Simak (1904-1988). When the Science Fiction Writers of America began bestowing their Grand Master awards, Simak was the third writer so honored. Only Robert Heinlein and Jack Williamson preceded him, and he received his award before such luminaries as Fritz Leiber, Isaac Asimov, and Ray Bradbury. Simak earned this distinction by producing, over a long period of time, a significant body of popular, respected, often award-winning work, including his classics City and Way Station, and many shorter works, eight of which are contained in this collection. Readers unfamiliar with Simak are in for a treat. More than half of the stories here were among the best stories of their respective years. "The Big Front Yard" (1958) won a Hugo. "A Death in the House" (1959) was selected by Judith Merril for Year's Best SF: Fifth Annual Edition. "Over the River and Through the Woods" (1965) made the cut for World's Best Science Fiction: 1966 edited by Donald Wollheim.Contents: A Death in the House The Big Front Yard Goodnight Mr. James Dusty Zebra Neighbor Over the River & Through the Woods Construction Shack Grotto of the Dancing Deer [He] wrote for so long and always so well that his excellence came to be taken for granted, as we take sunlight for granted until we go blind. - Poul Anderson I read Cliff's stories with particular attention, and I couldn't help but notice the simplicity and directness of the writing - the utter clarity of it. I made up my mind to imitate it, and I labored over the years to make my writing simpler, clearer, more uncluttered, to present my scenes on a bare stage. - Isaac Asimov Without Simak, science fiction would have been without its most humane element, its most humane spokesman for the wisdom of the ordinary person and the value of life lived close to the land. - James Gunn Good fantasy - and that includes science fiction - takes off from the known for its flights into the new. Cliff Simak was a master of the art. His known was the rural Midwest that he loved. His new could reach to the ends of space and time, but never beyond reality. Even his cosmic aliens always had half human dimensions that made them believable. I loved him, as so many did, for his unfailing warmth and a wit that was keen but never cruel. I heard from him often during the painful time after his wife's death. His own death touched me deeply, and I'm happy to see him remembered with this collection of his best-loved stories. - Jack Williamson I always loved his stories, short or long. He made me love them -and the rural America of his childhood - as much as he did. - Lester del Rey Ten years ago it would have been inconceivable that a volume of the best stories of Clifford Simak (author of the classic City) would not have been published by Putnam or Del Rey, but today we have to be grateful to the one-man firm of Tachyon Publications for preserving Over the River and Through the Woods, which includes some of Simak's best stories, including two Hugo Award winners. After all, Simak is dead, which means his career is flatlined, even if Robert Heinlein said, "to read science fiction is to read Simak. The reader who does not like Simak stories does not like science fiction at all." Simak was a master of a special kind of nostalgic science fiction that reconciled the values of his youth (the rural Midwest of the 1920s) with the larger universe. Material that became ludicrous cliche in the hands of lesser writers - all those endless flying saucers landing in the hillbilly's back acre - was by Simak handled with elegance and dignity."A Death in the House" is typical: A farmer finds a dying alien. He does what he can, but that's very little. The farmer conceals the grave, wanting to give his "guest" that much dignity. But the alien is plantlike. It (or its young) sprouts out of the corpse. Human and alien struggle toward understanding. In "The Big Front Yard," a rural handyman finds his house transformed into a gateway to other worlds. The common people have the good sense; trouble starts when profiteers and the government get involved. The tone is light, friendly and clever. This is not to suggest that Simak was a writer with no hard edges. "Good Night Mr. James" is a horror story, about a duplicate human being created to destroy a particularly nasty alien illegally smuggled to Earth. But the gentler mode was more typical, and he could also write humor. "Dusty Zebra" is a long technological joke, maybe a bit slight to be included when a 