Every afternoon, at precisely 3 o'clock, she hears the sound of unknown footsteps. Every afternoon, she peeks out ... but no one is there. In a state of growing panic, Amma Bi considers moving to an old people's home, before finally taking in a lodger - a winsome young woman named Sabiha. Her arrival fills Amma Bi's lonely world with love and laughter, and Jumman, the household help, is transformed as well. When Sabiha finds herself in trouble, Amma Bi must draw on hidden reserves of skill and empathy in order to resolve the situation... Dopehri - legendary film and theatre personality Pankaj Kapur's first novel - is a wonderfully evocative work of great charm, wry humour and quiet power, a story that readers will fall in love with.

    These stories span characters and emotional states with canny details that touch the depths of your soul. Picturing the complexities of love, misery and mystery, the stories try to gnaw your heart like never before.• What does a flower teach us we often fail to see?• “The belly is an ungrateful wretch.” Is it true?• Ever wondered about the sparseness and illusions in life?• Does death put an end to true love?• Have all the ascetics won over their emotions?With the power of simple language, this book transports the readers to a world scarcely thought of in our bustling lives. The allegories maintain an intense rhythm of life prompting the readers to perceive things from a unique angle.“A whole bookful to make you think, cry, think again and move on.”

    As they move from a cramped, ant-infested shack to a larger house on the other side of Bangalore, and try to adjust to a new way of life, the family dynamic begins to shift. Allegiances realign; marriages are arranged and begin to falter; and conflict brews ominously in the background. Things become “ghachar ghochar”—a nonsense phrase uttered by one meaning something tangled beyond repair, a knot that can't be untied. Elegantly written and punctuated by moments of unexpected warmth and humor, Ghachar Ghochar is a quietly enthralling, deeply unsettling novel about the shifting meanings—and consequences—of financial gain in contemporary India.

    Koyal and Atharv are childhood friends. They are also soulmates. Confidantes. Kindred spirits. They are made for each other only, neither of them seems to have figured it out just yet. As they grow into adulthood, they turn to each other in sorrow and joy, only becoming closer. But then one day, something happens, and their rare friendship is cruelly transformed into something a lot like hatred. Atharv, scarred and hurt, fumes with anger, while impetuous Koyal presses the self-destruct button. Years later, just when they ve both found peace within themselves, their paths cross again. And destiny, that strange creature, has a few tricks up her sleeve. Will these two ever forgive each other? Or have they already lost their one chance to find someone to love?

    She has endured heartbreaking tragedy in her childhood and hopes the future would be more kind to her. But, due to a strange turn of events, she ends up in a marriage of convenience with Arjun, an attractive and adventurous entrepreneur. They both agree to be married for just a year. Their carefully laid plans shatter during the one year of marriage. Arjun discovers Neha is not as conventional and plain as he believed. There lurks a strong-minded, intelligent girl beneath the plain exterior which captures his attention. Neha, on the other hand, catches a glimpse of an amazing person in Arjun who just takes her breath away. Do they get the divorce that they had both desperately wanted? Or does life have something else in store for them? This is a lighthearted, happy, romantic book which will make you fall in love all over again.

    Three imperfect students.A caring hostel.Three careless mates.The decisive years.Three ignorant souls.A bomb blast and A close save.Welcome to life through the gate of BHU.

    Rupa Mehra, are both trying to find—through love or through exacting maternal appraisal—a suitable boy for Lata to marry. Set in the early 1950s, in an India newly independent and struggling through a time of crisis, A Suitable Boy takes us into the richly imagined world of four large extended families and spins a compulsively readable tale of their lives and loves. A sweeping panoramic portrait of a complex, multiethnic society in flux, A Suitable Boy remains the story of ordinary people caught up in a web of love and ambition, humor and sadness, prejudice and reconciliation, the most delicate social etiquette and the most appalling violence.

    Just when things get going, as always, life’s plans go against theirs. This story, in its simplicity, shows us the importance of family, trust, dedication and friendship.'Loving someone is not tough; real courage is to be with that person forever.’Bestselling author Anuj Tiwari is a self-confessed mamma’s boy, who draws inspirations for his novel from the love story of his parents, who encourage him to love, live and write... – The Asian Age Myriad shades of romance. – Deccan ChronicleAn unforgettable love story. – Afternoon

    The firstborn, the ‘original’ scion of Ikshvaku, the daughter of Dasharatha and Kaushalya, who came before Rama, Lakshmana, Bharata and Shatrughana. Shanta, as her named suggested, preferred solitude to her royal status of the princess of Ayodhya. She yearned for love—from her parents, who were obsessed with producing a male heir for their kingdom. After the passing of many years, when Dasharatha lies on his death bed pining for his son, Rama who has been banished to the forest for 14 long years, it is Shanta who is besides her father, but watches helplessly as Dasharatha doesn’t even recognize her. In this fascinating and hitherto unknown account, Shanta: The Story of Rama’s Sister, Anand Neelakantan tells the story of a woman who makes sacrifice her life’s mission, propelled by love, affection and a commitment to the land of her birth, Ayodhya.

