He was one of the colonels closest to the Supreme Commander. When they meet, years later, far from their country of birth, a strange, equivocal relationship develops between them. Both their shared past of suffering and old romantic passions come rushing back accompanied by recollections of the perverse logic of violence that dominated the dicatorship under which they lived. The Man Who Snapped His Fingers is a novel of ideas, exploring power and memory by an important female writer from a part of the world where female voices are routinely silenced.

    And home to Jama, a ten year-old boy. But then his mother dies unexpectedly and he finds himself alone in the world.Jama is forced home to his native Somalia, the land of his nomadic ancestors. War is on the horizon and the fascist Italian forces who control parts of East Africa are preparing for battle. Yet Jama cannot rest until he discovers whether his father, who has been absent from his life since he was a baby, is alive somewhere.And so begins an epic journey which will take Jama north through Djibouti, war-torn Eritrea and Sudan, to Egypt. And from there, aboard a ship transporting Jewish refugees just released from German concentration camps, across the seas to Britain and freedom.This story of one boy's long walk to freedom is also the story of how the Second World War affected Africa and its people; a story of displacement and family.

    With her pregnant mother on the verge of labor, her brother anxious to join the Liberators, and a house full of hungry siblings, neighbors, and displaced refugees, Alinda learns what it takes to survive, and eventually to plan for a new life.

    Behind the hilarious antics is a commentary on the power of money and the evils of charlatanism.

    Plunged into the past by acrimonious telephone calls and odd postcards from her mother, she tries to make sense of the eccentric family she has left behind. Why was her Mother as bitter as a tamarind with her lot in life? Why did she seem to love Roopa best, rubbing almond oil on her skin at bath-time and never scolding her for getting her sums wrong? And where did she disappear to while Dadda was away on business, leaving her daughters in the care of a superstitious old ayah? A wise and affectionate portrait of two generations of women in an Indian family, Tamarind Woman is a beautifully evocative novel that explores the mutability of memory and unravels the deep ties of love and resentment that bind mothers and daughters everywhere.Tamarind Woman is the author's debut novel.

    Obsessed with each other, they move from a small town to the big city, where the man, who dreams of being a writer, works feverishly on a novel, stopping only to feed his ceaseless desire for his beautiful wife.A chance occurrence allows the lovers to abandon the city for a mist-shrouded spur of the lower Himalayas and move into a sprawling old house, which they hope will embody their love. At first they pursue their deep physical need with a reckless intensity. But during renovations of the house, a set of diaries written by the original inhabitant—a glamorous American adventuress—is unearthed, and the narrator finds himself irresistibly drawn away from his wife and thrust into another world and time, into the hole of history. As his life and love fall apart, he slowly begins to uncover the dark secrets at the heart of her story, until the shocking truth is laid bare and all certainties are overturned.Inventive, playful, heartbreaking, brimming with ideas and memorable characters, The Alchemy of Desire celebrates the chaotic spirit of a country during a time of great change. It also offers, in searing, lucid prose, a deeply sensual and moving meditation on the nature of desire, history, truth, and art. This is a major novel by one of the most significant new voices of his generation.

    She leaned against the glass front of the parlor, one leg bent like a crane's. Luring in the clients with sweet and oily words consumed a surprising amount of energy"Reserved, at times defiant, Lotus is different from the other streetwalkers. Her striking eyes glow under Shenzhen’s neon lights, capturing the attention of Funny Eye, Family Treasure, and a slew of other demanding clients determined to make Lotus their property. Choosing between wealthy, powerful, and dangerous men is no easy feat, but it is a surprising offer from Binbing, a soft-spoken and humble photojournalist, that presents the biggest challenge. Is Lotus willing to fall in love? Is she capable of it?Inspired by the deathbed revelation that the author’s grandmother had been sold to a brothel in her youth,Lotus offers compelling insight into China’s bustling underground world and reveals the surprising strength found in those confronted with impossible choices. Written with compassion and vivid prose, and packed with characters you won’t soon forget, Lijia Zhang's Lotus examines what it means to be an individual in a society that praises restraint in and obedience from its women.

    He connects with the richness of the Urdu language, observes the syncretic evolution of mystical Islam in India and its deep connections with Hindustani classical music – so much a part of his own selfhood. And every so often, he returns to the refuge of Hazrat Nizamuddin Auliya, the twelfth-century pir, whose dargah still reverberates with music and prayer every evening.His wanderings through Delhi lead Raza back in time to recollections of a long-forgotten Hindu ancestry and to comparisons with his own city of Lahore – in many ways a mirror image of Delhi. They also lead to reflections on the nature of the modern city, the inherent conflict between the native and the immigrant and, inevitably, to an inquiry into his own identity as a South Asian Muslim.Rich with history and anecdote, and conversations with Dilliwalas known and unknown,Delhi By Heart offers an unusual perspective and unexpected insights into the political and cultural capital of India.About the AuthorRaza Rumi is an international development professional based in Lahore. He has worked for national and international organizations such as the United Nations and the Asian Development Bank. He also edits and writes for the Friday Times and contributes to leading national dailies in Pakistan and abroad. He blogs at Jahane Rumi, a website devoted to Sufism and the arts and cultures of South Asia.

