Solomon is all charisma, authority and charm, down for the moment but surely not out. His half-brother, Jimmy, bounces along in his wake, underestimated, waiting for his chance to announce himself. Aleks, their childhood friend, loves his mates, his family and his homeland, and would do anything for them. The question is, does he know where to draw the line? Solomon, Jimmy and Aleks: way out on the fringe of Australia, looking for a way in. Hip hop and graffiti give them a voice. Booze, women and violence pass the time while they wait for their chance. Under the oppressive summer sun, their town has turned tinder-dry. All it'll take is a spark. As the surrounding hills roar with flames, the change storms in. But it's not what they were waiting for. It never is.

    He's even harder to resist when he's up close and personal - and on the hunt for a cold-blooded killer.When Rachel and Mycroft follows the murderer's trail, they find themselves in the lion's den - literally. A trip to the zoo will never have quite the same meaning again...

    To Dusty it's the chance she's been looking for: a spectacular case to revive her flagging career.

    Edna’s work spans decades. Her soaring images of red dirt, close interiors and distant jungles have the potential to change the way the nation views itself.Edna could have been an official war artist. Did she choose to hide herself away? Or were there people who didn’t want her to become famous? As the biographer is pulled into Edna’s life, she is confronted with the fact that how she tells Edna’s past will affect her own future.This elegant and engrossing novel explores how we value and celebrate art and artists’ lives. The Biographer’s Lover reminds us that all memory is an act of curation.‘A delight to read. Ruby J. Murray enters the mind of an ambitious young biographer to assemble a moving portrait of a mysterious Australian painter.’ Carrie Tiffany‘An accomplished and memorable novel about the gaps left in our inherited history, and the imperfect storytellers we entrust to fill them. Beautifully constructed.’ Abigail Ulman

    Cold dark secrets . . .In the cold, wet summer of 1960, 11-year-old Joy Henderson lives in constant fear of her father. She tries to make him happy but, as he keeps reminding her, she is nothing but a filthy sinner destined for Hell . . .Yet, decades later, she returns to the family’s farm to nurse him on his death bed. To her surprise, her ‘perfect’ sister Ruth is also there, whispering dark words, urging revenge.Then the day after their father finally confesses to a despicable crime, Joy finds him dead - with a belt pulled tight around his neck . . .For Senior Constable Alex Shepherd, investigating George’s murder revives memories of an unsolved case still haunting him since that strange summer of 1960: the disappearance of nine-year-old Wendy Boscombe.As seemingly impossible facts surface about the Hendersons – from the past and the present – Shepherd suspects that Joy is pulling him into an intricate web of lies and that Wendy’s disappearance is the key to the bizarre truth.

    In the award-winning ‘Aokigahara’, a young woman travels to the sea of trees in Japan to say goodbye. In ‘Coarsegold’, a woman conducts an illicit affair while her recovering girlfriend works the overnight motel shift in the middle of nowhere. In ‘Dogs’, Foggo runs an unruly gang of bored, cruel boys with a scent for fresh meat. In ‘Pressure Okay’ a middle-aged man goes to the theatre, gets a massage, remembers his departed wife, navigates the long game of grief with his adult daughter.

    Now, in the 1980s, she's teaching in the south of France. She makes friends, observes the treatment handed out to North African immigrants and is creeped out by her downstairs neighbour. All the while, Lili is striving to be A Bold, Intelligent Woman like Simone de Beauvoir.Lyle works for a sinister government department in near-future Australia. An Asian migrant, he fears repatriation and embraces 'Australian values'. He's also preoccupied by his ambitious wife, his wayward children and his strong-minded elderly mother. Islam has been banned in the country, the air is smoky from a Permanent Fire Zone, and one pandemic has already run its course.Three scary monsters - racism, misogyny and ageism - roam through this mesmerising novel. Its reversible format enacts the disorientation that migrants experience when changing countries changes the story of their lives. With this suspenseful, funny and profound book, Michelle de Kretser has made something thrilling and new.'Which comes first, the future or the past?'

    An 11-year-old boy witnesses a murder as he spies through the window of a strange house. God, whom he no longer counts as a friend, obviously has a pretty screwed-up sense of humour: just one year before, the boy had looked on helplessly as his twin brother, Tom, suffered a violent death. Now, having been seen by the angry murderer, he is a kid on the run. With only a shady grandfather, a professional standover man and an incongruous local couple as adult mentors, he takes refuge in the dark drains and grimy tunnels beneath the city, transforming himself into a series of superheroes and creating a rather unreliable map to plot out places where he is unlikely to cross paths with the bogeyman.

