He sought to raise his young daughter away from the violence of the big city . . . so he’s unprepared for the horrific killer he discovers, whose bloody trail may lead to Portland’s social elite.Early on a September evening, the mutilated body of a pretty teenaged girl, a high school soccer star, is found dumped in a scrap-metal yard. She had been viciously assaulted, but her heart had been cut out of her chest with surgical precision. The very same day a young businesswoman, also a blonde and an athlete, was abducted as she jogged through the streets of the city’s west end. McCabe suspects both crimes are the work of the same man---a killer who’s targeting the young---who is clearly well-versed in complex surgical procedures, and who may have struck before. Just as the investigation is beginning, McCabe’s ex-wife reemerges, suddenly determined to reclaim the daughter she heedlessly abandoned years earlier.With the help of his straight-talking (and, at times, alluring) partner, Maggie Savage, McCabe begins a race against time to rescue the missing woman and unmask a sadistic killer---before more lives are lost.

    His career, the only thing he ever knew how to do well, is over. The single solace each day brings is the ever-growing contemplation of suicide. But when his estranged brother and sister-in-law are brutally murdered in their bucolic town set on the banks of the Mississippi River, he is drawn into an investigation surrounding a string of killings unlike anything he has ever seen before. The murderer is ruthless, cunning, and without conscience. Soon Liam learns that the river is dark. And so are its secrets.Contains explicit language and violence.

    A day of dark impulses. A day to snatch a child from the streets ...The abduction of five-year-old Matthew Farraday provokes a national outcry and a desperate police hunt. And when a picture of his face is splashed over the newspapers, psychotherapist Frieda Klein is left troubled: one of her patients has been relating dreams in which he has a hunger for a child. A child he can describe in perfect detail, a child the spitting image of Matthew.Detective Chief Inspector Karlsson doesn't take Frieda's concerns seriously until a link emerges with an unsolved child abduction twenty years ago and he summons Frieda to interview the victim's sister, hoping she can stir hidden memories. Before long, Frieda is at the center of the race to track the kidnapper.But her race isn't physical. She must chase down the darkest paths of a psychopath's mind to find the answers to Matthew Farraday's whereabouts.And sometimes the mind is the deadliest place to lose yourself.

    The killer has left behind a clue connecting the two cases to First Date, a popular online dating service, and Flann McIlroy, an eccentric, publicity-seeking homicide detective, is convinced that only Ellie can help him pursue his terrifying theory: someone is using the lure of the Internet and the promise of love to launch a killing spree against the women of New York City.   To catch the killer, Ellie must enter a high-tech world of stolen identities where no one is who they appear to be. And for her, the investigation quickly becomes personal: she fits the profile of the victims, and she knows firsthand what pursuing a sociopath can do to a cop--back home in Wichita, Kansas, her father lost his life trying to catch a notorious serial murderer.   When the First Date killer begins to mimic the monster who destroyed her father, Ellie knows the game has become personal for him, too. Both hunter and prey, she must find the killer before he claims his next victim--who could very well be her.   Expertly plotted and perfectly paced, Dead Connection advances Alafair Burke to the front ranks of American thriller writers.

    Swirling with rumour and secrets, the town is gripped by fear of a serial killer. But the truth could be even darker.Not everyone who's lost wants to be found...Surrounded by people and places she tried to forget, Paula digs into the cases as the truth twists further away. What's the link with two other disappearances from 1985? And why does everything lead back to the town's dark past- including the reasons her own mother went missing years before?Nothing is what it seems...As the shocking truth is revealed, Paula learns that sometimes, it's better not to find what you've lost.

    But it's only when town pediatrician and coroner Sara Linton does the autopsy that the full extent of the killer's twisted work becomes clear. Sara's ex-husband, police chief Jeffrey Tolliver, leads the investigation -- a trail of terror that grows increasingly macabre when another local woman is found crucified a few days later. But he's got more than a sadistic serial killer on his hands, for the county's sole female detective, Lena Adams -- the first victim's sister -- wants to serve her own justice. But it is Sara who holds the key to finding the killer. A secret from her past could unmask the brilliantly malevolent psychopath .. or mean her death.

    But when the billionaire philanthropist is discovered murdered in his London home, tied naked to a bed, the scandal is only a shadow of the darkness lurking off-camera.Laura Fletcher returns from an Italian vacation to find her husband dead and her home under siege by paparazzi. Is she shocked? Yes. But is she distraught? Not exactly. Especially when Chief Inspector Tom Douglas reveals his suspicions that Hugo’s killer is female. Laura always knew she wasn’t the only woman in Hugo’s life. And she knows she wasn’t the only one with a motive to kill.The deeper Douglas digs, the more sordid details about Hugo Fletcher he uncovers. And yet nothing compares to the secret Laura guards, a secret that could bring the guilty to justice—or destroy an innocent life forever.

    An abandoned asylum. Will a mysterious former patient help untangle the dark truth?The body of an elderly woman has been found in the bowels of a derelict asylum on the banks of the Thames. As Detective Lew Kirby and his partner begin their investigation, another body is discovered in the river nearby. How are the two murders connected?Before long, the secrets of Blackwater Asylum begin to reveal themselves. There are rumours about underground bunkers and secret rooms, unspeakable psychological experimentation, and a dark force that haunts the ruins, trying to pull back in all those who attempt to escape. Urban explorer Connie Darke, whose sister died in a freak accident at the asylum, is determined to help Lew expose its grisly past. Meanwhile Lew discovers a devastating family secret that threatens to turn his life upside down.As his world crumbles around him, Lew must put the pieces of the puzzle together to keep the killer from striking again. Only an eccentric former patient really knows the truth—but will he reveal it to Lew before it’s too late?

