounds mad - but she also knows it's true. As a scientist, Eliza won't take Rachel's fear seriously and they have a bitter fight. Suddenly their entire relationship is called into question.Inspired by some of the best-known thought experiments in philosophy, particularly philosophy of mind, Love and Other Thought Experiments is a story of love lost and found across the universe.

    She struggles to provide for the kids, working a dead-end job while going to school. Stuck in a meaningless relationship, which only involved midnight creeps into her bed, she ends things with Darius in hopes for something better in life. Just when Cassandra isn't looking for anything or anyone, that's when Marco comes along; he's handsome, a great father to his son, and a business owner. Marco's had his share of women and often juggled relationships, but upon meeting Cassandra, his desire is kindled and he has to fight against wanting anything more than just a casual thing. With each day, they both fight the obvious; they want each other. A night of forbidden passion leads them into bed together; they soon wind up going back and forth, as Cassandra begins to date Damian to distract her from the one she really wants--Marco. The attraction is strong and the chemistry is explosive--will their efforts to ignore their hearts' desire trump love, or will they finally give in to what is obviously meant to be?

    That was the way it was since the beginning, and the way it was to be until the end. In the barn they tended to the animals, but also to each other, transforming the hollowed-out shed into a place of human refuge, a source of intimacy and hope in a world ruled by vicious masters. But when an older man—a fellow slave—seeks to gain favor by preaching the master’s gospel on the plantation, the enslaved begin to turn on their own. Isaiah and Samuel’s love, which was once so simple, is seen as sinful and a clear danger to the plantation’s harmony.With a lyricism reminiscent of Toni Morrison, Robert Jones, Jr. fiercely summons the voices of slaver and the enslaved alike to tell the story of these two men; from Amos the preacher to the calculating slave-master himself to the long line of women that surround them, women who have carried the soul of the plantation on their shoulders. As tensions build and the weight of centuries—of ancestors and future generations to come—culminate in a climactic reckoning, The Prophets masterfully reveals the pain and suffering of inheritance, but is also shot through with hope, beauty, and truth, portraying the enormous, heroic power of love.

    Zoe, rudderless, relies on the arrangements of fellow exchange student Hailey Mader, who idolizes Warhol and Britney Spears and wants nothing more than to be an art star. On Craigslist, Hailey unknowingly stumbles on an apartment sublet posted by a well-known thriller writer. Feeling as though they've won the lottery, the women move into the high-ceilinged pre-war flat. Soon they realize that their landlady, Beatrice, who is supposed to be on a residency in Vienna, is watching them--and her next book appears to be based on their lives. Taking stock of their mundane routines--Law and Order binges and nightly nachos--Hailey insists they become people worthy of a novel. As the year unravels and events spiral out of control, they begin to wonder whose story they are living, and how will it end?Other People's Clothes is brilliant on the sometimes dangerous intensity of female friendships, on millennial life in the city, on the lengths people will go to in order to eradicate emotional pain.

    She is exhausted from spending eternity doing her job and now she seeks someone to unburden her conscience to. Wolf Willeford, a troubled young writer, is well acquainted with death, but until now hadn’t met Death in person – a black, working-class woman who shape-shifts and does her work unseen.Enthralled by her stories, Wolf becomes Mrs Death’s scribe, and begins to write her memoirs. Using their desk as a vessel and conduit, Wolf travels across time and place with Mrs Death to witness deaths of past and present and discuss what the future holds for humanity. As the two reflect on the losses they have experienced – or, in the case of Mrs Death, facilitated – their friendship grows into a surprising affirmation of hope, resilience and love. All the while, despite her world-weariness, Death must continue to hold humans’ fates in her hands, appearing in our lives when we least expect her . . .

    The news triggers a self-destructive tailspin, centred around Irina’s relationship with her obsessive best friend, and a shy young man from her local supermarket who has attracted her attention…Boy Parts is the incendiary debut novel from Eliza Clark, a pitch-black comedy both shocking and hilarious, fearlessly exploring the taboo regions of sexuality and gender roles in the twenty-first century.

    Shocked and grieving, Jessa steps up to manage the failing business, while the rest of the Morton family crumbles. Her mother starts sneaking into the shop to make aggressively lewd art with the taxidermied animals. Her brother Milo withdraws, struggling to function. And Brynn, Milo’s wife—and the only person Jessa’s ever been in love with—walks out without a word. As Jessa seeks out less-than-legal ways of generating income, her mother’s art escalates—picture a figure of her dead husband and a stuffed buffalo in an uncomfortably sexual pose—and the Mortons reach a tipping point. For the first time, Jessa has no choice but to learn who these people truly are, and ultimately how she fits alongside them.

    When magic runs out, four estranged royal siblings must find a new source before their country is swallowed by invading forces. The first in an Indian-inspired duology.Vira is desperate to get out of her mother’s shadow and establish her legacy as a revered queen of Ashoka. But with the country’s only quarry running out of magic–a precious resource that has kept Ashoka safe from conflict–she can barely protect her citizens from the looming threat of war. And if her enemies discover this, they’ll stop at nothing to seize the last of the magic. Vira’s only hope is to find a mysterious object of legend: the Ivory Key, rumored to unlock a new source of magic. But in order to infiltrate enemy territory and retrieve it, she must reunite with her siblings, torn apart by the different paths their lives have taken. Each of them has something to gain from finding the Ivory Key–and even more to lose if they fail. Ronak plans to sell it to the highest bidder in exchange for escape from his impending political marriage. Kaleb, falsely accused of assassinating the former maharani needs it to clear his name. And Riya, a runaway who cut all family ties, wants the Key to prove her loyalty to the rebels who want to strip the nobility of its power. They must work together to survive the treacherous journey. But with each sibling harboring secrets and their own agendas, the very thing that brought them together could tear apart their family–and their world–for good.

    The person is genderless, racially ambiguous, and refuses to speak. One family takes the strange visitor in and nicknames them Pew.As the town spends the week preparing for a mysterious Forgiveness Festival, Pew is shuttled from one household to the next. The earnest and seemingly well-meaning townspeople see conflicting identities in Pew, and many confess their fears and secrets to them in one-sided conversations. Pew listens and observes while experiencing brief flashes of past lives or clues about their origins. As days pass, the void around Pew’s presence begins to unnerve the community, whose generosity erodes into menace and suspicion. Yet by the time Pew’s story reaches a shattering and unsettling climax at the Forgiveness Festival, the secret of their true nature—as a devil or an angel or something else entirely—is dwarfed by even larger truths.Pew, Catherine Lacey’s third novel, is a foreboding, provocative, and amorphous fable about the world today: its contradictions, its flimsy morality, and the limits of judging others based on their appearance. With precision and restraint, one of our most beloved and boundary-pushing writers holds up a mirror to her characters’ true selves, revealing something about forgiveness, perception, and the faulty tools society uses to categorize human complexity.