At 11, he looks big and strong for his age. His kind mother, Geeta is a rural Indian archetype: the overworked, stressed-out, barely-keeping-it- together single mother. His father is in prison for multiple robbery cases. The villagers are cold and overbearing, and his schooldays are made hellish by bullies. If this wasn’t enough, he has nightmares and uncanny callings from the age-old monstrous Peepal tree that lays on his way to school. The legend is a monster called Brahma Rakshas, living under this tree, for years unknown to people, lures kids with the black devil fruits and then makes them wrestle until one dies.And, one stormy night, the legend comes true when Brahma Rakshas meets Sarja. Set in a fictional village of Deogiri; a small haven of human civilization, away from the din of city life, this story is an adventure ride filled with riddles and monster wrestling.

    His life changes when he meets a stranger one fateful night and is enamoured by her.ANAMIKA is a mystery, who is searching for herself. She tells Kabir her story, but on the condition that they would never meet again. The night ends, but their story has just begun!Their paths cross again, but Anamika disappears. With no clue about where she is, Kabir is lost and disheartened.To what extent will Kabir go to find Anamika? What is Anamika hiding from him? Will they meet again?Read this electrifying tale of destiny, love and courage to know more about The Girl I Met that Night.

    He just doesn’t. He doesn’t overthink, he doesn’t second-guess himself, and he most certainly does not cry.YetThat’s all he’s been doing lately.He’s a mess and he just can’t seem to get it together.His friend, Rami, is no help.Nobody is.UntilYasmin comes along to reconnect with her homeland. She’s been away for too long. She needs to know her roots.And she’s the one person who understands what Adam’s going through, even when he doesn’t.But can two people, both with minds that can’t fully be trusted, help each other navigate the other’s journey towards self-discovery?

    Her name is Jupiter. And he has never seen her.What Jack doesn’t know, at first, is how desperate Joseph is to find his baby girl.Or how urgently he, Jack, will want to help.But the past can’t be shaken off. Even as new bonds form, old wounds reopen. The search for Jupiter demands more from Jack than he can imagine.This tender, heartbreaking novel is Gary D. Schmidt at his best.

    So when her father’s best friend, Matthew, goes missing from his upstate New York home, Mila and her beloved father travel from London to find him. She collects information about Matthew from his belongings, from his wife and baby, from the dog he left behind and from the ghosts of his past—slowly piecing together the story everyone else has missed. But just when she’s closest to solving the mystery, a shocking betrayal calls into question her trust in the one person she thought she could read best.

    She is a perplexed botch, who never thinks before she talks. Megha realises that she fancies the creative course of action involved in making ad films, rather than her current job of creating marketing strategies for products. Her ornery boss is not electrified with the idea of brand managers turning into ad conceptualizing officers, though.Megha then meets the creative head of the company, Yudhistir Joshi. Yudi seems to bring out Megha’s atrocious side. Although he’s an exceptionally good looking man, Megha and Yudi publicly fight and argue. He hates her guts and she vice-versa. Yudi apprises her to quit from the creative team every single time, however, Megha, who’s finally in a blissful atmosphere, refuses to abandon her ecstatic ship. Little does she know that their friction will give way to sparks!Concurrently, ‘Vile’ Varun, Megha’s boss, puts her down in front of his bosses at every opportunity. He claims that she is inadequate for her profile.On the other hand, there is a crowd of eligible NRI bachelors on her list of problems, as Megha’s mother decides to put her up on the marriage market.No Deadline For Love is a first person narrative by the protagonist, Megha. The book reads almost like a journal entry, and is full of icy observations. The occasional hilarious quotes lighten up the reader’s mood, and the elementary pinch in the storyline, apart from her spontaneous description of the events, are the comical nicknames given to characters.

    The water from a magical well in their farmhouse was the reason behind this ‘good fortune’, they said. One day, fifteen-year-old Gurmi sets out to look for the well and what he sees changes everyone’s world forever. The faces of three girls look up at him from the water, and draw him into a world of fun, games and cyber magic—and Gurmi has to face up to an unnerving truth as murky as the surreal well. What terrible crimes have been committed behind the walls of the rambling Diwanchand family home? Will Gurmi and the ghost-girls be able to avenge the evil that has taken place and prevent yet another unspeakable atrocity from occurring? Funny, yet sensitive and immensely powerful, Faces in the Water is the story of lives lost to appease our society’s insatiable hunger for male children, and the price families pay for its sake.

    Does she have what it takes?

    The Smitten study guide includes the following sections: Plot Summary, Chapter Summaries & Analysis, Characters, Objects/Places, Themes, Style, Quotes, and Topics for Discussion.

    * New Edition. * Includes a new translation of 'Fotikchand'.

    She can see fairies.But not the fairies we imagine. These fairies cast spells on her, rousing her from her sleep and propelling her out of bed. Disturbed by her daughter’s behaviour, Tanya’s mother sends her away to live with her grandmother at Elvesden Manor, a secluded countryside mansion on the outskirts of town.Then an old photograph leads Tanya to an unsolved mystery. Fifty years ago a girl vanished in the woods, a girl Tanya’s grandmother will not speak of. Tanya is determined to find the truth, but as she unearths more secrets she finds herself dangerously close to following in the missing girl’s footsteps . . .

    He looks at his punctured tyres in dismay. Ten kilometres. If he walks, he’ll be too late to save them. If he runs, he’ll expire in the heat.Somewhere across the flats, in between the red-dirt back roads, there’s real trouble happening. Rick has never felt so alone; the land around him feels as alien as the moon – nothing like the city.But now is no time to hesitate…Ian and Nita are depending on him.Then the voice of his dead father comes back to him: ‘Don’t use up all your energy at once. Walk twenty, run twenty.’

    Though initially employed as a maid, Mary soon becomes the daughter the couple were never able to have. With Britain at war, unable to remain idle, Mary finds employment in the local steel works but when her fiancé Tom Downing is killed in action Mary is convinced it is retribution for their night of sin during Tom's Christmas leave. However, Mary grows to love Jack Holmes, a local miner. They marry and move into a humble terrace house with little but their love to keep them going. As the years pass Mary is determined to achieve success for herself and her family. She sets up her own dressmaking business and it seems as if she has finally found peace of mind. But the business starts to dominate her life until tragedy once more threatens to destroy all she most cherishes...

    

    She is put to work at the female factory of Parramatta; a place where the women’s only hope of food and lodgings is to offer their bodies to the settlement’s men. Nell is given shelter by Lieutenant Blackwell, a brooding soldier to whom she is inexplicably drawn. Despite warnings from the other women, Blackwell’s motives seem decent, and beneath the roof of a military officer, Nell sees a chance to become more than just a convict woman sent to the factory to be forgotten. But tensions are high in New South Wales, with the young colony teetering on the edge of a convict rebellion. And as Nell treads a dangerous line between obedience and power, she learns the role of a factory lass is to remain silent – or face a walk to the gallows.