Drawing from his unique cultural vision, Žižek brings new light to the Paris riots of 2005; he questions the permissiveness of violence in philanthropy; in daring terms, he reflects on the powerful image and determination of contemporary terrorists.Violence, Žižek states, takes three forms--subjective (crime, terror), objective (racism, hate-speech, discrimination), and systemic (the catastrophic effects of economic and political systems)--and often one form of violence blunts our ability to see the others, raising complicated questions.Does the advent of capitalism and, indeed, civilization cause more violence than it prevents? Is there violence in the simple idea of "the neighbour"? And could the appropriate form of action against violence today simply be to contemplate, to think?Beginning with these and other equally contemplative questions, Žižek discusses the inherent violence of globalization, capitalism, fundamentalism, and language, in a work that will confirm his standing as one of our most erudite and incendiary modern thinkers.

    This bloodcurdling account of instruments of torture through the ages includes descriptions of cells too cramped to allow for lying down, skull crushers, the pendulum, the gridiron, and other gruesome devices.

    To cover is to downplay a disfavored trait so as to blend into the mainstream. Because all of us possess stigmatized attributes, we all encounter pressure to cover in our daily lives. Given its pervasiveness, we may experience this pressure to be a simple fact of social life.Against conventional understanding, Kenji Yoshino argues that the demand to cover can pose a hidden threat to our civil rights. Though we have come to some consensus against penalizing people for differences based on race, sex, sexual orientation, religion, and disability, we still routinely deny equal treatment to people who refuse to downplay differences along these lines. Racial minorities are pressed to “act white” by changing their names, languages, or cultural practices. Women are told to “play like men” at work. Gays are asked not to engage in public displays of same-sex affection. The devout are instructed to minimize expressions of faith, and individuals with disabilities are urged to conceal the paraphernalia that permit them to function. In a wide-ranging analysis, Yoshino demonstrates that American civil rights law has generally ignored the threat posed by these covering demands. With passion and rigor, he shows that the work of civil rights will not be complete until it attends to the harms of coerced conformity. At the same time, Yoshino is responsive to the American exasperation with identity politics, which often seems like an endless parade of groups asking for state and social solicitude. He observes that the ubiquity of the covering demand provides an opportunity to lift civil rights into a higher, more universal register. Since we all experience the covering demand, we can all make common cause around a new civil rights paradigm based on our desire for authenticity–a desire that brings us together rather than driving us apart. Yoshino’s argument draws deeply on his personal experiences as a gay Asian American. He follows the Romantics in his belief that if a human life is described with enough particularity, the universal will speak through it. The result is a work that combines one of the most moving memoirs written in years with a landmark manifesto on the civil rights of the future. “This brilliantly argued and engaging book does two things at once, and it does them both astonishingly well. First, it's a finely grained memoir of young man’s struggles to come to terms with his sexuality, and second, it's a powerful argument for a whole new way of thinking about civil rights and how our society deals with difference. This book challenges us all to confront our own unacknowledged biases, and it demands that we take seriously the idea that there are many different ways to be human. Kenji Yoshino is the face and the voice of the new civil rights.” -Barbara Ehrenreich, author of Nickel and Dimed“Kenji Yoshino has not only given us an important, compelling new way to understand civil rights law, a major accomplishment in itself, but with great bravery and honesty, he has forged his argument from the cauldron of his own experience. In clear, lyrical prose, Covering quite literally brings the law to life. The result is a book about our public and private selves as convincing to the spirit as it is to the mind.” -Adam Haslett, author of You Are Not A Stranger Here“Kenji Yoshino's work is often moving and always clarifying. Covering elaborates an original, arresting account of identity and authenticity in American culture.”-Anthony Appiah, author of The Ethics of Identity and Laurance S. Rockefeller University Professor Of Philosophy at Princeton University“This stunning book introduces three faces of the remarkable Kenji Yoshino: a writer of poetic beauty; a soul of rare reflectivity and decency; and a brilliant lawyer and scholar, passionately committed to uncovering human rights. Like W.E.B. DuBois's The Souls of Black Folk and Betty Friedan's The Feminine Mystique, this book fearlessly blends gripping narrative with insightful analysis to further the cause of human emancipation. And like those classics, it should explode into America's consciousness.”-Harold Hongju Koh Dean, Yale Law School and former Assistant Secretary of State for Human Rights“Covering is a magnificent work - so eloquently and powerfully written I literally could not put it down. Sweeping in breadth, brilliantly argued, and filled with insight, humor, and erudition, it offers a fundamentally new perspective on civil rights and discrimination law. This extraordinary book is many things at once: an intensely moving personal memoir; a breathtaking historical and cultural synthesis of assimilation and American equality law; an explosive new paradigm for transcending the morass of identity politics; and in parts, pure poetry. No one interested in civil rights, sexuality, discrimination - or simply human flourishing - can afford to miss it.” -Amy Chua, author of World on Fire“In this stunning, original book, Kenji Yoshino demonstrates that the struggle for gay rights is not only a struggle to liberate gays---it is a struggle to free all of us, straight and gay, male and female, white and black, from the pressures and temptations to cover vital aspects of ourselves and deprive ourselves and others of our full humanity. Yoshino is both poet and lawyer, and by joining an exquisitely observed personal memoir with a historical analysis of civil rights, he shows why gay rights is so controversial at present, why “covering” is the issue of contention, and why the “covering demand,” universal in application, is the civil rights issue of our time. This is a beautifully written, brilliant and hopeful book, offering a new understanding of what is at stake in our fight for human rights.” -Carol Gilligan, author of In a Different Voice