    It's on India's southwestern coast, bounded by the Arabian Sea to the west and the Kaliamma River to the south and east. It's blessed with rich soil and scenic beauty, and it's been around for centuries. Of its 193,432 residents, only 89 declare themselves to be without religion or caste. And if the characters in Between the Assassinations are any indication, Kittur is an extraordinary crossroads of the brightest minds and the poorest morals, the up-and-coming and the downtrodden, and the poets and the prophets of an India that modern literature has rarely addressed. A twelve-year-old boy named Ziauddin, a gofer at a tea shop near the railway station, is enticed into wrongdoing because a fair-skinned stranger treats him with dignity and warmth. George D'Souza, a mosquito-repellent sprayer, elevates himself to gardener and then chauffeur to the lovely, young Mrs. Gomes, and then loses it all when he attempts to be something more. A little girl's first act of love for her father is to beg on the street for money to support his drug habit. A factory owner is forced to choose between buying into underworld economics and blinding his staff or closing up shop. A privileged schoolboy, using his own ties to the Kittur underworld, sets off an explosive in a Jesuit-school classroom in protest against casteism. A childless couple takes refuge in a rapidly diminishing forest on the outskirts of town, feeding a group of "intimates" who visit only to mock them. And the loneliest member of the Marxist-Maoist Party of India falls in love with the one young woman, in the poorest part of town, whom he cannot afford to wed. Between the Assassinations showcases the most beloved aspects of Adiga's writing to brilliant effect: the class struggle rendered personal; the fury of the underdog and the fire of the iconoclast; and the prodigiously ambitious narrative talent that has earned Adiga acclaim around the world and comparisons to Gogol, Ellison, Kipling, and Palahniuk. In the words of The Guardian (London), "Between the Assassinations shows that Adiga...is one of the most important voices to emerge from India in recent years." A blinding, brilliant, and brave mosaic of Indian life as it is lived in a place called Kittur, Between the Assassinations, with all the humor, sympathy, and unflinching candor of The White Tiger, enlarges our understanding of the world we live in today.

    From being a household name in the Calcutta of 1930s, when he first created, to a popular face on TV in the 1990s, Byomkesh along with his friend-cum-foil Ajit is perhaps the best-loved of India's literary detectives. This collection brings together three of his classic whodunnits. From a murder in a boarding house with too many suspects to a mystery with a supernatural twist, and then busting a black - marketeering ring in rural bengal, these stories take the super sleuth to different locales on his quest for truth, and bring out his ingenuity and astuteness. Translated into English for the first time by award-winning translator Arunava Sinha, the breathless pace and thrilling plots of these action-packed adventures will win Byomkesh a new genertion of admirers.

    An accomplished Kshatriya princess who falls in love with and dares to choose the sutaputra over Arjun, Uruvi must come to terms with the social implications of her marriage and learn to use her love and intelligence to be accepted by Karna and his family. Though she becomes his mainstay, counselling and guiding him, his blind allegiance to Duryodhana is beyond her power to change. The story of Uruvi and Karna unfolds against the backdrop of the struggle between the Pandavas and the Kauravas. As events build up leading to the great war of the Mahabharata, Uruvi is a witness to the twists and turns of Karna's fate; and how it is inextricably linked to divine design. A splendid saga from the pages of the Mahabharata, Karna's Wife: The Outcast s Queen brings its characters alive in all their majesty.

    It establishes Hansda Sowvendra Shekhar as one of our most important contemporary writers.

    In this brilliant retelling, Chitra Banerjee Divakaruni places Sita at the centre of the novel: this is Sita’s version. The Forest of Enchantments is also a very human story of some of the other women in the epic, often misunderstood and relegated to the margins: Kaikeyi, Surpanakha, Mandodari. A powerful comment on duty, betrayal, infidelity and honour, it is also about women’s struggle to retain autonomy in a world that privileges men, as Chitra transforms an ancient story into a gripping, contemporary battle of wills. While the Ramayana resonates even today, she makes it more relevant than ever, in the underlying questions in the novel: How should women be treated by their loved ones? What are their rights in a relationship? When does a woman need to stand up and say, ‘Enough!’

    In what modern Indians mistakenly call the Indus Valley Civilisation. The inhabitants of that period called it the land of Meluha a near perfect empire created many centuries earlier by Lord Ram, one of the greatest monarchs that ever lived. This once proud empire and its Suryavanshi rulers face severe perils as its primary river, the revered Saraswati, is slowly drying to extinction. They also face devastating terrorist attacks from the east, the land of the Chandravanshis. To make matters worse, the Chandravanshis appear to have allied with the Nagas, an ostracised and sinister race of deformed humans with astonishing martial skills!The only hope for the Suryavanshis is an ancient legend: When evil reaches epic proportions, when all seems lost, when it appears that your enemies have triumphed, a hero will emerge.Is the rough-hewn Tibetan immigrant Shiva, really that hero? And does he want to be that hero at all? Drawn suddenly to his destiny, by duty as well as by love, will Shiva lead the Suryavanshi vengeance and destroy evil?