    Josef meets his wife, Kveta, before the Second World War at a public lecture on Hittite culture. Kveta chooses to marry Josef over their mutual friend Hynek, but when her husband is later arrested and imprisoned for an unnamed crime, Kveta gives herself to Hynek in return for help and advice. The author explores the complexities of what is not spoken, what cannot be said, the repercussions of silence after an ordeal, the absurdity of forgotten pain, and what it is to be an outsider.   In Zmeškal’s tale, told not chronologically but rather as a mosaic of events, time progresses unevenly and unpredictably, as does one’s understanding. The saga belongs to a particular family, but it also exposes the larger, ongoing struggle of postcommunist Eastern Europe to come to terms with suffering when catharsis is denied. Reporting from a fresh, multicultural perspective, Zmeškal makes a welcome contribution to European literature in the twenty-first century.

    Their dream worlds and realities intermingle, just as the histories of each generation run through the next. At the center of the novel is the Samoan woman's tattoo, the malu, believed to be brought from Fiji by Siamese twins. The ghosts of the twins watch over the women whose lives are stained by an unfinished tattoo. The shame and grief of not completing the tattoo ceremony go hand in hand with the shame and grief of illicit love and broken promises.

    Living with the daily threat of Katyusha missiles from neighbouring Lebanon, and struggling to survive amid the rubble of their lives, Simona and her three children each find their own way of coping with their grief, their fear, and their hopes. Raw, lyrical, shocking and moving, Sara Shilo's powerful debut novel recounts the life of an ordinary Israeli family over the course of a single, extraordinary day in prose that we have never been encountered in contemporary Hebrew literature.

    For many people, this means an end to their ordinary lives. But for some, it is a chance to begin living again. For one young woman, brought up without her mother and shunned by the community, the invasion brings an opportunity to, at long last, share her side of the story. To an invading soldier, it becomes a search for his one true love, lost years ago. And for a man far from the action, it brings memories of the past flooding into his mind – a woman, a child and a secret never told. A Watermelon, A Fish and a Bible is a breathtaking novel about love, loss, identity and what family really means.

    Benazir Bhutto, the country’s former prime minister and the first woman ever to lead a Muslim country, had been assassinated at a political rally just outside Islamabad. Back in Karachi—Bhutto’s birthplace and Pakistan’s other great metropolis—Rafia Zakaria’s family was suffering through a crisis of its own: her Uncle Sohail, the man who had brought shame upon the family, was near death. In that moment these twin catastrophes—one political and public, the other secret and intensely personal—briefly converged.    Zakaria uses that moment to begin her intimate exploration of the country of her birth. Her Muslim-Indian family immigrated to Pakistan from Bombay in 1962, escaping the precarious state in which the Muslim population in India found itself following the Partition. For them, Pakistan represented enormous promise. And for some time, Zakaria’s family prospered and the city prospered. But in the 1980s, Pakistan’s military dictators began an Islamization campaign designed to legitimate their rule—a campaign that particularly affected women’s freedom and safety. The political became personal when her aunt Amina’s husband, Sohail, did the unthinkable and took a second wife, a humiliating and painful betrayal of kin and custom that shook the foundation of Zakaria’s family but was permitted under the country’s new laws. The young Rafia grows up in the shadow of Amina’s shame and fury, while the world outside her home turns ever more chaotic and violent as the opportunities available to post-Partition immigrants are dramatically curtailed and terrorism sows its seeds in Karachi.   Telling the parallel stories of Amina’s polygamous marriage and Pakistan’s hopes and betrayals, The Upstairs Wife is an intimate exploration of the disjunction between exalted dreams and complicated realities.

    The end of his journey turns out to be the beginning of an odyssey in his beloved city where he finds "an insidious lawlessness creeping upon the land."Set in Manila in the last beleaguered months before the politico-military takeover in 1972, Bamboo in the Wind tells of the last desperate efforts of a people fighting to stave off disaster. Amid the escalating madness of a regime gone berserk, an odd assortment of people—a senator, a young nationalist, a dispossessed farmer, a radical activist, a convent school girl, a Jesuit scholastic—make their way along the labyrinthine corridors of greed and power. Each is forced to examine his own commitment in the face of brutality and evil, as the book conjures up scene after scene of devastation: the massacre of the demonstrators, the demolition of Sapang Bato, the murder of the sugar plantation workers, the burning of the Laguardia rice fields. And, as a climax to the mounting violence, that final September day—the arrests, the torture, and finally, the darkness that overtakes the land.

    Abandoned by his father as a child, he grows up to become an electoral assistant to the parliamentary office in Tallinn and it is in this position that Ullo witnesses first the Soviet and then the German occupation of Estonia. Forced out of his honest profession Ullo becomes involved with the Resistance but, when many Estonians flee the country, he chooses to remain. An interlude of a decade shows much has changed since the end of the War; Soviet influence is marked in the style of government and the manner of the people. The narrative unfolds in stories imparted to an unknown "author" by a 70-year-old Ullo. Just before the end, however, Kross introduces a teasing ambiguity: Ullo dies before he is able to answer the last question about his life.