His rabidly anti-English family calls on his mother's distant cousin, Mamie, married to a general, to wangle a staff job for him far from the fighting. But instead of a "safe, cushy" stateside assignment, he is ordered to London, still undergoing the Blitz.His "Uncle Ike" is Dwight D. Eisenhower, plucked from obscurity to command Army forces in Europe, and he wants Billy to be his personal investigator.Billy, who had never left Boston before he enlisted and was sent to Officer Candidate School, is not sure how good a detective he really is. But when Eisenhower asks Billy to undertake this task, he dutifully sets off for Beardsley Hall, where the Norwegian government in exile, led by King Haakon, is in residence. Accompanied by an aristocratic Polish officer in exile and a beautiful British WREN, his mission is to catch a spy who may have been planted there.A theft and two murders test Billy's investigative powers, as he comes to grips with the deadly demands of a war he never wanted any part of. To his own surprise - and that of others - Billy proves to be a better detective than any one expected.

    A day of dark impulses. A day to snatch a child from the streets ...The abduction of five-year-old Matthew Farraday provokes a national outcry and a desperate police hunt. And when a picture of his face is splashed over the newspapers, psychotherapist Frieda Klein is left troubled: one of her patients has been relating dreams in which he has a hunger for a child. A child he can describe in perfect detail, a child the spitting image of Matthew.Detective Chief Inspector Karlsson doesn't take Frieda's concerns seriously until a link emerges with an unsolved child abduction twenty years ago and he summons Frieda to interview the victim's sister, hoping she can stir hidden memories. Before long, Frieda is at the center of the race to track the kidnapper.But her race isn't physical. She must chase down the darkest paths of a psychopath's mind to find the answers to Matthew Farraday's whereabouts.And sometimes the mind is the deadliest place to lose yourself.

    . . In the winter of 1835, young Charles Dickens is a journalist on the rise at the Evening Chronicle. Invited to dinner at the estate of the newspaper's co-editor, Charles is smitten with his boss's daughter, vivacious nineteen-year-old Kate Hogarth. They are having the best of times when a scream shatters the pleasant evening. Charles, Kate, and her father rush to the neighbors' home, where Miss Christiana Lugoson lies unconscious on the floor. By morning, the poor young woman will be dead.When Charles hears from a colleague of a very similar mysterious death a year ago to the date, also a young woman, he begins to suspect poisoning and feels compelled to investigate. The lovely Kate offers to help--using her social position to gain access to the members of the upper crust, now suspects in a murder. If Charles can find justice for the victims, it will be a far, far better thing than he has ever done. But with a twist or two in this most peculiar case, he and Kate may be in for the worst of times . . .

    Detective Sergeant Manon Bradshaw tries to sleep after yet another soul-destroying Internet date – the low murmuring of her police radio her only solace.Over the airwaves come reports of a missing woman – door ajar, keys and phone left behind, a spatter of blood on the kitchen floor. Manon knows the first 72 hours are critical: you find her, or you look for a body. And as soon as she sees a picture of Edith Hind, a Cambridge post-graduate from a well-connected family, she knows this case will be big.Is Edith alive or dead? Was her ‘complex love life’ at the heart of her disappearance, as a senior officer tells the increasingly hungry press? And when a body is found, is it the end or only the beginning?

    ... Hamilton expertly balances the page-turning detection with the story of a hypocritical society where women, whether they are scullery maids or orphans, rarely get to make their own decisions."—Publishers Weekly (starred review) Scandal and slayings among Regency London's elite The shocking murder of Sir Henry Claybourne leaves Regency London shaken and horror-struck. But for genteel spinster Miss Emmeline St. Germaine, the crime slices far too close to home. Just hours before the knight's death she held a dagger to him, threatening him to stay silent as she rescued a scullery maid he had procured for his pleasure. Did the man—or woman—who murdered the knight know of her visit? Her secret identity at risk, her reputation and life in jeopardy, Emmeline must solve the crime or face scandalous exposure and ruination, or worse—the hangman's noose—for a crime she did not commit. "Hamilton's novel will appeal to fans of Anne Perry's Charlotte and Pitt mysteries."—Booklist "A simply riveting and compulsive page-turner of a read from cover to cover. A deftly scripted mystery with more twists and turns than a Coney Island roller coaster."—Midwest Book Review

