. . When Presbyterian minister Ellen Wakefield O Connor is confronted by a young man armed with a birth certificate that mistakenly names her as his mother, she quickly sorts out the truth: his birth mother listed Ellen on the certificate to cover up her own identity, but also because Ellen is, in a way, related to the child. The birth father is Ellen s troubled husband, Tom. The secrets of the past soon engulf Ellen, Tom, and everyone they love. This drama of love, loss, family and betrayal will capture readers with its unforgettable power. "

    Driven by the soulful voices of forty-two-year-old Ezekiel Cooper and his mother, Lillian, The Lost Saints of Tennessee journeys from the 1940s to 1980s as it follows Zeke’s evolution from anointed son, to honorable sibling, to unhinged middle-aged man.After Zeke loses his twin brother in a mysterious drowning and his wife to divorce, only ghosts remain in his hometown of Clayton, Tennessee. Zeke makes the decision to leave town in a final attempt to escape his pain, throwing his two treasured possessions—a copy of The Adventures of Huckleberry Finn and his dead brother’s ancient dog—into his truck, and heads east. He leaves behind two young daughters and his estranged mother, who reveals her own conflicting view of the Cooper family story in a vulnerable but spirited voice stricken by guilt over old sins and clinging to the hope that her family isn’t beyond repair.When Zeke finds refuge with cousins in Virginia horse country, divine acts in the form of severe weather, illness, and a new romance collide, leading Zeke to a crossroads where he must decide the fate of his family.

    People depend on her to slaughter the hogs and nurse the dying. People are weak, and there is so much to do. At just seventeen she marries and moves down into the valley of Gap Creek, where perhaps life will be better.But Julie and Hank's new life in the valley, in the last years of the nineteenth century, is more complicated than the couple ever imagined. Sometimes it's hard to tell what to fear most—the fires and floods or the flesh-and-blood grifters, drunks, and busybodies who insinuate themselves into their new life. To survive, they must find out whether love can keep chaos and madness at bay. Their struggles with nature, with work, with the changing century, and with the disappointments and triumphs of their union make Gap Creek a timeless story of a marriage.A native of the North Carolina mountains, Robert Morgan was raised on land settled by his Welsh ancestors. An accomplished novelist and poet, he has won the James B. Hanes Poetry Prize, the North Carolina Award in Literature, and the Jacaranda Review Fiction Prize. His short stories have appeared in Prize Stories: The O. Henry Awards and New Stories from the South, and his novel The Truest Pleasure was a finalist for the Southern Book Critics Circle Award for Fiction.

    Where clumps of evergreens meet wild ponies, oyster-shell roads, tumble-down houses, unwanted pregnancies, murder, storm-making and dark magic in the marshes. . . Situated off the coast of Virginia's Chesapeake Bay, the group of islands known as the Shore has been home to generations of fierce and resilient women. Sanctuary to some but nightmare to others, it's a place they've inhabited, fled, and returned to for hundreds of years. From a half-Shawnee Indian's bold choice to flee an abusive home only to find herself with a man who will one day try to kill her to a brave young girl's determination to protect her younger sister as methamphetamine ravages their family, to a lesson in summoning storm clouds to help end a drought, these women struggle against domestic violence, savage wilderness, and the corrosive effects of poverty and addiction to secure a sense of well-being for themselves and for those they love.Together their stories form a deeply affecting legacy of two barrier island families, illuminating 150 years of their many freedoms and constraints, heartbreaks, and pleasures. Conjuring a wisdom and beauty all its own, The Shore is a richly unique, stunning novel that will resonate with readers long after turning its final pages, establishing Sara Taylor as a promising new voice in fiction.

