Over the past decade, artist Rachel Sussman has researched, worked with biologists, and traveled the world to photograph continuously living organisms that are 2,000 years old and older. Spanning from Antarctica to Greenland, the Mojave Desert to the Australian Outback, the result is a stunning and unique visual collection of ancient organisms unlike anything that has been created in the arts or sciences before, insightfully and accessibly narrated by Sussman along the way. Her work is both timeless and timely, and spans disciplines, continents, and millennia. It is underscored by an innate environmentalism and driven by Sussman’s relentless curiosity. She begins at “year zero,” and looks back from there, photographing the past in the present.  These ancient individuals live on every continent and range from Greenlandic lichens that grow only one centimeter a century, to unique desert shrubs in Africa and South America, a predatory fungus in Oregon, Caribbean brain coral, to an 80,000-year-old colony of aspen in Utah. Sussman journeyed to Antarctica to photograph 5,500-year-old moss; Australia for stromatolites, primeval organisms tied to the oxygenation of the planet and the beginnings of life on Earth; and to Tasmania to capture a 43,600-year-old self-propagating shrub that’s the last individual of its kind. Her portraits reveal the living history of our planet—and what we stand to lose in the future. These ancient survivors have weathered millennia in some of the world’s most extreme environments, yet climate change and human encroachment have put many of them in danger. Two of her subjects have already met with untimely deaths by human hands. Alongside the photographs, Sussman relays fascinating – and sometimes harrowing – tales of her global adventures tracking down her subjects and shares insights from the scientists who research them. The oldest living things in the world are a record and celebration of the past, a call to action in the present, and a barometer of our future.

    Ehrlich, author of The Dominant Animal  Biologist Rob Dunn’s Every Little Thing is the story of man’s obsessive quest to catalog life, from nanobacteria to new monkeys. In the tradition of E.O. Wilson, this engaging and fascinating work of popular science follows humanity’s unending quest to discover every living thing in our natural world—from the unimaginably small in the most inhospitable of places on earth to the unimaginably far away in the unexplored canals on Mars.

    Anna Karenina, Clarissa Dalloway, Daisy Buchanan...each seems to live on the page through celebrated artist Samantha Hahn's evocative portraits and hand-lettered quotations, with the pairing of art and text capturing all the spirit of the character as she was originally written. The book itself evokes vintage grace re-imagined for contemporary taste, with a cloth spine silk-screened in a graphic pattern, debossed cover, and pages that turn with the tactile satisfaction of watercolour paper. In the hand and in the reading, here is a new classic for the book lover's library.

    McGregor, and many other Beatrix Potter characters remain in the hearts of millions. However, though Potter is a household name around the world, few know the woman behind the illustrations. Her personal life, including a romantic relationship with her publisher, Norman Warne, and her significant achievements outside of children's literature remain largely unknown. In Linda Lear's enchanting new biography, we get the life story of this incredible, funny, and independent woman. As one of the first female naturalists in the world, Potter brought the beauty and importance of nature back into the imagination at a time when plunder was more popular than preservation. Through her art she sought to encourage conservation and change the world. With never before seen illustrations and intimate detail, Lear goes beyond our perrenial fascination with Potter as a writer and illustrator of children's books, and delves deeply into the life of a most unusual and gifted woman--one whose art was timeless, and whose generosity left an indelible imprint on the countryside.

    For the San Carlos tribe, Oak Flat is a holy place, an ancient burial ground and religious site where Apache girls celebrate the coming-of-age ritual known as the Sunrise Ceremony. In 1995, a massive untapped copper reserve was discovered nearby. A decade later, a law was passed transferring the area to a private company, whose planned copper mine will wipe Oak Flat off the map--sending its natural springs, petroglyph-covered rocks, and old-growth trees tumbling into a void.Redniss's deep reporting and haunting artwork anchor this mesmerizing human narrative. Oak Flat tells the story of a race-against-time struggle for a swath of American land, which pits one of the poorest communities in the United States against the federal government and two of the world's largest mining conglomerates. The book follows the fortunes of two families with profound connections to the contested site: the Nosies, an Apache family whose teenage daughter is an activist and leader in the Oak Flat fight, and the Gorhams, a mining family whose patriarch was a sheriff in the lawless early days of Arizona statehood.The still-unresolved Oak Flat conflict is ripped from today's headlines, but its story resonates with foundational American themes: the saga of westward expansion, the resistance and resilience of Native peoples, and the efforts of profiteers to control the land and unearth treasure beneath it while the lives of individuals hang in the balance.

