She knows it will wait at the same signal each time, overlooking a row of back gardens. She’s even started to feel like she knows the people who live in one of the houses. “Jess and Jason,” she calls them. Their life—as she sees it—is perfect. If only Rachel could be that happy. And then she sees something shocking. It’s only a minute until the train moves on, but it’s enough. Now everything’s changed. Now Rachel has a chance to become a part of the lives she’s only watched from afar. Now they’ll see; she’s much more than just the girl on the train...An alternative cover edition for this ISBN can be found here.

    Told through a variety of shifting perspectives- wives and husbands, friends and lovers, masters and their servants, and a gravedigger's son-Falling Angels follows the fortunes of two families in the emerging years of the twentieth century.

    Following the death of her husband, Lady Darby has taken refuge at her sister's estate, finding solace in her passion for painting. But when her hosts throw a house party for the cream of London society, Kiera is unable to hide from the ire of those who believe her to be as unnatural as her husband, an anatomist who used her artistic talents to suit his own macabre purposes. Kiera wants to put her past aside, but when one of the house guests is murdered, her brother-in-law asks her to utilize her knowledge of human anatomy to aid the insufferable Sebastian Gage—a fellow guest with some experience as an inquiry agent. While Gage is clearly more competent than she first assumed, Kiera isn't about to let her guard down as accusations and rumors swirl. When Kiera and Gage's search leads them to even more gruesome discoveries, a series of disturbing notes urges Lady Darby to give up the inquiry. But Kiera is determined to both protect her family and prove her innocence, even as she risks becoming the next victim...

    Joyful, daring, and authentic, these steamy stories revel in erotic adventure, from the sparks between strangers to the knowing caresses of longtime lovers. These stories are not merely erotic but filled with strong characters and clever narratives showing how sexual experience is different for everyone. This anthology is a glorious celebration of the finest and friskiest female erotic fiction today.

    Now, like us, these three lost girls have grown up and are ready to guide us again, this time through the realms of our sexual awakening and fulfillment. Through their familiar fairy tales they share with us their most intimate revelations of desire in its many forms... revelations that shine out radiantly through the dark clouds of war gathering around a luxury Austrian hotel.Drawing on the rich heritage of erotica, Lost Girls is the rediscovery of the power of ecstatic writing and art in a sublime union that only the medium of comics can achieve. Exquisite, thoughtful, and human, Lost Girls is a work of breathtaking scope that challenges the very notion of art fettered by convention. This is erotic fiction at its finest.Similar to DC's Absolute editions of Watchmen and The League of Extraordinary Gentlemen, Lost Girls will be published as three, 112-page, super-deluxe, ovesized hardcover volumes, all sealed in a gorgeous slipcase. It will truly be an edition for the ages.

    But murder as sensation and entertainment became ubiquitous, with cold-blooded killings transformed into novels, broadsides, ballads, opera, and melodrama—even into puppet shows and performing dog-acts. Detective fiction and the new police force developed in parallel, each imitating the other—the founders of Scotland Yard gave rise to Dickens's Inspector Bucket, the first fictional police detective, who in turn influenced Sherlock Holmes and, ultimately, even P.D. James and Patricia Cornwell.In this meticulously researched and engrossing book, Judith Flanders retells the gruesome stories of many different types of murder, both famous and obscure: from Greenacre, who transported his dismembered fiancée around town by omnibus, to Burke and Hare’s bodysnatching business in Edinburgh; from the crimes (and myths) of Sweeney Todd and Jack the Ripper, to the tragedy of the murdered Marr family in London’s East End.Through these stories of murder—from the brutal to the pathetic—Flanders builds a rich and multi-faceted portrait of Victorian society in Great Britain.  With an irresistible cast of swindlers, forgers, and poisoners, the mad, the bad and the utterly dangerous, The Invention of Murder is both a mesmerizing tale of crime and punishment, and history at its most readable.

