Proposing models of hybridity, each of the book's major sequences develops a unique subject, rhythm, and form. Bringing to light the molten potential at the core of personality, the poems illuminate ways that language, as history read by anthropologists, discourse between lovers, gestures between parent and child, graffiti in temples, or even language as an event in itself (the very experience of words at play), incarnates presence. Addressing father and son relationships, and venerating erotic love, Gander's poems surge with vitality: the energy of active discovery.

    A. Levy said, "If you want a revolution, return to your childhood & kick out the bottom." In Boatman, Vernon takes you on this spirited journey where you are immediately immersed in a bold story brimming with the hard, beautiful blue of life, love & death. This symbolic collection shows you what it means to be human. It reveals the depths of the soul & how sometimes we just want to give up-how our legs can get tired of treading all the dark water. Thankfully, Ashe is beside us through the entire tale, showing us how to love the water instead of fear it- & when the weight of our heads & hearts get to be too much, they offer us a hand & lead us to the boat, they ask us to climb up in it with them, & in the end, the whole of the voyage teaches us how to save ourselves."- Amanda Oaks, founder of Words Dance Publishing

    79 pages of chapter summaries, quotes, character analysis, themes, and more – everything you need to sharpen your knowledge of Term Limits. This detailed literature summary also contains Topics for Discussion and a Free Quiz on Term Limits by Vince Flynn.

     From the author of the bestselling WHEN GOD WAS A RABBIT comes this spellbinding new novel. Marvellous Ways is eighty-nine years old and has lived alone in a remote Cornish creek for nearly all her life. Lately she's taken to spending her days sitting by the river with a telescope. She's waiting for something - she's not sure what, but she'll know it when she sees it. Drake is a young soldier left reeling by the Second World War. When his promise to fulfil a dying man's last wish sees him wash up in Marvellous' creek, broken in body and spirit, the old woman comes to his aid. A Year of Marvellous Ways is a glorious, life-affirming story about the magic in everyday life and the pull of the sea, the healing powers of storytelling and sloe gin, love and death and how we carry on when grief comes snapping at our heels.

    What is admirable about Duffy', commented Robert Nye in The Times, is that she celebrates such places without sentimentalizing them, and wrings the last drop of meaning from each visit.' Carol Ann Duffy was born in Glasgow in 1955. Her awards include first prize in the 1983 National Poetry Competition; three Scottish Arts Council Book Awards; Eric Gregory, Somerset Maugham and Dylan Thomas Awards in Britain and a 1995 Lannan Literary Award in the USA. In 1993 she received the Forward Poetry Prize and the Whitbread Poetry Award for her acclaimed fourth collection Mean Time. On May 1, 2009 she was named the Poet Laureate of the United Kingdom.

    Ali travels by water and by night, seeking the Far Mosque and its overarching paradox: that when God and Self are one, an ascent into Heaven is a voyage within.

    A decade later, she emerges from the Hong Kong underworld with payback on her mind. They gunned down her husband and kidnapped her daughter, and now the debt needs to be repaid. It's a blood feud she didn't start but she is going to finish.Beatrix has already crossed one name off her Kill List. Her second target is a mercenary being held hostage by Somali terrorists. Can she infiltrate the most dangerous failed state on the planet and scrub him off the List, too?BLOOD MOON RISING"Murder's out of tune, and sweet revenge grows harsh."Ten years ago, Beatrix Rose headed an off-the-books hit squad that did the dirty work of the British Government. When she discovered that the commander of the squad was corrupt, he sent five of his assassins to rub her out.But they failed. Bad mistake.There were six names on Beatrix's Death List and now there are four. She's going to account for the others, one by one, even if it kills her. Beatrix has returned from Somalia with a fresh target in her sights. Bryan Duffy is in Iraq, surrounded by mercenaries, with no easy way to get to him and no easy way to get out.Will Duffy prove to be a challenge too far?BLOOD & ROSES"Before you embark on a journey of revenge, dig two graves."Beatrix Rose has worked her way through her Kill List. Four are dead and just two remain. But now her enemies know she has them in her sights. The hunter becomes the hunted.In a thrilling conclusion to the breakneck trilogy, Beatrix and her daughter must fight them in North Africa, New York and finally in the swamps of North Carolina. It's a lightning-paced roller-coaster of action that pits a deadly assassin against the might of the most powerful private army on the planet.It's long odds for Beatrix. And that's just how she likes it.

