It all began with a simple seaside vacation, a brother and sister recapturing their childhood. Antoine Rey thought he had the perfect surprise for his sister Mélanie's birthday: a weekend by the sea at Noirmoutier Island, where the pair spent many happy childhood summers playing on the beach. It had been too long, Antoine thought, since they'd returned to the island - over thirty years, since their mother died and the family holidays ceased. But the island's haunting beauty triggers more than happy memories; it reminds Mélanie of something unexpected and deeply disturbing about their last island summer. When, on the drive home to Paris, she finally summons the courage to reveal what she knows to Antoine, her emotions overcome her and she loses control of the car. Recovering from the accident in a nearby hospital, Mélanie tries to recall what caused her to crash. Antoine encounters an unexpected ally: sexy, streetwise Angèle, a mortician who will teach him new meanings for the words life, love and death. Suddenly, however, the past comes swinging back at both siblings, burdened with a dark truth about their mother, Clarisse. Trapped in the wake of a shocking family secret shrouded by taboo, Antoine must confront his past and also his troubled relationships with his own children. How well does he really know his mother, his children, even himself? Suddenly fragile on all fronts as a son, a husband, a brother and a father, Antoine Rey will learn the truth about his family and himself the hard way. By turns thrilling, seductive and destructive, with a lingering effect that is bittersweet and redeeming, A Secret Kept is the story of a modern family, the invisible ties that hold it together, and the impact it has throughout life.

    When the Goodwins took over the last dairy farm in the small Midwestern town of Prairie Center, they envisioned their home a self-made paradise. But these days, as Alice is all too aware, her elder daughter Emma is prone to inexplicable fits of rage, her husband Howard distrusts her maternal competence, and Prairie Center's tight-knit suburban community shows no signs of warming to "those hippies who think they can run a farm." A loner by nature, Alice is torn between a yearning for solitude coupled with a deep need to be at the center of a perfect family. On this particular day, Emma has started the morning with a violent tantrum, her little sister Claire is eating pennies, and it is Alice's turn to watch her neighbor's two small girls as well as her own. She absentmindedly steals a minute alone that quickly becomes ten: time enough for a devastating accident to occur. Her neighbor's daughter Lizzy drowns in the farm's pond, and Alice - whose own volatility and unmasked directness keep her on the outskirts of acceptance - becomes the perfect scapegoat. At the same time, a seemingly trivial incident from Alice's past resurfaces and takes on gigantic proportions, leading the Goodwins far from Lizzy's death into a maze of guilt and doubt culminating in a harrowing court trial and the family's shattering downfall.

    David Henry is forced by a blizzard to deliver his own twins. His son, born first, is perfectly healthy. Yet when his daughter is born, he sees immediately that she has Down's Syndrome. Rationalizing it as a need to protect Norah, his wife, he makes a split-second decision that will alter all of their lives forever. He asks his nurse to take the baby away to an institution and never to reveal the secret. But Caroline, the nurse, cannot leave the infant. Instead, she disappears into another city to raise the child herself. So begins this story that unfolds over a quarter of a century - in which these two families, ignorant of each other, are yet bound by the fateful decision made that long-ago winter night. Norah Henry, who knows only that her daughter died at birth, remains inconsolable; her grief weighs heavily on their marriage. And Paul, their son, raises himself as best he can, in a house grown cold with mourning. Meanwhile, Phoebe, the lost daughter, grows from a sunny child to a vibrant young woman whose mother loves her as fiercely as if she were her own.

    The author of the iconic The Good Mother and the best-selling While I Was Gone brings her marvelous gifts to a powerful story of two unconventional women who unexpectedly change each other’s lives.Meri is newly married, pregnant, and standing on the cusp of her life as a wife and mother, recognizing with some terror the gap between reality and expectation. Delia Naughton—wife of the two-term liberal senator Tom Naughton—is Meri’s new neighbor in the adjacent New England town house. Delia’s husband’s chronic infidelity has been an open secret in Washington circles, but despite the complexity of their relationship, the bond between them remains strong. What keeps people together, even in the midst of profound betrayal? How can a journey imperiled by, and sometimes indistinguishable from, compromise and disappointment culminate in healing and grace? Delia and Meri find themselves leading strangely parallel lives, both reckoning with the contours and mysteries of marriage, one refined and abraded by years of complicated intimacy, the other barely begun.Here are all the things for which Sue Miller has always been beloved—the complexity of experience precisely rendered, the richness of character and emotion, the superb economy of style—fused with an utterly engrossing story that has a great deal to say to women, and men, of all ages.