    Harriman organized a most unusual summer voyage to the wilds of Alaska: He converted a steamship into a luxury "floating university," populated by some of America's best and brightest scientists and writers, including the anti-capitalist eco-prophet John Muir. Those aboard encountered a land of immeasurable beauty and impending environmental calamity. More than a hundred years later, Alaska is still America's most sublime wilderness, both the lure that draws a million tourists annually on Inside Passage cruises and a natural resources larder waiting to be raided. As ever, it remains a magnet for weirdos and dreamers.Armed with Dramamine and an industrial-strength mosquito net, Mark Adams sets out to retrace the 1899 expedition. Using the state's intricate public ferry system, the Alaska Marine Highway System, Adams travels three thousand miles, following the George W. Elder's itinerary north through Wrangell, Juneau, and Glacier Bay, then continuing west into the colder and stranger regions of the Aleutians and the Arctic Circle. Along the way, he encounters dozens of unusual characters (and a couple of very hungry bears) and investigates how lessons learned in 1899 might relate to Alaska's current struggles in adapting to climate change.

    Yet this influence is not unidirectional, say the authors  of this fascinating book: people profoundly influence crow culture, ecology, and evolution as well. Examining the often surprising ways that crows and humans interact, John Marzluff and Tony Angell contend that those interactions reflect a process of “cultural coevolution.” They offer a challenging new view of the human-crow dynamic—a view that may change our thinking not only about crows but also about ourselves. Featuring more than 100 original drawings, the book takes a close look at the influences people have had on the lives of crows throughout history and at the significant ways crows have altered human lives. In the Company of Crows and Ravens illuminates the entwined histories of crows and people and concludes with an intriguing discussion of the crow-human relationship and how our attitudes toward crows may affect our cultural trajectory. As the authors state in their preface: “Crows and people share similar traits and social strategies. To a surprising extent, to know the crow is to know ourselves."

    There are, indeed, many higher; there are many of a nobler outline. It is no place of pilgrimage for the summary globe-trotter; but to one who lives upon its sides, Mount Saint Helena soon becomes a center of interest. It is the Mont Blanc of one section of the Californian Coast Range, none of its near neighbors rising to one-half its altitude. It looks down on much green, intricate country. It feeds in the spring-time many splashing brooks. From its summit you must have an excellent lesson of geography: seeing, to the south, San Francisco Bay, with Tamalpais on the one hand and Monte Diablo on the other; to the west and thirty miles away, the open ocean; eastward, across the corn-lands and thick tule swamps of Sacramento Valley, to where the Central Pacific railroad begins to climb the sides of the Sierras; and northward, for what I know, the white head of Shasta looking down on Oregon.The author's experiences at Silverado were recorded in a journal he called "Silverado Sketches," parts of which he incorporated into Silverado Squatters in 1883 while living in Bournemouth, England, with other tales appearing in "Essays of Travel" and "Across the Plains." Many of his notes on the scenery around him later provided much of the descriptive detail for Treasure Island (1883).

    In How to Clone a Mammoth, Beth Shapiro, evolutionary biologist and pioneer in "ancient DNA" research, walks readers through the astonishing and controversial process of de-extinction. From deciding which species should be restored, to sequencing their genomes, to anticipating how revived populations might be overseen in the wild, Shapiro vividly explores the extraordinary cutting-edge science that is being used--today--to resurrect the past. Journeying to far-flung Siberian locales in search of ice age bones and delving into her own research--as well as those of fellow experts such as Svante Paabo, George Church, and Craig Venter--Shapiro considers de-extinction's practical benefits and ethical challenges. Would de-extinction change the way we live? Is this really cloning? What are the costs and risks? And what is the ultimate goal?Using DNA collected from remains as a genetic blueprint, scientists aim to engineer extinct traits--traits that evolved by natural selection over thousands of years--into living organisms. But rather than viewing de-extinction as a way to restore one particular species, Shapiro argues that the overarching goal should be the revitalization and stabilization of contemporary ecosystems. For example, elephants with genes modified to express mammoth traits could expand into the Arctic, re-establishing lost productivity to the tundra ecosystem.Looking at the very real and compelling science behind an idea once seen as science fiction, How to Clone a Mammoth demonstrates how de-extinction will redefine conservation's future.

    Have you ever wondered how expensive a jar of honey would be if a minimum wage for bees applied, or whether a dog cares what's on television when they sit next to you?This book pairs the sweet and sad facts of animal life with their imagined thoughts and reactions.

     While children and adults alike know Shel Silverstein for his classic books The Giving Tree, A Light in the Attic, and Where the Sidewalk Ends, they may be less aware that Silverstein also created a dazzling series of illustrated comic travelogues published by Hugh M. Hefner in Playboy. Playboy's Silverstein Around the World not only reproduces these fascinating articles in facsimile form, it also provides an introduction with never-before-seen photos and drawings and rare, illuminating biographical detail. Beginning in May 1957 with "Return to Tokyo," the pieces reproduced in this book took Silverstein from Scandinavia to Africa and the Middle East, from Paris and London to Moscow, ending in the summer of 1968 with the two-part epic "Silverstein Among the Hippies." This unique collection is a legacy of the close relationship between Silverstein and Hefner, who saw the great potential of this particular combination of artist and assignment, and the social revolution led by Playboy in the 1950s and 1960s. With its wry, ribald humor and beautifully produced color illustrations, this tableau of the mid-twentieth-century world is sure to please and fascinate Silverstein's millions of fans.