    As the personal secretary of the recently departed Duke of Olympia—and a woman of good character—Miss Emmeline Rose Truelove never expected to be steaming through the Mediterranean on a luxuriously appointed yacht under the watchful and jovial eye of one Lord Silverton. But here they are, as improper as it is, on a quest to find the duke’s heir, whereabouts unknown. An expert on anachronisms, the adventurous Maximilian Haywood was last seen at an archaeological dig on the island of Crete. And when Truelove and Silverton disembark, they are met with incidents of a violent nature: a ransacked flat, a murdered government employee, an assassination attempt. And as they steam from port to port on Max’s trail, dodging danger at every turn, Truelove will discover the folly of her misconceptions—about the whims of the heart, the desires of men, and the nature of time itself...

    For life is anything but easy in the male-dominated world of the Atlanta Police Department.Kate isn't the only woman on the force who is finding things tough. Maggie Lawson followed her uncle and brother into the ranks to prove her worth in their cynical eyes.When Maggie and Kate become partners, and are sidelined in the search for the city's cop killer, they decide to pursue their own line of investigation. But are they prepared to risk everything as they venture into the city's darkest heart?

    But she's still uneasy at Khattak's tight-lipped secrecy when he asks her to look into Christopher Drayton's death. Drayton's apparently accidental fall from a cliff doesn't seem to warrant a police investigation, particularly not from Rachel and Khattak's team, which handles minority-sensitive cases. But when she learns that Drayton may have been living under an assumed name, Rachel begins to understand why Khattak is tip-toeing around this case. It soon comes to light that Drayton may have been a war criminal with ties to the Srebrenica massacre of 1995.If that's true, any number of people might have had reason to help Drayton to his death, and a murder investigation could have far-reaching ripples throughout the community. But as Rachel and Khattak dig deeper into the life and death of Christopher Drayton, every question seems to lead only to more questions, with no easy answers. Had the specters of Srebrenica returned to haunt Drayton at the end, or had he been keeping secrets of an entirely different nature? Or, after all, did a man just fall to his death from the Bluffs?In her spellbinding debut, Ausma Zehanat Khan has written a complex and provocative story of loss, redemption, and the cost of justice that will linger with readers long after turning the final page.

    So the murderer has killed himself; that just saves the time and cost of a trial. But a second murder days later bears haunting similarities to the first, even though once more the murderer swiftly confesses and kills himself.Detective Inspector Anthony McLean is investigating the discovery of a dead girl, walled up in the basement of an old Edinburgh mansion. She has been brutally murdered, her internal organs removed and placed around her in six preserving jars. The evidence suggests this all happened over sixty years ago, an attempt to re-enact an ancient ceremony that by trapping a demon in the dead girl’s body would supposedly confer immortality on the six men who took one of her organs each.McLean’s grandmother – the woman who raised him after his parents were killed when he was a young boy – dies after months in a coma following a stroke. On top of this he has to investigate a series of unusual, violent suicides and a cat-burglar who targets the homes of the recently dead. But as another prominent Edinburgh businessman is killed, he begins to suspect that there may be a connection between the murders, the suicides and the ritual killing of the girl found in the basement. The same names keep cropping up. He just can’t find a rational explanation as to how that connection works.As he digs deeper, and as the coincidences stack up, McLean is forced to consider an irrational explanation. Could there really be something evil stalking the city he has sworn to protect? And if so, how on earth can he hope to stop it?

