The end to hostilities will bring her violent husband Charlie home. It also sets off a chain of events that brings more strife and destruction to the people of Paradise Gardens, Hackney - including Zeldas squabbling family and the mysterious local healer, Zinnia Makepeace - than did the Blitz.That's not all. A new boss is making Zelda's life difficult. Zelda's nephew, Tony, is hanging around Brian Hole, a one-boy crime wave and only child of Ma Hole, leader of the local spivs.But Tony can sing - he has, in fact, the voice of an angel - and Miss Makepeace knows a voice coach in Soho. The people Zelda meets there change her life. Bert and Maggie Featherby offer her a way out of Hackney and her failed marriage, while the local hood, Maltese Joe, decides to take on Ma Hole.

    Orphaned during the Depression, he steals food to survive. When mischief lands him in juvenile court, he's offered a home by fellow ward member David Boone, but then suffers under Boone's unkind and unyielding treatment. And after Artie helps the victim of a robbery gone bad, he's abandoned by Boone and sentenced to juvenile hall. Then his luck and his life suddenly change. Mary Wilkerson, the feisty widow who was robbed, sees potential in Artie and takes him into her custody. Ray McCandless, the wise yet firm chauffeur, teaches Artie about cars, life, and the connections between the two. Under their care, Artie develops the desire and the ability to leave his past behind and grasp the hope in his future, which shines like Mary's luxurious Dusenberg. But when cornered by old enemies, will he defend his honor with his life? Jerry Borrowman masterfully combines emotion, morality, suspense, and humor in this tender coming-of-age story. Readers will struggle and rejoice with Artie as he discovers the value of integrity, the sweetness of family ties, and the reality of the American dream. And they will never forget the triumph that unfolds when a good boy with bad problems is given one last chance.

    On the domestic front, meat is rationed, children participate in metal drives, and Tommy Dorsey and Glenn Miller play songs that offer hope and lift spirits. And now the Heaney sisters sit at their kitchen table every evening to write letters–Louise to her fiancé, Kitty to the man she wishes fervently would propose, and Tish to an ever-changing group of men she meets at USO dances. In the letters the sisters send and receive are intimate glimpses of life both on the battlefront and at home. For Kitty, a confident, headstrong young woman, the departure of her boyfriend and the lessons she learns about love, resilience, and war will bring a surprise and a secret, and will lead her to a radical action for those she loves. The lifelong consequences of the choices the Heaney sisters make are at the heart of this superb novel about the power of love and the enduring strength of family.From the Hardcover edition.

    They marry, and Eileen quickly discovers Ed doesn't aspire to the same, ever bigger, stakes in the American Dream. Eileen encourages her husband to want more: a better job, better friends, a better house, but as years pass it becomes clear that his growing reluctance is part of a deeper psychological shift. An inescapable darkness enters their lives, and Eileen and Ed and their son Connell try desperately to hold together a semblance of the reality they have known, and to preserve, against long odds, an idea they have cherished of the future. Through the Learys, novelist Matthew Thomas charts the story of the American Century, particularly the promise of domestic bliss and economic prosperity that captured hearts and minds after WWII. The result is a riveting and affecting work of art; one that reminds us that life is more than a tally of victories and defeats, that we live to love and be loved, and that we should tell each other so before the moment slips away. Epic in scope, heroic in character, masterful in prose, We Are Not Ourselves heralds the arrival of a major new talent in contemporary fiction.

    The odyssey begins on a freezing Vermont hillside in 1944 and propels Blood across the American West for forty years. Denied love and unable to settle, he lives a hundred different lives: mining gold, growing beans, hunting fossils, trapping, prospecting for uranium and ranching. His only contact with his past is through a series of postcards he sends home – not realising that in his absence disaster has befallen his family, and their deep-rooted connection with the land has been severed with devastating consequences…‘Postcards’ was Annie Proulx’s first novel, which received huge acclaim and marked the launch of an outstanding literary career. Her works include short story collections ‘Bad Dirt’, ‘Close Range’ (featuring ‘Brokeback Mountain’) and novels such as ‘The Shipping News’ and ‘Accordion Crimes’.

