G. Sebald's first novel, never before translated into English, is perhaps his most amazing and certainly his most alarming. Sebald—the acknowledged master of memory's uncanniness—takes the painful pleasures of unknowability to new intensities in Vertigo. Here in their first flowering are the signature elements of Sebald's hugely acclaimed novels The Emigrants and The Rings of Saturn. An unnamed narrator, beset by nervous ailments, is again our guide on a hair-raising journey through the past and across Europe, amid restless literary ghosts—Kafka, Stendhal, Casanova. In four dizzying sections, the narrator plunges the reader into vertigo, into that "swimming of the head," as Webster's defines it: in other words, into that state so unsettling, so fascinating, and so "stunning and strange," as The New York Times Book Review declared about The Emigrants, that it is "like a dream you want to last forever."

    The book was called The Reckoning, and it told the story of Jan Landzaat, a history teacher who went missing one winter after his brief affair with Laura, his stunning pupil. Jan was last seen at the holiday cottage where Laura was staying with her new boyfriend. Upon publication, M.'s novel was a bestseller, one that marked his international breakthrough.That was years ago, and now M.'s career is almost over as he fades increasingly into obscurity. But not when it comes to his bizarre, seemingly timid neighbor who keeps a close eye on him. Why? From various perspectives, Herman Koch tells the dark tale of a writer in decline, a teenage couple in love, a missing teacher, and a single book that entwines all of their fates. Thanks to The Reckoning, supposedly a work of fiction, everyone seems to be linked forever, until something unexpected spins the "story" off its rails. With racing tension, sardonic wit, and a world-renowned sharp eye for human failings, Herman Koch once again spares nothing and no one in his gripping new novel, a barbed tour de force suspending readers in the mysterious literary gray space between fact and fiction, promising to keep them awake at night, and justly paranoid in the merciless morning.

    The highly-regarded but unpredictable ex-commando Pierre NiTmans is sent from Paris to the French Alps to investigate. Meanwhile, Karim Abdouf, a young Arab policeman, is trying to find out why the tomb of a young child has been desecrated. When a second body is found, high up in a glacier, the paths of the two policemen are joined in their search for the killers, a trail that embroils them with the mysterioius cult of the Crimson Rivers.

    This new translation of The Princesse de Clèves also includes two shorter works also attributed to Mme de Lafayette, The Princesse de Montpensier and The Comtesse de Tende.

    Or so he believes.Food begins to go missing. Perturbed by this threat to his orderly life, Shimura sets up a webcam to monitor his home. But though eager to identify his intruder, is Shimura really prepared for what the camera will reveal?Based on real-life events, this prize‐winning novel is a moving tale of alienation in the modern world.

    Sansom. In September 1940, the Spanish Civil War is over and Madrid lies in ruins while the Germans continue their march through Europe. Britain stands alone as General Franco considers whether to abandon neutrality and enter the war. Into this uncertain world comes Harry Brett, a privileged young man who was recently traumatized by his experience in Dunkirk and is now a reluctant spy for the British Secret Service. Sent to gain the confidence of Sandy Forsyth, an old school friend turned shadowy Madrid businessman, Brett finds himself involved in a dangerous game and surrounded by memories. Meanwhile, Sandy’s girlfriend, ex-Red Cross nurse Barbara Clare, is engaged in a secret mission of her own—to find her former lover Bernie Piper, whose passion for the Communist cause led him into the International Brigades and who vanished on the bloody battlefields of the Jarama.In a vivid and haunting depiction of wartime Spain, Winter in Madrid is an intimate and riveting tale that offers a remarkable sense of history unfolding and the profound impact of impossible choices.

    And business is brisk at The Suicide Shop. Run by the Tuvache family for generations, the shop offers an amazing variety of ways to end it all, with something to fit every budget. The Tuvaches go mournfully about their business, taking pride in the morbid service they provide. Until the youngest member of the family threatens to destroy their contented misery by confronting them with something they ve never encountered before: a love of life.

