He has just taken a prestigious university position in Los Angeles and has been appointed to oversee the collection of papers and works of a leading light of the gay literary salon known as the Purple Circle. Ross stumbles across a lost work by an unknown author and his quest to identify the mystery writer and achieve the glory of scholastic tenure unveils increasingly bizarre and unbalanced facts about a group of writers who in the 1970s and 1980s broke new ground in the creation of a gay literary sensibility. But the dark truth contained within The Book of Lies is even more startling. With biting wit and a lush sense of place and character, Felice Picano's daring novel is at once a stylish mystery, a comical roman A clef, and a wicked send-up of the new Ivory Tower. Leave it to Felice Picano to add a walloping dose of melodrama and intrigue to a tale already redrawing genre boundaries...What Picano does is take an academic mystery (subject matter that might have proved tedious or solipsistic in lesser hands) and morphs it into something new--a page-turning, often campy, occasionally serious critique of academia and historical truth, literary celebrity, and the imminent future of America.-Philadelphia Tribune Felice Picano is the author of 19 books including the best-selling novels Like People In History, Looking Glass Lives, The Lure and Eyes as well as the literary memoirs Ambidextrous, Men Who Loved Me, and A House On the Ocean, A House On the Bay. He is also the author with Dr. Charles Silverstein of The New Joy of Gay Sex. A native of New York, Felice Picano now lives in Los Angeles.

    That secret led him to develop his professional alter-ego, a sensual, androgynous dancer. When Dare begins his second (and considerably more wholesome) job playing clarinet in a polka band, he meets a young man who takes his grandmother out dancing. But Dare knows the man has his own secret. Jonah Day immediately recognizes the clarinetist. Three years earlier they crossed paths in a therapist's office, but they both abandoned that route to mental health. Neither was ready then to open up about the psychological traumas that haunted them. In an attempt to heal their wounds, Dare and Jonah turn to each other. Understanding and empathy come instantly, accompanied by ambivalence about their growing attraction. But the repercussions of victimization are many. Soon, the very experiences Dare and Jonah share threaten to drive them apart.

     Francis “Liv” Livingston was a beast. No matter if he wore a perfectly tailored suit or if he was in his tactical gear, people avoided looking at him. He was always first to volunteer for the jobs only a person with a death wish wanted. Tomorrows weren’t guaranteed. His boss had come to him and told him he needed him for a job. Linus knew the jobs he liked, but when he opened the file, it all went to hell. Beauty was only skin deep. Fielding Haskell made his way in the world on his looks. He’d earned his first film role before he could read a script. He didn’t want the fame. He wanted to go to college. He wanted a man who didn’t look at him and see how pretty he was. Unfortunately, a so-called fan only cared how attractive he was, and it earned him a personal bodyguard and a vacation. He looked forward to the break until he met the man in charge of his safety and wondered if the danger he left was worth dealing with a sudden attraction to a man who was colder than ice.

    "So?""So no one wants you here. Why don't you go back where you came from?"I can't go back, I wanted to say. That was the thing about living in a group home. There was nowhere for me to go but forward.Brent Hartinger's second novel, a portrait of a subculture of teenagers that many people would like to forget, is as powerful and provocative as his first book, Geography Club.

    If the prisoners don't kill each other, they'll die slowly from mining the poisonous drug chojal. Yet Aleron still hopes that he can escape.Only thirty Athaki guards keep the chaos of Tantoret in check, a race of aliens stronger and faster than their human charges. Most intimidating of all is the head guard, Jasak, who has his own reasons for being sent to Tantoret.Amidst the darkness and desperation, Aleron and Jasak share an unexpected attraction. An attraction neither can resist when Jasak claims Aleron as his mate to protect him. Then they discover that both guards and inmates are planning a coup, while a traitor from an enemy nation threatens the whole planet. Suddenly escape from Tantoret isn't just Aleron's dream--it's a matter of survival for them both.84,400 words

    But when the weekend is over, he walks away, reminding himself that he lives a deeply closeted life for painful, compelling reasons. He keeps his secrets, his heart, and the cause of his crippled arm to himself, but almost immediately he bitterly regrets leaving Kevin. Months later, while Tom serves as reluctant assistant director for his school's production of Rent, he fears that the show's same-sex love angle will somehow out him. Protests against the play begin, one of the student actors is harassed, and during a parents' meeting, Tom encounters Kevin again. This time Tom can't fight the attraction between them, and he and Kevin begin a tentative relationship. Within Rent's message of acceptance and support, and as local churches oppose the play, Tom struggles to find the strength to admit one man into his heart.