    Albia is now 28 and an established female investigator. Her personal history and her British birth enable her to view Roman society and its traditions as a bemused outsider and also as a woman struggling for independence in a man’s world.The first novel takes place on the plebeian Aventine Hill, with its mix of monumental temples, muddy back lanes and horrible snack bars. We meet Albia’s personal circle – some familiar, some new. We glimpse old haunts and hear of old friends, but the focus is on Albia herself, a tough, witty, winning personality who fearlessly tackles inhumanity and injustice, braving any risks and winning the friendship of unexpected allies.http://us.macmillan.com/theidesofapri...

    In a Victorian era ruled by a ruthless steam baron council, mechanical power is the real monarch, and sorcery the demon enemy of the empire. Evelina has secretly mastered a coveted weapon - magic that can run machines. Should she trust the handsome, clever rake who speeds her breath, or the dashing trick rider who would dare anything she would ask?

    He did not just kill—he ripped with a butcher’s glee—and then, after the particularly gruesome slaying of Mary Jane Kelly, he disappeared. For 127 years, Jack has haunted the dark corners of our imagination, the paradigm of the psychotic killer. We remember him not only for his crimes, but because, despite one of the biggest dragnets in London history, he was never caught.I, Ripper is a vivid reimagining of Jack’s personal story entwined with that of an Irish journalist who covered the case, knew the principals, charted the investigation, and at last, stymied, went off in a bold new direction. These two men stalk each other through a city twisted in fear of the madman’s blade, a cat-and-mouse game that brings to life the sounds and smells of the fleshpot tenderloin of Whitechapel and all the lurid acts that fueled the Ripper headlines.Dripping with intrigue, atmosphere, and diabolical twists, this is a magnificent psychological thriller from perennial New York Times bestseller Stephen Hunter, who the San Francisco Examiner calls “one of the best storytellers of his generation.”

    A plantation owned for generations by a rich family. So much history. And a dead body.Just after dawn, Caren walks the grounds of Belle Vie, the historic plantation house in Louisiana that she has managed for four years. Today she sees nothing unusual, apart from some ground that has been dug up by the fence bordering the sugar cane fields. Assuming an animal has been out after dark, she asks the gardener to tidy it up. Not long afterwards, he calls her to say it's something else. Something terrible. A dead body. At a distance, she missed her. The girl, the dirt and the blood. Now she has police on site, an investigation in progress, and a member of staff no one can track down. And Caren keeps uncovering things she will wish she didn't know. As she's drawn into the dead girl's story, she makes shattering discoveries about the future of Belle Vie, the secrets of its past, and sees, more clearly than ever, that Belle Vie, its beauty, is not to be trusted. A magnificent, sweeping story of the south, The Cutting Season brings history face-to-face with modern America, where Obama is president, but some things will never change. Attica Locke once again provides an unblinking commentary on politics, race, the law, family and love, all within a thriller every bit as gripping and tragic as her first novel, Black Water Rising.

    But the sights aren't what draw him--he sees each museum, each cathedral, and each cafe through the eyes of his daughter's killer.Kanon's daughter, Kimmy, and her boyfriend were murdered while on vacation in Rome. Since then, young couples in Paris, Copenhagen, Frankfurt, and Stockholm have been found dead. Little connects the murders, other than a postcard to the local newspaper that precedes each new victim., Wish you were here. Now Kanon teams up with the Swedish reporter, Dessie Larsson, who has just received a postcard in Stockholm--and they think they know where the next victims will be.

    He is never wrong.When Arlen awakens on a train one hot Florida night and sees death's telltale sign in the eyes of his fellow passengers, he tries to warn them. Only 19-year-old Paul Brickhill believes him, and the two abandon the train, hoping to escape certain death. They continue south, but soon are stranded at the Cypress House--an isolated Gulf Coast boarding house run by the beautiful Rebecca Cady--directly in the path of an approaching hurricane.The storm isn't the only approaching danger, though. A much deadlier force controls the county and everyone living in it, and Arlen wants out--fast. But Paul refuses to abandon Rebecca to face the threats alone, even though Arlen's eerie gift warns that if they stay too long they may never leave. From its chilling beginning to terrifying end, The Cypress House is a story of relentless suspense from "one of the best of the best" (Michael Connelly).