    Matilda Simpkin, rooting through a cupboard, comes across a small wooden club – an old possession of hers, unseen for more than a decade.Mattie is a woman with a thrilling past and a chafingly uneventful present. During the Women’s Suffrage Campaign she was a militant. Jailed five times, she marched, sang, gave speeches, smashed windows and heckled Winston Churchill, and nothing – nothing – since then has had the same depth, the same excitement.Now in middle age, she is still looking for a fresh mould into which to pour her energies. Giving the wooden club a thoughtful twirl, she is struck by an idea – but what starts as a brilliantly idealistic plan is derailed by a connection with Mattie’s militant past, one which begins to threaten every principle that she stands for.Old Baggage is a funny and bittersweet portrait of a woman who has never, never given up the fight.

    Their tragic connection is slowly revealed as the book unfolds.Wake: 1) Emerge or cause to emerge from sleep 2) Ritual for the dead 3) Consequence or aftermath.Hettie, a dance instructress at the Palais, lives at home with her mother and her brother, mute and lost after his return from the war. One night, at work, she meets a wealthy, educated man and has reason to think he is as smitten with her as she is with him. Still there is something distracted about him, something she cannot reach...Evelyn works at the Pensions Exchange through which thousands of men have claimed benefits from wounds or debilitating distress. Embittered by her own loss, more and more estranged from her posh parents, she looks for solace in her adored brother who has not been the same since he returned from the front...Ada is beset by visions of her son on every street, convinced he is still alive. Helpless, her loving husband of 25 years has withdrawn from her. Then one day a young man appears at her door with notions to peddle, like hundreds of out of work veterans. But when he shows signs of being seriously disturbed—she recognizes the symptoms of "shell shock"—and utters the name of her son she is jolted to the core...The lives of these three women are braided together, their stories gathering tremendous power as the ties that bind them become clear, and the body of the unknown soldier moves closer and closer to its final resting place.

    When a meeting with the now grown-up Artful Dodger leads Oliver into a scheme to regain his money, he begins to wonder just how accidental the meeting was, as friends and foes from his past begin to mount up in a plan to steal the fabled Koh-I-Noor diamond from the 1851 Great Exhibition.As the heist progresses, Oliver is pulled back into a world he hoped to escape from a decade earlier, a world of deception and betrayal, where every ally is a potential enemy and where his so called 'friend' Dodger is speaking to the ghost of the long dead Fagin - and planning his revenge on Oliver.Oliver finds himself in a maze of lies and half truths while escaping the police, the East End underworld and Dodger's own violent plans - visiting his once home town and workhouse, Fagin's Saffron Hill den, Sowerberry's Undertakers, the British Museum and Newgate Prison in the process, as he faces his own demons, including the now destitute Mister Bumble, his one time bully Noah Claypole, and his guilt over the death of Nancy, a decade earlier...In a situation that can only end with a noose around his neck, Oliver must find a way out of this nightmare - or forever stay a pawn in a game far bigger than that of the people around him, a game he must win at all costs...DODGE & TWIST is a rollercoaster ride through Victorian London, involving characters from OLIVER TWIST in a brand new, thrilling adventure.TONY LEE is an award winning writer of audio dramas and comics, the ongoing writer of IDW's DOCTOR WHO series for both Tenth and Eleventh Doctors and the writer of OUTLAW: THE LEGEND OF ROBIN HOOD and EXCALIBUR: THE LEGEND OF KING ARTHUR, both American Library Association 'Books for Teens' finalists. His graphic novel adaptation of PRIDE & PREJUDICE & ZOMBIES topped the New York Times Bestselling Graphic Novel list in 2010."Tony Lee is one of the best story-tellers working in comics today" - Michael Moorcock"Tony Lee is a supremely talented writer" - MTV Network"One of the fastest rising stars among the new generation of British comic writers" - Comics International

    She'd have laughed even harder if she’d been told her new, uptight, beauty parlour boss, Victoria, would steal her heart and stamp all over it. Because Sadie's way smarter than that.The saying “You don’t know what you have until it’s gone” has become Victoria's motto ever since Sadie stumbled into her ordered world. Victoria just needs a cleaner. But apparently Sadie has other talents—the sort that can crack open Victoria's heart and shatter her equilibrium.No, Sadie and her chaotic charms absolutely will not do. Victoria’s strict no-workplace relationship rules exist for a reason.But what if Victoria can’t live without her? Is it too late to win back the intoxicating young woman?An age-gap, rich-girl/poor-girl lesbian romance that embraces the big, crazy, complicated mess of fixing two broken hearts that belong together.81,000 words

