The end of the world is kept at bay only by the magic of human sacrifice. A Priestess disappears from an empty room drenched in blood. Acatl, High Priest, must find her, or break the boundaries between the worlds of the living and the dead.

    So when her beloved brother passes away, she welcomes the unexpected trip to the Tuscan city of Siena to resolve his estate, even as she wrestles with grief. But as she delves deeper into her brother’s affairs, she discovers intrigue she never imagined—a 700-year-old conspiracy to decimate the city. As Beatrice explores the evidence further, she uncovers the journal and paintings of the fourteenth-century artist Gabriele Accorsi. But when she finds a startling image of her own face, she is suddenly transported to the year 1347. She awakens in a Siena unfamiliar to her, one that will soon be hit by the Plague. Yet when Beatrice meets Accorsi, something unexpected happens: she falls in love—not only with Gabriele, but also with the beauty and cadence of medieval life. As the Plague and the ruthless hands behind its trajectory threaten not only her survival but also Siena’s very existence, Beatrice must decide in which century she belongs. The Scribe of Siena is the captivating story of a brilliant woman’s passionate affair with a time and a place that captures her in an impossibly romantic and dangerous trap—testing the strength of fate and the bonds of love.

    Heartbroken at his death, she travels to his childhood home to spread his ashes. There, overcome with memories of the man she adored and consumed by a history she never knew, she is pulled into another time.The Ireland of 1921, teetering on the edge of war, is a dangerous place in which to awaken. But there Anne finds herself, hurt, disoriented, and under the care of Dr. Thomas Smith, guardian to a young boy who is oddly familiar. Mistaken for the boy’s long-missing mother, Anne adopts her identity, convinced the woman’s disappearance is connected to her own.As tensions rise, Thomas joins the struggle for Ireland’s independence and Anne is drawn into the conflict beside him. Caught between history and her heart, she must decide whether she’s willing to let go of the life she knew for a love she never thought she’d find. But in the end, is the choice actually hers to make?

    Harry August is on his deathbed. Again. No matter what he does or the decisions he makes, when death comes, Harry always returns to where he began, a child with all the knowledge of a life he has already lived a dozen times before. Nothing ever changes. Until now. As Harry nears the end of his eleventh life, a little girl appears at his bedside. "I nearly missed you, Doctor August," she says. "I need to send a message." This is the story of what Harry does next, and what he did before, and how he tries to save a past he cannot change and a future he cannot allow.

    Tiffany, comes a richly imagined story of a woman’s awakening in the south of Vichy France—to the power of art, to the beauty of provincial life, and to love in the midst of war. In 1937, young Lisette Roux and her husband, André, move from Paris to a village in Provence to care for André’s grandfather Pascal. Lisette regrets having to give up her dream of becoming a gallery apprentice and longs for the comforts and sophistication of Paris. But as she soon discovers, the hilltop town is rich with unexpected pleasures. Pascal once worked in the nearby ochre mines and later became a pigment salesman and frame maker; while selling his pigments in Paris, he befriended Pissarro and Cézanne, some of whose paintings he received in trade for his frames. Pascal begins to tutor Lisette in both art and life, allowing her to see his small collection of paintings and the Provençal landscape itself in a new light. Inspired by Pascal’s advice to “Do the important things first,” Lisette begins a list of vows to herself (#4. Learn what makes a painting great). When war breaks out, André goes off to the front, but not before hiding Pascal’s paintings to keep them from the Nazis’ reach. With German forces spreading across Europe, the sudden fall of Paris, and the rise of Vichy France, Lisette sets out to locate the paintings (#11. Find the paintings in my lifetime). Her search takes her through the stunning French countryside, where she befriends Marc and Bella Chagall, who are in hiding before their flight to America, and acquaints her with the land, her neighbors, and even herself in ways she never dreamed possible. Through joy and tragedy, occupation and liberation, small acts of kindness and great acts of courage, Lisette learns to forgive the past, to live robustly, and to love again.