    He teaches in Gainesville, Florida, where he was born in 1952. His work has appeared in "The New Yorker," " Esquire," "Harper's, "and many other periodicals. Simons Everson Manigault ("You say it 'Simmons.' I'm a rare one-"m" Simons") lives with his mother, an eccentric professor (known as the Duchess), on an isolated and undeveloped strip of South Carolina coast. Convinced that her son can be a writer of genius, the Duchess has immersed Simons in the literary classics since birth ("Like some kids swat mobiles, I was to thumb pages") and has given him free rein to gather materials in such spots as the Baby Grand, a local black nightclub. ("It was an assignment. I'm supposed to write. I'm supposed to get good at it.") Although possessed of a vocabulary and sophistication beyond his years, Simons feels the normal adolescent bewilderment about the behavior of his parents. His conventional father, the Progenitor, has recently left the family in a dispute over Simon's upbringing and has moved to nearby Hilton Head, where he would like to see his son raised among the orthodox surroundings of condominiums, country clubs, and private schools. At the book's center is Taurus, an enigmatic father-surrogate who tutors the boy in the art of watching the world without presumption. "Edisto" is, as Walker Percy observed, "a truly remarkable first novel, both as a narrative and in its extraordinary use of language. It reminds one of "The Catcher in the Rye," but it's better--sharper, funnier, and more poignant." "When asked for a list of the best American writers of the younger generation, I invariably put the name of Padgett Powell at the top."--Saul Bellow "[This] is distinctly a tour de force . . . I found myself increasingly charmed by the book's wit and impressed by its originality. Some turn of phrase, some flash of humor, some freshly observed detail, some accurately rendered perception of a child's pain or a child's amazement transfigures nearly every page. Powell's ear is acute: one of the pleasures of the book is his ability to catch the nuances of Southern speech, whether it is the malicious conversation of the Doctor's academic colleagues at a cocktail party or the genial banter of country folks at the fishing pier."--"The New York Review of Books" "A remarkable book . . . there is not a line that simply slides by; each, in one way or another, turns things to a fresh and unexpected angle. There are splendid things said."--Richard Eder, "Los Angeles Times Book Review" "Simons Manigault is brother to all literary adolescents--Mailer's D.J., Salinger's Holden Caufield, Joyce's Stephen Dedalus . . . "Edisto" is a sparkling read, so full of an energetic intelligence, inventiveness, love of language, and love of people . . . Padgett Powell is an extravagantly talented writer."--Ron Loewinsohn, "The New York Times Book Review" ""Edisto" is a startling book, full of new sights, sounds, and ways if feeling. Mr. Powell weaves wonderful tapestries from ordinary speech; his people, black and white, whether speaking to each other or past each other, tells us things that we never heard before. The book is subtle, daring, and brilliant."--Donald Barthelme "Sly, pungent, lyric, funny, and unlikely to be forgotten."--R. Z. Sheppard, "Time" "Powell creates a language that captures rhythms and reflections that are at once original and true."--Peter S. Prescott, "Newsweek"

    But when she loses her job after a botched investigation, she suddenly finds herself with nothing but time.At her great-aunt's 150-year-old farmhouse, Elizabeth uncovers a series of mysterious items, locked doors, and hidden graves. As she searches for answers to the riddles around her, the remarkable stories of two women who lived in this very house emerge as testaments to love, resilience, and courage in the face of war, racism, and misunderstanding. And as Elizabeth soon discovers, the past is never as past as we might like to think.Debut novelist Erin Bartels takes readers on an emotional journey through time--from the volatile streets of 1960s Detroit to the Underground Railroad during the Civil War--to uncover the past, confront the seeds of hatred, and discover where love goes to hide.

    Joe Ransom is a hard-drinking ex-con pushing fifty who just won’t slow down--not in his pickup, not with a gun, and certainly not with women. Gary Jones estimates his own age to be about fifteen. Born luckless, he is the son of a hopeless, homeless wandering family, and he’s desperate for a way out. When their paths cross, Joe offers him a chance just as his own chances have dwindled to almost nothing. Together they follow a twisting map to redemption--or ruin.

    She also has an insomniac toddler, a precocious, death-obsessed seven-year-old, and a frequently-absent ecologist husband who has brought them all to Colsay, a desolate island in the Hebrides, so he can count the puffins. Ferociously sleep-deprived, torn between mothering and her desire for the pleasures of work and solitude, Anna becomes haunted by the discovery of a baby's skeleton in the garden of their house. Her narrative is punctuated by letters home, written 200 years before, by May, a young, middle-class midwife desperately trying to introduce modern medicine to the suspicious, insular islanders. The lives of these two characters intersect unexpectedly in this deeply moving but also at times blackly funny story about maternal ambivalence, the way we try to control children, and about women's vexed and passionate relationship with work. Moss's second novel displays an exciting expansion of her range - showing her to be both an excellent comic writer, and a novelist of great emotional depth.

