An early illness has left one son with the intellect of a child; the other is destined for greatness but struggles between a keen mind that craves instruction and the pressures of a society that demands his prowess as a soldier.   Initially Aristotle hopes for a short stay in what he considers the brutal backwater of his childhood. But, as a man of relentless curiosity and reason, Aristotle warms to the challenge of instructing his young charges, particularly Alexander, in whom he recognizes a kindred spirit, an engaged, questioning mind coupled with a unique sense of position and destiny.  Aristotle struggles to match his ideas against the warrior culture that is Alexander’s birthright. He feels that teaching this startling, charming, sometimes horrifying boy is a desperate necessity. And that what the boy – thrown before his time onto his father’s battlefields – needs most is to learn the golden mean, that elusive balance between extremes that Aristotle hopes will mitigate the boy’s will to conquer. Aristotle struggles to inspire balance in Alexander, and he finds he must also play a cat-and-mouse game of power and influence with Philip in order to manage his own ambitions.  As Alexander’s position as Philip’s heir strengthens and his victories on the battlefield mount, Aristotle’s attempts to instruct him are honoured, but increasingly unheeded. And despite several troubling incidents on the field of battle, Alexander remains steadfast in his desire to further the reach of his empire to all known and unknown corners of the world, rendering the intellectual pursuits Aristotle offers increasingly irrelevant. Exploring this fabled time and place, Annabel Lyon tells her story in the earthy, frank, and perceptive voice of Aristotle himself. With sensual and muscular prose, she explores how Aristotle’s genius touched the boy who would conquer the known world. And she reveals how we still live with the ghosts of both men.

    A shell-shocked romantic—slow, distant, and dreamy—he begins to have trouble telling Rose's half-sister Nancy apart from Rose herself, now buried in the village churchyard. Coping and failing to cope with the quiet realities of daily life, Charley's delusions elevate his timid courtship of a practical and unremarkable young woman into an amnesiac love story both comic and disturbing. A contemporary of Anthony Powell and Evelyn Waugh, Henry Green was one of the greatest English novelists of the twentieth century, and Back is his most haunting and personal work.

    The thief then leaves, and the patrons all survive, but strange things soon begin to happen to them: One survivor’s tattoo jumps off her ankle and chases her around; another wakes up to find that she’s made of candy; and Stacey Hinterland discovers that she’s shrinking, incrementally, a little every day, and nothing that her husband or son do can reverse the process. The Tiny Wife is a fable about losing yourself in circumstances and finding yourself in the the love of another.

    Both are duped, however, by their son Sigismund -- the Blessing of the title -- a juvenile Machiavelli who mixes Gallic cunning with Saxon thoroughness to become one of Mitford's most memorable characters.

    As a religious novel about a decaying brahmin colony in the south Indian village ofKarnataka, Samskara serves as an allegory rich in realistic detail, a contemporary reworking of ancient Hindu themes and myths, and a serious, poetic study of a religious man living in a community of priests gone to seed. A death which stands as the central event in the plot brings in its wake aplague, many more deaths, live questions with only dead answers, moral chaos, and the rebirth of one man. The volume provides a useful glossary of Hindu myths, customs, Indian names, flora, and other terms. Notes and an afterword enhance the self-contained, faithful, and yet readabletranslation.

    H. Lawrence's death in 1930. Immediately recognized as a masterpiece in which Lawrence had distilled and purified his ideas about sexuality and morality, The Virgin and the Gipsy has become a classic and is one of Lawrence's most electrifying short novels.Set in a small village in the English countryside, this is the story of a secluded, sensitive rector's daughter who yearns for meaning beyond the life to which she seems doomed. When she meets a handsome young gipsy whose life appears different from hers in every way, she is immediately smitten and yet still paralyzed by her own fear and social convention. Not until a natural catastrophe suddenly, miraculously sweeps away the world as she knew it does a new world of passion open for her. Lawrence's spirit is infused by all his tenderness, passion, and knowledge of the human soul.

    An Englishman plans to assassinate the dictator of a European country. But he is foiled at the last moment and falls into the hands of ruthless and inventive torturers. They devise for him an ingenious and diplomatic death but, for once, they bungle the job and he escapes. But England provides no safety from his pursuers - and the Rogue Male must strip away all the trappings of status and civilization as the hunter becomes a hunted animal.