    They have been charged by their commanders to track down and bring back for execution 'one of them' - a Jew. Having flushed out the young man hiding in the woods, they decide to rest in an abandoned house before continuing their journey back to the camp. As they prepare food, they are joined by a passing Pole whose outspoken anti-Semitism adds tension to an already charged atmosphere. Before long, the group's sympathies have splintered as they consider the moral implications of their murderous mission and confront their own consciences to ask themselves: should the Jew be offered food? And, having shared their meal, should he be taken back, or set free?

    As a boy, he lives to decipher the odors of Paris, and apprentices himself to a prominent perfumer who teaches him the ancient art of mixing precious oils and herbs. But Grenouille's genius is such that he is not satisfied to stop there, and he becomes obsessed with capturing the smells of objects such as brass doorknobs and fresh-cut wood. Then one day he catches a hint of a scent that will drive him on an ever-more-terrifying quest to create the "ultimate perfume"—the scent of a beautiful young virgin. Told with dazzling narrative brilliance, Perfume is a hauntingly powerful tale of murder and sensual depravity.

    His tolerant and humanist philosophy wanted to reconcile the religions of his time. It earned him persecution, torment and hatred...

    In this evocative poetic narrative the quest to breathe life into the stories of these individuals becomes an exploration of the author's own voice. Michon does not deny the autobiographical nature of this haunting and seminal work, which only serves to heighten and empower the writing.

    He and his mother are the only members of his family that survived the carnage of those years and the psychological scars remain.  Today, Neuman is chief of the homicide branch of the Cape Town police, a job in which he must do battle with South Africa’s two scourges: widespread violence and AIDS. When the mutilated corpse of a young white woman is found in the city’s botanical gardens, Neuman’s job gets even more difficult. He is chasing one false lead after another when a second corpse, again that of a white woman, is found. This time, the body bears signs of a Zulu ritual. A new evil has insinuated itself into this recently integrated city. And a new drug: traces of an unknown narcotic have been found in the blood of both victims. The investigation will take Neuman back to his homeland, where he will discover that the once bloody killing fields have become the ideal no-man’s land for unscrupulous multinationals, and that the apparatchiks of apartheid still lurk in the shadows and the back rooms of a society struggling toward reconciliation. Soon to be a major motion picture.

    The eight stories in this collection, his first to be published in English, represent some of his best writing and most imaginative storylines: from the love story between Balthazar, wealthy and successful author, and Odette, cashier at a supermarket, to the tale of a barefooted princess; from the moving story of a group of female prisoners in a Soviet gulag to the entertaining portrait of a perennially disgruntled perfectionist. Here are eight contemporary fables, populated by a cast of extravagant and affecting characters, about people in search of happiness. Behind each story lies a simple, if elusive, truth: happiness is often right in front of our eyes, though we may frequently be blind to it.

    Near an Air Force base in the northern desert, a young airman is found murdered. Lieutenant Silva and Officer Lituma investigate. Lacking a squad car, they have to cajole a local cabbie into taking them to the scene of the crime. Their superiors are indifferent; the commanding officer of the air base stands in their way; but Silva and Lituma are determined to uncover the truth.Who Killed Palomino Molero, an entertaining and brilliantly plotted mystery, takes up one of Vargas Llosa’s characteristic themes: the despair at how hard it is to be an honest man in a corrupt society.

    And the discovery of her corpse—by a group of children playing near the irrigation canals—propels the whole village into an investigation of how and why this murder occurred. Rumors and suspicions spread. As the novel unfolds in a dazzling linguistic torrent, with each unreliable narrator lingering on new details, new acts of depravity or brutality, Melchor extracts some tiny shred of humanity from these characters that most would write off as utterly irredeemable, forming a lasting portrait of a damned Mexican village.Like Roberto Bolano’s 2666 or Faulkner’s greatest novels, Hurricane Season takes place in a world filled with mythology and violence—real violence, the kind that seeps into the soil, poisoning everything around: it’s a world that becomes more terrifying and more terrifyingly real the deeper you explore it.