But the people grew complacent and Erius, a usurper king, claimed his young half sister’s throne. Now plague and drought stalk the land, war with Skala’s ancient rival Plenimar drains the country’s lifeblood, and to be born female into the royal line has become a death sentence as the king fights to ensure the succession of his only heir, a son. For King Erius the greatest threat comes from his own line — and from Illior’s faithful, who spread the Oracle’s words to a doubting populace.As noblewomen young and old perish mysteriously, the king’s nephew — his sister’s only child — grows toward manhood. But unbeknownst to the king or the boy, strange, haunted Tobin is the princess’s daughter, given male form by a dark magic to protect her until she can claim her rightful destiny. Only Tobin’s noble father, two wizards of Illior, and an outlawed forest witch know the truth. Only they can protect young Tobin from a king’s wrath, a mother’s madness, and the terrifying rage of her brother’s demon spirit, determined to avenge his brutal murder....

    Her mother hates the cold, so every few months her parents pack their bags and drag her off after the sun. She’s grown up lonely and longing for magic. She doesn’t know that it’s magic her parents are running from. When Sarah’s mother walks out on their family, all the strange old magic they have tried to hide from comes rising into their mundane world. Her father begins to change into something wild and beastly, but before his transformation is complete, he takes Sarah to her grandparents—people she has never met, didn’t even know were still alive. Deep in the forest, in a crumbling ruin of a castle, Sarah begins to untangle the layers of curses affecting her family bloodlines, until she discovers that the curse has carried over to her, too. The day she falls in love for the first time, Sarah will transform into a beast . . . unless she can figure out a way to break the curse forever.

    Smart, dedicated, gorgeous, and, thanks to her last movie before she hung up on Hollywood, rich, she's a pleasure to oblige when she says Rob has to witness this channeler Ariaura's act--on her, not the Eye's, nickel--despite channelers being so last year. It's quite a show, all right, for in the midst of Ariaura's particular ancient wise guy's basso spiel, a gravelly baritone interrupts (both voices emanate from the channeler's female mouth) to berate the audience as "yaps" and the act as "claptrap." Why is Ariaura undermining herself? Or is she? After all, she angrily accuses Rob and Kildy of scheming to destroy her. Could the baritone belong to a genuine channeled spirit? Willis, one of sf's most spirited writers, rounds on the New Age; pays tribute to a great, skeptical journalist; and affectionately parodies pulp fiction at its best in this irresistible entertainment.

    As a cartographer’s daughter, she’s equipped with elaborate ink maps and knowledge of the stars, and is eager to navigate the island’s forgotten heart.But the world beyond the walls is a monster-filled wasteland – and beneath the dry rivers and smoking mountains, a legendary fire demon is stirring from its sleep. Soon, following her map, her heart and an ancient myth, Isabella discovers the true end of her journey: to save the island itself.

    Yet there is hope - you can change your destiny with the choices you make. But for the darkest individuals, there is no redemption: you come back as a kehok, a monster, and are doomed to be a kehok for the rest of time. Unless you can win the Races. After a celebrated career as an elite kehok rider, Tamra became a professional trainer. Then a tragic accident shattered her confidence, damaged her reputation, and left her nearly broke. Now, she needs the prize money to prevent the local temple from taking her daughter away from her, and that means she must once again find a winning kehok...and a rider willing to trust her. Raia is desperate to get away from her domineering family and cruel fiancé. As a kehok rider, she could earn enough to buy her freedom. But she needs a first-rate trainer. Impressed by the inexperienced young woman’s determination, Tamra hires Raia and pairs her with a strange new kehok with the potential to win - if he can be tamed. But in this sport, if you forget you’re riding on the back of a monster, you die. Tamra and Raia will work harder than they ever thought possible to win the deadly Becaran Races - and in the process, discover what makes this particular kehok so special.

    The Thief of Always tells the haunting story of Harvey, a bright 10-year-old who is suffering from the winter doldrums, and of a creature who takes him to a place where every day is filled with fun, and Christmas comes every night. Illustrated.