    In Rawi Hage's unforgettable novel, winner of the 2008 IMPAC Prize, this famous quote by Camus becomes a touchstone for two young men caught in Lebanon's civil war. Bassam and George are childhood best friends who have grown to adulthood in war torn Beirut. Now they must choose their futures: to stay in the city and consolidate power through crime; or to go into exile abroad, alienated from the only existence they have known. Bassam chooses one path: obsessed with leaving Beirut, he embarks on a series of petty crimes to finance his departure. Meanwhile, George builds his power in the underworld of the city and embraces a life of military service, crime for profit, killing, and drugs.Told in the voice of Bassam, De Niro's Game is a beautiful, explosive portrait of a contemporary young man shaped by a lifelong experience of war. Rawi Hage's brilliant style mimics a world gone mad: so smooth and apparently sane that its razor-sharp edges surprise and cut deeply. A powerful meditation on life and death in a war zone, and what comes after.

    She must choose between becoming engaged to the oddly prosaic poet William Rodney, and her dangerous attraction to the passionate Ralph Denham. As she struggles to decide, the lives of two other women - women's rights activist Mary Datchet and Katharine's mother, Margaret, struggling to weave together the documents, events and memories of her own father's life into a biography - impinge on hers with unexpected and intriguing consequences. Virginia Woolf's delicate second novel is both a love story and a social comedy, yet it also subtly undermines these traditions, questioning a woman's role and the very nature of experience.

    When it comes to finding someone to share it with, however, she just can't seem to get it right.After yet another relationship ends, Anne comes across a business card for what she thinks is a dating service, and she pockets it just in case. When her best friend, Sarah, announces she's engaged, Anne can't help feeling envious. On an impulse, she decides to give the service a try because maybe she could use a little assistance in finding the right man. But Anne soon discovers the company isn't a dating service; it's an exclusive, and pricey, arranged marriage service. She initially rejects the idea, but the more she thinks about it -- and the company's success rate -- the more it appeals to her. After all, arranged marriages are the norm for millions of women around the world, so why wouldn't it work for her?A few months later, Anne is travelling to a Mexican resort, where in one short weekend she will meet and marry Jack. And against all odds, it seems to be working out -- until Anne learns that Jack, and the company that arranged their marriage, are not what they seem at all.

    Each has a fate she must meet alone: one on a country road, one in the streets of Paris, and one in the corridors of her own imagination. Inhabiting their world are a charismatic man who cannot tell the truth, a neighbor who is not who he appears to be, a clumsy boy in Paris who falls in love and stays there, a detective who finds his heart’s desire, and a demon who will not let go.What does a mother do when one of her children goes astray? How does she save one daughter without sacrificing the others? How deep can love go, and how far can it take you? These are the questions this luminous novel asks. At once a coming-of-age tale, a family saga, and a love story of erotic longing, The Story Sisters sifts through the miraculous and the mundane as the girls become women and their choices haunt them, change them and, finally, redeem them. It confirms Alice Hoffman’s reputation as "a writer whose keen ear for the measure struck by the beat of the human heart is unparalleled" (The Chicago Tribune).

    of Speculation is a portrait of a marriage. It is also a beguiling rumination on the mysteries of intimacy, trust, faith, knowledge, and the condition of universal shipwreck that unites us all. Jenny Offill's heroine, referred to in these pages as simply "the wife," once exchanged love letters with her husband postmarked Dept. of Speculation, their code name for all the uncertainty that inheres in life and in the strangely fluid confines of a long relationship. As they confront an array of common catastrophes - a colicky baby, a faltering marriage, stalled ambitions - the wife analyzes her predicament, invoking everything from Keats and Kafka to the thought experiments of the Stoics to the lessons of doomed Russian cosmonauts. She muses on the consuming, capacious experience of maternal love, and the near total destruction of the self that ensues from it as she confronts the friction between domestic life and the seductions and demands of art. With cool precision, in language that shimmers with rage and wit and fierce longing, Jenny Offill has crafted an exquisitely suspenseful love story that has the velocity of a train hurtling through the night at top speed. Exceptionally lean and compact, Dept. of Speculation is a novel to be devoured in a single sitting, though its bracing emotional insights and piercing meditations on despair and love will linger long after the last page.