    Ruth Galloway is in her late thirties and lives happily alone with her two cats in a bleak, remote area near Norfolk, land that was sacred to its Iron Age inhabitants—not quite earth, not quite sea. But her routine days of digging up bones and other ancient objects are harshly upended when a child’s bones are found on a desolate beach. Detective Chief Inspector Nelson calls Galloway for help, believing they are the remains of Lucy Downey, a little girl who went missing a decade ago and whose abductor continues to taunt him with bizarre letters containing references to ritual sacrifice, Shakespeare, and the Bible. Then a second girl goes missing and Nelson receives a new letter—exactly like the ones about Lucy. Is it the same killer or a copycat murderer, linked in some way to the site near Ruth’s remote home?

    Gretchen White is a specialist in antisocial personality disorders and violent crimes. She’s helped solve enough prominent cases for detective Patrick Shaughnessy that her own history is often overlooked: Gretchen is an admitted sociopath once suspected of killing her aunt. Shaughnessy still thinks Gretchen got away with murder. It’s not going to happen again.When a high-profile new case lands on Shaughnessy’s desk, it seems open and shut. Remorseless teenager Viola Kent is accused of killing her mother. Amid stories of childhood horrors and Viola’s cruel manipulations, the bad seed has already been found guilty by a rapt public. But Gretchen might be seeing something in Viola no one else does: herself.If Viola is a scapegoat, then who really did it? And what are they hiding? To find the truth, Gretchen must enter a void that is not only dark and cold-blooded, but also frighteningly familiar.

    Two years ago, Gretchen kidnapped Archie and tortured him for ten days, but instead of killing him, she mysteriously decided to let him go. She turned herself in, and now Gretchen has been locked away for the rest of her life, while Archie is in a prison of another kind---addicted to pain pills, unable to return to his old life, powerless to get those ten horrific days off his mind. Archie's a different person, his estranged wife says, and he knows she's right. He continues to visit Gretchen in prison once a week, saying that only he can get her to confess as to the whereabouts of more of her victims, but even he knows the truth---he can't stay away. When another killer begins snatching teenage girls off the streets of Portland, Archie has to pull himself together enough to lead the new task force investigating the murders. A hungry young newspaper reporter, Susan Ward, begins profiling Archie and the investigation, which sparks a deadly game between Archie, Susan, the new killer, and even Gretchen. They need to catch a killer, and maybe somehow then Archie can free himself from Gretchen, once and for all. Either way, Heartsick makes for one of the most extraordinary suspense debuts in recent memory.

    Today you’ll find out that was all a lie.Tara Logan adores her perfect little family: husband, Noah, and two children, teenager Rosie and eleven-year-old Spencer. But her happiness is shattered when she wakes up one morning in her neighbour’s bed, with no memory of how she got there or what happened between them. And worse – he has been stabbed to death.Convinced she didn’t kill Lee and scared of losing everything she cares about, Tara flees home and stays silent, holding her breath as the investigation grips the neighbourhood.But as her daughter spirals out of control, and her husband becomes increasingly distant, Tara starts to wonder if someone in her life knows what really happened that night. When the police turn their questions towards her, Tara realises she has to find out. But what will it take to uncover the real story, and can she survive the truth?

    But railroad police Special Agent Sydney Rose Parnell, brought in by the Denver Major Crimes unit to help investigate, can't shake the feeling that larger forces are behind this apparent crime of passion.In the depths of an icy winter, Parnell and her K9 partner, Clyde ― both haunted by their time in Iraq ― descend into the underground world of a savage gang of rail riders. There, they uncover a wide-reaching conspiracy and a series of shocking crimes. Crimes that threaten everything Parnell holds dear.As the search for the truth puts her directly in the path of the killer, Parnell must struggle with a deadly question: Can she fight monsters without becoming one herself?

    There’s just one chilling difference. Erin’s husband, Justin, has vanished.Bree knows how explosive the line between love and hate can be, yet the evidence against her troubled brother-in-law isn’t adding up. Teaming up with Justin’s old friend, former sheriff’s investigator and K-9 handler Matt Flynn, Bree vows to uncover the secrets of her sister’s life and death, as she promised Erin’s children. But as her investigation unfolds, the danger hits close to home. Once again, Bree’s family is caught in a death grip. And this time, it could be fatal for her.

    Professional. Perfect. Dead. Respected scientist Dr Eleanor Costello is found hanging in her immaculate home: the scene the very picture of a suicide.TOO LATE TO HIDEDCS Frankie Sheehan is handed the case, and almost immediately spots foul play. Sheehan, a trained profiler, is seeking a murderer with a talent for death.TOO CLOSE TO BREATHEAs Frankie strives to paint a picture of the killer, and their victim, she starts to sense they are part of a larger, darker canvas, on which the lines between the two blur.Olivia Kiernan's debut is a bold, brilliant thriller that will keep you guessing and leave you breathless.