It’s 1946 in New Zealand, and Alice Holden has fallen for the woman delivering her milk every morning. Jean has a way about her, a swagger, honey-sweet and low voice, and a wink with an easy smile that lights up Alice’s world, stirring her in ways she’s never known before, and Alice with blinders on, wants to choose this feeling over all else. Jean has been head over heels in love with the sparky and adorable single mother since the first time she saw her. She’s even drawn to Alice’s two fatherless children, and family life has never looked so good. Jean’s deep desire to have more than a life spent looking in from the outside seems more than she should hope for, and now Alice has her tossing the dice for it against all odds. But there are two people in town who believe they have the prior claim to Alice, in duty and affection, and they’ll do almost anything to get what they want. Alice and Jean have discovered that each is what the other has always longed for, each other’s missing link. Now they need to find a way to be together, despite the obstacles.

    It was like a tiny bit of Dorothy’s Oz in boring old black-and-white Kansas. Pink was for girls.Ava Simpson is trying on a whole new image. Stripping the black dye from her hair, she heads off to the Billy Hughes School for Academic Excellence, leaving her uber-cool girlfriend, Chloe, behind.Ava is quickly taken under the wing of perky, popular Alexis who insists that: a) she’s a perfect match for handsome Ethan; and b) she absolutely must audition for the school musical.But while she’s busy trying to fit in — with Chloe, with Alexis and her Pastel friends, even with the misfits in the stage crew — Ava fails to notice that her shiny reinvented life is far more fragile than she imagined.Debut author Wikinson takes a lighthearted but timely and resonant look at a teen's attempts to don a new personality and figure out who she really wants to be.

    Follow her and the celebrity Glace McKenzie as they discover love, the true meaning of friendship, and sticking with family in this cute but quirky lesbian novel.

    They present an illusion of marital bliss to their conservative Sri Lankan–American families, while each dates on the side. It’s not ideal, but for Lucky, it seems to be working. She goes out dancing, shedrinks a bit, she makes ends meet by doing digital art on commission. But when Lucky’s grandmother has a nasty fall, Lucky returns to her childhood home and unexpectedly reconnects with her former best friend and first lover, Nisha, who is preparing for her own arranged wedding with a man she’s never met.As the connection between the two women is rekindled, Lucky tries to save Nisha from entering a marriage based on a lie. But does Nisha really want to be saved? And after a decade’s worth of lying, can Lucky break free of her own circumstances and build a new life? Is she willing to walk away from all that she values about her parents and community to live in a new truth? As Lucky—an outsider no matter what choices she makes—is pushed to the breaking point, Marriage of a Thousand Lies offers a vivid exploration of a life lived at a complex intersection of race, sexuality, and nationality. The result is a profoundly American debut novel shot through with humor and loss, a story of love, family, and the truths that define us all.

    It’s a spectacular offering of love gained, lost, and struggled with over a lifetime—a poignant tale with a marvelous reveal at the end."—Anna Furtado, Lambda Literary ReviewThree women, united by love and kinship, struggle to conform to the social norms of the times in which they lived.In 1931, Katherine Henderson leaves behind her small town in Kansas and the marriage proposal of a local boy to live on her own and work at the Sears & Roebuck glove counter in Chicago. There she meets Annie—a bold, outspoken feminist who challenges Katherine’s idea of who she thinks she is and what she thinks she wants in life.In 1997, Katherine’s daughter, Joan, travels to Lawrence, Kansas, to clean out her estranged mother’s house. Hidden away in an old suitcase, she finds a wooden box containing trinkets and a packet of sealed letters to a person identified only by a first initial. Joan reads the unsent letters and discovers a woman completely different from the aloof and unyielding mother of her youth–a woman who had loved deeply and lost that love to circumstances beyond her control. Now she just has to find the strength to use the healing power of empathy and forgiveness to live the life she’s always wanted to live.

    This is her remarkable, true story.Anne Lister was extraordinary. Fearless, charismatic and determined to explore her lesbian sexuality, she forged her own path in a society that had no language to define her. She was a landowner, an industrialist and a prolific diarist, whose output has secured her legacy as one of the most fascinating figures of the 19th century. Gentleman Jack: The Real Anne Lister follows Anne from her crumbling ancestral home in Yorkshire to the glittering courts of Denmark as she resolves to put past heartbreak behind her and find herself a wife. This biographical portrait introduces the real Gentleman Jack, featuring unpublished journal extracts decrypted for the first time by series creator Sally Wainwright and historian Anne Choma.

    I cross the Seine, I walk with men and women who are anonymous and yet who are my reflection. We make up a single heart, a single cell. We are alive...'In All Men Naturally Want to Know the author traces her blissful childhood in Algeria, a sun-soaked paradise, recalling long trips across the desert with her mother and sister and hazy summer afternoons spent on the beach with her friend Ali. But Nina's mother is French - moving to Algeria for love at a time when most Europeans were desperate to leave - and as civil war approaches, their sunny idyll gives way to increasingly hostile and violent outbreaks. When something unspeakable happens to her mother, the family flee to Paris.In Paris, Nina lives alone. She is eighteen years old. It's the 1980s. Four nights a week she walks across Paris to a legendary women-only nightclub, the Katmandou. She sits alone at the bar, afraid of her own desires, of her sudden and intoxicating freedom. There she meets the glamorous, deeply troubled Ely, her volatile friends Lizz and Laurence, and the beautiful Julia, with whom she falls desperately in love. And, most importantly, she starts to write.