50-year career must be distilled into 218 pages. Simak's last story, the last in the book, "The Grotto of the Dancing Deer," is about an immortal caveman, quite different from de Camp's "Gnarly Man." He is the original artist who painted that cave art the scientists keep finding; after all this time, he just has to tell someone. The story won both the Hugo and the Nebula for 1980, because both readers and fellow professionals wanted to say "thank you." - The Washington Post Book World Clifford D. Simak is another classic SF writer who staked out a distinctive territory based on his rural midwestern roots - only a couple hundred miles north of Bradbury's - but he never strayed very far from a few classic SF themes which he treated with considerably more rigor than Bradbury, if sometimes with as much sentimentality. Simak's City is at least as important to the history of SF as Bradbury's The Martian Chronicles - some would say more so, given its more challenging conceptual framework - and his other short stories are among the most enduring in the genre, as Over the River & Through the Woods, a new limited edition from Tachyon Publications, attests. Yet Simak, like Sturgeon, seems in danger of fading into the limbo of historical anthologies; while his work was once as widely available as that of any of the giants, today these stories seem almost like new discoveries - and are just as fresh. Part of the reason may be not that Simak's folksy language seems to belie the underlying sense of alienation and tragedy that characterizes much of his work; part may be due to the rediscovery of American regional idioms among younger SF writers from Terry Bisson to Nancy Kress . . . 'Over the River & Through the Woods' contains eight Simak stories from 1951 through 1980 - which means it includes none of the classic stories like "Desertion" or "Huddling Place", which later went to make up City, but does include his late Hugo and Nebula-winning masterpiece "The Grotto of the Dancing Deer" and the Hugo-winning "The Big Front Yard." One of the first things that comes to mind when rereading the latter story after several years - it concerns a characteristically laconic farmer with a dog named Towser (the only name Simak seems to have permitted for dogs) who finds on his property a gateway to distant worlds - is that few contemporary writers would have let such a simple and elegant premise be confined to a novella. Simak's focus is on the unimpressed rustic whose very lack of response to the wonder at his doorstep intensifies our own. When a rustic is impressed by an alien presence, such as in "A Death in the House," it is less likely to be from a sense of wonder than from a sense of companionship. Simak's roots may be firmly in SF, but he writes of alien encounters in a way Willa Cather might have written of them. Aliens are strange but unthreatening, and in some cases (as in "Neighbor") they can turn the entire neighborhood into a pastoral Shangri-la, isolated from the outside in a way that encapsulates what must be Simak's own drams of lost innocence. But Simak could write about more than wonderful things happening to remote farmers. "Good Night, Mr. James" is a very early treatment (1951) of what we would today call a cloning story, done with the kind of cynical humor that is needed for what is essentially a double- and triple-cross tale. It reveals Simak's healthy streak of humor, as does "Dusty Zebra," in which trivial objects are zapped into another dimension in return for high-tech wonders. "Construction Shack" ironically explores an almost Stapledonian notion of whole solar systems being engineered by ancient aliens (Pluto is the construction shack of the title), cast in terms of the matter-of-fact space jockeys so familiar from pulp SF. Simak may be at his best, however, when his theme is isolation and abandonment. The title story concerns children from the future sent back to the refuge of the 1890s. The best tale in the collection and one of the high points of Simak's late career, "The Grotto of the Dancing Deer," concerns an anthropologist who comes to realize that his assistant seems to know far too much about certain ancient cave paintings, and may in fact have been their creator. Simak's evocation, in a few pages, of the sheer loneliness of immortality and the daunting perspectives of time involved, again could be a lesson to a generation of younger writers, and reminds us brilliantly of what Simak was capable of. - Locus