     And when his childhood buddy Vinnie bails him out of jail, he agrees to partake in a scam Vinnie has put together that will make them all rich. The only problem is: while out fishing one day Johnnie reels in the biggest catch of his life... Vinnie's head on the end of the fishing line. Now mafia types, bounty hunters, and Vinnie's girlfriend are after him, and Johnnie LoDuco doesn't have a clue as to why. Plus, they all seem to want Vinnie's head, but Johnnie seems to have misplaced it in an ice cooler--and if he wants to live he needs to get it back.

    In the dead of night, three men with swords burst into the bed chamber of the Marquis de Montferrat. Their leader, Raimundo di Sangro – the Prince of San Severo – accuses him of being an imposter, and demands to know a secret he believes the marquis harbors. The false marquis resists and manages to escape, leaving behind a burning palazzo and a raging prince now obsessed with finding his quarry – and his secret – at any cost.Baghdad, 2003. An army unit tracking Saddam’s cronies stages a spectacular raid on a fortified villa and makes a horrifying discovery in its basement: a state- of-the-art, concealed lab where dozens—men, women, children—have died, the subjects of gruesome experiments. The mysterious scientist they were after, a man believed to be working on a bioweapon and known only as the hakeem—the doctor—escapes, taking with him the startling truth about his work. In one of his victims’ cells, a puzzling clue is left behind: an Ouroboros – the tail devourer – a circular symbol of a snake that’s feeding on its own tail.As the power of the symbol comes to light, revealing the centuries of mystery and pain left in its wake, one unsuspecting woman – Mia Bishop, a geneticist – stands at the center of a conspiracy that could change the world forever. From Baghdad to the chaos of a Beirut still reeling from a fresh war in the fall of 2006, to the lost villages of eastern Turkey and northern Iraq by way of epic chapters set in eighteenth century Europe, and in the masterful hands of international bestseller Raymond Khoury, The Sanctuary delivers the same rapid-fire suspense and provocative scholarship that made The Last Templar an international blockbuster.

    Based on 114 intriguing interviews with nineteen former chief justices of India and more than sixty-six former judges of the Supreme Court of India, Abhinav Chandrachud opens a window to the life and times of the former judges of India's highest court of law and in the process offers a history that largely remained in oblivion for a long time.

    With this exposé, the Boston Globe presents the single most comprehensive account of the cover-ups, hush money and manipulation used by the Catholic Church to keep its history of sexual abuse secret.

