When Devdas returns to his village, now a handsome lad of nineteen, Paro asks him to marry her. But Devdas is unable to stand up to parental opposition to the match and rejects the proposition. Stunned, Paro agrees to marry an elderly widower. Devdas returns to Calcutta, but every waking hour of his is now filled with thoughts of Paro and his unfulfilled love for her. Desperate to resolve the situation somehow, he runs to Paro who is now married and asks her to elope with him, but she refuses.Heartbroken, he seeks solace in alcohol and in the company of the courtesan Chandramukhi. Chandramukhi falls in love with Devdas, but even when he is with her he can only think of Paro. It is now his destiny to hurtle on relentlessly on the path to self-destruction. Devdas’s tortured life ends when, dying of a liver ailment brought on by alcoholism, he journeys to Paro’s house to see her one last time. Arriving in the middle of the night, he dies unknown, untended, on her doorstep. Paro comes to know of his death only the following morning. Devdas has enthralled readers and filmgoing audiences alike for the better part of a century. This new translation brings the classic tale of star-crossed lovers alive for a new generation of readers.

    Chaudhuri recreates the state of mind of a young man coming to terms with loneliness, nostalgia and alienation. A raag is a piece of classical Indian music which plays around a set of specific intervals to create a particular mood. Here the mood recreated is one of being adrift in a unique situation, enjoying a very special phase of life between childhood and adult life, devoted to ephemeral, yet significant relationships and aesthetic pursuits.

    Between Em, the mother, driven frequently to hospital after her failed suicide attempts, and The Big Hoom, the father, trying to hold things together as best he could, they tried to be a family.

    In Rashid's opium room the air is thick and potent. A beautiful young woman leans to hold a long-stemmed pipe over a flame, her hair falling across her dark eyes. Around her, men sprawl and mutter in the gloom, each one drifting with his own tide. Here, people say that you introduce only your worst enemy to opium.Outside, stray dogs lope in packs. Street vendors hustle. Hookers call for custom through the bars of their cages as their pimps slouch in doorways in the half-light. There is an underworld whisper of a new terror: the Pathar Maar, the stone killer, whose victims are the nameless, invisible poor. There are too many of them to count in this broken city.Narcopolis is a rich, chaotic, hallucinatory dream of a novel that captures the Bombay of the 1970s in all its compelling squalor. With a cast of pimps, pushers, poets, gangsters and eunuchs, it is a journey into a sprawling underworld written in electric and utterly original prose.

    Baffled by her disappearance and consumed with grief, Prakash, her husband, loses his eyesight. For Prakash, the inexplicable loss of his wife is doubly painful because she was pregnant with their child. And no amount of consolation can bring him solace in the years that ensue.Into this void steps Rajani, a woman with a tormented past. Despite her initial disdain of Prakash, she steadily finds herself drawn to him. And although an intense desire brings them together, Prakash is unable to give Rajani the love she craves just as he is powerless to dispel the luminous memory of Deepti. But where will this grave obsession lead?The Unseeing Idol of Light is a haunting tale that explores love and loss, blindness and sight, obsession and suffering-and the poignant interconnections between them.

    Now Vicky Rai is dead, killed at his farmhouse at a party he had thrown to celebrate his acquittal. The police search each and every guest. Six of them are discovered with guns in their possession.In this elaborate murder mystery we join Arun Advani, India's best-known investigative journalist, as the lives of these six suspects unravel before our eyes: a corrupt bureaucrat; an American tourist; a stone-age tribesman; a Bollywood sex symbol; a mobile phone thief; and an ambitious politician. Each is equally likely to have pulled the trigger. Inspired by actual events, Vikas Swarup's eagerly awaited second novel is both a riveting page turner and an insightful peek into the heart and soul of contemporary India.

    But when Kriya vanishes without a trace, Shakti is unwittingly swept into a cataclysmic vortex of greed, lust and betrayal. Shakti meets Shiva, a struggling Silicon Valley entrepreneur, and discovers that love is an enigmatic cosmic force. Shakti and Shiva are thrust on a frantic race against time through the dark Mumbai underbelly, forbidden Thailand islands, and treacherous cliffs in the Andaman Sea, where danger lurks in every shadow. As they get closer to the truth, they realize that millions of innocent lives are at stake. Quest for Kriya is an epic saga of love, friendship and sacrifice. The journey is incredible. The emotions are real. The transformation is eternal.

    Kencha, an unwitting witness to Its birth, is soon found dead – his body branded with a strange message written in HaLegannada, an ancient version of modern Kannada. Even as Dhruv Kaveriappa, Chief Conservator of Forests - Hassan division investigates Kencha’s death, he senses an unseen danger in the forests of Kukke, Bisle and Sakleshpura. Animals drop dead; plants wither away and just as he feared, the forest claims its first victim. Shivaranjini, on vacation in Sakleshpura, suffers a devastating tonic-clonic seizure moments after she returns from a visit to the forest. Soon, she begins to exhibit a bizarre personality disorder. Perhaps there is an outbreak of an unknown rabies-like disease? Or, as ridiculous as it seems, could it be a case of tantric witchcraft? The truth unfolds in a dizzying maelstrom of events - a truth far too terrifying to comprehend...