    While her current spends the summer researching public housing in Stockholm, a moderately wealthy, object-oppressed, and terminally hip New York female of a certain age seeks adventure in the sedate dyke bars of lower Manhattan. Finding none, she answers a personal ad. She is ordered to put on a blindfold before the first meeting with the woman she knows only as Sir. Not knowing what someone looks like turns out to be freeing, as do the escalating constraints that alienate her not just from her former life, but from her very conception of who she is. Part Georges Bataille, part Fran Leibowitz, this is the Story of O told with a self-referentially perverse sense of humor. Leash extends the logic of S&M to its inexorable and startling conclusion, darkly and hilariously revealing the masochistic impulse as the urge to disappear from the chores, obligations, and emotional vacuity of daily life. First published in 2002.

    It's not until she meets her next door neighbor, the dazzling Jade, and begins to follow Jade's lifestyle that she feels connected to the city. As she continually needs to tweak herself to keep up with Jade, Claire is forced to make decisions and determinations as to who she is and how she wants to live her life

    . . . It’s not hyperbole to suggest that We Disappear is the eeriest Kansas-set story since Truman Capote’s In Cold Blood." — Chicago Sun-TimesA dark and compelling novel of addiction, obsession, love, and family from the acclaimed author of  Mysterious Skin The body of a teenage boy is discovered in a Kansas field. The murder haunts Donna—a recent widow battling cancer—calling forth troubling details from long-suppressed memories of her past. Hoping to discover more about "disappeared" people, she turns to her son, Scott, who is fighting demons of his own. Addicted to methamphetamines and sleeping pills, Scott is barely holding on—though the chance to help his mother in her strange and desperate search holds out a slim promise of some small salvation.But what he finds is a boy named Otis handcuffed in a secret basement room, and the questions that arise seem too disturbing even to contemplate. With his mother's health rapidly deteriorating, Scott must surrender to his own obsession, and unravel Otis's unsettling connections to other missing teens . . . and, ultimately, to himself.

    I'm Gabe. Welcome to my show."My birth name is Elizabeth, but I'm a guy. Gabe. My parents think I've gone crazy and the rest of the world is happy to agree with them, but I know I'm right. I've been a boy my whole life.When you think about it, I'm like a record. Elizabeth is my A side, the song everybody knows, and Gabe is my B side--not heard as often, but just as good.It's time to let my B side play.

    Examples abound in popular culture, from actress Cynthia Nixon, who left her male partner of 15 years to be with a woman, to writer and comedienne Carol Leifer, who divorced her husband for the same reason.In a culture increasingly open to accepting this fluidity, Dear John, I Love Jane is a timely, fiercely candid exploration of female sexuality and personal choice. The book is comprised of essays written by a broad spectrum of women, including a number of well-known writers and personalities. Their stories are sometimes funny, sometimes painful—but always achingly honest—accounts of leaving a man for a woman, and the consequences of making such a choice.Arousing, inspiring, bawdy, bold, and heartfelt, Dear John, I Love Jane is an engrossing reflection of a new era of female sexuality.

    There she rides for the rich clientele, including twins June and Wade Fisk. June begins to take an interest in Rory—but she is more drawn to Vivian Price, the beautiful teenager with the movie-star father, who lives down the hill, and Rory can’t help noticing, swims in her pool nearly every night. Rory’s ambiguous roots and blue-collar upbringing keep her largely separate from the likes of the Prices and the Fisks—until her stepfather is involved in a tragic car accident. From that moment on, the lives of these teenagers become inextricably linked—are they friends or foes, lovers or rivals?—sparking a series of events that come to a head the night a wildfire tears through Topanga Canyon, and Rory’s life is changed forever.Kept Animals is narrated by Rory’s daughter, Charlie, twenty years after that fateful 1993 fire. Rory is away on assignment as a war photographer, and Charlie knows the key to her own existence lies in the story of what happened during that unseasonably warm fall. And without her mother to tell her the truth, she must unravel it by herself.Taut, propulsive, and gorgeously written, Kate Milliken’s debut is a searing exploration of girlhood, class, and fate.

    Sixteen-year-old Heavenly Faith (H.F.) discovers she has a crush on a local college professor's daughter, and embarks on a search for her missing mother.

    Finding the young royal delirious and on the verge of death, Keziah saves her life. But while Esdelot regains her health, betrayal comes from an unlikely source: her brother has taken the throne in her absence and declared himself king. As the two women travel to the capital city to stop a false ruler’s coronation, they form a friendship that seems poised to turn into something more. But Esdelot has promised herself in marriage to a woman she barely knows... and Keziah knows she’s fallen too deeply for a woman whose betrothed waits for her along with her throne. When an enemy from Keziah’s past resurfaces, a mere conflict of politics becomes something that threatens to upend the gods themselves. Will love win out?