    Jordan, Jaime Foxx, and Brie Larson and now the subject of an HBO documentary feature! In this very personal work--adapted from the original #1 bestseller, which the New York Times calls "as compelling as To Kill a Mockingbird, and in some ways more so"--acclaimed lawyer and social justice advocate Bryan Stevenson offers a glimpse into the lives of the wrongfully imprisoned and his efforts to fight for their freedom.Stevenson's story is one of working to protect basic human rights for the most vulnerable people in American society--the poor, the wrongly convicted, and those whose lives have been marked by discrimination and marginalization. Through this adaptation, young people of today will find themselves called to action and compassion in the pursuit of justice.Proceeds of this book will go to charity to help in Stevenson's important work to benefit the voiceless and the vulnerable as they attempt to navigate the broken U.S. justice system.A KIRKUS REVIEWS BEST BOOK OF THE YEARA BOOKLIST EDITORS' CHOICEFEATURED ON CBS THIS MORNING A NEW YORK PUBLIC LIBRARY BEST BOOK OF THE YEARPRAISE FOR JUST MERCY: A TRUE STORY OF THE FIGHT FOR JUSTICE "It's really exciting that young people are getting a version tailored for them." --Salon"A deeply moving collage of true stories. . . . This is required reading." --Kirkus Reviews, starred review"Compassionate and compelling, Stevenson's narrative is also unforgettable." --Booklist, starred reviewPRAISE FOR JUST MERCY: A STORY OF JUSTICE AND REDEMPTION "Gripping. . . . What hangs in the balance is nothing less than the soul of a great nation." --DESMOND TUTU, Nobel Peace Prize Laureate"Important and compelling." --Pulitzer Prize-winning author TRACY KIDDER"Inspiring and powerful." --#1 New York Times bestselling author JOHN GRISHAM

    The issues it tackled, from the failures of the drug war and criminal justice system to systemic bias in law enforcement and other social institutions, have become more urgent and central to the national conversation. The show's actors, such as Idris Elba, Dominic West, and Michael B. Jordan, have gone on to become major stars. Its creators and writers, including David Simon and Richard Price, have developed dedicated cult followings of their own. Universities use the show to teach everything from film theory to criminal justice to sociology. Politicians and activists reference it when discussing policy. When critics compile lists of the Greatest TV Shows of All Time, The Wire routinely takes the top spot. It is arguably one of the great works of art America has produced in the 20th century.But while there has been a great deal of critical analysis of the show and its themes, until now there has never been a definitive, behind-the-scenes take on how it came to be made. With unparalleled access to all the key actors and writers involved in its creation, Jonathan Abrams tells the astonishing, compelling, and complete account of The Wire, from its inception and creation through its end and powerful legacy.

    slip stapled paperback, 40 pages.

    Eleven-year-old Ella McGee sits on a bus bound for her Southern hometown. Behind her in Washington, D.C., lie the broken pieces of her parents’ love story—a black father drafted, an activist mother an activist mother of Scotch-Irish and Cherokee descent confronting racist thugs. But Ella’s journey is just beginning when she reaches Hopewell County, and her disappearance into the Georgia mountains will unfurl a rich tapestry of family secrets spanning a century. Told in five unforgettable voices, Glow reaches back through the generations, from the red-clay dust of the Great Depression to the Blue Ridge frontier of 1836, where slave plantations adjoin the haunted glades of a razed Cherokee Nation. Out of these characters’ lives evolves a drama that is at once intimately human and majestic in its power to call upon the great themes of our time—race, identity, and the bonds of family and community.Lushly conceived, cinematically detailed, and epic in historical scope, Glow announces an extraordinary new voice in Southern fiction.

    A Young People's History of the United States is also a companion volume to The People Speak, the film adapted from A People's History of the United States and Voices of a People's History of the United States.Beginning with a look at Christopher Columbus's arrival through the eyes of the Arawak Indians, then leading the reader through the struggles for workers' rights, women's rights, and civil rights during the nineteenth and twentieth centuries, and ending with the current protests against continued American imperialism, Zinn in the volumes of A Young People's History of the United States presents a radical new way of understanding America's history. In so doing, he reminds readers that America's true greatness is shaped by our dissident voices, not our military generals.

