At the centre of the dramatic events stands the majestic figure of the Emperor Franz Josef, facing the tragedies of his disastrous marriage and the suicide of his only son, and doggedly resisting the ruin of his inheritance. In a sweeping panorama of Vienna, Imperial Russia, Napolean's France, Bismark's Prussia and Cavour's Italy, Crankshaw portrays the political and military intricacies, the statesman, soldiers and common people, and examines the ambitions and disillusionment that broke the Empire and forged the destiny of the twentieth century.

    This substantially revised and updated edition sets the Soviet era in the context of the rise, fall and remarkable rebirth of an indomitable nation.

    Kundera is a passionate defender of the moral rights of the artist and the respect due a work of art and its creator’s wishes. The betrayal of both—often by their most passionate proponents—is one of the key ideas that informs this strikingly original and elegant book.

    The peace agreements that brought the conflict to an end implemented decisions that not only shaped the second half of the twentieth century, but continue to affect our world today and impact on its future. In 1946 the Cold War began, the state of Israel was conceived, the independence of India was all but confirmed and Chinese Communists gained a decisive upper hand in their fight for power. It was a pivotal year in modern history in which countries were reborn and created, national and ideological boundaries were redrawn and people across the globe began to rebuild their lives.In this remarkable history, the foreign correspondent and historian Victor Sebestyen draws on contemporary documents from around the world - including Stalin's briefing notes for the Potsdam peace conference - to examine what lay behind the political decision-making. Sebestyen uses a vast array of archival material and personal testimonies to explore how the lives of generations of people across continents were shaped by the events of 1946. Taking readers from Berlin to London, from Paris to Moscow, from Washington to Jerusalem and from Delhi to Shanghai, this is a vivid and wide-ranging account of both powerbrokers and ordinary men and women from an acclaimed author.

    "The City of Nets," as Brecht called Berlin, before the deluge, and people who created and those who destroyed it.

    From Bach, Goethe, and Schopenhauer to Nietzsche, Freud, and Einstein, from the arts and humanities to science and philosophy, The German Genius is a lively and accessible review of over 250 years of German intellectual history. In the process, it explains the devastating effects of World War II, which transformed a vibrant and brilliantly artistic culture into a vehicle of warfare and destruction, and it shows how the German culture advanced in the war’s aftermath.

    

    With little experience as a painter (though famed for his sculpture David), Michelangelo was reluctant to begin the massive project. Michelangelo and the Pope's Ceiling recounts the four extraordinary years Michelangelo spent laboring over the vast ceiling while the power politics and personal rivalries that abounded in Rome swirled around him. Battling against ill health, financial difficulties, domestic problems, the pope's impatience, and a bitter rivalry with the brilliant young painter Raphael, Michelangelo created scenes so beautiful that they are considered one of the greatest masterpieces of all time. A panorama of illustrious figures converged around the creation of this great work-from the great Dutch scholar Desiderius Erasmus to the young Martin Luther-and Ross King skillfully weaves them through his compelling historical narrative, offering uncommon insight into the intersection of art and history.

    Naples is always a shock, flaunting beauty and squalor like nowhere else. Naples is the only city in Europe whose ancient past still lives in its irrepressible people. Their ancestors came from all over the early Mediterranean to the wide bay and its islands, shadowed by a dormant volcano. Not all of them found what they were looking for, but they made a great and terribly human city. Peter Robb's Street Fight in Naples ranges across nearly three thousand years of Neapolitan life and art, from the first Greeklandings in Italy to his own less auspicious arrival thirty-something years ago.In 1503 Naples became the Mediterranean capital of Spain's world empire and the base for the Christian struggle with Islam. It was a European metropolis matched only by Paris and Istanbul, an extraordinary concentration of military power, lavish consumption, poverty and desperation. As the occupying empire went into crisis, exhausted by its wars against Islamists in the Mediterranean and Protestants in the North, the people of Naples paid a dreadful price.Naples was where in 1606 the greatest painter of his age fled from Rome after a fatal street fight. Michelangelo Merisi from Caravaggio found in its teeming streets an image of the age's crisis, and released among the painters of Naples the energies of a great age in European art - until everything erupted in a revolt by the dispossessed, and the people of an occupied city brought Europe into the modern world.

    But Portugal's navigators cracked the code of the Atlantic winds, launched the expedition of Vasco da Gama to India and beat the Spanish to the spice kingdoms of the East - then set about creating the first long-range maritime empire. In an astonishing blitz of thirty years, a handful of visionary and utterly ruthless empire builders, with few resources but breathtaking ambition, attempted to seize the Indian Ocean, destroy Islam and take control of world trade.Told with Roger Crowley's customary skill and verve, this is narrative history at its most vivid - an epic tale of navigation, trade and technology, money and religious zealotry, political diplomacy and espionage, sea battles and shipwrecks, endurance, courage and terrifying brutality. Drawing on extensive first-hand accounts, it brings to life the exploits of an extraordinary band of conquerors - men such as Afonso de Albuquerque, the first European since Alexander the Great to found an Asian empire - who set in motion five hundred years of European colonisation and unleashed the forces of globalisation.

    Rich in surprising encounters and vivid characters, Between East and West brilliantly illuminates the soul of these lands and the shaping power of their past.