    She is an outsider wherever she goes, caught between being black and white, American and not. She tries to connect these dislocated pieces of her life, and as her mother succumbs to cancer, Thandi searches for an anchor—someone, or something, to love. In arresting and unsettling prose, we watch Thandi’s life unfold, from losing her mother and learning to live without the person who has most profoundly shaped her existence, to her own encounters with romance and unexpected motherhood. Through exquisite and emotional vignettes, Clemmons creates a stunning portrayal of what it means to choose to live, after loss. An elegiac distillation, at once intellectual and visceral, of a young woman’s understanding of absence and identity that spans continents and decades, What We Lose heralds the arrival of a virtuosic new voice in fiction.

    With both Sarah and her cartoon heroine undergoing fertility treatments, her fiction often reflects her reality. However, she hadn't scripted her husband's infidelity. In the wake of her shattered marriage, Sarah flees to the coastal town in Northern California where she grew up. There, she revisits her troubling past: an emotionally distant father, the loss of her mother and an unexpected connection with Will Bonner, the high school heartthrob skewered mercilessly in her comics. But he's been through some changes himself. And just as her heart is about to reawaken, Sarah makes a most startling discovery. She's pregnant. The winds of change have led Sarah to this surprising new beginning. All she can do is just close her eyes...and breathe.

    But everything, including Paula's birthname Kali Jai, changed when she told a story of her own - one that landed Kai in prison and Paula in foster care. Separated, each holding her own secrets, the intense bond they once shared was fractured. These days, Paula has reincarnated herself as a tough-as-nails divorce attorney with a successful practice in Atlanta. While she hasn't seen Kai in fifteen years, she's still making payments on that Karmic debt - until the day her last check is returned in the mail, along with a cryptic letter. "I am going on a journey, Kali. I am going back to my beginning; death is not the end. You will be the end. We will meet again, and there will be new stories. You know how Karma works." Then Kai's most treasured secret literally lands on Paula's doorstep, throwing her life into chaos and transforming her from only child to older sister. Desperate to find her mother before it's too late, Paula sets off on a journey of discovery that will take her back to the past and into the deepest recesses of her heart. With the help of her ex-lover Birdwine, an intrepid and emotionally volatile private eye who still carries a torch for her, this brilliant woman, an expert at wrecking families, now has to figure out how to put one back together - her own. The Opposite of Everyone is a story about story itself, how the tales we tell connect us, break us, and define us, and how the endings and beginnings we choose can destroy us ... and make us whole. Laced with sharp humor and poignant insight, it is beloved New York Times bestselling author Joshilyn Jackson at her very best.

    Despite her own mother's warnings, Tessa has recently given up her career to focus on her family and the pursuit of domestic happiness. From the outside, she seems destined to live a charmed life. Valerie Anderson is an attorney and single mother to six-year-old Charlie—a boy who has never known his father. After too many disappointments, she has given up on romance—and even to some degree, friendships—believing that it is always safer not to expect too much.Although both women live in the same Boston suburb, the two have relatively little in common aside from a fierce love for their children.  But one night, a tragic accident causes their lives to converge in ways no one could have imagined.  In alternating, pitch-perfect points of view, Emily Giffin creates a moving, luminous story of good people caught in untenable circumstances. Each being tested in ways they never thought possible. Each questioning everything they once believed. And each ultimately discovering what truly matters most.

    From congresswoman to senator, the magnetic, ambitious single mother now has her eye on the White House—always looking forward, never back. Until an estranged childhood friend shreds her in an op-ed hit piece gone viral.With seven words—“Cleo McDougal is not a good person”—the presidential hopeful has gone from in control to damage control, and not just in Washington but in life.Enter Cleo’s “regrets list” of 233 and counting. Her chief of staff has a brilliant idea: pick the top ten, make amends during a media blitz, and repair her reputation. But there are regrets, and there are regrets: like her broken relationship with her sister, her affair with a law school professor…and the regret too big to even say out loud.But with risk comes reward, and as Cleo makes both peace and amends with her past, she becomes more empowered than ever to tackle her career, confront the hypocrites out to destroy her, and open her heart to what matters most—one regret at a time.