    In return she expects payment: an annual rent of a single rose, to be delivered on the day of translation of St Winifred. But such a beautfiul woman, and with such a substantial dowry, is an attractive proposition for would-be suitors... and even more so if the house should revert to her. Someone it seems, will stop at nothing to prevent the payment of the rose - not even murder. To Brother Cadfael, as ever, falls the enquiry into this sensational crime.The Hermit of Eyton Forest: Ten-year-old Richard Ludel has, rather reluctantly, become the new lord of Eaton following the death of his father. With the position come the inevitable burdens of responsibility, among them the expectation that young Richard will make a marriage of convenience. But Richard has his own ideas, and befriends the young companion of Cuthred the hermit, who has recently taken up residence in Eyton Forest. It is a peaceful place but its tranquility is rudely shattered by the discovery of a corpse, forcing Brother Cadfael to leave his treasured herb garden and begin his quest to solve the mystery and track down a ruthless killer.The Confession of Brother Haluin: A harsh winter, and the roof of the Benedictine Abbey of St Peter and St Paul threatens to give way under the weight of snow. Brother Haulin, working on the necessary repairs in treacherous conditions, slips from the roof and sustains such grave injuries that he makes his deathbed confession to the Abbot and Brother Cadfael. But Haulin recovers, and in order to atone for his sins he sets out on an arduous journey of expiation, with Cadfael as his sole companion. It is a journey which leads to some shocking revelations, and eventually to murder...

    He and Brody are settling into their new life when he stumbles onto a plot of marijuana plants on public land. Knowing a thing or two about growing weed, Breeze befriends the mysterious mountain man tending to the crop. When his new friend is killed, he tries to help law enforcement solve the crime. When the authorities prove reluctant, he is forced to take matters into his own hands. In the process, he transforms from boat bum to a true man of the mountains. Blue Ridge Breeze - There is a fugitive loose on McGuire Mountain. Local law enforcement asks Breeze to help track the man down. The mission goes horribly wrong. In the process of trying to make it right, Breeze uncovers corruption by the Chief of Police. Though he’s committed no crime, he once again finds himself on the wrong side of the law. He thinks the problem is resolved, but someone is stalking his cabin. Breeze and Brody become prisoners in their own home. The situation forces Breeze to utilize his mountain skills like never before. Beech Mountain Breeze - A freak accident causes Buckeye Lake to be drained. A girl’s body is found in the mud. A mysterious mountain hermit is a suspect, but no one has ever seen him. Breeze is called upon to track a man that he’s not even sure exists. He teams up with an attractive female police officer, who wants more than just a professional relationship. Pressure mounts as the case progresses, in more ways than one. High Country Breeze - In the mountains of western North Carolina, things aren’t always as they seem. When a college student is found dead, the incident is quickly ruled a suicide. The boy’s parents hire Breeze and Brody to investigate his death. At first, they are stonewalled by the entire community, but Breeze devises a devious and clever plan to get to the truth. They think they’ve broken the case wide open, but soon learn their mission is not complete. New River Breeze - There is a fugitive near the New River that baffles Breeze with his speed and endurance. Creekside Investigations becomes occupied with the marital surveillance business; tracking cheating spouses in the High Country. Breeze can’t accept his failure to capture the Running Man, so he puts his fledgling business aside to return to the wilderness in pursuit of his prey. It all leads to an explosive ending that will rip your guts out and leave you wandering what happens next.

    Then he discovered that the olive grove in front of their 14th century farmhouse had been the scene of the most infamous double-murders in Italian history, committed by a serial killer known as the Monster of Florence. Preston, intrigued, meets Italian investigative journalist Mario Spezi to learn more.This is the true story of their search for—and identification of—the man they believe committed the crimes, and their chilling interview with him. And then, in a strange twist of fate, Preston and Spezi themselves become targets of the police investigation. Preston has his phone tapped, is interrogated, and told to leave the country. Spezi fares worse: he is thrown into Italy's grim Capanne prison, accused of being the Monster of Florence himself. Like one of Preston's thrillers, The Monster of Florence, tells a remarkable and harrowing story involving murder, mutilation, and suicide—and at the center of it, Preston and Spezi, caught in a bizarre prosecutorial vendetta.