What followed is the American epic, written in blue and gray and gore. So how is that 150 years later, we are still fighting over why the war was fought? Few historical questions stir up as much passionate confusion as that one—even though scholars consider it a settled question. In this ebook, veteran TIME writer, David Von Drehle explores process of forgetting, denying, and rediscovering the meaning of the Civil War.

    Just after Christmas, on the eve of the bloody battle of Stones River in Tennessee, the Union and Confederate armies set up camp within shouting distance of one another. To raise their spirits, they began a battle of patriotic tunes-“Yankee Doodle” drowned out by “Dixie.” Then, during a pause, a Union band struck up the wistful strains of “Home Sweet Home.” A Confederate band chimed in, and soon every regimental band and every soldier, Rebel and Yankee alike, had swelled the chorus. This bittersweet moment is the centerpiece of James McIvor’s portrait in miniature of a country weary of war. Filled with soldiers’ letters-marked by humor, yearning, and courage-as well as Christmas poems and songs from the period, this is a tale of unabashed holiday spirit for our own divided nation.

    Behind the bloody battles, strategic marches, and decorated generals lie more than 100 intensely personal, true stories you haven't heard before. In Best Little Stories from the Civil War, soldiers describe their first experiences in battle, women observe the advances and retreats of armies, spies recount their methods, and leaders reveal the reasoning behind many of their public actions. Fascinating characters come to life, including:Former U.S. Senator Robert Toombs of Georgia, who warned the Confederate cabinet not to fall for Lincoln's trap by firing on reinforcements, thereby allowing Lincoln to claim the South had fired the first shots of the war at Fort Sumter.Brig. Gen. Stephen A. Hurlbut, who disbanded the 13th Independent Battery, Ohio Light Artillery, scattered its men, gave its guns to other units, and ordered its officers home, accusing all of cowardly performance in battle.Thomas N. Conrad, a Confederate spy operating in Washington, who warned Richmond of both the looming Federal Peninsula campaign in the spring of 1863 and the attack at Fredericksburg later that year.Private Franklin Thomson of Michigan, born as Sarah Emma Edmonds, who fought in uniform for the Union during the war and later was the only female member of the postwar Union Grand Army of the Republic.

     Walt Ames, a former cavalryman with the First Virginia, is headed West with little more than a rifle, a revolver, and a pocket full of looted Yankee gold. But in his way stand bushwhackers, bluecoats, con men, and the ever-restless Indians. And perhaps most dangerous of all, even more dangerous than the cruel and unforgiving land, is the temptation of the woman whose face he can't forget. When you can’t go home again – go West!

     Louis P. Masur's The Civil War: A Concise History offers a masterful and eminently readable overview of the war's multiple causes and catastrophic effects. Masur begins by examining the complex origins of the war, focusing on the pulsating tensions over states rights and slavery. The book thenproceeds to cover, year by year, the major political, social, and military events, highlighting two important themes: how the war shifted from a limited conflict to restore the Union to an all-out war that would fundamentally transform Southern society, and the process by which the war ultimatelybecame a battle to abolish slavery. Masur explains how the war turned what had been a loose collection of fiercely independent states into a nation, remaking its political, cultural, and social institutions. But he also focuses on the soldiers themselves, both Union and Confederate, whose storiesconstitute nothing less than America's Iliad. In the final chapter Masur considers the aftermath of the South's surrender at Appomattox and the clash over the policies of reconstruction that continued to divide President and Congress, conservatives and radicals, Southerners and Northerners for yearsto come. In 1873, Mark Twain and Charles Dudley wrote that the war had wrought so profoundly upon the entire national character that the influence cannot be measured short of two or three generations. From the vantage of the war's sesquicentennial, this concise history of the entire Civil War era offersan invaluable introduction to the dramatic events whose effects are still felt today.

