Soon the plantation they have struggled to maintain becomes a beacon of hope to others in desperate need.

    Years after Patrick’s death, ninety-year-old Emma still has the painting hanging over her bed at their country home as a testament to their love.To Emma’s granddaughter, Laura, the portrait is also a symbol of so much to come. The masterpiece is serving as collateral to pay Laura’s tuition at a prestigious music school. Then the impossible happens when an appraiser claims the painting is a fraud. For Laura, the accusation jeopardizes her future. For Emma, it casts doubt on everything she believed about her relationship with Patrick. Laura is determined to prove that Patrick did indeed paint the portrait. Both her grandmother’s and Patrick’s legacies are worth fighting for.As the stories of two women entwine, it’s time for Emma to summon up the past—even at the risk of revealing its unspoken secrets.

    He willingly promises to take care of Fred’s sister and mother—after all, he has been quietly in love with Fred’s sister, Meg, for years.After a gruelling retreat across Spain, Jon finally returns to find England in the grip of a snowy winter. Thoughts of Meg have kept him going, but when he reaches her home, it is not Meg who meets him at the door but her cousin Rupert. Jon is devastated to learn that Rupert and Meg are to be wed in two days’ time.Despite Rupert’s efforts to keep them apart, Jon manages to talk to Meg, who does notnot want to marry her cousin. Meg suggests that she would be safe from Rupert’s threats if she married Jon instead.Without hesitation, Jon sets off through the icy conditions and deep snow to get a marriage licence before Rupert can force Meg to marry him. But d