That was the way it was since the beginning, and the way it was to be until the end. In the barn they tended to the animals, but also to each other, transforming the hollowed-out shed into a place of human refuge, a source of intimacy and hope in a world ruled by vicious masters. But when an older man—a fellow slave—seeks to gain favor by preaching the master’s gospel on the plantation, the enslaved begin to turn on their own. Isaiah and Samuel’s love, which was once so simple, is seen as sinful and a clear danger to the plantation’s harmony.With a lyricism reminiscent of Toni Morrison, Robert Jones, Jr. fiercely summons the voices of slaver and the enslaved alike to tell the story of these two men; from Amos the preacher to the calculating slave-master himself to the long line of women that surround them, women who have carried the soul of the plantation on their shoulders. As tensions build and the weight of centuries—of ancestors and future generations to come—culminate in a climactic reckoning, The Prophets masterfully reveals the pain and suffering of inheritance, but is also shot through with hope, beauty, and truth, portraying the enormous, heroic power of love.

    But Blythe spends her days pouring latte art at her family’s coffee shop, so why should she care about having apocalyptic abilities?She’s given a reason when magician anarchists crash into said coffee shop and kidnap her family.Heartbroken but determined, Blythe knows she can’t save them alone. A war is brewing between two magician governments and tensions are too high. So, she packs up her family’s bright yellow Volkswagen, puts on a playlist, and embarks on a road trip across the United States to enlist the help of six strangers whose abilities are unparalleled—the other Guardians.

    He lives alone with his cat Gracie. And he’s a postman. At least he was a postman until, three months before his sixty-fifth birthday, he receives a letter from the Royal Mail thanking him for decades of service and stating he is being forced into retirement. At once, Albert’s sole connection with his world unravels. Every day as a mail carrier, he would make his way through the streets of his small English town, delivering letters and parcels and returning greetings with a quick wave and a “how do?” Without the work that fills his days, what will be the point? He has no friends, family, or hobbies—just a past he never speaks of, and a lost love that fills him with regret. And so, rather than continue his lonely existence, Albert forms a brave plan to start truly living. It’s finally time to be honest about who he is. To seek the happiness he’s always denied himself. And to find the courage to look for George, the man that, many years ago, he loved and lost—but has never forgotten. As he does, something extraordinary happens. Albert finds unlikely allies, new friends, and proves it’s never too late to live, to hope, and to love.

    But interview after interview, hiring committee after hiring committee, Ben soon learns getting the dream job won’t be as easy as he thought. Proofreading? Journalism? Copywriting? Not enough experience. It turns out he doesn’t even have enough experience to be a garbage collector! But when Ben stumbles upon a “Now Hiring—No Experience Necessary” sign outside a restaurant, he jumps at the chance to land his first job. Plus, he can keep looking for a writing job in the meantime. He’s actually not so bad in the kitchen, but he will have to pass a series of cooking tests to prove he’s got the culinary skills to stay on full-time. But it’s only temporary…right?  When Ben begins developing a crush on Liam, one of the other super dreamy chefs at the restaurant, and when he starts ditching his old college friends and his old writing job plans, his career path starts to become much less clear.

    Sixteen-year-old Audre is despondent, having just found out she’s going to be sent to live in America with her father because her strictly religious mother caught her with her secret girlfriend, the pastor’s daughter. Audre’s grandmother Queenie (a former dancer who drives a white convertible Cadillac and who has a few secrets of her own) tries to reassure her granddaughter that she won’t lose her roots, not even in some place called Minneapolis. “America have dey spirits too, believe me,” she tells Audre.Minneapolis. Sixteen-year-old Mabel is lying on her bed, staring at the ceiling and trying to figure out why she feels the way she feels–about her ex Terrell, about her girl Jada and that moment they had in the woods, and about the vague feeling of illness that’s plagued her all summer. Mabel’s reverie is cut short when her father announces that his best friend and his just-arrived-from-Trinidad daughter are coming for dinner. Mabel quickly falls hard for Audre and is determined to take care of her as she tries to navigate an American high school. But their romance takes a turn when test results reveal exactly why Mabel has been feeling low-key sick all summer and suddenly it’s Audre who is caring for Mabel as she faces a deeply uncertain future.Junauda Petrus’s debut brilliantly captures the distinctly lush and lyrical voices of Mabel and Audre as they conjure a love that is stronger than hatred, prison, and death and as vast as the blackness between the stars.

    It's as rad as she imagined; her boss is BOSS, her co-workers spend their time arguing over music, pushing against the patriarchy, and endlessly trying to form a band. When Rosie Riot, the staff's favorite singer, mysteriously vanishes the night before her band’s show, Chris discovers her co-workers are doing more than just sorting vinyl . . . Her local indie record store is also a front for a teen girl vigilante fight club!    Follow writer Carly Usdin (director of Suicide Kale) and artist Nina Vakueva (Lilith’s World) into the Hi-Fi Fight Club, where they deliver a rock and roll tale of intrigue and boundless friendship.

    Too bad the first memorable move she makes is falling flat on her face, sending fish tacos flying—not quite the fresh start she was hoping for. Still, she's focused on winning, until she meets someone she might want a future with more than she needs the prize money. After announcing their pronouns on national television, London Parker has enough on their mind without worrying about the klutzy competitor stationed in front of them. They’re there to prove the trolls—including a fellow contestant and their dad—wrong, and falling in love was never part of the plan.As London and Dahlia get closer, reality starts to fall away. Goodbye, guilt about divorce, anxiety about uncertain futures, and stress from transphobia. Hello, hilarious shenanigans on set, wedding crashing, and spontaneous dips into the Pacific. But as the finale draws near, Dahlia and London’s steamy relationship starts to feel the heat both in and outside the kitchen—and they must figure out if they have the right ingredients for a happily ever after.

