The moment Frank Limosin sees gorgeous eighteen-year-old Suki Flood sitting on the rear deck of the red Trans Am in the hot empty desert, he feels trouble in the air. The Trans Am has a flat tire. They're over ten miles from the nearest highway. And Suki, dressed in short shorts and a tiny halter top, doesn't know how to change a tire. Against Suki's will, Frank gives her a lesson in tire changing, then he thinks that's it, he'll never see her again. How wrong can one man be? Because Suki turns out to be fifty times more trouble than Frank ever dreamed possible. He saved her once. Now he has to save her again and again and again . . .

    He’s married, expecting a child, and preparing to open his own hair salon. But then an old cellmate re-enters his life begging for a favor: to help him with a burglary. Forced by his code of ethics to perform the crime, Jake’s once idyllic life quickly plunges into an abyss. Jake soon realizes that there is only one way out of this purgatory . . . and it may rupture his soul beyond repair.

    Now their client can cozy up to the money. But there are too many beautiful women in the mansion, and the slimy little parasite is confused when he should be scared. After Archie Goodwin drops the ball, Nero Wolfe is ready to break a few laws--like extortion.

    His stories are masterpieces of psychological suspense and mystery, and they have inspired classic movies like Hitchcock's Rear Window and Truffaut's The Bride wore Black. This collection brings together twelve of his finest, most powerful and disturbing tales.Contains the stories:- Graves for the Living- The Red Tide- The Corpse Next Door- You'll Never See Me Again- Dusk to Dawn- Murder at the Automat- Death in the Air- Mamie 'n' Me- The Screaming Laugh- One and a Half Murders- Dead on Her Feet- One Night in Barcelona- The Penny-a-Worder- The Number's Up- Too Nice a Day to Die- Life is Weird Sometimes(N.B: The last four stories are not included in the Crime Masterworks edition.)

    The thriller that introduces Parker. “A brilliant invention”. Played by Lee Marvin in the John Boorman movie. “The funnies call it the syndicate. The goons and hustlers call it the Outfit. You call it the Organization. But I don’t care if you call yourselves the Red Cross, you owe me forty-five thousand dollars and you’ll pay me back whether you like it or not.”This novel was originally titled The Hunter, later retitled Point Blank because of the movie, later retitled Payback because of the other movie.

    When Ray Kelly woke up in the hospital, it was a month later, he was missing an eye, and his father was dead. Then things started to get bad.From the mind of the incomparable Donald E. Westlake - Mystery Writers of America Grandmaster and Academy Award nominee for the screenplay of The Grifters - comes a devastating story of betrayal and revenge, an exploration of the limits of family loyalty and how far a man will go when everything he loves is taken from him.

    The suggestively named Dix Steele, a cynical vet with a chip on his shoulder about the opposite sex, is the LAPD's top suspect. Dix knows enough to watch his step, especially since his best friend is on the force, but when he meets the luscious Laurel Gray—a femme fatale with brains—something begins to crack. The basis for extraordinary performances by Humphrey Bogart and Gloria Grahame in the 1950 film version of the book, In a Lonely Place tightens the suspense with taut, hard-boiled prose and stunningly undoes the conventional noir plot.

    Since killing somebody with a single punch is not a needed talent in a monastery, he spends his time praying, meditating, and taking his anger management medicine. But his meditations are interrupted by a legacy from his uncle, a crooked priest. Arriving in a New Age Arizona town to claim his inheritance, Brother Tommy meets a charismatic, smoking-hot cult leader who claims that women are being impregnated by alien beings while they sleep. Tommy's own sleep is disturbed--by cartel hitmen, Mafia bill collectors, and women intrigued by his vow of chastity. He loses his anger management medicine in time to deal with the hitmen, but the women present an uphill battle.William Kotzwinkle's quicksilver touch has produced an effervescent piece of entertainment filled with suspense, turns you won't see coming, and the humor for which he is famous.

    Sallis combines murder, treachery and payback in a sinister plot with resonances of 1940s pulp fiction and film noir. Told through a cinematic narrative that weaves back and forth through time and place, the story explores Driver's near existential moral foundations, intercut with moments of bloody violence.

    She goes to bed with him, and she likes that part. Then she kills him, and she likes that even better. On her way out, she cleans out his wallet. She keeps moving, and has a new name for each change of address. She's been doing this for a while, and she's good at it.And then a chance remark gets her thinking of the men who got away, the lucky ones who survived a night with her. She starts writing down names. And now she's a girl with a mission. Picking up their trails. Hunting them down. Crossing them off her list...

    Original.

    Nobody Move, which first appeared in the pages of Playboy, is the story of an assortment of lowlifes in Bakersfield, California, and their cat-and-mouse game over $2.3 million. Touched by echoes of Raymond Chandler and Dashiell Hammett, Nobody Move is at once an homage to and a variation on literary form. It salutes one of our most enduring and popular genres—the American crime novel—but with a grisly humor and outrageousness that are Denis Johnson’s own. Sexy, suspenseful, and above all entertaining, Nobody Move shows one of our greatest novelists at his versatile best.

    A teenager poisons her family for the love of her tutor. A woman driven by greed ruthlessly bludgeons eight members of her family.A beautician gangs up with her lover to rob a house, killing innocent women from three generations of a family. A practising lawyer strangles her lawyer husband with the cord of a mobile charger. A friendly and jovial teacher commits at least six murders over fourteen years in a sleepy town down south.DEATH SERVED COLD is a painstakingly researched collection of true, blood-curdling accounts of gruesome murders committed by India’s most dangerous women over the last three decades.These stories explore the dark recesses of the female psyche and challenge popular stereotypes by revealing shocking excesses of sadism and aggression rarely associated with women.

    But that ended the day he saw a beautiful Mob wife become a Mob widow. Now Paul is going to break every one of the rules he’s lived by to protect the woman he loves—even if it means he might be left holding the bag..."Personal, hard-hitting, idiosyncratic...Everything was about storytelling, the great yarn."— Quentin Tarantino"One of the great movie directors of the 20th century...most certainly its greatest storyteller."— Wim Wenders In a career that spanned half a century, Samuel Fuller wrote and directed classic movies that inspired filmmakers as varied as Steven Spielberg, Martin Scorsese, Francis Ford Coppola, Jean-Luc Godard, Jim Jarmusch, Wim Wenders, and Quentin Tarantino. He also wrote unforgettable novels such as the noir classic THE DARK PAGE—and this book, his last, which has never previously been published in the English language.

    — But could any man ever have her? — After years at sea, Swede Nelson just wanted to find a nice girl and settle down. What he found was Corliss Mason: sensual irresistible - and deadly. Soon Swede's helping Corliss cover up a killing, but how long can they get away with murder? And why - even when he's in her arms - can't he shake that feeling that he's being set up?A writer for radio, television, movies, pulp magazines and paperbacks, DAY KEENE created some of the most memorable noir nightmares ever penned. HOME IS THE SALIOR is his greatest book, a tale of passion and obession that makes James M. Cain and Jim Thompson look tame -- now available of the first time in decades!