    But the latest Londoner to seek Ned’s magical aid gives him pause: Mr Edgar Nevett, an arrogant banker, is the father of the bully who made Ned’s life hell at boarding school. Nevertheless, Ned accepts the commission to ensure the Nevett family silver bears no ancient or modern curses, and then prepares to banish the Nevett family to unpleasant memory again. Until Edgar Nevett is killed by an enchanted silver candlestick—one of the pieces Ned declared magically harmless.Calling on his old school friend Julian Lynes—private detective and another victim of the younger Nevett—Ned races to solve the murder, clear the stain on his professional reputation, and lay to rest the ghosts of his past.Assisted by Ned’s able secretary Miss Frost, who has unexpected metaphysical skills of her own, Ned and Julian explore London’s criminal underworld and sodomitical demimonde, uncover secrets and scandals, confront the unexpected murderer and the mysteries of their own relationship.In Death by Silver veteran authors Melissa Scott and Amy Griswold introduce a Victorian London where magic works, influencing every aspect of civilized life, and two very appealing detectives.

    She’s decided that, instead of choosing a husband, she’ll save her pin money and travel like she’s always wanted to. However, her plans are interrupted when her family invites her cousin’s widow, Winifred Wakefield, to stay with them. Winifred and Sarah used to be best friends, but after Win married Sarah’s cousin and moved to London, their friendship fell apart. Neither Win nor Sarah are happy about being underneath the same roof, but after settling her late husband’s debts and being left with almost nothing, Win doesn’t have much choice other than to play nicely with the Lark family. Though the memories of their friendship hurt them both, they’re too strong to ignore, and the more time they spend in each other’s company, the more they wonder if friendship is all they feel. Still, even if they admit their feelings, to each other and to themselves, Lady Sarah’s parents are determined to see both young women married to suitable gentlemen. Win and Sarah’s newfound love might be over before it even begins. *A Lady's Desire is a novella of approximately 26,000 words and can be read as a standalone *Average heat level

    Banned from reading, Florence devours books in secret and talks to herself—and narrates her story—in a unique language of her own invention. By night, she sleepwalks the corridors and is troubled by a recurrent dream in which a mysterious woman appears to threaten her younger brother Giles.After the sudden violent death of the children's first governess, a second teacher, Miss Taylor, arrives, and immediately strange phenomena begin to occur. Florence becomes convinced that the new governess is a malevolent spirit who means to do Giles harm. Against this powerful enemy, Florence must use all her intelligence and ingenuity to protect her little brother and preserve her private world. This Gothic page-turner in the tradition of The Woman in Black and The Fall of the House of Usher is told in a startlingly different and wonderfully captivating narrative voice.

    First stop: the final weekend of Carnevale in Venice, Italy. When the international leg of their flight is cancelled due to a fast-moving winter storm, Willa refuses to admit defeat and give up her carefully laid plans. All Rae wants is some quiet time to reconnect with her wife after months of wedding madness, but she agrees to attempt a late-night trek across the snowy midwest in a last-ditch attempt to make it to Venice before the festivities end. After surviving a near-death experience on the icy road, Willa and Rae find themselves at odds regarding the entire point of their honeymoon. Can an unexpected rescuer help them rediscover what’s really important, and each other?

    The girls barely know their father, a plant hunter usually off adventuring through China. Then disaster strikes: Mr. Buchanan reneges on his contract to collect an extremely rare and valuable orchid. He will be thrown into debtors’ prison while his daughters are sent to the orphanage and the workhouse.Elodie can’t stand by and see her family destroyed, so she persuades her father to return to China once more to try to hunt down the flower—only this time, despite everything she knows about her place in society, Elodie goes with him. She has never before left her village, but what starts as fear turns to wonder as she adapts to seafaring life aboard the tea clipper The Osprey, and later to the new sights, dangers, and romance of China. But now, even if she can find the orchid, how can she ever go back to being the staid, responsible Elodie that everybody needs?