    But like his celebrated teacher, Elizabeth Bishop, Gioia is meticulously painstaking and self-critical about his own poems. In an active 25-year career he has published only two previous volumes of poetry. Although Gioia is often recognized as a leading force in the recent revival of rhyme and meter in American poetry, his own work does not fit neatly into any one style.Interrogations at Noon displays an extraordinary range of style and sensibility—from rhymed couplets to free verse, from surrealist elegy to satirical ballad. What unites the poems is not a single approach but their resonant musicality and powerful but understated emotion. This new collection explores the uninvited epiphanies of love and marriage, probing the quiet mysteries of a seemingly settled domestic life. Meditating on the inescapable themes of lyric poetry—time, mortality, nature, and the contradictions of the human heart—Gioia turns them to provocative and unexpected ends.

     Mare Internum. Mesogeios. The Mediterraneus. That sea has been known by many names since the creation of the world. To the people living around its shores, it was the entire world. Myron had no use for the myriad of gods that the people of his village worshiped - and cursed. And it was obvious to himself that those immortals, in turn, had no interest in a young man whose future would be bound by the reed pools and swamps of the Nilos delta. His disinterest was such that he seldom even bothered to bash the ears of whichever deity was supposedly responsibility for the daily misfortunes of an orphan. Then came the evening when the marauders struck... Had he been given even a glimpse of his future from that moment on, he would have dismissed it as the ravings of a drunken myth weaver. In fact, the story might have been similar to the tales that were told on occasion, around the evening fires, by an itinerant bard who entertained the village in return for a bone to gnaw and a jar of bitter beer to quaff. But, sanctioned by the gods or no, his future would take him to the far reaches of the known world. And his rise from the lowest drudge to the command of men was certainly not derived from bending his knee to some vaporous deity, but by innate skill and the ability to take the measure of a man. Indeed, his story was the kind of tale that a bard loved and would cause his listeners sit in total silence to hear. After all, why would a man in reality, who had fought his way to power and riches, would give them up for a mere woman and an uncertain future? Of course, only the gods knew of his unique gift...

    They celebrate the wonders of nature and explore the nature of love and friendship.

    River Hymns is the lyrical journey of a young black man’s spiritual reckoning with his family history.

    Valente's first full-length poetry collection, where freaks, emperors, bodhisattvas, beasts, witches, wicked stepmothers, Greek heroes, told seductively and wickedly in poem and prose, jostle and vie for supremacy . .

    Highly recommended."—Library Journal"Intimate and hypnotic."—Ploughshares"Levin has the skilled ear, magnificent tongue, and fierce mind of the truly prophetic."—Rain Taxi"Levin's work is phenomenological; it details how it feels to be an embodied consciousness making its way through the world."—Boston Review"Death is the new and unshakeable lens through which I see," writes Dana Levin about her third book, in which she confronts mortality and loss in subjects ranging from Tibetan Buddhist burial practices to Aztec human sacrifice. Shaped by dreams and "the worms and the gods," these poems are a profound investigation of our inescapable fate. As Louise Glück has said: "Levin's animating fury goes back deeper into our linguistic and philosophic history: to Blake's tiger, to the iron judgments of the Old Testament."They took you in an ambulance even though you were dead,they took youand my sister saidWhy are you saving her if she is dead?     shey shey—Curve of sky a crescent blade.Vultures wheeling     on thermal parapets, shunyata,     void that flays—Yak butter,     barley flour and tea: you watch him     make the paste.Dana Levin's debut volume In the Surgical Theatre won the prestigious APR/Honickman First Book Prize. She teaches creative writing at the University of New Mexico and in the Warren Wilson College MFA Program. She lives in Santa Fe, New Mexico.

    Here, though, the poet's electric narratives and portraits extend beyond the working class streets of urban New Jersey. Modeling poems on the kundiman, a song of unrequited love sung by Filipinos for their country in times of oppression, he professes his conflicted feelings for America, while celebrating and lamenting his various heritageswhether by chatting up St. Patrick, riffing on race relations, or channeling Lapu Lapu in a rejoinder to Magellan. Passionate, provocative, and irrepressible throughout, My American Kundiman further establishes Rosal as a poet to be reckoned with.

    Doughty’s poems are at once absurdist and matter-of-fact; the images he conjures are thrown into high relief through cutting wordplay. In a series of prose poems about showbiz, he reimagines Cookie Monster as a burned-out suicide, and cheesy talk-show host Joe Franklin as a cross-dressing witness to the apocalypse. And in “For Charlotte, Unlisted,” he wrenchingly tracks the elusive memory of a faded romance.