    From Bristol to Barbados. . . .Emily Dawson has always been the poor cousin in a prosperous merchant clan—merely a vicar’s daughter, and a reform-minded vicar’s daughter, at that. Everyone knows that the family’s lucrative shipping business will go to her cousin, Adam, one day. But when her grandfather dies, Emily receives an unexpected inheiritance: Peverills, a sugar plantation in Barbados—a plantation her grandfather never told anyone he owned.When Emily accompanies her cousin and his new wife to Barbados, she finds Peverills a burnt-out shell, reduced to ruins in 1816, when a rising of enslaved people sent the island up in flames. Rumors swirl around the derelict plantation; people whisper of ghosts.Why would her practical-minded grandfather leave her a property in ruins? Why are the neighboring plantation owners, the Davenants, so eager to acquire Peverills—so eager that they invite Emily and her cousins to stay with them indefinitely? Emily finds herself bewitched by the beauty of the island even as she’s drawn into the personalities and politics of forty years before: a tangled history of clandestine love, heartbreaking betrayal, and a bold bid for freedom.When family secrets begin to unravel and the harsh truth of history becomes more and more plain, Emily must challenge everything she thought she knew about her family, their legacy . . . and herself.

    “Bean” Holladay is twelve and her sister, Liz, is fifteen when their artistic mother, Charlotte, takes off to find herself, leaving her girls enough money to last a month or two. When Bean returns from school one day and sees a police car outside the house, she and Liz decide to take the bus to Virginia, where their widowed Uncle Tinsley lives in the decaying mansion that’s been in Charlotte’s family for generations. An impetuous optimist, Bean soon discovers who her father was, and hears stories about why their mother left Virginia in the first place. Money is tight, and the sisters start babysitting and doing office work for Jerry Maddox, foreman of the mill in town, who bullies his workers, his tenants, his children, and his wife. Liz is whip-smart--an inventor of word games, reader of Edgar Allan Poe, nonconformist, but when school starts in the fall, it’s Bean who easily adjusts, and Liz who becomes increasingly withdrawn. And then something happens to Liz in the car with Maddox.Jeannette Walls has written a deeply moving novel about triumph over adversity and about people who find a way to love each other and the world, despite its flaws and injustices.

    Here is Eve brought to life in a way religion and myth have never allowed–as a wife, a mother, and a woman. With stunning intimacy, Elliott boldly reimagines Eve’s journey before and after the banishment from Eden, her complex marriage to Adam, her troubled relationship with her daughters, and the tragedy that would overcome her sons, Cain and Abel. From a woman’s first awakening to a mother’s innermost hopes and fears, from moments of exquisite tenderness to a climax of shocking violence, Eve explores the very essence of love, womanhood, faith, and humanity.

    But the death of her doting guardian leaves Gemma under the care of her resentful aunt, and it soon becomes clear that she is nothing more than an unwelcome guest at Yew House. When she receives a scholarship to a private school, ten-year-old Gemma believes she's found the perfect solution and eagerly sets out again to a new home. However, at Claypoole she finds herself treated as an unpaid servant.To Gemma's delight, the school goes bankrupt, and she takes a job as an au pair on the Orkney Islands. The remote Blackbird Hall belongs to Mr. Sinclair, a London businessman; his eight-year-old niece is Gemma's charge. Even before their first meeting, Gemma is, like everyone on the island, intrigued by Mr. Sinclair. Rich (by Gemma's standards), single, flying in from London when he pleases, Hugh Sinclair fills the house with life. An unlikely couple, the two are drawn to each other, but Gemma's biggest trial is about to begin: a journey of passion and betrayal, redemption and discovery, that will lead her to a life of which she's never dreamed.Set in Scotland and Iceland in the 1950s and '60s, The Flight of Gemma Hardy--a captivating homage to Charlotte Brontë's Jane Eyre--is a sweeping saga that resurrects the timeless themes of the original but is destined to become a classic all its own.

    Mooshum, Evelina's grandfather, is a repository of family and tribal history with an all-too-intimate knowledge of the violent past. And Judge Antone Bazil Coutts, who bears witness, understands the weight of historical injustice better than anyone. Through the distinct and winning voices of three unforgettable narrators, the collective stories of two interwoven communities ultimately come together to reveal a final wrenching truth.

    A local redneck was tried, sentenced, and set to fry.Then Ward James, hotshot investigative reporter for the Miami Times, returns to his rural hometown with a death row femme fatale who promises him the story of the decade.  She's armed with explosive evidence, aiming to free--and meet--her convicted "fiancÚ."With Ward's disillusioned younger brother Jack as their driver, they barrel down Florida's back roads and seamy places in search of The Story, racing flat out into a shocking head-on collision between character and fate as truth takes a back seat to headline news...

    He would return a different man.