    These immortal creatures cannot bake bread or put a pen to paper without crumbling to dust. They crave human Craft with a terrible thirst, and they trade valuable enchantments for Isobel’s paintings. But when she receives her first royal patron—Rook, the autumn prince—Isobel makes a deadly mistake. She paints mortal sorrow in his eyes, a weakness that could cost him his throne, and even his life.Furious, Rook spirits Isobel away to his kingdom to stand trial for her crime. But something is seriously amiss in his world, and they are attacked from every side. With Isobel and Rook depending upon each other for survival, their alliance blossoms into trust, perhaps even love . . . a forbidden emotion that would violate the fair folks’ ruthless laws, rendering both their lives forfeit. What force could Isobel's paintings conjure that is powerful enough to defy the ancient malice of the fairy courts?Isobel and Rook journey along a knife-edge in a lush world where beauty masks corruption and the cost of survival might be more frightening than death itself.

    But now that she is a young woman, she begins to see the dark side of this magical place...

    Abigail hopes that her birthday will slip by unnoticed and uncelebrated, but her employer, detective of the supernatural R. F. Jackaby, has other plans. Using magical party crackers that teleport the pair to unknown destinations in time and space and a cryptic map that may lead to a forgotten treasure, Jackaby intends to give Abigail what he considers to be the best gift of all--adventure. Abigail and Jackaby must tame an enormous (and carnivorous) rabbit, defend a castle, and master a dirigible if they want to find the treasure and get back to New Fiddleham alive.

    H. White, a lost boy finds himself an unlikely apprentice to the very old, vaguely evil, mostly just grumpy Wizard Smallbone.When twelve-year-old Nick runs away from his uncle’s in the middle of a blizzard, he stumbles onto a very opinionated bookstore. He also meets its guardian, the self-proclaimed Evil Wizard Smallbone, who calls Nick his apprentice and won’t let him leave, but won’t teach him magic, either. It’s a good thing the bookstore takes Nick’s magical education in hand, because Smallbone’s nemesis—the Evil Wizard Fidelou—and his pack of shape-shifting bikers are howling at the borders. Smallbone might call himself evil, but compared to Fidelou, he’s practically a puppy. And he can’t handle Fidelou alone. Wildly funny and cozily heartfelt, Delia Sherman’s latest is an eccentric fantasy adventure featuring dueling wizards, enchanted animals, and one stray boy with a surprising knack for magic.

    It’s the story of What-the-Dickens, a newly hatched orphan creature who finds he has an attraction to teeth, a crush on a cat named McCavity, and a penchant for getting into trouble. One day he happens upon a feisty girl skibberee who is working as an Agent of Change — trading coins for teeth — and learns that there is a dutiful tribe of skibbereen (call them tooth fairies) to which he hopes to belong. As his tale of discovery unfolds, however, both What-the- Dickens and Dinah come to see that the world is both richer and less sure than they ever imagined.

    . . . Not that anyone would admit it was goblins. In Maddy Smith’s world, order rules. Chaos, old gods, fairies, goblins, magic, glamours – all of these were supposedly vanquished centuries ago. But Maddy knows that a small bit of magic has survived. The “ruinmark” she was born with on her palm proves it – and makes the other villagers fearful that she is a witch (though helpful in dealing with the goblins-in-the-cellar problem). But the mysterious traveler One-Eye sees Maddy’s mark not as a defect, but as a destiny. And Maddy will need every scrap of forbidden magic One-Eye can teach her if she is to survive that destiny.

    Amelia Jones always dreamed of attending the Mystwick School of Musicraft, where the world’s most promising musicians learn to create magic. So when Amelia botches her audition, she thinks her dream has met an abrupt and humiliating end—until the school agrees to give her a trial period. Amelia is determined to prove herself, vowing to do whatever it takes to become the perfect musician. Even if it means pretending to be someone she isn’t. Meanwhile, a mysterious storm is brewing that no one, not even the maestros at Mystwick, is prepared to contain. Can Amelia find the courage to be true to herself in time to save her beloved school from certain destruction?

    But with her eldest sister Elissa's intended fiancé, the sinister Sir Neville, showing a dangerous interest in Kat's magical potential; her other sister, Angeline, wreaking romantic havoc with her own witchcraft; and a highwayman lurking in the forest, even Kat's reckless heroism will be tested to the upmost. If she can learn to control her new powers, will Kat be able to rescue her family and win her sisters their true love?

    The owner and monitor of the site disappears, leaving Claire stuck managing the place until the problem is solved. Her new employee, Dean McIssac, is a gorgeous Newfie who cooks, cleans, and lives the Boy Scout oath. Then there's Jacques Labaet: very French Canadian, very sexy, very dead. Jacques is a ghost who wants to be the man in Claire's life. Oh yeah, and there's Austin, a talking cat with attitude: "I barely know you, but I'm assuming you're human. I'm not saying this is a good thing, it's just the way it is."