. . .The yellow glowed beautifully in the morning light. There was something different about this particular yellow. This one entered through his eyes, dissolved in his blood, and went straight to his heart.” Uday Prakash’s novel of contemporary India is a tender love story—university student Rahul is swept away by a “sweet fever” of love for Anjali, the enchanting girl with the golden parasol. But Prakash’s tale is set in a world where the 3,000-year-old Hindu caste system still holds sway and social realities doom the chances of a non-Brahmin boy who loves a Brahmin girl. The Girl with the Golden Parasol is the first English translation of Prakash’s work to be published in the United States. His audacious novel captures the profound contradictions of India today, where the forces aligned against change outweigh even the power of love.

    Among the many characters who inhabit the Mahabharata, the world's greatest epic and the oldest, sometimes other stories unravelled from it, such as Shilavati, who cannot be king because she is a woman.

    Virmati, a young woman born in Amritsar into an austere and high-minded household, falls in love with a neighbour, the Professor--a man who is already married. That the Professor eventually marries Virmati, installs her in his home (alongside his furious first wife) and helps her towards further studies in Lahore, is small consolation to her scandalised family. Or even to Virmati, who finds that the battle for her own independence has created irrevocable lines of partition and pain around her.

    It had none of the fury, the passion of the monsoons. Instead, it was weak; half-hearted.” Exiled from her family in India for more than a decade, Shirin and her husband lead a comfortable but empty life in London.Memories of her childhood – exotic fragrances, colours, stifling heat and tropical storms – fill Shirin with a familiar and growing ache for the land and the people that she loves.With the recollections though, come dark clouds of scandal and secrets. Secrets that forced her to flee her old life and keep her from ever returning.Thousands of miles away, in Bangalore, the daughter of Shirin’s brother discovers a lost, forgotten photograph. One that has escaped the flames.Determined to solve the mystery of an aunt she never knew, Reena’s efforts will set in place a chain of events that expose the painful trauma of the past and irrevocably change the path of the future. An unforgettable journey through a mesmerizing, passionate land of contrasts – and a family whose story will touch your heart.

    Although plagued by the thought that his success is a fluke and hence ill gotten, he plunges headlong into the sights and sound of this dazzling city.Adi's initiation into college life isn't the most promising...... A night of ragging by a bunch of sniggering seniors brings him and his equally vulnerable batch mates close to tears..... But gradually, he finds his feet in the world and makes friends with a motley crew. He also has his heart broken and falls in love ..... In that order.

    Nobles at the court of Awadh, the chess-addicts Mir and Mirza, move to an undisclosed location to play undisturbed as their kingdom falls around them..Shorts stories were the inspiration for fourteen of master filmmaker Satyajit Ray's movies, every one of them a classic - Devi, Jalsaghar and Shatranj Ke Khiladi, among them. This book brings together all of those stories in one volume. These tales, by the likes of Rabindranath Tagore, Tarashankar Bandopadhyay, Prabhat Kumar Mukhopadhyay, Rajshekhar Basu and Premchand, are milestones in Indian literature quite apart from their cinematic glory. The anthology also contains two stories by Ray himself -Atithi and Pikoor Diary, that illustrate his own craft as a writer. From the dramatic to the starkly real, the humorous to the dark, the lyrical to the prosaic, Fourteen Stories... sparkles with narrative brilliance. Read together, these stories also provide us with the context for a new insight into the mind of one of India's most loved and revered filmmakers.

    But the world knew her as an evil, ugly and immoral seductress called Soorpanakha who had dared to fall in love with Lord Rama’s brother, Lakshmana. In this fascinating story, Ravana’s Sister (Meenakshi), best selling author of The Rise of Sivagami, Anand Neelakantan, tells the poignant tale of a woman whose ears, nose and breasts are chopped off by a man as punishment for seeking love from a superior being. Overturning what popular myths and legends may have endorsed about Meenakshi aka Soorpanakha, this story is about every woman who may have lost in love, but gained much more from life in general.

    At its head lies Red Fort, once the home of the gem-encrusted Peacock Throne, symbol of the Mughal Empire's dazzling might, and of its downfall.