    It earned him nominations for the highest fiction prizes in Canada and was a national bestseller. His American editor said he hadn’t found such an exciting author since he discovered Don DeLillo. Johnston, who has been writing fiction for two decades, launched his next and sixth novel across the English-speaking world to great anticipation.The Navigator of New York is set against the background of the tumultuous rivalry between Lieutenant Peary and Dr. Cook to get to the North Pole at the beginning of the 20th century. It is also the story of a young man’s quest for his origins, from St. John’s, Newfoundland, to the bustling streets of New York, and the remotest regions of the Arctic.Devlin Stead’s father, an Arctic explorer, stops returning home at the end of his voyages and announces he is moving to New York, as “New York is to explorers what Paris is to artists”; eventually he is declared missing from an expedition. His mother meets an untimely death by drowning shortly after. Young Devlin, who barely remembers either of them, lives contently in the care of his affectionate aunt and indifferent uncle, until taunts from a bullying fellow schoolboy reveal dark truths underlying the bare facts he knows about his family. A rhyme circulated around St. John’s further isolates Devlin, always seen as an odd child who had inherited his parents’ madness and would likely meet a similar fate.Devlin, who has always learned about his father through newspaper reports, now finds other people’s accounts of his parents are continually altering his view of his parents. Then strange secret letters start to arrive, exciting his imagination with the unanticipated notion that his life might contain the possibility of adventure. Nothing is what it once seemed. Suddenly a chance to take his own place in the world is offered, giving him courage and a newfound zest for discovery. “It was life as I would live it unless I went exploring that I dreaded.”Caught up in the mystery of who his parents really were, and anxious to leave behind the image of ‘the Stead boy’, at the age of twenty Devlin sails, carrying only a doctor’s bag, to a New York that is bursting with frenzied energy and about to become the capital city of the globe; where every day inventors file for new patents and three thousand new strangers enter the city, a city that already looks ancient although taller buildings are constructed constantly. There he will become protégé to Dr. Cook, who is restlessly preparing for his next expedition, be introduced into the society that makes such ventures possible, and eventually accompany Cook on his epic race to reach the Pole before the arch-rival Peary. This trip will plunge Devlin into worldwide controversy -- and decide his fate.Wayne Johnston has harnessed the scope, energy and inventiveness of the nineteenth century novel and encapsulated it in the haunting and eloquent voice of his hero. His descriptions of place, whether of the frozen Arctic wastes or the superabundant and teeming New York, have extraordinary physicality and conviction, recreating a time when the wide world seemed to be there for the taking. An extraordinary achievement that seamlessly weaves fact and fabrication, it continues the masterful reinvention of the historical novel Wayne Johnston began with The Colony of Unrequited Dreams.From the Hardcover edition.

    This jewel-like novella by the writer that Thomas Mann praised as "one of the most extraordinary, the most enigmatic, the most secretly daring and the most strangely gripping narrators in world literature" is among the most unusual, moving, and memorable of Christmas stories. Two children—Conrad and his little sister, Sanna—set out from their village high up in the Alps to visit their grandparents in the neighboring valley. It is the day before Christmas but the weather is mild, though of course night falls early in December and the children are warned not to linger. The grandparents welcome the children with presents and pack them off with kisses. Then snow begins to fall, ever more thickly and steadily. Undaunted, the children press on, only to take a wrong turn. The snow rises higher and higher, time passes: it is deep night when the sky clears and Conrad and Sanna discover themselves out on a glacier, terrifying and beautiful, the heart of the void.

    That perfect letter. The wishbone, fork in the road, empty wineglass. The question we ask over and over. Why? . . . My life begins at the Y." So opens Marjorie Celona's highly acclaimed and exquisitely rendered debut about a wise-beyond-her-years foster child abandoned as a newborn on the doorstep of the local YMCA. Swaddled in a dirty gray sweatshirt with nothing but a Swiss Army knife tucked between her feet, little Shannon is discovered by a man who catches only a glimpse of her troubled mother as she disappears from view. That morning, all three lives are forever changed. Bounced between foster homes, Shannon endures abuse and neglect until she finally finds stability with Miranda, a kind but no-nonsense single mother with a free-spirited daughter of her own. Yet Shannon defines life on her own terms, refusing to settle down, and never stops longing to uncover her roots — especially the stubborn question of why her mother would abandon her on the day she was born.Brilliantly and hauntingly interwoven with Shannon's story is the tale of her mother, Yula, a girl herself who is facing a desperate fate in the hours and days leading up to Shannon's birth. As past and present converge, Y tells an unforgettable story of identity, inheritance, and, ultimately, forgiveness. Celona's ravishingly beautiful novel offers a deeply affecting look at the choices we make and what it means to be a family, and it marks the debut of a magnificent new voice in contemporary fiction.