SOHO, 1935.SERGEANT LEON GEATS' PATCH.A snarling, skull-cracking misanthrope, Geats marshals the grimy rabble according to his own elastic moral code.The narrow alleys are brimming with jazz bars, bookies, blackshirts, ponces and tarts so when a body is found above the Windmill Club, detectives are content to dismiss the case as just another young woman who topped herself early.But Geats - a good man prepared to be a bad one if it keeps the worst of them at bay - knows the dark seams of the city.Working with his former partner, mercenary Flying Squad sergeant Mark Cassar, Geats obsessively dedicates himself to finding a warped killer - a decision that will reverberate for a lifetime and transform both men in ways they could never expect.

    He's wearing only a brown vest, a Stetson hat and cowboy boots. But that's about the extent of excitement in the big complex and that's why four diverse widows take off secretly for part unknown, leaving no forwarding address. Between adopting the boys at the Ragged Ass Saloon, finding a dead body in the woods and capturing the killer, closing down a sleazy porno shop and meeting two handsome sheriffs, the burned out old broads who dine together at Meadow Lakes Table 12 find adventure, romance, mystery and prove there is life after grief. Grab your latest AARP advertisement for a bookmark and join Maggie Patten (Sandhills Rancher), Hadley Joy Morris-Whitfield (wealthy and wise), Mary Rose McGill (sweet Catholic girl), and Edith Ann (rescued Schnauzer) for a laugh-out-loud, fun read and a look into relationships every mature woman wants and deserves.

    Slump and one of the strangest places on Earth!

    I love Margaret Coel’s writing because there’s never a misplaced step. She balances two opposing cultures with little room for compromise, which is good because this chick works without a safety net. It’s human nature, or certainly the nature of writers, to analyze another’s work when reading it, in an attempt to take the story apart like an acrobatic trick—kick off your shoes and try it out. Every once in a while you second guess them and follow them out onto that tightrope just to find where they might’ve slipped up, but Margaret never does and just when you think she has she’ll turn and wink, so keep reading. Like Catherine McLeod, the reporter protagonist of Man Found Dead in Park, Margaret embraces both the mainstream and native cultures, all the while maintaining the aspect of her writing that transcends the genre with a deep understanding of human nature. When a man is found dead in an Indian section of Denver where no one is talking, McLeod finds herself in conflict with Mexican drug cartels and an investigation that leads north into Wyoming's Wind River Reservation and what turns out to be her roots. Transformative for both McLeod and the reader, the width and breath of the story is easy to miss, because Coel’s writing has a heady narrative that holds a sense of wonder and romance—a place that a lot of other writers fear to tread. I sometimes wonder if she knows how good she is, but I think probably not. The humility of a few artists is what keeps them grounded, and even when she’s out there flying high, I’m pretty sure she has her head up but is feeling every twitch of the story through the soles of her feet. Navigating with the finesse of a Flying Wallenda, Coel never misses a thing, because the devil is in the details, and like her character, Detective Nick Bustamante, Margaret knows that these indiscernible little slights of hand are the thing that makes for great drama under the Big Top. So join Margaret Coel out onto that high wire where she works without a safety net. Just when you think you’ve got it all figured out there will be moments of insecurity, thoughts that will disconcert, and you might be tempted to look down, but don’t. If things get too hairy just reach out and take this daredevil performer’s hand, and she’ll grin that signature smile and make sure you make it back to safety. --Craig Johnson

    

     Bedlam, is the first of four books in the hysterically funny series, “Diary of a Stressed Out Mother”. Dora Loveday (harassed mother of four kids, two unruly dogs, and a psychotic cat), records the daily chaos and madness of her family life in this laugh-out-loud, comic romp of a diary!

    It may be gross, but kids love this stuff, and that's the point! I originally wrote this book for my son, a first grader, who was struggling with sight words and reading speed. The sight word books, decodable word books, early reader books, and flash cards they offered him at school were boring, which made it a challenge to get him excited about reading. So I decided to write a series of children's books using sight words but with stories about the things I heard him and his friends laughing about. It worked! My son was able to read my Billy Bad sight word stories with speed and confidence. And because he was laughing I knew his reading comprehension was improving. This book is written using mostly Dolch sight words and a few other words that are easily decodable. Unlike most sight word books and decodable word books, Billy Bad's sight word books have stories that will capture the attention of early readers and make them laugh. When kids enjoy the stories they read they fall in love with reading. I hope your child enjoys these silly (and gross) sight word books as much as my son does.