A dazzling heart-shaped gem, the Emerald also bestows its wearer with magical powers.When the Emerald disappears one stormy night, Newt sets off to recover it. Her plan entails dressing up as a man, mustache included, as no well-bred young lady should be seen out and about on her own. While in disguise, Newt encounters the handsome but shrewd Major Harnett, who volunteers to help find the missing Emerald under the assumption that she is a man. Once she and her unsuspecting ally are caught up in a dangerous adventure that includes an evil sorceress, Newt realizes that something else is afoot: the beating of her heart.In Newt’s Emerald, the bestselling author of Sabriel, Garth Nix, takes a waggish approach to the forever popular Regency romance and presents a charmed world where everyone has something to hide.

    Consisting of a series of episodes in the story of the English outlaw Robin Hood and his band of Merry Men, the novel compiles traditional material into a coherent narrative in a colorful, invented "old English" idiom that preserves some flavor of the ballads, and adapts it for children. The novel is notable for taking the subject of Robin Hood, which had been increasingly popular through the 19th century, in a new direction that influenced later writers, artists, and filmmakers through the next century.[1]Pyle had been submitting illustrated poems and fairy tales to New York publications since 1876, and had met with success. The Merry Adventures of Robin Hood was the first novel he attempted. He took his material from Middle Age ballads and wove them into a cohesive story, altering them for coherence and the tastes of his child audience. For example, he included "Robin Hood and the Curtal Friar" in the narrative order to reintroduce Friar Tuck. He needed a cooperative priest for the wedding of outlaw Allan a Dale (Pyle's spelling of the original Alan-a-Dale) to his sweetheart Ellen. In the original "A Gest of Robyn Hode", the life is saved of an anonymous wrestler who had won a bout but was likely to be murdered because he was a stranger. Pyle adapted it and gave the wrestler the identity of David of Doncaster, one of Robin's band in the story "Robin Hood and the Golden Arrow." In his novelistic treatment of the tales, Pyle thus developed several characters who had been mentioned in only one ballad, such as David of Doncaster or Arthur a Bland. Pyle's book continued the 19th-century trend of portraying Robin Hood as a heroic outlaw who robs the rich to feed the poor; this portrayal contrasts with the Robin Hood of the ballads, where the protagonist is an out-and-out crook, whose crimes are motivated by personal gain rather than politics or a desire to help others.[1] For instance, he modified the ballad "Robin Hood's Progress to Nottingham", changing it from Robin killing fourteen foresters for not honoring a bet to Robin defending himself against a band of armed robbers. Pyle has Robin kill only one man, who shoots at him first. Tales are changed in which Robin steals all that an ambushed traveler carried, such as "Robin Hood and the Bishop of Hereford", so that the victim keeps a third and another third is dedicated to the poor. Pyle did not have much concern for historical accuracy, but he renamed the queen-consort in the story "Robin Hood and Queen Katherine" as Eleanor (of Aquitaine). This made her compatible historically with King Richard the Lion-Hearted, with whom Robin eventually makes peace. The novel was first published by Scribner's in 1883, and met with immediate success,[1] ushering in a new era of Robin Hood stories. It helped solidify the image of a heroic Robin Hood, which had begun in earlier works such as Walter Scott's 1819 novel Ivanhoe. In Pyle's wake, Robin Hood has become a staunch philanthropist protecting innocents against increasingly aggressive villains.[1] Along with the publication of the Child Ballads by Francis James Child, which included most of the surviving Robin Hood ballads, Pyle's novel helped increase the popularity of the Robin Hood legend in the United States. The Merry Adventures also had an effect on subsequent children's literature. It helped move the Robin Hood legend out of the realm of penny dreadfuls and into the realm of respected children's books.[2] After Pyle, Robin Hood became an increasingly popular subject for children's books: Louis Rhead's Bold Robin Hood and His Outlaw Band (1912) and Paul Creswick's Robin Hood (1917), illustrated by Pyle's pupil N. C.

    The lack of a name is appropriate, because he and his mother are but poor peasants in 14th century medieval England. But this thirteen-year-old boy who thought he had little to lose soon finds himself with even less - no home, no family, or possessions. Accused of a crime he did not commit, he may be killed on sight, by anyone. If he wishes to remain alive, he must flee his tiny village. All the boy takes with him is a newly revealed name - Crispin - and his mother's cross of lead.

    When a mysterious carriage brings a visitor to the house, Lucas hopes he’s found a friend at last. But the newcomer, Anna Marie, is unfriendly and spoiled—and French. Just when Lucas thinks things can’t get any worse, disastrous circumstances force him and Anna Marie, parentless and penniless, into the dark and unfriendly streets of Blastburn.

    Lucy Strange takes a seafaring myth and grounds it in the stark reality of World War II.Growing up in a lighthouse, 11-year-old Pet's world has been one of storms, secret tunnels, and stories about sea monsters. But now the country is at war and the clifftops are a terrifying battleground. Pet will need to muster all her bravery to uncover why her family is being torn apart. This is the story of a girl who is afraid and unnoticed. A girl who freezes with fear at the enemy planes ripping through the skies overheard. A girl who is somehow destined to become part of the strange, ancient legend of the Daughters of Stone.