    McDougall's Throes of Democracy: The American Civil War Era, 1829-1877 throws off sparks like a flywheel. This eagerly awaited sequel to Freedom Just Around the Corner: A New American History, 1585-1828 carries the saga of the American people's continuous self-reinvention from the inauguration of President Andrew Jackson through the eras of Manifest Destiny, Civil War, and Reconstruction, America's first failed crusade to put "freedom on the march" through regime change and nation building.But Throes of Democracy is much more than a political history. Here, for the first time, is the American epic as lived by Germans and Irish, Catholics and Jews, as well as people of British Protestant and African American stock; an epic defined as much by folks in Wisconsin, Kansas, and Texas as by those in Massachusetts, New York, and Virginia; an epic in which Mormon prophet Joseph Smith, showman P. T. Barnum, and circus clown Dan Rice figure as prominently as Herman Melville, Walt Whitman, and Henry Ward Beecher; an epic in which railroad management and land speculation prove as gripping as Indian wars. Walter A. McDougall's zesty, irreverent narrative says something new, shrewd, ironic, or funny about almost everything as it reveals our national penchant for pretense—a predilection that explains both the periodic throes of democracy and the perennial resilience of the United States.

    As the Commonwealth erupts in celebration, young Muro sees his dream of attending medical school in Philadelphia shattered by the sudden reality of war.Muro’s father, believing that the Disagreement will pass, sends his son instead to Charlottesville. Jefferson’s forty-year-old University of Virginia has become a haven of rogues and dilettantes, among them Muro’s roommate, Braxton Baucom III, a planter’s son who attempts to strike a resemblance to General “Stonewall” Jackson. Though the pair toasts lightheartedly “To our studies!” with a local corn whiskey known as “The Bumbler,” the war effort soon exerts a sobering influence. Medical students like Muro are pressed into service at the Charlottesville General Hospital, where the inexperienced Dr. Muro saves the life of a Northern lieutenant, earning the scorn of his peers.As the war progresses, Muro takes up yet another cause—winning the affections of the beguiling Miss Lorrie Wigfall. Here, too, Muro faces a cunning adversary. Just as the fighting is closing in, Muro is forced to make a choice that will shape the rest of his life. In this story of love, loyalty, and unimaginable sacrifice, a doctor struggles to balance the passions of youth with the weight of responsibility.

    Now they're fighting for justice and revenge! They Came from one Missouri family, but Lance and Buck Chaney had been fighting on opposite sides of the war—until they were brought together ba a shipment of gold dust. Fighting for the Confederacy, Buck had been ordered to hijack the gold his brother's Union troops were bringing north to Jefferson City. By the time the skirmish was over the shipment of gold was missing. Now the former enemies have joined together again—to hunt down the man who had taken the gold from them both in an act of treachery and bloodshed.

    He provided details of slave markets in Washington, DC, as well as describing at length cotton cultivation on major plantations in Louisiana.President Abraham Lincoln issued the Emancipation Proclamation on January 1, 1863, as the nation approached its third year of bloody civil war. The proclamation declared "that all persons held as slaves" within the rebellious states "are, and henceforward shall be free."

    Offensive tactics, which had been used successfully by Americans in the Mexican War, were much less effective in the 1860s because an improved weapon—the rifle—had given increased strength to defenders. This book describes tactical theory in the 1850s and suggests how each related to Civil War tactics. It also considers the development of tactics in all three arms of the service during the Civil War.   In examining the Civil War the book separates Southern from Northern tactical practice and discusses Confederate military history in the context of Southern social history. Although the Southerners could have offset their numerical disadvantage by remaining on the defensive and forcing the Federals to attack, they failed to do so. The authors argue that the Southerners’ consistent favoring of offensive warfare was attributable, in large measure, to their Celtic heritage: they fought with the same courageous dash and reckless abandon that had characterized their Celtic forebears since ancient times. The Southerners of the Civil War generation were prisoners of their social and cultural history: they attacked courageously and were killed—on battlefields so totally defended by the Federals that “not even a chicken could get through.”

