Next door to the O’Sheas, the Murphys are a young and upwardly-mobile couple whose marriage is thrown into ruins by Martha Murphy’s instant attraction to their sexy new neighbor.Across the street from the Murphys, the Sweenys’ abusive patriarch, Pat, has finally pushed his wife, Mary, to the breaking point. Their teenage daughter, Angie, finds escape whenever possible in the company of her boyfriend, Tony, whose life is in danger when the neighborhood creep sets his eyes on Angie.As the residents of Honeysuckle Lane’s stories collide, their secrets spill out for the world to see . . .

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    As Michael Smith describes: "Brother Jero is a self-styled 'prophet,' an evangelical con man who ministers to the gullible and struts with self-importance over their dependence on him. The play follows him through a typical day: He acts as kind of tourist guide, displaying himself to the audience, explaining, demonstrating how he manages to live by his wits. He is pursued and cursed by his aged mentor, whose territory he has taken over. He is besieged by a woman creditor who turns out to be the tyrannical wife of his chief disciple. He converts a pompous, painfully timid Member of Parliament with prophecies of a ministerial post. And all day he tries to resist the endless temptation of beautiful women, the play is delightfully picturesque and entertaining." (8 men, 6 women.) THE STRONG BREED. As outlined by Michael Smith: "The play refers to a folk tradition by which one person becomes the 'carrier' of community evil and symbolically purifies the village in an annual ritual. The hero is Eman, a stranger who has come to this particular village to act as teacher and share his education. 'Those who have much to give,' he says, 'must do so in total loneliness.' On the night of the purification ceremony he learns that Ifada, a helpless idiot boy whom he has befriended, has been selected as 'carrier' and victim; and he is driven by compassion to take Ifada's part in the ritual. The crisis brings back memories. We learn that Eman's father was a 'carrier' and that Eman has fled the family tradition of symbolic sacrifice. We also learn of Omae, the young Eman's betrothed, whom he left for many years to pursue his personal destiny and who died soon after his return.Now Eman accepts his past and discovers, 'I am very much my father's son'-one of 'the strong breed' who must take these responsibilities upon themselves-and at the end of the play is caught in a trap at the sacred trees and killed." (12 men, 5 women.)"

    Single, childless and reduced to writing celebrity profiles, investigative journalist Suzannah Quinn’s life is not going to plan…Then, during an interview with top publisher Roland Winterbourne, she meets Jamie Davis.It’s love at first sight and within hours she has agreed to marry him.But Jamie insists on inviting no friends or family to the wedding and Suzannah’s millionaire father quickly suspects him of being a fortune hunter.At first the couple are blissfully happy.Suzannah’s only worry is Jamie’s mysterious past, which he refuses to talk about.However, when Suzannah suddenly inherits a flat off Portobello Road, everything changes.Whilst she is eager to reconnect with her happy childhood roaming the market before her father made his money, Jamie loathes Notting Hill.The move quickly triggers a change in their relationships and it’s not long before the arguments start.Then one morning, after a particularly bad row, Jamie goes to work and doesn’t return.Suzannah thinks he’s sulking, but when he still hasn’t returned after several days, she fears something’s happened to him.His colleagues are unconcerned because his job as a sales rep often takes him off the radar, but Suzannah becomes increasingly frantic.When she finds a scrap of paper in his jacket pocket with a name and address in North Devon, she is eager to investigate.What she discovers when she goes there brings her world crashing down.After a visit from a mysterious woman, who brings even more life-changing revelations, she realises that in order to move on she must find her missing husband and discover the truth about him once and for all.If Jamie is not what he claims to be then neither is her beloved Notting Hill, beneath whose perfection beats a dark and rotting heart that is finally exposed over a horrific Carnival weekend.

    Autobiography

     Evie Kilgaren is a fighter. Abandoned by her mother and with her father long gone, she is left to raise her siblings in dockside Liverpool, as they battle against the coldest winter on record. But she is determined to make a life for herself and create a happy home for what's left of her family.Desperate for work, Evie takes a job at the Tram Tavern under the kindly watch of pub landlady, and pillar of the community, Connie Sharp. But Connie has problems of her own when her quiet life of spinsterhood is upturned with the arrival of a mysterious undercover detective from out of town. When melting ice reveals a body in the canal, things take a turn for the worst for the residents of Reckoner's Row. Who could be responsible for such a brutal attack? And can Evie keep her family safe before they strike again? A gritty, historical family drama full of laughter and tears from the author of Annie Groves' bestsellers including Child of the Mersey and Christmas on the Mersey. Perfect for fans of Lyn Andrews, Katie Flynn and Nadine Dorries.

    Back-in-print early work by the author of subUrbia and Sex, Drugs, Rock & Roll.

    Meanwhile, all's not well on the unassuming Midwestern streets of Bloggs: with local children vanishing at an alarming rate, our hero, his lady friend, and a motley assortment of poets, butchers, and punk librarians prepare to battle the darkness on the edge of town.

    

    A beautiful home, two grown-up sons and a husband who has always been her rock. But one day, the doorbell rings. And it changes Verity's life forever. Saskia has nowhere else to go. Before she died, her mother left her with her father's name and nothing else. The only way for Saskia to take care of herself – and her unborn baby – is to find the father she never knew. And the family that didn't know she existed.  This family secret means the end of everything they've ever known. But could it also be the chance for a new beginning?

    But unlike the original, Farber breaks the cycle of violence, reflecting South Africa’s own transformation in the 1990s.

    Designed to provide insight and an overview about each text for students and teachers, these guides endeavor to develop knowledge and understanding rather than just provide answers and summaries.

    While teenager Abigail parties a few doors away, the pretentious Beverly and her estate agent husband, Laurence, entertain their neighbours – Abigail’s mother, Susan, ex-footballer, Tony, and his wife, Angela. But as the alcohol flows, tensions in the hosts’ barely functional marriage emerge and their obsessions, prejudices and petty competitiveness are ruthlessly, and hilariously, exposed. ‘Goose-Pimples’, meanwhile, is easily as sharp and uncompromising. This time, the action focuses on ambitious casino croupier, Jackie, and Saudi businessman, Muhammad, who meet – and misunderstand – one another spectacularly.

    The play was suppressed for over a decade, but interest in it renewed when Howard and Carr were released from imprisonment from the Tower of London in 1622.The play's scribal manuscript survives, and it was first published by Isaac Reed in 1778.This edition features an introduction, notes, and historical background by Elizabeth Schafer, a biographical sketch of Middleton by William C. Carroll, and Ian Spink's piano/vocal arrangements of the original settings two of the play's songs, "In a Maiden Time Profess'd" composed by John Wilson, and "Come Away, Hecate!" composed by Robert Johnson.