    Laxman profiles ten hilariously idiosyncratic people, who are among the countless men and women who run the lives of the middle class in India. The tales are put together by Ganesh, a freelance journalist trying to write a feature article on servants he has known. As his chronicle progresses, what emerges is a richly embellished narrative starring unforgettable characters. There is Swami, the cook, who finds his true vocation as a godman; Kumar, who deserts his household duties to pursue his tinsel-town dreams; Anthony, the driver, who makes money on the side by giving lifts to strangers; the maid Shanti, whose lift is thrown into turmoil by the neighbour's servant who is besotted with her; and Ramaswami, a trusted retainer who reappears mysteriously, much to the consternation of his employer, long after he has been presumed drowned. Marked by Laxman's trademark wit, and including pencil sketches drawn especially for this edition, Servants of India is a delightful read.

    This is a place where teenage love and friendships are tested by the violence that threatens to erupt at the slightest provocation. A town that always pulls you back into its ways, no matter how cosmopolitan the city has made you.In 'Diwali in Muzaffarnagar' - Tanuj Solanki's new book of short stories after 'Neon Noon' - young men and women straddle the past and the present, the metropolis and the small town, and also the parallel needs of life: solitude and family.

    Certain that the loss of her mother is somehow connected to the decade-old disappearance of Bashir Ahmed, a charming Kashmiri salesman who frequented her childhood home, she is determined to confront him. But upon her arrival, Shalini is brought face to face with Kashmir's politics, as well as the tangled history of the local family that takes her in. And when life in the village turns volatile and old hatreds threaten to erupt into violence, Shalini finds herself forced to make a series of choices that could hold dangerous repercussions for the very people she has come to love.With rare acumen and evocative prose, in The Far Field Madhuri Vijay masterfully examines Indian politics, class prejudice, and sexuality through the lens of an outsider, offering a profound meditation on grief, guilt, and the limits of compassion.

    They have almost no idea what awaits them.In a dilapidated shared house in Sheffield, Tarlochan, a former rickshaw driver, will say nothing about his life in Bihar. Avtar and Randeep are middle-class boys whose families are slowly sinking into financial ruin, bound together by Avtar's secret. Randeep, in turn, has a visa wife across town, whose cupboards are full of her husband's clothes in case the immigration agents surprise her with a visit. She is Narinder, and her story is the most surprising of them all. The Year of the Runaways unfolds over the course of one shattering year in which the destinies of these four characters become irreversibly entwined, a year in which they are forced to rely on one another in ways they never could have foreseen, and in which their hopes of breaking free of the past are decimated by the punishing realities of immigrant life. A novel of extraordinary ambition and authority, about what it means and what it costs to make a new life—about the capaciousness of the human spirit, and the resurrection of tenderness and humanity in the face of unspeakable suffering.

    Almost five decades ago, his father had laid the foundations of this vast Samrajya guided by the famed Guru Arya Chanakya. But now, the wealth and glory of the past has subsided...As the Samrat’s health continues to decline due to an unknown illness, problems are arising all over his realm. There is infighting and rebellion. No clear successor to him is present. Ninety nine of his sons stand in line waiting for his throne...Bharathvarsha needs a Chandragupta once again. And it needs a Chanakya too. Can the young Prince Asoka, who is the least favorite son of the Samrat, fill in the boots of his grandfather? Can Radhagupta, a mere Councilor of the Court be what Chanakya was to all the Aryas? Begin a new adventure with the first book of the Asoka trilogy as you read to find the answer to one great question-'That who shall be the next Samrat of this holy land of the Aryas?'

    They are all career women with different businesses or careers, husbands and even children but something is missing, something they can't find at home, in a store or even in a book. So, they search for this missing piece in the beds, arms, cars, offices and even in storage rooms of other men who don't mind paying for what Dem Dam Divas can offer. They enjoy the thrill of sneaking, creeping and even vacationing on someone else's dime but what happens when it all becomes too much? From being found guilty with no evidence, secretly wanting someone who doesn't want you, loving only to not be loved back, caught up in a dream that you're about to be awaken from; will it be worth it in the end? Will their secret lives be revealed and will it become too much to handle? Will they regret their actions or stand by them? Will they finally question whether this secret is really worth keeping?

    But after sending every man she meets to the hospital, she finds herself falling for the one she cannot stand. This is the intriguing and hilarious love story of Naina Kashyap and her arch enemy.