    After surviving a shipwreck, he finds work in a London theatre. There, his family flourishes for generations as brilliant actors until 1900, when young Leontes Marvel is banished from the stage.Nearly a century later, runaway Joseph Jervis seeks refuge with an uncle in London. Albert Nightingale's strange, beautiful house, with its mysterious portraits and ghostly presences, captivates Joseph and leads him on a search for clues about the house, his family, and the past.

    Surrounded by her large family, Loma is happy living in the judería of Alcalá de Henares, Spain, and wants nothing more than to someday have a family of her own.Still, when her intimidating grandfather, her Belo, decides to bring her along on his travels, she’s excited to join him. Belo has the ear of King Ferdinand and Queen Isabella, and Loma relishes her adventures with him, adventures that are beyond the scope of most girls of the time. She soon learns just how dangerous the world is for the Jews of Spain, and how her grandfather’s influence keeps their people safe.But the older Loma gets, the more she longs to realize her own dreams—if Belo will ever allow her to leave his side.

    Silas is left shaken, scared, and alone, except for the presence of his companion, Mittenwool . . . who happens to be a ghost. When a pony shows up at his door, Silas makes the courageous decision to leave his home and embark on a perilous journey to find his father. Along the way, he will face his fears to unlock the secrets of his past and explore the unfathomable mysteries of the world around him.

      Will Shackley is the son of a lord, and though just thirteen, he’s led a charmed, protected life and is the heir to Shackley House, while his father is away on the Third Crusade with King Richard the Lionheart.   But with King Richard’s absence, the winds of treason are blowing across England, and soon Shackley House becomes caught up in a dangerous power struggle that drives Will out of the only home he’s ever known. Alone, he flees into the dangerous Sherwood Forest, where he joins an elusive gang of bandits readers will immediately recognize.   How Will helps a drunkard named Rob become one of the most feared and revered criminals in history is a swashbuckling ride perfect for anyone who loves heroes, villains, and adventure.

    Now the war front approaches, and when Peter’s father enlists, Peter has to move in with his grandpa. Far worse than being forced to leave home is the fact that Pax can’t go. Peter listens to his stern father—as he usually does—and throws Pax’s favorite toy soldier into the woods. When the fox runs to retrieve it, Peter and his dad get back in the car and leave him there—alone. But before Peter makes it through even one night under his grandfather’s roof, regret and duty spur him to action; he packs for a trek to get his best friend back and sneaks into the night. This is the story of Peter, Pax, and their independent struggles to return to one another against all odds. Told from the alternating viewpoints of Peter and Pax.

    But one night, she sees a strange light glowing from within it. She climbs a ladder to investigate . . . and finds herself transported back four hundred years to Hatfield Palace, where she becomes servant and confidante of the banished princess Elizabeth, daughter of King Henry VIII. Rose soon discovers something else surprising—a locket with two mysterious images inside it, both of them clues to her own past.Could her grandmother’s greenhouse portal offer answers to the mysteries of her family . . . and their secrets? And how will she ever unravel them all?

    She had no idea they were so dangerous.   Boston, 1891. Sophia Tims comes from a family of explorers and cartologers who, for generations, have been traveling and mapping the New World—a world changed by the Great Disruption of 1799, when all the continents were flung into different time periods.  Eight years ago, her parents left her with her uncle Shadrack, the foremost cartologer in Boston, and went on an urgent mission. They never returned. Life with her brilliant, absent-minded, adored uncle has taught Sophia to take care of herself. Then Shadrack is kidnapped. And Sophia, who has rarely been outside of Boston, is the only one who can search for him. Together with Theo, a refugee from the West, she travels over rough terrain and uncharted ocean, encounters pirates and traders, and relies on a combination of Shadrack’s maps, common sense, and her own slantwise powers of observation. But even as Sophia and Theo try to save Shadrack’s life, they are in danger of losing their own.The Glass Sentence plunges readers into a time and place they will not want to leave, and introduces them to a heroine and hero they will take to their hearts. It is a remarkable debut.

    Her eccentric uncle Enos drives away her only new acquaintance, Pat, a handsome British scholar, then leaves Peggy to fend for herself. But she is not alone. The house is full of mysteries and ghosts. Soon Peggy becomes involved with the spirits of her own Colonial ancestors and witnesses the unfolding of a centuries-old romance against a backdrop of spies and intrigue and of battles plotted and foiled.

    The hotly-anticipated next novel from NUMBER ONE bestselling author, David WalliamsJack’s Grandpa…*wears his slippers to the supermarket*serves up Spam à la Custard for dinner*and often doesn’t remember Jack’s nameBut he can still take to the skies in a speeding Spitfire and save the day…An exquisite portrait of the bond between a small boy and his beloved Grandpa – this book takes readers on an incredible journey with Spitfires over London and Great Escapes through the city in a high octane adventure full of comedy and heart.Illustrated by the award-winning Tony Ross.

    But things do not turn out as they had expected. The sole survivors of a terrible shipwreck, they wash ashore to learn that the danger has only begun. Their new world will test their courage, cleverness, endurance, and faith as they struggle to survive and create a civilization of their own in the wilderness. Note: This Townsend Library classic has been carefully edited to be more accessible to today's students. It includes a brief author's biography and an afterword that provides important context about the work.