These fans have a powerful desire to protect and nurture the young, beautiful and innocent characters they adore—like Sagisawa Moe in Dinosaur Planet and Tomoe Hotaru in Sailor Moon. They create their own websites, characters, stories, discussion groups, toys and games based around the original manga and anime roles.Author Patrick Galbraith is the world's acknowledged expert on MOE and a journalist based in Tokyo. For this book, he interviewed twenty important figures in the world of Japanese manga and anime to gain their insights on the MOE phenomenon. These interviews provide us with the first in-depth survey of this subject. Galbraith uncovers how MOE is influencing an entire generation of manga artists and readers. For those new to anime, manga, and youth culture in Japan, he discusses what constitutes the ideal MOE relationship and why some fans are even determined to marry their fictional sweethearts. He reveals key moments in the development of MOE, and current and future trends in the spread of MOE works and characters from Japan to other parts of the world.The Moe Manifesto provides an insider's look at the earliest MOE characters such as Ayame by Tezuka Osamu. The book has over 100 illustrations of the most famous MOE characters, many in color, and it is sure to delight manga and anime fans of every age.

    Core factors that characterized it-political stability, ideological openness, and rapid economic growth-are unraveling. Since the 1990s, Beijing's leaders have firmly rejected any fundamental reform of their authoritarian one-party political system, and on thesurface, their efforts have been a success. But as Carl Minzner shows, a closer look at China's reform era reveals a different truth. Over the past three decades, a frozen political system has fueled both the rise of entrenched interests within the Communist Party itself, and the systematicunderdevelopment of institutions of governance among state and society at large. Economic cleavages have widened. Social unrest has worsened. Ideological polarization has deepened. Now, to address these looming problems, China's leaders are progressively cannibalizing institutional norms andpractices that have formed the bedrock of the regime's stability in the reform era. End of an Era explains how China arrived at this dangerous turning point, and outlines the potential outcomes that could result.

    Kenzo lived and taught at a pivotal time in Japan's history, when martial arts were practiced primarily for self-cultivation, and his wise and penetrating instructions for practice (and life)--including aphorisms, poetry, instructional lists, and calligraphy--are infused with the spirit of Zen. Kenzo uses the metaphor of the bow and arrow to challenge the practitioner to look deeply into his or her own true nature.

    Spector’s classic account of the American struggle against the Japanese in World War II, “No future book on the Pacific War will be written without paying due tribute to Eagle Against the Sun.” Now Spector has returned with a book that is even more revealing. In the Ruins of Empire chronicles the startling aftermath of this crucial twentieth-century conflict. With access to recently available firsthand accounts by Chinese, Japanese, British, and American witnesses and previously top secret U.S. intelligence records, Spector tells for the first time the fascinating story of the deadly confrontations that broke out–or merely continued–in Asia after peace was proclaimed at the end of World War II. Under occupation by the victorious Allies, this part of the world was plunged into new power struggles or back into old feuds that in some ways were worse than the war itself. In the Ruins of Empire also shows how the U.S. and Soviet governments, as they secretly vied for influence in liberated lands, were soon at odds. At the time of the peace declaration, international suspicions were still strong. Joseph Stalin warned that “crazy cutthroats” might disrupt the surrender ceremony in Tokyo Bay. Die-hard Japanese officers plotted to seize the emperor’s palace to prevent an announcement of surrender, and clandestine relief forces were sent to rescue thousands of Allied POWs to prevent their being massacred.In the Ruins of Empire paints a vivid picture of the postwar intrigues and violence. In Manchuria, Russian “liberators” looted, raped, and killed innocent civilians, and a fratricidal rivalry continued between Chiang Kai-shek’s regime and Mao’s revolutionaries. Communist resistance forces in Malaya settled old scores and terrorized the indigenous population, while mujahideen holy warriors staged reprisals and terror killings against the Chinese–hundreds of innocent civilians were killed on both sides. In Indochina, a nativist political movement rose up to oppose the resumption of French colonial rule; one of the factions that struggled for supremacy was the Communist Viet Minh led by Ho Chi Minh. Korea became a powder keg with the Russians and Americans entangled in its north and south. And in Java, as the Indonesian novelist Idrus wrote, people brutalized by years of Japanese occupation “worshipped a new God in the form of bombs, submachine guns, and mortars.”Through impeccable research and provocative analysis, as well as compelling accounts of American, British, Indian, and Australian soldiers charged with overseeing the surrender and repatriation of millions of Japanese in the heart of dangerous territory, Spector casts new and startling light on this pivotal time–and sets the record straight about this contested and important period in history.

    973 c. 1020), author of The Tale of Genji, is an intimate picture of her life as tutor and companion to the young Empress Shoshi. Told in a series of vignettes, it offers revealing glimpses of the Japanese imperial palace the auspicious birth of a prince, rivalries between the Emperor's consorts, with sharp criticism of Murasaki's fellow ladies-in-waiting and drunken courtiers, and telling remarks about the timid Empress and her powerful father, Michinaga. The Diary is also a work of great subtlety and intense personal reflection, as Murasaki makes penetrating insights into human psychology her pragmatic observations always balanced by an exquisite and pensive melancholy.In his illuminating introduction, Richard Bowing discusses what is known of Murasaki's life, and the religion, ceremonies, costumes, architecture and politics of her time, to explain the cultural background to her vivid evocation of court life. This edition also includes an explanation of Japanese names and dates, appendices and updated further reading.Translated and introduced by RICHARD BOWRING

    In this remarkable and eye-opening book, bestselling author Paul French takes the reader inside the world’s most secretive country. He examines the history and politics of North Korea, Pyongyang’s complex relations with South Korea, Japan, and America. As China begins to tire of its unruly ally, what are the implications of Kim Jong-un’s increasingly belligerent leadership following  the death of his father, Kim Jong-il? As an already unstable North Korea grows  ever  more unpredictable,  antagonizing  enemies and allies alike, North Korea: State of Paranoia, delivers a provocative and frightening account of a potentially explosive nuclear tripwire.