    Its very name conjures up awe-inspiring images of an age of lofty ideals in which life imitated the fantastic artworks for which it has become famous. But behind the vast explosion of new art and culture lurked a seamy, vicious world of power politics, perversity, and corruption that has more in common with the present day than anyone dares to admit.     In this lively and meticulously researched portrait, Renaissance scholar Alexander Lee illuminates the dark and titillating contradictions that were hidden beneath the surface of the period’s best-known artworks. Rife with tales of scheming bankers, greedy politicians, sex-crazed priests, bloody rivalries, vicious intolerance, rampant disease, and lives of extravagance and excess, this gripping exploration of the underbelly of Renaissance Italy shows that, far from being the product of high-minded ideals, the sublime monuments of the Renaissance were created by flawed and tormented artists who lived in an ever-expanding world of inequality, dark sexuality, bigotry, and hatred.     The Ugly Renaissance is a delightfully debauched journey through the surprising contradictions of Italy’s past and shows that were it not for the profusion of depravity and degradation, history’s greatest masterpieces might never have come into being.

    Fussell illuminates a war that changed a generation and revolutionised the way we see the world. He explores the British experience on the western Front from 1914 to 1918, focusing on the various literary means by which it has been remembered, conventionalized and mythologized. It is also about the literary dimensions of the experience itself. Fussell supplies contexts, both actual and literary, for writers who have most effectively memorialized the Great War as an historical experience with conspicuous imaginative and artistic meaning. These writers include the classic memoirists Siegfried Sassoon, Robert Graves and Edmund Blunden, and poets David Jones, Isaac Rosenberg, and Wilfred Owen. In his new introduction Fussell discusses the critical responses to his work, the authors and works that inspired his own writing, and the elements which influence our understanding and memory of war. Fussell also shares the stirring experience of his research at the Imperial War Museum's Department of Documents. Fussell includes a new Suggested Further Reading List.Fussell's landmark study of World War I remains as original and gripping today as ever before: a literate, literary, and illuminating account of the Great War, the one that changed a generation, ushered in the modern era, and revolutionized how we see the world. 14 halftones.

    Glowingly reviewed, What I Saw introduces a new generation to the genius of this tortured author with its "nonstop brilliance, irresistible charm and continuing relevance" (Jeffrey Eugenides, New York Times Book Review). As if anticipating Christopher Isherwood, the book re-creates the tragicomic world of 1920s Berlin as seen by its greatest journalistic eyewitness. In 1920, Joseph Roth, the most renowned German correspondent of his age, arrived in Berlin, the capital of the Weimar Republic. He produced a series of impressionistic and political essays that influenced an entire generation of writers, including Thomas Mann, and a young Christopher Isherwood. Translated and collected here for the first time, these pieces record the violent social and political paroxysms that constantly threatened to undo the fragile democracy that was the Weimar Republic. Roth, like no other German writer of his time, ventured beyond Berlin's official veneer to the heart of the city, chronicling the lives of its forgotten inhabitants: the war cripples, the Jewish immigrants from the Pale, the criminals, the bathhouse denizens, and the nameless dead who filled the morgues. Warning early on of the dangers posed by the Nazis, Roth evoked a landscape of moral bankruptcy and debauched beauty—a memorable portrait of a city and a time of commingled hope and chaos. What I Saw, like no other existing work, records the violent social and political paroxysms that compromised and ultimately destroyed the precarious democracy that was the Weimar Republic.

    Much of Europe once knew them as "child-devouring cannibals" and "bloodthirsty Huns." But it wasn't long before the Hungarians became steadfast defenders of the Christian West and fought heroic freedom struggles against the Tatars (1241), the Turks (16-18th centuries), and, among others, the Russians (1848-49 and 1956). Paul Lendvai tells the fascinating story of how the Hungarians, despite a string of catastrophes and their linguistic and cultural isolation, have survived as a nation-state for more than 1,000 years.Lendvai, who fled Hungary in 1957, traces Hungarian politics, culture, economics, and emotions from the Magyars' dramatic entry into the Carpathian Basin in 896 to the brink of the post-Cold War era. Hungarians are ever pondering what being Hungarian means and where they came from. Yet, argues Lendvai, Hungarian national identity is not only about ancestry or language but also an emotional sense of belonging. Hungary's famous poet-patriot, S�ndor Petofi, was of Slovak descent, and Franz Liszt felt deeply Hungarian though he spoke only a few words of Hungarian. Through colorful anecdotes of heroes and traitors, victors and victims, geniuses and imposters, based in part on original archival research, Lendvai conveys the multifaceted interplay, on the grand stage of Hungarian history, of progressivism and economic modernization versus intolerance and narrow-minded nationalism.He movingly describes the national trauma inflicted by the transfer of the historic Hungarian heartland of Transylvania to Romania under the terms of the Treaty of Trianon in 1920--a trauma that the passing of years has by no means lessened. The horrors of Nazi and Soviet Communist domination were no less appalling, as Lendvai's restrained account makes clear, but are now part of history.An unforgettable blend of eminent readability, vibrant humor, and meticulous scholarship, The Hungarians is a book without taboos or prejudices that at the same time offers an authoritative key to understanding how and why this isolated corner of Europe produced such a galaxy of great scientists, artists, and entrepreneurs.