Delicate. Nervous. Timid. By the time he was ten years old, he had a frail body and weak eyes. He was deviled by asthma, tormented by bullies. His favorite place to be was at home. Some might think that because of these things, Teedie was destined for a ho-hum life. But they would be wrong. For teeedie had a strong mind, as well as endless curiosity and determination. Is that all? No. Teedie also had ideas of his own--lots of them. It wasn't long before the world knew him as Theodore Roosevelt, the youngest president of the United States.

    In this provocative account, Hans Trefousse gives us "a brilliant, compassionate portrait of a dynamic era of social change and national healing, and of the tragic failure of an American leader" (Library Journal).

    In The Only Game in Town, pitcher Elden Auker recalls what it was like to face these sluggers, while Red Sox outfielder Dom DiMaggio remembers how he nearly ended his brother Joe's record hitting streak. Then, in the 1940s, baseball underwent tremendous change. First came World War II, and stars such as Bob Feller and future star Warren Spahn -- both among the ten ballplayers who discuss their playing days in this book -- left the game to serve their country. When the war ended, integration came to baseball. Jackie Robinson was soon followed by other outstanding African-American ballplayers, including Larry Doby and Monte Irvin, both of whom recall their pioneering experiences in Major League Baseball. Buck O'Neil describes scouting and coaching the next generation of African-American ballplayers and helping them make it into the major leagues. Johnny Pesky and Tommy Henrich recall great Red Sox-Yankees rivalries, but from opposite sides, while Ralph Kiner remembers his remarkable ten-year stretch as the most feared home-run hitter of his day. The ten ballplayers who spoke with Fay Vincent for this fascinating book bring back to life baseball from a bygone time. Their stories make The Only Game in Town a must-have for all baseball fans.

    Freeman Cleaves, after years of scholarly study, has cleared away the misconceptions which obscured Harrison's fame, and gives us a warm account of a truly great hero.Harrison's victory over the Indians at the Battle of Tippecanoe, and his battle for the Presidency in 1840, with its campaign slogan of "Tippecanoe and Tyler too," are well known, but they are only two episodes in a colorful life.He was an outstanding military hero, and a man of the people. The frontier folk depended on him for protection against marauding Indians. He had a hand in most of the Indian treaties and land cessions, and although he defeated the tribes in battle he was the first to befriend them in time of peace. Tecumseh alone, of all the Indian chiefs, held out against him to the bitter end.Few tales of hardship can match the story of Harrison and his men during the War of 1812. The Great Lakes region was sparsely settled, there were few roads, the soldiers ran out of food, their clothing was in rags, and winter was raging. The men grew surly and wanted to go home. Harrison made a short speech and offered to let any man go home who was willing to face his relatives before victory was achieved. Not a man accepted his offer. Instead they cheered him.Harrison was a blue-blooded Virginian, the son of a Signer, and a descendant of a long line of illustrious patriots, but he chose to cast his lot with the people of the newly opened West. Enlisting as a soldier he soon rose to high command. To maintain his sumptuous table and to provide for a large family he was obliged to engage in many business ventures, most of which failed. An improvident son threw an added burden of debt upon him, but he never lost courage. He accepted an appointment as Minister to Columbia in the hope of easing his debts, but he was ill-suited for a diplomatic joust with Simon Bolivar, and returned sadly to Cincinnati with a bright-plumed macaw and some exotic plants for his wife Anna. When things seemed darkest he was elected President of the United States.Freeman Cleaves has done a careful, impartial, and worthy biography of a great American soldier and gentleman, of a hero lovingly referred to by his devoted followers as "Old Tippecanoe." Every one interested in the epic story of America will do well to read it.

    There isn’t a single thing I’ve done, or experienced,” said Grant Wood, “that’s been even the least bit exciting.” Wood was one of America’s most famous regionalist painters; to love his work was the equivalent of loving America itself. In his time, he was an “almost mythical figure,” recognized most supremely for his hard-boiled farm scene, American Gothic, a painting that has come to reflect the essence of America’s traditional values—a simple, decent, homespun tribute to our lost agrarian age. In this major new biography of America’s most acclaimed, and misunderstood, regionalist painter, Grant Wood is revealed to have been anything but plain, or simple . . . R. Tripp Evans reveals the true complexity of the man and the image Wood so carefully constructed of himself. Grant Wood called himself a farmer-painter but farming held little interest for him. He appeared to be a self-taught painter with his scenes of farmlands, farm workers, and folklore but he was classically trained, a sophisticated artist who had studied the Old Masters and Flemish art as well as impressionism. He lived a bohemian life and painted in Paris and Munich in the 1920s, fleeing what H. L. Mencken referred to as “the booboisie” of small-town America. We see Wood as an artist haunted and inspired by the images of childhood; by the complex relationship with his father (stern, pious, the “manliest of men”); with his sister and his beloved mother (Wood shared his studio and sleeping quarters with his mother until her death at seventy-seven; he was forty-four). We see Wood’s homosexuality and how his studied masculinity was a ruse that shaped his work.Here is Wood’s life and work explored more deeply and insightfully than ever before. Drawing on letters, the artist’s unfinished autobiography, his sister’s writings, and many never-before-seen documents, Evans’s book is a dimensional portrait of a deeply complicated artist who became a “National Symbol.” It is as well a portrait of the American art scene at a time when America’s Calvinistic spirit and provincialism saw Europe as decadent and artists were divided between red-blooded patriotic men and “hothouse aesthetes.” Thomas Hart Benton said of Grant Wood: “When this new America looks back for landmarks to help gauge its forward footsteps, it will find a monument standing up in the midst of the wreckage . . . This monument will be made out of Grant Wood’s works.”