    The second half of the nineteenth century -- the so-called Gilded Age -- was a time when Americans were exploring the West and building a nation that would stretch from coast to coast.It was also a time of scientific ferment. Charles Darwin had shaken the very foundations of Victorian society with his theory of evolution by natural selection, and scientists across the civilized world were locked in a great battle over Darwin's idea. While the debate raged in Europe, the hunt for hard evidence increasingly focused on the American West, with its grand mesas, buttes, and badlands. "We must turn to the New World if we wish to see in perfection the oldest monuments of earth's history," advised Sir Charles Lyell, the father of modern geology, after a visit to America. "Certainly in no other country are these ancient strata developed on a grander scale or more plentifully charged with fossils."Could the answer to the history of life and the proof of evolution be found in those fossils? That was the question that two young American paleontologists--Edward Drinker Cope and Othniel Charles Marsh--set out to answer. But what began as a friendly contest quickly turned into bitter rivalry that would spill over into American science and politics and rage relentlessly for nearly three decades.        Cope and Marsh would battle on the prairies, in the halls of Congress, in science journals, and in the popular press. Both wealthy men, they launched lavish, western expeditions and raced across the plains and mountains searching for the remains of the magnificent beasts that once inhabited the continent. Along the way they would encounter George Custer, Sitting Bull, Buffalo Bill, and Red Cloud.         Among the most remarkable fossil discoveries of Cope and Marsh are a bevy of dinosaurs, including some of the best known beasts -- the Triceratops, the Stegosaurus, the Camarasaurus, and the Brontosaurus. Even today, Marsh holds the record for dinosaur discoveries.        Just as valuable, however, were some of Marsh's discoveries of ancient mammals and birds that provided the first real proof of Dar- win's theory--"The best support for the theory in twenty years," the great Darwin himself proclaimed.        The tale of Cope and Marsh is also the story of the rise of American science. When their story begins just after the Civil War, America was an intellectual backwater, with eminent scientists snookered by the great, fake stone statue The Cardiff Giant--a hoax unmasked by Marsh.        But even as Cope and Marsh waged war, they both fought to build up American science and its scientific institutions. Yet despite their discoveries and their Gilded Age celebrity, the names of Cope and Marsh have faded into the recesses of the library and archive. In The Gilded Dinosaur Mark Jaffe exhumes from those archives the notes, journals, and letters of Cope and Marsh to reanimate and retell one of the keenest rivalries in the history of science.

    Why do living things and physical phenomena take the forms they do? Analyzing the mathematical and physical aspects of biological processes, this historic work, first published in 1917, has become renowned as well for the poetry of is descriptions.

    These first geologists were made up primarily, and inevitably, of gentlemen with the necessary wealth to support their interests, yet boosting their numbers, expanding their learning and increasing their findings were clergymen, academics – and women. This lively and eclectic collection of characters brought passion, eccentricity and towering intellect to geology and Brenda Maddox in Reading the Rocks does them full justice, bringing them to vivid life. The new science of geology was pursued by this assorted band not only because they loved it but also because it opened a window on Earth's ancient past. They showed great courage in facing the conflict between geology and Genesis that immediately presented itself: for the rocks and fossils being dug up showed that the Earth was immeasurably old, rather than springing from a creation made in the six days that the Bible claimed. Moreover, the fossil evidence revealed upward progress in the changing forms of life. It is no coincidence that Charles Darwin was a keen geologist.The individual stories of these first geologists, their hope and fears, triumphs and disappointments, the theological, philosophical and scientific debates their findings provoked, and the way that as a group, they were to change irrevocably and dramatically our understanding of the world is told by Brenda Maddox with a storyteller's skill and a fellow scientist's understanding. The effect is absorbing, revelatory and strikingly original. - See more at: http://www.bloomsbury.com/uk/reading-...

    In 1903, while on a three-day camping trip with President Theodore Roosevelt, he convinced the president of the importance of a national conservation program, and he is widely recognized for saving the Grand Canyon and Arizona's Petrified Forest. Muir's writing, based on journals he kept throughout his life, gives our generation a picture of an America still wild and unsettled only one hundred years ago. In The Wildernesss World of John Muir Edwin Way Teale has selected the best of Muir's writing from all of his major works—including My First Summer in the Sierra and Travels in Alaska—to provide a singular collection that provides to be "magnificent, thrilling, exciting, breathtaking, and awe-inspiring" (Kirkus Reviews).