    Tom, a contemporary historian, and his theoretical physicist girlfriend Sharon, become interested. Tom indeed becomes obsessed. By all logic, the town should have survived, but it didn't and that violates everything Tom knows about history. What's was special about Eifelheim that it utterly disappeared more than 600 years ago? Father Dietrich is the village priest of Oberhochwald, the village that will soon gain the name of Teufelheim, in later years corrupted to Eifelheim, in the year 1348, when the Black Death is gathering strength across Europe but is still not nearby. Dietrich is an educated man, knows science and philosophy, and to his astonishment becomes the first contact between humanity and an alien race from a distant star when their interstellar ship crashes in the nearby forest. It is a time of wonders, in the shadow of the plague.Tom and Sharon, and Father Dietrich, have a strange and intertwined destiny of tragedy and triumph in this brilliant SF novel by the winner of the Robert A. Heinlein Award.

    Falling in love with a beautiful young woman, he ultimately finds himself forced to choose between his lives in the present and the past.A story that will remain in the listener's memory, Time and Again is a remarkable blending of the troubled present and a nostalgic past, made vivid and extraordinarily moving by the images of a time that was ... and perhaps still is.

    Nora Lansing is a Manhattan socialite whose flapper clothing, pearl earrings, and talk of the Roaring Twenties don’t seem to match the bleak mood of Depression-era New York. Captivated by Nora from her first electric touch, Joe despairs when he tries to walk her home and she disappears. Finding her again—and again—will become the focus of his love and his life.Nora, an aspiring artist and fiercely independent, is shocked to find she’s somehow been trapped, her presence in the terminal governed by rules she cannot fathom. It isn’t until she meets Joe that she begins to understand the effect that time is having on her, and the possible connections to the workings of Grand Central and the solar phenomenon known as Manhattanhenge, when the sun rises or sets between the city’s skyscrapers, aligned perfectly with the streets below.As thousands of visitors pass under the famous celestial blue ceiling each day, Joe and Nora create a life unlike any they could have imagined. With infinite love in a finite space, they take full advantage of the “Terminal City” within a city, dining at the Oyster Bar, visiting the Whispering Gallery, and making a home at the Biltmore Hotel. But when the construction of another landmark threatens their future, Nora and Joe are forced to test the limits of freedom and love.Delving into Grand Central Terminal’s rich past, Lisa Grunwald crafts a masterful historical novel about a love affair that defies age, class, place, and even time.

    He possesses a virtuosic command of the techniques of the old masters. He can paint like Leonardo, Goya, Gainsborough - artists whose works sell for millions - but this style of painting is no longer popular, and he refuses to shape his talent to fit the fashion of the day. So Wilmot makes his living cranking out parodies for ads and magazine covers. A break comes when an art dealer obtains for him a commission to restore a Venetian palace fresco by the eighteenth-century master Tiepolo, for a disreputable Italian businessman. Once there, Wilmot discovers that it is not a restoration but a re-creation, indeed a forgery. At first skeptical of the job, he then throws himself into the creative challenge and does the job brilliantly. No one can tell the modern work from something done more than two hundred years ago." "This feat attracts the attention of Werner Krebs, an art dealer with a dark past and shadier present who becomes Wilmot's friend and patron. Wilmot is suddenly working with a fervor he hasn't felt in years, but his burst of creative activity is accompanied by strange interludes. Without warning, he finds himself reliving moments from his past - not as memories but as if they are happening all over again. Soon, it is no longer his own past he's revisiting; he believes he can travel back to the seventeenth century, where he lived as the Spanish artist Diego Rodriguez de Silva Velazquez, one of the most famous painters in history. Wilmot begins to fantasize that as Velazquez, he has created a masterpiece, a stunning portrait of a nude. When the painting actually turns up, he doesn't know if he painted it or if he imagined thewhole thing." "Little by little, Wilmot enters a mirror house of illusions and hallucinations that propels him into a secret world of gangsters, greed, and murder, with his mystery patron at the center of it all, either as the mastermind behind a plot to forge a painting worth hundreds of millions, or as the man who will save Wilmot from obscurity and madness." In Chaz Wilmot, we meet the rarest breed of literary hero, one for whom the reader feels almost personally responsible. By turns brutally honest and self-deceptive, scornful of the world while yearning to make his mark on it, Wilmot comes astonishingly alive for the reader, and his perilous journey toward the truth becomes our own.

    Or so they think. However, History seems to have different plans for them and when Max finds herself delivering a child in a peasant's hut, she can't help wondering what History is up to.