    A space vessel called Schrodinger's Box discovers the creature, brings it back to life, and analyzes its intellectual and physical capabilities. It's not long before the scientists realize the creature is able to manipulate the make-up of objects, including organic matter, at a molecular level. The eyes of the scientific world are on Schrodinger's Box, but not everyone is pleased with the discovery. A group of terrorists attempts to intercept the ship and destroy it.

    Otherwise, the same contents.

    Here, Sma argues for contact with Earth, to try to fix the mess the human species has made of it. Another Culture citizen, Linter, goes native while Li, who is a Star Trek fan, argues that the whole "incontestably neurotic and clinically insane species" should be eradicated with a micro black hole. The ship Arbitrary has ideas, and a sense of humour, of its own.This limited first edition only includes the novella and no extra collections. It had a print of 400 numbered copies and comes in a slip-case signed by both author and cover artist.

    with everyone.Corinthe, the minister of security, has been granted emergency powers in response to an external military threat and has initiated a campaign to strengthen the Federation by annexing independent worlds along its borders. The problem though is that there is no such threat. The members of the Frontier resistance movement know it, the commander of the Federation's navy knows it and so do the crew of the Lady Hawk, who have no idea what they're about to be swept up in.Meanwhile, independent worlds along the Frontier are being swallowed up under Corinthe's policy of aggressive expansion and things are about to reach a boiling point...

    One novella and nine shorter works by Sharon Lee and Steve Miller thrust you into intimate contact with the people that inhabit this powerful and far-flung universe. Contents:Sweet waters --Naratha's shadow --A matter of dreams --Phoenix --Veil of the dancer --This house --Changeling --Heirloom --Quiet knives --Lord of the dance --

    The word is out that the legendary city of Danvar has been found, and every diver, brigand, and pirate with a sarfer is racing to find it. But out in the dunes there's only one inarguable fact... The sand don't care, and it never did. Can people change? Two men who meet in the dunes over the lost city of Danvar have to find out if there can ever be such a thing as friendship, honor, and sacrifice in a world full of sand divers, pirates, brigands, and thieves.

    Dr. Newman is at the leading edge of creating the perfect educational environment for children, and all he requires is a hefty tuition—and your child at the age of six months.Christopher Carson is one of the “Newman Residents” who live at the Newman Home year-round. His parents, Richard and Carol, both Manhattan attorneys, may disagree about the specifics, but each wants what’s best for their son. For Richard, this means bringing Christopher, now six years old, home for one last summer vacation before the visits become brief and infrequent.Carol agrees with the staff: Christopher should stay at the school. And Christopher is confused, not sure where his real home is anymore. But Richard would like for their house to be Christopher’s home, at least for one summer.As Richard and Christopher spend more time together they become closer. Not long into Christopher’s visit, Richard begins to suspect that the Newman Home’s methods for developing their children into future leaders are too experimental, if not outright dangerous. His suspicions are confirmed when a secretive support group of Newman parents reaches out to him about their frightening experiences with the school.Richard’s investigations into the Newman Home quickly spiral out of control; he has underestimated the extent of the school’s power and connections—and Dr. Newman’s incessant drive to achieve a new level of success for the students. But what Dr. Newman underestimates may be even more powerful: one father’s determination to fight for his son against the odds.What follows in The Newman Resident is a whirlwind battle between a devoted father and an education system more terrifyingly powerful than he ever could have imagined. It’s a battle that forces him to confront how some will cross any line in order to create the “perfect” child.

    The Man Who Had No Idea (1978)The Black Cat (1976)The Santa Claus Compromise (1974)The Vengeance of Hera or, Monogamy Triumphant (1980)Concepts (1978)The Apartment Next to the War (1975)The Foetus (1980)The Fire Began to Burn the Stick, the Stick Began to Beat the Dog (1976)At the Pleasure Centre (1974)The Grown-Up (1981)How to Fly (1977)Planet of the Rapes (1977)The Revelation (1980)Pyramids for Minnesota (1974)Josie and the Elevator: A Cautionary Tale (1980)An Italian Lesson (1982)Understanding Human Behavior (1982)

    At his side was a five-foot broadsword that was said to have belonged to the human hero. Aubec. Resting on the deck was the great round war-board, his shield, bearing the sign of the swooping dragon. A black helm crowned him, with a dragon's head on the peak and dragon's wings flaring backward, a dragon's tail curling down. All about him was black, but for the white shadow within the helm, from which glared two crimson orbs. Wisps of milk-white hair strayed from beneath the helm, and in the scant light the fine, handsome features of the albino emperor suddenly stood out. He listened for the first sound of the approaching battle.....(This book was later reprinted under the title of Elric of Melibone)

