Obsessed with 'making things good again', they spin the quiet terrors of family life into a fantastical frenzy that careens well and truly out of control. As A. M. Homes's incendiary novel unfolds, the Kodacolor hues of the American good life become nearly hallucinogenic: from a strange and hilarious encounter on the floor of the pantry with a Stepford-wife neighbour, to a house-cleaning team in space suits, to a hostage situation at the school. Homes lays bare the foundations of marriage and family life, and creates characters outrageously flawed, deeply human and entirely believable.

    In their pockets, eye droppers of gin. They skipped to their car with eyes wide open and sped into the night, down gray county roads, grieving over nothing they could name, beating the dashboard with their fists. Near dawn they broke into a cemetery and pissed on the first angel they could find.Leah's little brother, Jacob, disappeared when the pair were younger, a tragedy that haunts her still. When a grown man arrives at the non-profit Leah directs claiming to be Jacob, she is wrenched back to her childhood, an iridescent tableau of family joy and strife, swimming at the lake, sneaking candy, late-night fears, and the stories told to quell them.Ancient Oceans of Central Kentucky is a wrecking-ball of a novel that attempts to give meaning and poetry to everything that comprises small-town life in central Kentucky. Listen: they are the ghost stories that children tell one another, the litter that skirts the gulley, the lines at department stores.Ancient Oceans of Central Kentucky reads as though Anne Carson and Maggie Nelson wrote a more focused Antwerp and based it in central Kentucky. A gorgeous, haunting, prismatic jewel of a book.David Connerley Nahm was born and raised in a small town in central Kentucky. Currently, he lives in the mountains of Virginia where he practices law and teaches law and literature at James Madison University. His short stories have appeared in Lady Churchill's Rosebud Wristlet, Trunk Stories, Eyeshot, and on McSweeney's Internet Tendency.

    Grace Strasser-Mendana controls much of the country's wealth and knows virtually all of its secrets; Charlotte Douglas knows far too little. "Immaculate of history, innocent of politics," she has come to Boca Grande vaguely and vainly hoping to be reunited with her fugitive daughter. As imagined by Didion, her fate is at once utterly particular and fearfully emblematic of an age of conscienceless authority and unfathomable violence.

    This new collection of stories marks a departure in Barthelme's work with the introduction of a new mode in which he abandons all forms of characterization other than dialogue in an attempt to shift and alter reader expectations and perceptions

    Taught to drive at the age of ten by his father, Luke can do more damage with a stick and a clutch than most men can do with a bottle of whiskey and a lousy mood. He counts down the days to his sixteenth birthday when he can finally get his license. Unfortunately, the first thing he does with it is "borrow" his neighbor's car. When Luke is pulled over and found in possession of an air pistol, a ski mask, a stolen TV, and a bag of pot, the unforgiving local magistrate takes scissors to his license and vows to lock him up if he ever stands in front of her again. As Luke's mother explores bad relationships and the lure of vodka, Luke moves in with his older brother, Nick, an easygoing ex-con who wants to steer Luke onto the straight and narrow. In the gnarled, muggy summer that follows, Luke contends with a lovely kleptomaniac girlfriend, a duffel bag full of cocaine, and the realization that he must save his family from themselves even as he plots to beat a path out of town. Dubbed the "Great American Redneck Novel" by Big Fish author Daniel Wallace, Drive Like Hell is a hilarious one-of-a-kind tale set in late '70s Georgia, complete with stock car racing, honky-tonk dancing, pro wrestling, drug dealing, and syndicated television. Dallas Hudgens brilliantly evokes Southern culture in this unforgettable debut that is raucous and wrenching, funny and wise.

    His mother has run off with her hairdresser. His father has taken to talking to the walls, but at least he's talking, as his brother has gone entirely mute. At school, Julie Dyer blows confusing smoke rings at him and Hoop the Mental says there is no God. When Taliesin tries to find this out for sure no one seems to have the answer-no one except Billy Evans, an old man with an exceptional and miraculous talent.

    In a hell-bent effort to prove his mettle as an American male and win back Gillian's affections, Charlie crisscrosses the nation seeking counsel, confronting creatures both mythic and real—Bigfoot on the Canadian border, space aliens in Seattle, a professional bodybuilder with Asiatic sex slaves in suburban New Jersey, the demons dancing a rumba inside his own heart—and then writing about his travails every week for a popular slick magazine. Echoing a narrative tradition that includes Don Quixote and Kurt Vonnegut's Breakfast of Champions, William Giraldi's debut novel is a love story of linguistic bravado that explores American excess, the diaphanous line between fiction and fact, and what desperate men and women will do to one another.