    They’ve shared stolen kisses and romantic promises. But Iran is a dangerous place for two girls in love—Sahar and Nasrin could be beaten, imprisoned, even executed if their relationship came to light.So they carry on in secret—until Nasrin’s parents announce that they’ve arranged for her marriage. Nasrin tries to persuade Sahar that they can go on as they have been, only now with new comforts provided by the decent, well-to-do doctor Nasrin will marry. But Sahar dreams of loving Nasrin exclusively—and openly.Then Sahar discovers what seems like the perfect solution. In Iran, homosexuality may be a crime, but to be a man trapped in a woman’s body is seen as nature’s mistake, and sex reassignment is legal and accessible. As a man, Sahar could be the one to marry Nasrin. Sahar will never be able to love the one she wants, in the body she wants to be loved in, without risking her life. Is saving her love worth sacrificing her true self?

    the Homo Sapiens Agenda goes to Italy in Arvin Ahmadi's newest incisive look at identity and what it means to find yourself by running away.Eighteen-year-old Amir Azadi always knew coming out to his Muslim family would be messy--he just didn't think it would end in an airport interrogation room. But when faced with a failed relationship, bullies, and blackmail, running away to Rome is his only option. Right?Soon, late nights with new friends and dates in the Sistine Chapel start to feel like second nature... until his old life comes knocking on his door. Now, Amir has to tell the whole truth and nothing but the truth to a U.S. Customs officer, or risk losing his hard-won freedom.At turns uplifting and devastating, How It All Blew Up is Arvin Ahmadi's most powerful novel yet, a celebration of how life's most painful moments can live alongside the riotous, life-changing joys of discovering who you are.

    The Soho that Precious and Tabitha live and work in is barely recognisable anymore. And now, the building they call their home is under threat; its billionaire-owner Agatha wants to kick the women out to build expensive restaurants and luxury flats. Men like Robert, who visit the brothel, will have to go elsewhere. The collection of vagabonds and strays in the basement will have to find somewhere else to live. But the women are not going to go quietly. They have plans to make things difficult for Agatha but she isn't taking no for an answer.Hot Stew is an insightful and ambitious novel about property, ownership, wealth and inheritance. It is about the place we occupy in society, especially women, and the importance placed on class and money. It doesn't shy away from asking difficult questions but does so with humour and intelligence.

    So when Jess starts hearing voices, she chalks it up to stress. But there's only one voice in her head, and it claims to be the ghost of her estranged grandmother, Ah Ma. In life Ah Ma was a spirit medium, the avatar of a mysterious deity called the Black Water Sister. Now she's determined to settle a score against a gang boss who has offended the god--and she's decided Jess is going to help her do it.Drawn into a world of gods, ghosts, and family secrets, Jess finds that making deals with capricious spirits is a dangerous business. As Jess fights for retribution for Ah Ma, she'll also need to regain control of her body and destiny. If she fails, the Black Water Sister may finish her off for good.

    When Neela Devaki’s song is covered by internet-famous artist Rukmini, the two musicians meet and a transformative friendship begins. But as Rukmini’s star rises and Neela’s stagnates, jealousy and self-doubt creep in. With a single tweet, their friendship implodes, one career is destroyed, and the two women find themselves at the center of an internet firestorm.Celebrated multidisciplinary artist Vivek Shraya’s second novel is a stirring examination of making art in the modern era, a love letter to brown women, an authentic glimpse into the music industry, and a nuanced exploration of the promise and peril of being seen.

    Things only get worse when their nosey, do-gooder moms get involved and the girls are forced to carpool together until Irene’s car gets out of the shop.Their bumpy start only gets bumpier the more time they spend together. But when an opportunity presents itself for Scottie to get back at her toxic ex (and climb her school’s social ladder at the same time), she bribes Irene into playing along. Hijinks, heartbreak, and gay fake-dating scheme for the ages. From author Kelly Quindlen comes a new laugh-out-loud romp through the ups and downs of teen romance.

    She definitely didn’t expect to be sharing a bunk bed with her for four long weeks.Courtney has what every girl wants—she’s beautiful, rich, and the object of every boy’s desire at Camp Pine Ridge. Too bad none of them make her feel an iota of what Riya’s kiss did all those years ago. But Courtney needs to uphold appearances at all costs—even if it means instigating an all-out prank war with Riya as her main target. Neither girl can stop thinking about the other…but that doesn’t mean they can give up past hurts and take a chance on a future together.

    It centers around a young Nigerian woman, Ada, who develops separate selves within her as a result of being born "with one foot on the other side." Unsettling, heartwrenching, dark, and powerful, Freshwater is a sharp evocation of a rare way of experiencing the world, one that illuminates how we all construct our identities.Ada begins her life in the south of Nigeria as a troubled baby and a source of deep concern to her family. Her parents, Saul and Saachi, successfully prayed her into existence, but as she grows into a volatile and splintered child, it becomes clear that something went terribly awry. When Ada comes of age and moves to America for college, the group of selves within her grows in power and agency. A traumatic assault leads to a crystallization of her alternate selves: Asụghara and Saint Vincent. As Ada fades into the background of her own mind and these selves--now protective, now hedonistic--move into control, Ada's life spirals in a dark and dangerous direction.Narrated by the various selves within Ada and based in the author's realities, Freshwater dazzles with ferocious energy and serpentine grace, heralding the arrival of a fierce new literary voice.