    Are his fables, in which acorns quarrel and flowers fret about losing their looks, written for children or adults? They are for both: for adventurous young minds, but also for older readers in whom the spark of curiosity, combined with a taste for fantasy and a love of language, is still alight.This collection, appearing for the first time in paperback, brings together the best of his stories. They range from cautionary tales to small prose poems, from social satire to unmistakable tragedy. All share an intense delight in the natural world -- a sense of oneness with other living creatures and with the vast universe around us.Miyazawa is entirely original. No other Japanese writer, before or since, has told stories as fresh in detail but universal in scope as this man who lived and died, still young, in Japan's far north.

    The originals are in the Riccar Art Museum in Tokyo, the world's largest and most celebrated collection of such prints. On account of their rarity and value, 87 of them have been designated Japanese National Treasures or Major National Cultural Heritage Items. The introductory essay, "Ukiyo-e - Origins and History", by the Curator of the Riccar Art Museum, Mitsunobu Sato, familiarizes the reader with the history of this art form. This is followed by the chapter "Cherry - Wood - Blossom", in which Thomas Zacharias, Professor at the Munich Academy of Art examines the technique, content and style of Japanese prints and their influence on European art at the turn of the century. The major section of the book consists of the 139 reproductions, grouped by artist, each accompanied by a detailed, sensitive commentary. Street scenes, lovers' trysts, festivals, portraits of courtesans and actors, landscapes and travelogues - these are the motifs of the ukiyo-e print. The dominant theme, however, is woman's beauty, the grace of her posture and attitudes, and the decorative aesthetics of her flowing garments. Amongst the most celebrated of the artists featured here are Utamaro, with his beautiful courtesans and geishas; Sharaku, with his portraits of actors on the kabuki stage; Hokusai, with his landscapes, among them the "36 Views of Mount Fuji"; and Hiroshige, with his "53 Stations on the Tokaido" and his "100 Views of Famous Places in and around Edo". The ten-page appendix includes a glossary of technical terms and biographies of all 43 artists.

    Over the following weeks, the world watched in horror as a natural disaster became a man-made catastrophe: fail-safes failed, cooling systems shut down, nuclear rods melted.In the first definitive account of the Fukushima disaster, two leading experts from the Union of Concerned Scientists, David Lochbaum and Edwin Lyman, team up with journalist Susan Q. Stranahan, the lead reporter of the Philadelphia Inquirer’s Pulitzer Prize–winning coverage of the Three Mile Island accident, to tell this harrowing story. Fukushima combines a fast-paced, riveting account of the tsunami and the nuclear emergency it created with an explanation of the science and technology behind the meltdown as it unfolded in real time. Bolstered by photographs, explanatory diagrams, and a comprehensive glossary, the narrative also extends to other severe nuclear accidents to address both the terrifying question of whether it could happen elsewhere and how such a crisis can be averted in the future.

    Princess Kazunomiya, half-sister of the Emperor of Japan, relates in her diary and in poems the confusing events occurring in the Imperial Palace in 1858, including political and romantic intrigue.

    

    International travelers, now more than ever, are not just individuals from the United States, but ambassadors and impression makers for the country as a whole. Newly updated, redesigned, and resized for maximum shelf appeal for travelers of all ages, Culture Shock! country and city guides make up the most complete reference series for customs and etiquette you can find. These are not just travel guides; these are guides for a way of life.

    Discusses the mythology of Japan, its origins in Shintoism and Buddhism, and the gods, spirits, men, and animals that appear in the many legends and stories.

    A. Woman author Cathy YardleyMeet Lisa Falloya, an aspiring half-Japanese, half-Italian American manga artist who follows her bliss by moving to Tokyo to draw the Japanese-style comics she's been reading for years. Leaving behind the comforts of a humdrum desk job and her workaholic fiancée, Lisa has everything planned---right down to a room with a nice Japanese family---but hasn't taken into account that being half-Asian and enthusiastic isn't going to cut it. Faced with an exacting boss and a conniving "big fish" manga author, Lisa risks her wedding, her friends, and her fears for a shot at making it big.

    They think precautions are being taken, but never check to see if they are. A key intelligence officer wants more warnings sent, but he is on the losing end of a bureaucratic battle and can’t get the message out. American sleuths have pierced Japan’s most vital diplomatic code, and Washington believes it has a window on the enemy’s soul—but it does not.In a small office at Pearl Harbor, overlooking the battleships at the heart of America’s seafaring power, the Commander of the Pacific Fleet tries to figure out how much danger he really faces. His intelligence unit has lost track of Japan’s biggest aircraft carriers, but assumes they are resting in a port far away. The admiral thinks Pearl is too shallow for torpedoes, so he never puts up a barrier. As he frets, a Japanese spy is counting the warships in the harbor and reporting to Tokyo.There were false assumptions, and racist ones: The Japanese aren’t very good aviators and they don’t have the nerve or the skill to attempt a strike so far from their home. There were misunderstandings, conflicting desires, painful choices. And there was a naval officer who, on his very first mission as captain of his very first ship, did exactly the right thing. His warning could have averted disaster, but his superiors reacted too leisurely. Japanese planes arrived moments later.Twomey’s telescoping of the twelve days leading to the attack unravels the crucial characters and moments, and produces an edge-of-your seat drama with fascinating details about America at this moment in its history. By the end, the reader understands how assumption is the root of disaster, and how sometimes a gamble pays off.