     In "Bomb Power," Garry Wills reveals how the atomic bomb transformed our nation down to its deepest constitutional roots-by dramatically increasing the power of the modern presidency and redefining the government as a national security state-in ways still felt today. A masterful reckoning from one of America's preeminent historians, "Bomb Power" draws a direct line from the Manhattan Project to the usurpations of George W. Bush. The invention of the atomic bomb was a triumph of official secrecy and military discipline-the project was covertly funded at the behest of the president and, despite its massive scale, never discovered by Congress or the press. This concealment was perhaps to be expected in wartime, but Wills persuasively argues that the Manhattan Project then became a model for the covert operations and overt authority that have defined American government in the nuclear era. The wartime emergency put in place during World War II extended into the Cold War and finally the war on terror, leaving us in a state of continuous war alert for sixty-eight years and counting. The bomb forever changed the institution of the presidency since only the president controls "the button" and, by extension, the fate of the world. Wills underscores how radical a break this was from the division of powers established by our founding fathers and how it in turn has enfeebled Congress and the courts. The bomb also placed new emphasis on the president's military role, creating a cult around the commander in chief. The tendency of modern presidents to flaunt military airs, Wills points out, is entirely a postbomb phenomenon. Finally, the Manhattan Project inspired the vast secretive apparatus of the national security state, including intelligence agencies such as the CIA and NSA, which remain largely unaccountable to Congress and the American people. Wills recounts how, following World War II, presidential power increased decade by decade until reaching its stunning apogee with the Bush administration. Both provocative and illuminating, "Bomb Power" casts the history of the postwar period in a new light and sounds an alarm about the continued threat to our Constitution.

    Revealing anecdotes accompany the creative collages and lend insight to the charismatic personalities of prominent presidents from George Washington to Barack Obama, resulting in an irresistible resource.

    Events include the famous Rumble in the Jungle fight with Muhammad Ali and his comback in 1994 to raise money for the Houston Youth Center.

    Based upon extensive use of the Van Buren papers and other basic primary sources of the period, this is a readable, authoritative biography of the 8th President of the United States and a close political ally of Andrew Jackson, and later upholder of the Jacksonian tradition.

    Eisenhower modestly explains General Ike as "a son's view of a great military leader -- highly intelligent, strong, forceful, kind, yet as human as the rest of us." It is that, and more: a portrait of the greatest Allied military leader of the Second World War, by the man who knew Ike best. General Ike is a book that John Eisenhower always knew he had to write, a tribute from an affectionate and admiring son to a great father. John chose to write about the "military Ike," as opposed to the "political Ike," because Ike cared far more about his career in uniform than about his time in the White House. A series of portraits of Ike's relations with soldiers and statesmen, from MacArthur to Patton to Montgomery to Churchill to de Gaulle, reveals the many facets of a talented, driven, headstrong, yet diplomatic leader. Taken together, they reveal a man who was brilliant, if flawed; naÏve at times in dealing with the public, yet who never lost his head when others around him were losing theirs. Above all, General Ike was a man who never let up in the relentless pursuit of the destruction of Hitler. Here for the first time are eyewitness stories of General Patton showing off during military exercises; of Ike on the verge of departing for Europe and assuming command of the Eastern Theater; of Churchill stewing and lobbying Ike in his "off hours." Faced with giant personalities such as these men and MacArthur, not to mention difficult allies such as de Gaulle and Montgomery, Ike nevertheless managed to pull together history's greatest invasion force and to face down a determined enemy from Normandy to the Bulge and beyond. John Eisenhower masterfully uses the backdrop of Ike's key battles to paint a portrait of his father and his relationships with the great men of his time. General Ike is a ringing and inspiring testament to a great man by an accomplished historian. It is also a personal portrait of a caring, if not always available, father by his admiring son. It is history at its best.