    Emma Donoghue brings to bear all her knowledge and grasp to examine how desire between women in English literature has been portrayed, from schoolgirls and vampires to runaway wives, from cross-dressing knights to contemporary murder stories. Donoghue looks at the work of those writers who have addressed the “unspeakable subject,” examining whether such desire between women is freakish or omnipresent, holy or evil, heartwarming or ridiculous as she excavates a long-obscured tradition of (inseparable) friendship between women, one that is surprisingly central to our cultural history.Donoghue writes about the half-dozen contrasting girl-girl plots that have been told and retold over the centuries, metamorphosing from generation to generation. What interests the author are the twists and turns of the plots themselves and how these stories have changed—or haven’t—over the centuries, rather than how they reflect their time and society. Donoghue explores the writing of Sade, Diderot, Balzac, Thomas Hardy, H. Rider Haggard, Elizabeth Bowen, and others and the ways in which the woman who desires women has been cast as not quite human, as ghost or vampire.She writes about the ever-present triangle, found in novels and plays from the last three centuries, in which a woman and man compete for the heroine’s love . . . about how—and why—same-sex attraction is surprisingly ubiquitous in crime fiction, from the work of Wilkie Collins and Dorothy L. Sayers to P. D. James.Finally, Donoghue looks at the plotline that has dominated writings about desire between women since the late nineteenth century: how a woman’s life is turned upside down by the realization that she desires another woman, whether she comes to terms with this discovery privately, “comes out of the closet,” or is publicly “outed.”She shows how this narrative pattern has remained popular and how it has taken many forms, in the works of George Moore, Radclyffe Hall, Patricia Highsmith, and Rita Mae Brown, from case-history-style stories and dramas, in and out of the courtroom, to schoolgirl love stories and rebellious picaresques. A revelation of a centuries-old literary tradition—brilliant, amusing, and until now, deliberately overlooked.

    And then he was in my bedroom.Dayton is always on time to work, always organized, always ready to do overtime. The perfect receptionist-waiter-cleaner. Employee of the month. But Dayton has a secret side to him. A kinky, filthy side full of dark and dangerous fantasies that should never see the light of day. He explores his taste for submission in one way only. For three years, he’s been writing letters about it to Max. Convicted to life in prison for the murder of three men and unlikely to ever be free, Max is the safest outlet for Dayton’s frustrated fantasies.Only that he does leave prison. He finds Dayton. And he won’t settle for anything less than what he was promised in the letters. Too bad Dayton is nowhere near ready to indulge Max. Or himself for that matter.

    One wouldn’t think being saddled with his precocious four-year-old nephew for four weeks would be enough to throw him off-kilter. Wrong. Timmy, Jason’s nephew, is a true handful. But just when Timmy and Uncle Jason begin to bond, and Jason feels he’s getting a grip on this babysitting business once and for all, he’s thrown for a loop by a couple of visitors—one from Tucson, the other from beyond the grave. I’m sorry. Say what? Toss a murder, a hot young stud, an unexpected love affair, and a spooky-ass ghost with a weird sense of humor into Jason’s summer plans, and you’ve got the makings for one hell of a ride.

    This is Cassie’s chance to stop being invisible and become the kind of girl who’s worth noticing.Stepping into her new identity turns out to be easier than Cassie could have ever imagined… one moment, one choice, changes everything.Cassie’s new existence both thrills and terrifies her. Swept into a world of illicit parties and social landmines, she sheds her virginity, embraces the numbness she feels from the drugs, and floats through it all, knowing that she is now called beautiful. She ignores the dangers of her fast-paced life… but she can’t sidestep the secrets and the cruelty.Cassie is trapped in a swift downward spiral tinged with violence and abuse, and no one—not even the one person she thought she could trust—can help her now.

    I lived alone and worked from home. I’d disappear into my safe space for days, maybe even weeks, at which point my cousin always showed up to drag me out of my house to interact with the world whether I wanted to or not. On one of our outings, I met the most gorgeous man I’d ever seen in my life; Finn Becker. So what if he was trying to stab his cheating ex at the time? Finn was everything I wasn’t – sassy, feisty, hilarious, full of life – and everything I needed. To my amazement, Finn was interested in me too. Could I move beyond my insecurities and accept his love? Could I ever make such an amazing man happy? *This M/M romance is for readers 18 and up! It has no cliffhangers or cheating and a very happy HEA. It contains a feisty, grade A sass factory who would do anything for his love, a man who needs love more than anything else in this crazy world, and lots of steamy sexual healing. **My stories tend to be low on angst because it hurts my heart. They are, however, packed with sexy scenes, heartwarming moments and a healthy dose of humor. Author’s Note Thank you for your interest in my book! My stories tend to be low angst because it hurts my heart; I like getting to the good stuff and live for fluff. If “instalove” isn’t your thing, my books may not be for you. I want my readers to finish my books with a smile on their face and a fierce case of the warm and fuzzies. Laughter is guaranteed, and each read delivers its own type of drama. Thanks again for taking a look and happy reading!