    This edition features an introduction by Gary Scharnhorst.

    He knows that something else must have happened in California to cause the death of Chris, who loved life too much to take his own. He also knows that he must go West to find out what did happen. In California he discovers corruption, immorality and pain that shocks him to the very core of his being but he also discovers exhilaration and pleasure that changes him forever. First published in 1973, To Die in California was the first novel to reveal what lies behind West Coast bright lights and glitz.

    Hot Plastic is a fascinating look at changing times on the grift." -- Nicholas Pileggi, author of Wiseguy and screenwriter of GoodFellas "Buy an extra copy of Hot Plastic and keep it in mint condition. Peter Craig's novel of outlaw life at the end of the century will be a collector's item. It's a winner." -- Tony Hillerman, author of The Wailing Wind Kevin's dad, Jerry, is a crook. And he taught his son every trick in the book. Masters of identity theft, Kevin and Jerry move from one seedy motel to another, always trying for the big score. Colette is a runaway who dreams of conning her way into the upper echelons of high society. Just a teenager, she's already a tough and talented grifter, and soon becomes Jerry's girlfriend and accomplice. When Jerry is arrested, Colette makes Kevin her willing shill, dragging him along in her endless pursuit of sophistication. Meanwhile, Kevin's compulsive pursuit of new cons, bolder hoaxes, and better forgeries leads them to violent and unimagined retributions. When Jerry is released on parole, the three are reunited for one final scam, a patchwork of old and new techniques that should set them all up for life. The question is, would they rather work together or show each other up?Hot Plastic is a hugely satisfying suspense novel about family and criminal intent from a fresh new voice.

    Did they?) it might look something like this remarkable little book of Padgett Powell’s.”—Richard FordThe Interrogative Mood is a wildly inventive, jazzy meditation on life and language by the novelist that Ian Frazier hails as “one of the best writers in America, and one of the funniest, too.” A novel composed entirely of questions, it is perhaps the most audacious literary high-wire act since Nicholson Baker’s The Mezzanine or David Foster Wallace’s stories; a playful and profound book that, as Jonathan Safran Foer says, “will sear the unlucky volumes shelved on either side of it. How it doesn’t, itself, combust in flames is a mystery to me.”

    And in their midst travels Madeleine, the dreamer, who is trying to make sense of her own metamorphosis as she leaves home, joins a gypsy circus, and falls into an unexpected triangle of desire and love.

    Setting out to see the world in the summer of 1926, Theophilus North gets as far as Newport, Rhode Island, before his car breaks down. To support himself, Theophilus takes jobs in the elegant mansions along Ocean Drive, just as Wilder himself did in the same decade. Soon the young man finds himself playing the roles of tutor, spy, confidant, lover, friend, and enemy as he becomes entangled in the intrigues of both upstairs and downstairs in a glittering society dominated by leisure.Narrated by the elderly North from a distance of fifty years, Theophilus North is a fascinating commentary on youth and education from the vantage point of age, and deftly displays Wilder's trademark wit juxtaposed with his lively and timeless ruminations on what really matters about life, love, and work at the end of the day—even after a visit to Newport.

    Army and is being shipped Overseas to fight in Korea. The obsessed narrator retells, as best he can, what the young man supposedly told him as they sat under a tree. He recounts how the young man escaped German persecution during World War Two, how he came to America and struggled to survive before joining the "rah rah spitshine" 82nd Airborne Division, and how, because of a "typical army goof" he must travel in an old beat-up Buick Special from Fort Bragg to Camp Drum to collect the money the Army owes him, before he can set out for "the great journey cross-country" to San Francisco where he will embark for Overseas. Moving freely from past to present (and Vice Versa), and from place to place leap-frogging from digression to digression, Take It or Leave It explores new possibilities of narrative technique. While the story of Frenchy is being told, the narrator involves his listeners in digressive arguments about politics, sex, America, literature, laughter, death, and the telling of the story itself. Consequently, as this "exaggerated second-hand tale to be read aloud either standing or sitting" progresses, it also deviates from its course, and eventually cancels itself as the voices of the fiction multiply. Take It or Leave It, the ultimate postmodern novel, makes a shamble of traditional fiction and conventional modes of writing, and does so with effrontery and laughter.

    A man searches for his missing sister, while taking part in brutal modern-day gladiator fights and encountering cosmic horror on a grand scale.