    When his New York Giants played the Baltimore Colts for the league championship that year, it became the single most memorable contest in the history of professional football. Broadcast to an audience of millions, it was the first title game ever to go into sudden-death overtime. Its drama, excitement, and controversy riveted the nation and helped propel football to the forefront of the American sports landscape.Now, to mark the fiftieth anniversary of "The Greatest Game Ever Played," New York Giants Hall of Famer and longtime television analyst Frank Gifford provides an inside-the-helmet account that will take its place in the annals of sports literature. Drawing on the poignant and humorous memories of every living player from the game -- including fellow Hall of Famers Sam Huff, Andy Robustelli, Art Donovan, Lenny Moore, and Raymond Berry -- as well as the author's own experiences and reflections, The Glory Game captures a magnificent moment in American sports history. It is the story of two very different cities and teams, filled with the joy, the disappointment, and the eternal pride of a day that will forever symbolize all that is great about sports.Told with gripping immediacy, The Glory Game is an indelible portrait of the NFL's most transcendent hours -- a winter version of The Boys of Summer, told by one of football's true legends.

    Republics are traditionally ungrateful, and in Buchanan's case the American republic has been notoriously thankless to the man who was, from log cabin to White House, the relentless foe of fanatics and demagogues; a man who held that reason and restraint were the essential tools of self-government, and who bent all his energies to achieve by means of law and diplomacy what others later sought to accomplish by civil war.As a result of nearly fifty years' experience in the public service, James Buchanan entered the presidency with more advance training than any man who has ever held the post. As a Congressman he sustained the power of the Supreme Court to review state laws in an argument that Charles Warren has called "one of the great and signal documents in the history of American constitutional law." In the Senate he worked incessantly to keep clearly defined the live between the powers of the executive, judicial, and legislative branches and between the state and federal governments. While he was Minster to Russia he negotiated the first commercial treaty with that country; his English Mission diminished the traditional American hatred for England and laid the foundations for subsequent Anglo-American friendship.As Secretary of State he presided over negotiations leading to the acquisition of the western third of the Continental United States, launched a "good neighbor" policy in Latin America, and insisted upon international rights of neutrals and the rights of American citizens abroad. Buchanan the politician maintained control of his home state against the challenge of such powerful rivals as Simon Cameron, George M. Dallas, and Thaddeus Stevens. In the presidency he fought sectionalism by initiating policies intended to arouse national patriotism, and he sought by law to attain a long-range solution to the slavery problem. In the closing months of his term of office, he refused to yield to the demands of extremists, both northern and southern, for he knew that either course would precipitate a war which almost no one wanted.

    Bush—and his post-presidential life—by a confidante who knew him well.As chief of staff, Jean Becker had a ringside seat to the never-boring story of George Herbert Walker Bush's life post-presidency, including being at his side when he died and subsequently facing the challenge-and great honor-of being in charge of his state funeral. Full of heart and wisdom, THE MAN I KNEW is a vibrant behind-the-scenes look into the ups and downs of heading up the office of a former president by one of the people who knew him best.This book tells the story of how, after his devastating loss to Bill Clinton in 1992, President George H.W. Bush rebuilt his life, found a way to make a difference, and how, by the time he died in November 2018, was revered by his country and the world.Bush's post-presidency journey was filled with determination, courage, love, hope, humor, fun, and big ideas. He became best friends with the man who defeated him; developed the odd habit of jumping out of airplanes; and learned how to adjust to life in a wheelchair, after having lived most of his life as a high-energy athlete. He joyously saw two sons become governors of their states, one of whom would go one to become President of the United States.What happens when you go almost overnight from being the most important and powerful person in the world to a private citizen? THE MAN I KNEW tells just such a story, of one man's humble journey from president to man of the people.

    Pushing himself to new extremes, he embarks on his toughest climbs yet - on big walls in the Alps and Patagonia - in the depths of winter.

    And right now—today!—there are at least 10 future presidents alive in America. They could be playing basketball, like Barack Obama, or helping in the garden, like Dwight D. Eisenhower. They could be solving math problems or reading books. They could be making art—or already making change.• A breezy, kid-friendly survey of American history and American presidents• Great for teachers, librarians, and other educators• Kate Messner's nonfiction picture books have been lauded by critics and received a variety of awards.For young readers and students who loved The New Big Book of Presidents, Lincoln and Kennedy: A Pair to Compare, and Kid Presidents: True Tales of Childhood from America's Presidents.A helpful addition to curriculums of 5th- to 8th-grade students studying U.S. History and civics and the federal government.• For readers ages 8–12• U.S. history for kids• Students, librarians, teachers• 5th–8th-grade kidsFrom award-winning author Kate Messner and New York Times bestselling artist Adam Rex comes a timely and compelling compendium about the U.S. presidents—before they were presidents.Kate Messner is an award-winning author whose many books for kids have been selected as Best Books by the New York Times, Junior Library Guild, IndieBound, and Bank Street College of Education. She lives on Lake Champlain with her family.Adam Rex is the author and illustrator of many beloved picture books and novels, including Nothing Rhymes with Orange and the New York Times bestseller Frankenstein Makes a Sandwich. He has worked with the likes of Jon Scieszka, Mac Barnett, Jeff Kinney, and Neil Gaiman. He lives in Tucson, Arizona.