    But she was gone and he was old. Nearly seventy. Only cool paint met his fingers. “Ma très chère . . .” Darkness started to fall, dimming the paintings. He felt the crumpled letter in his pocket. “I loved you so,” he said. “I never would have had it turn out as it did. You were with all of us when we began, you gave us courage. These gardens at Giverny are for you but I’m old and you’re forever young and will never see them. . . .”  In the mid-nineteenth century, a young man named Claude Monet decided that he would rather endure a difficult life painting landscapes than take over his father’s nautical supplies business in a French seaside town. Against his father’s will, and with nothing but a dream and an insatiable urge to create a new style of art that repudiated the Classical Realism of the time, he set off for Paris. But once there he is confronted with obstacles: an art world that refused to validate his style, extreme poverty, and a war that led him away from his home and friends. But there were bright spots as well: his deep, enduring friendships with men named Renoir, Cézanne, Pissarro, Manet – a group that together would come to be known as the Impressionists, and that supported each other through the difficult years. But even more illuminating was his lifelong love, Camille Doncieux, a beautiful, upper-class Parisian girl who threw away her privileged life to be by the side of the defiant painter and embrace the lively Bohemian life of their time.  His muse, his best friend, his passionate lover, and the mother to his two children, Camille stayed with Monet—and believed in his work—even as they lived in wretched rooms, were sometimes kicked out of those, and often suffered the indignities of destitution. She comforted him during his frequent emotional torments, even when he would leave her for long periods to go off on his own to paint in the countryside. But Camille had her own demons – secrets that  Monet could never penetrate, including one that when eventually revealed would pain him so deeply that he would never fully recover from its impact. For though Camille never once stopped loving the painter with her entire being, she was not immune to the loneliness that often came with being his partner.  A vividly-rendered portrait of both the rise of Impressionism and of the artist at the center of the movement, Claude and Camille is above all a love story of the highest romantic order.

    It has three narratives, each as unlikely as the next. And the narratives can be read one of two ways: either straight through or according to an alternate chapter sequence. The first story in Crossings is a never-before-seen ghost story by the poet Charles Baudelaire, penned for an illiterate girl. Next is a noir romance about an exiled man, modeled on Walter Benjamin, whose recurring nightmares are cured when he falls in love with a storyteller who draws him into a dangerous intrigue of rare manuscripts, police corruption, and literary societies. Finally, there are the fantastical memoirs of a woman-turned-monarch whose singular life has spanned seven generations. With each new chapter, the stunning connections between these seemingly disparate people grow clearer and more extraordinary. Crossings is an unforgettable adventure full of love, longing and empathy.

    For her instructors in the twenty-first century, it meant painstaking calculations and careful monitoring of the rendezvous location where Kivrin would be received.But a crisis strangely linking past and future strands Kivrin in a bygone age as her fellows try desperately to rescue her. In a time of superstition and fear, Kivrin--barely of age herself--finds she has become an unlikely angel of hope during one of history's darkest hours.Connie Willis draws upon her understanding of the universalities of human nature to explore the ageless issues of evil, suffering, and the indomitable will of the human spirit.

    Mr. Gray sets an impossible condition for their marriage—Zadock must deliver a sealed and highly secretive letter to General Irion, fighting one thousand miles southwest, deep within the embattled and newly independent Republic of Texas. The fate of the Union lies within the mysterious contents of that sealed letter, but that is only the beginning . . .     Three hundred years later, in the dystopian city-state of the Texas Republic, Zeke Thomas has just received news of the death of his grandfather, an esteemed Chicago senator. The world has crumbled. Paper documents are banned, citizens are watched, and dissenters are thrown over the walls into "the rot." When Zeke inherits—and then loses—a very old, sealed letter from his grandfather, Zeke finds himself and the women he loves at the heart of a conspiracy whose secrets he must unravel, if it doesn't destroy his relationship, his family legacy, and the entire republic first.     The two propulsive narratives converge through a wildly creative assortment of documents, books within books, maps, notes, illustrations, and more. Zach Dodson has created a gorgeous work of art and an eye-popping commercial adventure for the 21st century.From the Hardcover edition.

    Settling herself in the shadow of Slains Castle, she creates a heroine named for one of her own ancestors and starts to write.But when she discovers her novel is more fact than fiction, Carrie wonders if she might be dealing with ancestral memory, making her the only living person who knows the truth-the ultimate betrayal-that happened all those years ago, and that knowledge comes very close to destroying her...Please note: This novel has also been published under a different title: Sophia's Secret.Please note, this title is the original recording, which is now known as Sophia's Secret©2010 Susanna Kearsley (P)2011 Audible, Inc.