    At fourteen she is pressed into the service of the temperamental sage Durvasa who grants her a boon. Its first use, however, only brings her adversity and a shameful secret. With marriage to Pandu, Kunti dreams of a better future, but a curse makes him leave the throne of Hastinapur to his sibling, the blind Dhritarashtra, and retreat to the forest. The births of the five Pandavas rekindle Kunti’s hopes of returning to Hastinapur, but these are destroyed once again when Pandu dies suddenly. Kunti journeys to the kingdom, no longer its queen but a widow, a dependant as are her sons. She must now take up the task of guiding them through the long struggle to get their inheritance, a struggle made harder by the discovery that the illegitimate child she had abandoned long ago is alive and a sworn enemy of the Pandavas. Recasting the Mahabharata from the viewpoint of Kunti, The Kaunteyas replaces the idealized mother figure with a fully three-dimensional woman, providing new insights into the epic.

    It’s about where they go from here, the changes they see in themselves and in other people in their lives and the choices they make. The choices make affects their relationships and shapes their personality.

    The immaculately dressed Chowringhee, radiant in her youth, had just stepped on to the floor at the nightclub.’ Set in 1950s Calcutta, Chowringhee is a sprawling saga of the intimate lives of managers, employees and guests at one of Calcutta’s largest hotels, the Shahjahan. Shankar, the newest recruit, recounts the stories of several people whose lives come together in the suites, restaurants, bar and backrooms of the hotel. As both observer and participant in the events, he inadvertently peels off the layers of everyday existence to expose the seamy underbelly of unfulfilled desires, broken dreams, callous manipulation and unbidden tragedy. What unfolds is not just the story of individual lives but also the incredible chronicle of a metropolis. Written by best-selling Bengali author Sankar, Chowringhee was published as a novel in 1962. Predating Arthur Hailey’s Hotel by three years, it became an instant hit, spawning translations in major Indian languages, a film and a play. Its larger-than-life characters—the enigmatic manager Marco Polo, the debonair receptionist Sata Bose, the tragic hostess Karabi Guha, among others—soon attained cult status. With its thinly veiled accounts of the private lives of real-life celebrities, and its sympathetic narrative seamlessly weaving the past and the present, it immediately established itself as a popular classic. Available for the first time in English, Chowringhee is as much a dirge as it is a homage to a city and its people.An excerpt (Chapter 1) from the book :http://arunavasinha.in/2011/05/27/cho...

    The young and dashing Sultan Kowaishi has just returned from London to Bombay after passing his barrister exam. Among the first persons he meets is Mohammed Ali Jinnah, already an advocate of note, and is quickly drawn to him. It is also the time when Jinnah decides to join the Indian National Congress, soon to become its brightest star. The stir against the British rule holds no interest for Sultan but it attracts his wife Rehana, and, inexorably, weaves its way into their lives.In this brilliant saga of love and betrayal, pain and redemption, set amidst the long struggle for freedom and its terrible twin, the call for Pakistan, we confront questions that are as relevant today as they were a hundred years ago. Questions of identity, of purpose, of the shackles of a thousand memories . . .

    Aamir an MBA graduate resides in Delhi. He was separated from his girlfriend Shikha during the Lucknow riots three years ago. Aamir has been living a depressed and a stressful life for the past three years. His best friend Bhaskar insists him to see a psychologist. Aamir decides to consult a psychologist named Samaira who is also a friend of Bhaskar. On the other side his mother wants him to get married and settle down in life. She is unaware about his affair with Shikha. Aamir shares his past with Samaira during his counselling sessions. After spending a lot of time with Aamir, Samaira also starts feeling strongly for him. She starts leaning towards him. Samaira also try to convince him to move on before sharing her feelings with him, but Aamir stays adamant on his decision and continues his search for Shikha. Aamir’s quest for Shikha guides him to beautiful Ladakh. But could Aamir find Shikha? What exactly happened during the riots that separated the true lovers? All the answers unfold in the climax of an enchanting love story.

    This time, he’s in Cairo – bang in the middle of the Arab Spring. ‘The only story in the world’ according to his editor. But it isn’t – there’s another story, more significant and potentially more dangerous, and if no one else is willing to tell it . . . then Carver will, whatever the consequences.William Carver spots the Arab Spring early, aided by one of the infamous ‘Listeners’ at the BBC monitoring station in Caversham. He and his producer Patrick chase the story across North Africa before arriving in Egypt where the battle between the corrupt old order and the new will be both bloody and potentially definitive.Meanwhile, in Eritrea, two brothers begin to make their way up from the Horn of Africa and across the continent, desperate to find a better life in Europe. The horrors they endure at the hands of people traffickers and others along the way test their endurance and humanity to its limit. Over a few tumultuous months, these two stories come together to prove inextricably linked.Carver knows this story is a complex one; the world is watching, but in the age of Facebook, Twitter and rolling news, its attention span is increasingly short. And if everyone is a reporter, then who can you believe?

    A time promising wealth for the corrupt, but terrifying with sterilization for the poor and jail for the critical, the Emergency changes forever the lives of both women.