    The deserted car; the enigmatic final image on his phone.There is the strange circle of local women, widows of disappeared men, with their edgy fellowship and unhinged theories.And the forest itself: looming hugely over this tiny settlement on the remote tip of the island.But for Jessica there is also the tight community in which she is still a stranger and Matthew was not. What secrets do they know about her own life that she doesn't? And why do they believe things that should not—cannot—be true. For her own sanity, Jessica needs to know two things. Who was Matthew? And who—or what—has he become?

    To which I say something like: ‘People are infinitely complex.’ But I say it in such a way—so pregnant with misanthropy—that it’s obvious I hate her.​Michaela and Eve are two bright, bold women who befriend each other their first year at a residential college at university, where they live in adjacent rooms. They could not be more different; one assured and popular – the other uncertain and eager-to-please. But something happens one night in O-week – a drunken encounter, a foggy memory that will force them to confront the realities of consent and wrestle with the dynamics of power.Initially bonded by their wit and sharp eye for the colleges’ mix of material wealth and moral poverty, Michaela and Eve soon discover how fragile friendship is, and how capable of betrayal they both are.​Written with a strikingly contemporary voice that is both wickedly clever and incisive, issues of consent, class and institutional privilege, and feminism become provocations for enduring philosophical questions we face today.

    There was no thought in his head, only an intense drive to run. There was no sense he was getting anywhere, no plan, no destination, no future. All he had was a sense of what was behind, what he was running from. Jacky was running.The Natives of the Colony are restless. The Settlers are eager to have a nation of peace, and to bring the savages into line. Families are torn apart, reeducation is enforced. This rich land will provide for all.This is not Australia as we know it. This is not the Australia of our history.

    Others you don’t dare let out … Twin Peaks meets The Dry in a deliciously dark and twisted tale that unravels a small town Ambitious young journalist Marlowe ‘Lo’ Robertson would do anything to escape the suffocating confines of her small home town. While begrudgingly covering the annual show for the local paper, Lo is horrified to discover the mutilated corpse of Lily Williams, the reigning showgirl and Lo’s best friend. Seven strange symbols have been ruthlessly carved into Lily’s back. But when Lo reports her grisly find to the town’s police chief, he makes her promise not to tell anyone about the symbols. Lo obliges, though it’s not like she has much of a choice – after all, he is also her father. When Lily’s murder makes headlines around the country and the town is invaded by the media, Lo seizes the opportunity to track down the killer and make a name for herself by breaking the biggest story of her life. What Lo uncovers is that her sleepy home town has been harbouring a deadly secret, one so shocking that it will captivate the entire nation. Lo’s story will change the course of her life forever, but in a way she could never have dreamed of.

    Kate is in the middle of a two week quarantine period, but she just can't take it anymore - the closeness of the air in her small house, the confinement. And anyway, the moor will be deserted at this time. Nobody need ever know.But Kate's neighbour Alice sees her leaving and Matt, Kate's son, soon realizes she's missing. And Kate, who planned only a quick solitary walk - a breath of open air - falls and badly injures herself. What began as a furtive walk has turned into a mountain rescue operation . . . Unbearably suspenseful, witty and wise, The Fell asks probing questions about the place the world has become since March 2020, and the place it was before. Sarah Moss's novel is a story about compassion and kindness and what we must do to survive, and it will move you to tears.

    Little by little the two sisters grow complicit with his obsessions, his cruelty, his need to control.Set in the leafy northern suburbs of Sydney during the 1940's, The Watch Tower is a novel of relentless and acute psychological power.

    Heart-wrenching, heart-warming and ultimately uplifting--a story about the power of a little kindnessA story of friendship, love and what it means to truly live when, sometimes, it may seem easier not to.Caitlin is convinced she's going to die.Two years ago she was a normal twenty-something with a blossoming career and a plan to go travelling with her best friend, until a car accident left her with a deep, unshakable understanding that she's only alive by mistake.Caitlin deals with these thoughts by throwing herself into work, self-medicating with alcohol, and attending a support group for people with death-related anxiety, informally known as the Morbids.But when her best friend announces she's getting married in Bali, and she meets a handsome doctor named Tom, Caitlin must overcome her fear of death and learn to start living again.Beautiful, funny, and universally relatable this story of hidden loneliness and the power of compassion and companionship reminds us that life is an adventure truly worth living.