    Now the acclaimed author who illuminated the Civil War and the Mexican-American War brilliantly brings to life the American Revolution, creating a superb saga of the men who helped to forge the destiny of a nation.In 1770, the fuse of revolution is lit by a fateful command--"Fire!"--as England's peacekeeping mission ignites into the Boston Massacre. The senseless killing of civilians leads to a tumultuous trial in which lawyer John Adams must defend the very enemy who has assaulted and abused the laws he holds sacred.The taut courtroom drama soon broadens into a stunning epic of war as King George III leads a reckless and corrupt government in London toward the escalating abuse of his colonies. Outraged by the increasing loss of their liberties, an extraordinary gathering of America's most inspiring characters confronts the British presence with the ideals that will change history.John Adams, the idealistic attorney devoted to the law, who rises to greatness by the power of his words . . . Ben Franklin, one of the most celebrated men of his time, the elderly and audacious inventor and philosopher who endures firsthand the hostile prejudice of the British government . . . Thomas Gage, the British general given the impossible task of crushing a colonial rebellion without starting an all-out war . . . George Washington, the dashing Virginian whose battle experience in the French and Indian War brings him the recognition that elevates him to command of a colonial army . . . and many other immortal names from the Founding Family of the colonial struggle--Abigail Adams, Thomas Jefferson, Joseph Warren, Samuel Adams, Richard Henry Lee-- captured as never before in their full flesh-and-blood humanity.More than a powerful portrait of the people and purpose of the revolution, Rise to Rebellion is a vivid account of history's most pivotal events. The Boston Tea Party, the battles of Concord and Bunker Hill--all are recreated with the kind of breathtaking detail only a master like Jeff Shaara can muster. His most impressive achievement, Rise to Rebellion reveals with new immediacy how philosophers became fighters, ideas their ammunition, and how a scattered group of colonies became the United States of America.Length: 6 hrs and 1 min

    As a healer, he travels the countryside dispensing traditional cures while soaking up stories and legends of bygone times–and witnessing the painful, often violent birth of land-reform measures destined to lead to Irish independence.At the age of forty, summoned to Paris to treat his dying countryman–the infamous Oscar Wilde–Charles experiences the fateful moment of his life. In a chance encounter with a beautiful and determined young Englishwoman, eighteen-year-old April Burke, he is instantly and passionately smitten–but callously rejected. Vowing to improve himself, Charles returns to Ireland, where he undertakes the preservation of the great and abandoned estate of Tipperary, in whose shadow he has lived his whole life–and which, he discovers, may belong to April and her father. As Charles pursues his obsession, he writes the “History” of his own life and country. While doing so, he meets the great figures of the day, including Charles Parnell, William Butler Yeats, and George Bernard Shaw. And he also falls victim to less well-known characters–who prove far more dangerous. Tipperary also features a second “historian:” a present-day commentator, a retired and obscure history teacher who suddenly discovers that he has much at stake in the telling of Charles’s story.In this gloriously absorbing and utterly satisfying novel, a man’s passion for the woman he loves is twinned with his country’s emergence as a nation. With storytelling as sweeping and dramatic as the land itself, myth, fact, and fiction are all woven together with the power of the great nineteenth-century novelists. Tipperary once again proves Frank Delaney’s unrivaled mastery at bringing Irish history to life. Praise for Frank Delaney’s TIPPERARY: “[T]he narrative moves swiftly and surely…A sort of Irish Gone With the Wind, marked by sly humor, historical awareness and plenty of staying power.” — Kirkus Reviews“[A]nother meticulously researched journey…Delaney’s careful scholarship and compelling storytelling bring it uniquely alive. Highly recommended.” — Library Journal (starred)“Sophisticated and creative.” — Booklist “Delaney’s confident storytelling and quirky characterizations enrich a fascinating and complex period of Irish history.” — Publishers Weekly“Read just a few sentences of Frank Delaney’s writing and you’ll see why National Public Radio called him ‘the world’s most eloquent man.’” — Kirkus Reviews, “Big Book Guide 2007”From the Hardcover edition.

    To his surprise, when he found the house he was greeted by Dalia Ashkenazi Landau, a nineteen-year-old Israeli college student, whose family fled Europe for Israel following the Holocaust. On the stoop of their shared home, Dalia and Bashir began a rare friendship, forged in the aftermath of war and tested over the next thirty-five years in ways that neither could imagine on that summer day in 1967. Based on extensive research, and springing from his enormously resonant documentary that aired on NPR’s Fresh Air in 1998, Sandy Tolan brings the Israeli-Palestinian conflict down to its most human level, suggesting that even amid the bleakest political realities there exist stories of hope and reconciliation.

    Little personal information is exchanged, and neither woman has any way of knowing that they have produced what will become the most iconic image of the Great Depression.Three vibrant characters anchor the narrative of Mary Coin. Mary, the migrant mother herself, who emerges as a woman with deep reserves of courage and nerve, with private passions and carefully-guarded secrets. Vera Dare, the photographer wrestling with creative ambition who makes the choice to leave her children in order to pursue her work. And Walker Dodge, a present-day professor of cultural history, who discovers a family mystery embedded in the picture. In luminous, exquisitely rendered prose, Silver creates an extraordinary tale from a brief moment in history, and reminds us that although a great photograph can capture the essence of a moment, it only scratches the surface of a life.

