With a daring not obscured by the author’s extraordinary humaneness of spirit, the book argued that contemporary literature suffers first and foremost from a basic failure of the test of “morality.” By “moral fiction” the author meant fiction that attempts to test human values, not for the purpose of preaching or peddling a particular ideology or mode of conduct, but in a honest and open-minded effort to find out what best promotes human fulfillment. Such writing does so, as great artists beginning with Homer have always known, by the kind of analysis of characters and actions that brings both the writer and the reader to a fuller understanding, sympathy, and vision of human possibility. Because so much contemporary fiction fails to be moral in this sense, John Gardner argued, it undermines our experience of literature and our faith in ourselves. This bold argument is driven forward as the author subjects the work of his most celebrated contemporaries, such as Saul Bellow, Norman Mailer, John Updike, and Donald Barthelme to his sharp-eyed and relentless analysis. Although the last three decades have seen the rise of new generations of writers, and the ascendancy of postmodern modes of composition, On Moral Fiction still sets out the terms of a more ancient sense of the novelist’s calling. It is a salutary counterweight to prevailing trends. Praise for On Moral Fiction: “On Moral Fiction is criticism with both eyes open, fearless, illuminating, proving that the concern of thecritic is with art, that true art is moral and not trivial, that it and the discussion of it can give pleasure—of a sort that lasts and re-echoes.”— Robert Kirsch, Los Angeles Times “Because Gardner’s anger is honest and wholesome, the criticism of his contemporaries never descends to mere vindictiveness or gossip.”—Max Apple, The Nation “A thoughtful, amusing and arrogant little book, designed to pick fights."—Webster Schott, The Washington Post Book World

    It is and based on Elizabeth's own experiences.Excerpt from Aurora Leigh: A Poem in Nine Books Aurora Leigh. First Book. Of writing many books there is no end;And I, who have written much in prose and verseFor others' uses, will write now for mine, -Will write my story for my better self, As when you paint your portrait for a friend, Who keeps it in a drawer, and looks at itLong after he has ceased to love you, justTo hold together what he was and is. I, writing thus, am still what men call youngI have not so far left the coasts of lifeTo travel inland, that I cannot hearThat murmur of the outer InfiniteWhich unweaned babies smile at in their sleepWhen wondered at for smiling; not so far, But still I catch my mother at her postBeside the nursery-door, with finger up, "Hush, hush, here's too much noise!" while her sweet eyesLeap forward, taking part against her wordIn the child's riot. Still I sit, and feelMy father's slow hand, when she has left us both, Stroke out my childish curls across his knee, And hear Assunta's daily jest (she knewHe liked it better than a better jest)Inquire how many golden scudi wentTo make such ringlets. O my father's hand, Stroke heavily, heavily, the poor hair down, Draw, press the child's head closer to thy knee!I'm still too young, too young, to sit alone.

     It also explores the circumstances surrounding the true-life event of my grandmother's gift of a concubine to my grandfather on his birthday to enhance the chance of an heir to the Family.

    Selected poetry and prose from 1986.

    This is the first edition to present the novel as it originally appeared, with indications of the changes Carlyle made to later editions.

    Heinlein was sixty-six, at the height of his literary career; J. Neil Schulman was twenty and hadn't yet started his first novel. Because he was looking for a way to meet his idol, Schulman wangled an assignment from the New York Daily News--at the time the largest circulation newspaper in the U.S.--to interview Heinlein for its Sunday Book Supplement. The resulting taped interview lasted three-and-a-half hours. This turned out to be the longest interview Heinlein ever granted, and the only one in which he talked freely and extensively about his personal philosophy and ideology. "The Robert Heinlein Interview" contains Heinlein you won't find anywhere else--even in Heinlein's own "Expanded Universe." If you wnat to know what Heinlein had to say about UFO's, life after death, epistemology, or libertarianism, this interview is the only source available. Also included in this collection are articles, reviews, and letters that J. Neil Schulman wrote about Heinlein, including the original article written for The Daily News, about which the Heinleins wrote Schulman that it was, "The best article--in style, content, and accuracy--of the many, many written about him over the years." This book is must-reading for any serious student of Heinlein, or any reader seeking to know him better.

    Edna O'Brien focuses on the diverse and colourful women in Byron's life. Its narrative core is the triangular relationship between him, his wife and his half-sister that brought him timeless notoriety

    It will then be about them only. It will be all about the one they loved like thunder, about the one they struggled hard to keep, about the one who had left them in the middle of their 'forever', about their world shattering into pieces, about them gluing together every piece, and about them falling in love one more time.And if you still think it is about you and me, you haven't loved someone like thunder, yet.

    Hunanyan, the #1 bestselling author of Black Book of Poems, comes his highly-anticipated second collection of poetry.

    Here is a remarkably accessible introduction to his work: a collection of a short, vivid excerpts arranged in four parts so as to parallel the journey of a seeking soul in the modern world.    •  "Real and False Selves" distinguishes between our real selves, a deep religious mystery known entirely only to God, and the identities we take on in order to function in society.    •  "The World We Live In" provides a spiritual context to modern life, moving from a stark rejection of its empty promises to a deep compassion for its tragic limitations.    •  "Antidotes to Illusion" reflects on contemplative practices that can serve as the allies of our "real selves" in the battle against illusion: silence, solitude, meditation, prayer, charity, and faith.    •  "Love in Action" explores the role of the contemplative in the modern age and the challenges and pitfalls of living a life of active love. Merton's startling critique of a society driven by technology and rampant acquisition, the politics of "good versus evil," and the self-deluding complacency of the spiritual "lifestyle" demonstrate beyond doubt that his writings are as urgent today as they were in his lifetime.

    

    Castigated by his contemporaries for his treatment of moral, spiritual and political rebellion, and his sometimes sadistic and blasphemous subject matter, his poetry is imaginative through both classical and romantic traditions.

    Controversial but successful on the London stage, this play reveals the fate of a "notorious woman" in Victorian England.

    A never-before-possible glimpse into the process of one of our most important poets.The book presents all the envelope writings — 52 — reproduced life-size in full color both front and back, with an accompanying transcription to aid in the reading, allowing us to enjoy this little-known but important body of Dickinson’s writing. Envisioned by the artist Jen Bervin and made possible by the extensive research of the Dickinson scholar Marta L. Werner, this book offers a new understanding and appreciation of the genius of Emily Dickinson.

    First published in 1846, it is about the mysteries of artistic creation. “Most writers—poets in especial—prefer having it understood that they compose by a species of fine frenzy—an ecstatic intuition…” This edition also contains a long note on Poe’s life and work written by French poet Charles Baudelaire (1821-1867) in 1852. The essay was translated in English by Henry Curwen (1845-1892) in 1873.