    A woman who can’t even kill a spider, Hadley soon finds herself pushed to the limits as she fights to protect her family.Grace, new mother of baby Miles, desperately wants to put her rough past behind her for good, but she finds it impossible when her path crosses with Hadley’s, and her quest for a new start quickly spirals out of control and turns into a terrifying flight for survival.Stronger together than apart, the two find their fates inextricably entwined, and as the danger closes in, each must decide how much she is willing to risk for the other.A powerful story of self-discovery, Hadley and Grace is the heart-racing tale of two women facing insurmountable odds, racing to stay one step ahead of the trouble that is chasing them, and discovering new kinds of love and family along the way.

    She was hurt—angry, too—but she didn't cry woe is me. Nope, she hired herself a top-notch lawyer and ended up with a cool $275 million. Having been raised in the church, she knew that when much is given much is expected, so she asked God to send her a purpose.The purpose turned out to be a town: Henry Adams, Kansas, one of the last surviving townships founded by freed slaves after the Civil War. The failing town had put itself up for sale on the Internet, so Bernadine bought it. Trent July is the mayor, and watching the town of his birth slide into debt and foreclosure is about the hardest thing he's ever done. When the buyer comes to town, he's impressed by her vision, strength, and the hope she wants to offer not only to the town and its few remaining residents, but to a handful of kids in desperate need of a second chance. Not everyone in town wants to get on board though; they don't want change. But Bernadine and Trent, along with his first love, Lily Fontaine, are determined to preserve the town's legacy while ushering in a new era with ties to its unique past and its promising future.

    Driving her mobile library van through Finfarran's farms and villages, she tries not to think of the sophisticated London life she abandoned when she left her cheating husband. Or that she's now stuck in her crotchety mum's spare bedroom.With her daughter Jazz travelling the world and her relationship with her mother growing increasingly fraught, Hanna decides to reclaim her independence. Then, when the threatened closure of her library puts her plans in jeopardy, she finds herself leading a battle to restore the heart and soul of the fragmented community. Will she also find the new life she's been searching for?

    She returns to New York still beautiful but oddly unrecognizable, a virtual stranger in the world she once effortlessly occupied.With the surreal authority of a David Lynch, Jennifer Egan threads Charlotte’s narrative with those of other casualties of our infatuation with the image. There’s a deceptively plain teenaged girl embarking on a dangerous secret life, an alcoholic private eye, and an enigmatic stranger who changes names and accents as he prepares an apocalyptic blow against American society. As these narratives inexorably converge, Look at Me becomes a coolly mesmerizing intellectual thriller of identity and imposture.

    Jackson, Vivvie’s husband, was shot and killed 30 years ago, and the ramifications have splintered the family into their own isolated remembrances and recriminations.This deeply personal, hauntingly melancholy look at the damages families inflict on each other – and the healing that only they can provide – is filled with flinty, flawed and complex people stumbling towards some kind of peace. Like Elizabeth Strout and Kazuo Isiguro, Deborah Reed understands a story and its inhabitants reveal themselves in the subtleties: the space between the thoughts, the sigh behind the smile, and the unreliable lies people tell themselves that ultimately reveal the deepest truths.

    She's getting tired of being the hostess, the mother hen, the woman who has to bake her own birthday party. To make things worse, the network execs at the Cooking Channel want to boost her ratings by teaming Gus with the beautiful, ambitious Carmen Vega, a former Miss Spain, who is decidedly not middle-aged.But Gus won't go without a fight. She recreates her show as an on-air cooking class, which she uses as an excuse to bring together her extended family for some lessons in life as well as cuisine. The new cast includes her bickering daughters, fickle Sabrina, who has just gotten engaged for the third time, and overserious Aimee; Troy, Sabrina's ex-boyfriend, and Hannah, Gus's timid neighbor. And while Gus may have to deal with Carmen's diva behavior, she also has to contend with a new culinary producer, Oliver, a handsome ex-banker who raises the temperature just a little beyond Gus's comfort zone. In the pursuit of higher ratings and culinary delights, Gus realizes that she might be able not just to rejuvenate her career but to improve her family life - and perhaps her love life as well...