    Beam Piper) • (1983) • essay by John F. Carr9 • Time and Time Again • (1947) • shortstory by H. Beam Piper29 • The Mercenaries • (1950) • novelette by H. Beam Piper57 • Dearest • (1951) • shortstory by H. Beam Piper77 • Hunter Patrol • (1959) • novelette by H. Beam Piper and John J. McGuire111 • Flight from Tomorrow • (1950) • novelette by H. Beam Piper135 • Operation R.S.V.P. • (1951) • shortstory by H. Beam Piper147 • Genesis • [Paratime Police] • (1951) • novelette by H. Beam Piper171 • The Answer • (1959) • shortstory by H. Beam Piper185 • Crossroads of Destiny • (1959) • shortstory by H. Beam Piper199 • Day of the Moron • (1951) • novelette by H. Beam Piper

    Hope is worse. Five years after their world was decimated by powerful aliens that killed their parents, two brothers are returning to get answers. One wants justice. One just wants to survive. But nothing on Planet Hell is what it seems. The brothers soon stumble upon a plot to interact with the aliens that could change everything. But they aren't the only people trying to understand the aliens--and most are willing to do anything to keep the powerful secrets for themselves. Shifting alliances, hidden agendas, and ruthless killers interact against a backdrop of invincible aliens willing and able to kill anything, and anyone, on a whim. Gritty and fast-paced, Planet Hell is a high-octane military sci-fi with a devastating mystery at its heart.

    He carries a passport, driver’s license, papers, all of it looking legit. There’s just one thing that causes the customs agent to raise the alarm – the passport and license are from a country that does not, and has never, existed. That's the famous urban legend you may have heard before. It was just the start of the story... Then he vanishes. Noble Randle, working for Homeland Security, is called in to investigate. The solution, he figures, has to be something simple. What he does not know is that his life is about to change, that he has a very unique ability, and that the fate of this universe and thousands of others rests in his hands. The walls between dimensions and parallel universes are breaking down. Behind it is an evil as old as time itself. An evil that wants to devour every other universe and gain total control over everyone and everything. The Man from Taured is a story that ranges from horror, to action, mystery and suspense. An epic tale that wonders: is there more to this world than we know? Are there other universes, other dimensions, right nearby? Perhaps as close as a breath away. From suspense, horror and mystery writer Bryan W. Alaspa comes a tale that crosses generations, and dimensions. A story that will challenge your perception of reality itself, and keep you up late at night, afraid to answer the knock at the door. Who is THE MAN FROM TAURED?

    Disturbing encounters with unknown ships. Three great superpowers manoeuvre against each other. But are their destinies their own, or are they merely the puppets of some greater power? Since the loss of the Prism system in 3300, Lady Kahina Tijani Loren has operated on the fringes of Imperial society. Led by clues from a woman once thought dead, she is drawn into a conspiracy at the heart of humanity. To uncover the truth she must contend with dangerous enemies, navigate murky political waters, and – with the help of her friends – uncover the secret of the Formidine Rift. Premonition is the new story set in the Elite: Dangerous galaxy, shaped by player actions in the game.

    Tiny by the standards of the behemoth Commonwealth born of Terra, they remain unchallenged in their own sectors—but their fleets watch the border between them with careful eyes.When the Boudicca System’s only battleship is ambushed and destroyed by forces unknown, their leader calls for help from the Federation and Imperium alike. Admiral Darius Moonblood of the Castle Federation takes a fleet to Boudicca to answer that call, believing he is walking into an Imperial trap.It will fall to Admiral Moonblood to either start the war Castle and Coraline have feared for years or find a different answer to the conflict looming in Boudicca.