    A famous actor pulls a trigger in the presidential balcony, leaps to the stage, and escapes, as the president lies fatally wounded. In the panic that follows, forty-six terrified people scatter in and around Ford's Theater as soldiers take up stations by the doors and the audience surges into the streets chanting, "Burn the place down!" This is the untold story of Lincoln's assassination: the forty-six stage hands, actors, and theater workers on hand for the bewildering events in the theater that night, and what each of them witnessed in the chaos-streaked hours before John Wilkes Booth was discovered to be the culprit. In Backstage at the Lincoln Assassination, historian Thomas A. Bogar delves into previously unpublished sources to tell the story of Lincoln's assassination from behind the curtain, and the tale is shocking. Police rounded up and arrested dozens of innocent people, wasting time that allowed the real culprit to get further away. Some closely connected to John Wilkes Booth were not even questioned, while innocent witnesses were relentlessly pursued. Booth was more connected with the production than you might have known—learn how he knew each member of the cast and crew, which was a hotbed of secessionist resentment. Backstage at the Lincoln Assassination also tells the story of what happened to each of these witnesses to history after the investigation was over—how each one lived their lives after seeing one of America's greatest presidents shot dead without warning.

    Lincoln scholar Harold Holzer sheds new light on the war by examining fifty objects from the New-York Historical Society’s acclaimed collection. A daguerreotype of an elderly, dignified ex-slave, whose unblinking stare still mesmerizes; a soldier’s footlocker still packed with its contents; Grant’s handwritten terms of surrender at Appomattox—the stories these objects tell are rich, poignant, sometimes painful, and always fascinating. They illuminate the conflict from all perspectives—Union and Confederate, military and civilian, black and white, male and female—and give readers a deeply human sense of the war. With an introduction from Pulitzer Prize winner Eric Foner and more than eighty photographs, The Civil War in 50 Objects is the perfect companion for readers and history fans to commemorate the 150th anniversaries of both the Battle of Gettysburg and Lincoln’s Gettysburg Address.

    He provides a rare glimpse of the personal battle that raged within soldiers then and now.

    But though the epic sieges of Leningrad, Stalingrad, and Berlin have all been explored in bestselling books, the one great American example has been treated only cursorily in more general histories. Marc Wortman remedies that conspicuous absence in grand fashion with The Bonfire, an absorbing narrative history told through the points of view of key participants both Confederate and Union.The Bonfire reveals an Atlanta of unexpected paradoxes: a new mercantile city dependent on the primitive institution of slavery; governed by a pro-Union mayor, James Calhoun, whose cousin was a famous defender of the South. When he surrendered the city to General Sherman after forty-four terrible days, Calhoun was accompanied by Bob Yancey, a black slave likely the son of Union advocate Daniel Webster. Atlanta was both the last of the medieval city sieges and the first modern urban devastation. From its ashes, a new South would arise.

    For this highly intelligent, acutely observant woman, loyalty did not come easily: she spent long years struggling to reconcile her societal duties to her personal beliefs. Raised in Mississippi but educated in Philadelphia, and a long-time resident of Washington, D.C., Mrs. Davis never felt at ease in Richmond. During the war she nursed Union prisoners and secretly corresponded with friends in the North. Though she publicly supported the South, her term as First Lady was plagued by rumours of her disaffection. After the war, Varina Davis endured financial woes and the loss of several children, but following her husband's death in 1889, she moved to New York and began a career in journalism. Here she advocated reconciliation between the North and South and became friends with Julia Grant, the widow of Ulysses S. Grant. She shocked many by declaring in a newspaper that it was God's will that the North won the war. A century after Varina Davis's death in 1906, Joan E.Cashin has written a masterly work, the first definitive biography of this truly modern, but deeply conflicted, woman. Pro-slavery but also pro-Union, Varina Davis was inhibited by her role as Confederate First Lady and unable to reveal her true convictions. In this path breaking book, Cashin offers a splendid portrait of a fascinating woman who struggled with the constraints of her time and place.