    Life is hell for all the slaves, but especially bad for Cora; an outcast even among her fellow Africans, she is coming into womanhood—where even greater pain awaits. When Caesar, a recent arrival from Virginia, tells her about the Underground Railroad, they decide to take a terrifying risk and escape. Matters do not go as planned—Cora kills a young white boy who tries to capture her. Though they manage to find a station and head north, they are being hunted.In Whitehead’s ingenious conception, the Underground Railroad is no mere metaphor—engineers and conductors operate a secret network of tracks and tunnels beneath the Southern soil. Cora and Caesar’s first stop is South Carolina, in a city that initially seems like a haven. But the city’s placid surface masks an insidious scheme designed for its black denizens. And even worse: Ridgeway, the relentless slave catcher, is close on their heels. Forced to flee again, Cora embarks on a harrowing flight, state by state, seeking true freedom.Like the protagonist of Gulliver’s Travels, Cora encounters different worlds at each stage of her journey—hers is an odyssey through time as well as space. As Whitehead brilliantly re-creates the unique terrors for black people in the pre–Civil War era, his narrative seamlessly weaves the saga of America from the brutal importation of Africans to the unfulfilled promises of the present day. The Underground Railroad is at once a kinetic adventure tale of one woman’s ferocious will to escape the horrors of bondage and a shattering, powerful meditation on the history we all share.

    But, when the storm clouds of WW2 gather, the family must flee, accompanied by Viktor's lover and her child. But the house's story is far from over, as it passes from hand to hand, from Czech to Russian.

    has discovered what he and others believe may be the first novel written by an African-American woman -- a discovery made even more monumental by the fact that it was found in its original manuscript form, completely unedited. Extensive scientific testing has been completed to authenticate the manuscript and ascertain its origins, and experts agree that it was written between 1853 and 1859, by an African-American woman who had previously been enslaved. Gates has painstakingly sought to identify the author, Hannah Crafts, through historical research, and although he has been unsuccessful in determining her true identity, he has found that many of the places, dates, and characters in the novel can be linked reliably to real events and people.A riveting story about a young slave woman on a Southern plantation, The Bondwoman's Narrative follows the title character as she escapes and makes her way to freedom. As a novel, it possesses all the charms and devices of popular mid-19th-century fiction, and the influences of gothic and romantic writers popular in the day are apparent throughout the text. But Crafts accomplishes more than mere mimicry in her book, adding her own voice to established traditions to create a unique style.Throughout the 19th century, many slave narratives -- most notably The Narrative of the Life of Frederick Douglass -- detailed the daily horrors of slavery. In choosing to write a novel rather than an autobiographical narrative, however, Crafts expresses the complete psychological and emotional breadth of the experience, transcending personal, private tortures to illuminate the inhumanity of "the peculiar institution." Her characters reflect upon and feel the experience of enslavement -- and because they are wholly rounded and fully developed, they also express the intellect and insight present in the best writings of Dickens, Poe, or Thoreau.Discovered dallying in her master's portrait gallery by a white housekeeper, who comments that she is "[l]ooking at the pictures...as if such an ignorant thing as you would know any thing about them," the title character poignantly counters to herself, "Ignorance, forsooth. Can ignorance quench the immortal mind or prevent its feeling at times the indications of its heavenly origins? Can it destroy that deep abiding appreciation of the beautiful that seems inherent to the human soul? Can it seal up the fountains of truth and all intuitive perception of life, death, and eternity? I think not. Those to whom man teaches little, nature like a wise and prudent mother teaches much."Regardless of its historical importance -- and the unavoidable questions and controversies about its authenticity -- the literary merits of The Bondwoman's Narrative are clear. A deeply engaging novel told with the clarity of a woman who has endured slavery's sorrows and the creativity of one who, at her core, was a gifted artist, it is a powerful story that leaves the reader simultaneously bereft and exhilarated, one that bears witness to the transcendent power of art. (Ann Kashickey)

    When his captors discover that he speaks several languages, he is put to work as a Tätowierer (the German word for tattooist), tasked with permanently marking his fellow prisoners.Imprisoned for more than two and a half years, Lale witnesses horrific atrocities and barbarism—but also incredible acts of bravery and compassion. Risking his own life, he uses his privileged position to exchange jewels and money from murdered Jews for food to keep his fellow prisoners alive.One day in July 1942, Lale, prisoner 32407, comforts a trembling young woman waiting in line to have the number 34902 tattooed onto her arm. Her name is Gita, and in that first encounter, Lale vows to somehow survive the camp and marry her.A vivid, harrowing, and ultimately hopeful re-creation of Lale Sokolov's experiences as the man who tattooed the arms of thousands of prisoners with what would become one of the most potent symbols of the Holocaust, The Tattooist of Auschwitz is also a testament to the endurance of love and humanity under the darkest possible conditions.